The Heavy-Metal Band Disturbed Covered Simon & Garfunkel’s “The Sound of Silence” Ten Years Ago, and It’s Still Topping the Charts

“The Sound of Silence” Is the Most Met­al Song of the Past Decade”: imag­ine that head­line, and the con­trar­i­an cul­ture piece prac­ti­cal­ly writes itself. Not so long ago, Slate was noto­ri­ous for pub­lish­ing that kind of thing, but it seems they’ve now put that sen­si­bil­i­ty behind them — or at least most­ly behind them. “If you’re in the mood for an under­dog sto­ry,” writes that site’s Luke Winkie, “I rec­om­mend perus­ing Bill­board­’s Hard Rock Dig­i­tal Song Sales chart. It is home to, gen­uine­ly, one of the most sub­stan­tial feats of endurance in the his­to­ry of pop­u­lar music, and it shows no sign of slow­ing down any­time soon. I speak, of course, of Dis­turbed’s cov­er of the Simon & Gar­funkel clas­sic ‘The Sound of Silence,’ which has been at, or near, the apex of that chart since 2015.”

While you almost cer­tain­ly know Simon & Gar­funkel, you may not know Dis­turbed, who’ve been steadi­ly pop­u­lar in the met­al world since the release of their debut album The Sick­ness in 2000. Lis­ten to that album’s big sin­gle “Down with the Sick­ness,” and you’re instant­ly trans­port­ed back to the turn of the mil­len­ni­um, when the exag­ger­at­ed­ly rhyth­mic and aggres­sive sub­genre of “nu met­al” reigned supreme.

Enter­tain­ing though the sheer incon­gruity of a nu-met­al ver­sion of “The Sound of Silence” would be, that move­ment had long since flamed out by 2015, when Dis­turbed record­ed their cov­er of Simon & Gar­funkel’s sig­na­ture song. Instead, they take the haunt­ing aus­ter­i­ty of the orig­i­nal in a grand­ly mourn­ful direc­tion, dri­ven by piano, strings, and the kind of cav­ernous sen­si­tiv­i­ty in which met­al acts occa­sion­al­ly indulge.

“Simon & Garfunkel’s ver­sion is best suit­ed for The Grad­u­ate,” writes Winkie, “while Dis­turbed’s take seems tuned for the end-cred­its scroll of a Trans­form­ers flick.” Inclu­sion in a Hol­ly­wood block­buster might have explained the song’s decade-long dom­i­nance of the afore­men­tioned Hard Rock Dig­i­tal Song Sales chart: a minor are­na in itself, but one in which this per­pet­u­al vic­to­ry reflects a wider cul­tur­al phe­nom­e­non. Though young peo­ple may nev­er have heard Dis­turbed’s “The Sound of Silence” — or indeed Simon & Gar­funkel’s — it’s drawn intense and abid­ing enthu­si­asm from lis­ten­ers in their six­ties, sev­en­ties, and eight­ies, for whose approval met­al bands haven’t con­ven­tion­al­ly angled. Nev­er­the­less, it had to mark a high point in Dis­turbed’s career when, after per­form­ing the song on Conan, they received high praise from one par­tic­u­lar­ly dis­tin­guished mem­ber of that demo­graph­ic: a cer­tain Paul Simon.

via Slate

Relat­ed con­tent:

Watch Simon & Gar­funkel Sing “The Sound of Silence” 45 Years After Its Release, and Just Get Haunt­ing­ly Bet­ter with Time

Paul Simon Tells the Sto­ry of How He Wrote “Bridge Over Trou­bled Water” (1970)

Paul Simon Decon­structs “Mrs. Robin­son” (1970)

Fred Armisen & Bill Hader’s Comedic Take on the His­to­ry of Simon and Gar­funkel

Who Invent­ed Heavy Met­al Music?: A Search for Ori­gins

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.


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Comments (99)
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  • CMcC93 says:

    Don’t for­get Cur­rent 93’s take “St. Peter’s Keys All Bloody” https://www.youtube.com/watch?v=BAGwovDIMyQ with a bit of Scar­bor­ough Fair and T.S. Eliot thrown in.

  • Earthman says:

    I hon­est­ly hate this cov­er and how often it’s played. Prime edge-lord garbage. Com­plete­ly dilutes the poignan­cy of the orig­i­nal.

  • Mark john says:

    Total­ly mind con­sum­ing

  • Marilyn says:

    I think this is one of the most beau­ti­ful­ly haunt­ing cov­ers ever per­formed. The raw emo­tion of his voice is breath tak­ing in my opin­ion

  • Michelle Newton says:

    This ver­sion by Dis­turbed rocks a per­son­’s soul!!!❤️❤️❤️

  • Jeff says:

    See how stu­pid the gen­er­al pubic is?

  • Norman Wellsby says:

    His one hell of a voice love hear­ing him wish he do more songs like the song sounds of silence

  • David says:

    I was at their con­cert in OKC this week. Did­n’t hear every “song” they “sang”, but every­thing I did hear was a cov­er song, includ­ing butcher­ing S of S. Do they have any orig­i­nal mate­r­i­al at all?

  • Dave says:

    A band called Bobaflex cov­ered the same song and did­n’t butch­er it like dis­turbed did.

  • Chris says:

    Nev­er­more has he best met­al cov­er of this.

  • InterwebGuru says:

    Why did you go see a band, if you don’t know their mate­r­i­al, and aren’t a fan? 🤔

  • Teresa says:

    Was beau­ti­ful

  • Savant says:

    Because he’s lying on the inter­net for clout lol.

  • Benjamin says:

    DD made me smile when invit­ing a cou­ple of young girls and their dads onstage dur­ing a show, say­ing they were great dads, con­sid­er­ing the Tay­lor Swift show across town and when a hand­ful of fans booed Swift’s name, quick­ly checked them, say­ing that Tay­lor Swift plays a gui­tar and sings in front of thou­sands of strangers and until you do that, you can’t boo Tay­lor Swift.
    Made me love David Draiman (hope I spelled that cor­rect­ly) and the Swiftie move­ment, because of its inclu­sive nature. I’m a head­banger but that appealed to me on a basic, true lev­el. It made me like Dis­turbed bet­ter, and see a lit­tle of the Swiftie appeal

  • James Sowards says:

    Love this cov­er of the sound­track!!🇺🇸💈

  • Chapman says:

    Bobaflex ver­sion is 100x bet­ter

  • Luciferrises says:

    Garbage cov­er by a garbage human being. Fuck David Drain­man

  • Catherine says:

    I love this ver­sion of sound of silence and the orig­i­nal both excel­lent
    Usu­al­ly I dont like cov­er ver­sions but this song is some­thing else Bril­liant

  • Beti says:

    I love it.

  • Elaine says:

    Dis­turbed’s cov­er is awe­some and gives me chills when I hear it. They did a great job

  • Gekko says:

    You’re an ass­hat. What would you know? You obvi­ous­ly have no soul and no ears!

  • Gekko says:

    That msg was for all the haters. This ver­sion is epic…phenominal

  • Poopman says:

    Mids at best

  • Punisher4life says:

    Go burn your bra batch!

  • Punisher4life says:

    Go burn your bra bitch!

  • Colin says:

    Agreed

  • Sue says:

    There is a YouTube video that plays this ver­sion over a mon­tage of 9/11 photos.I cry like a baby every time I watch it.…

  • Jeffsaxton says:

    Dis­turbed things the sound Of silence like it’s sup­posed to be Sung.excellent

  • Jeff. Spencer says:

    I absolute­ly agree with you!!! It is not a met­al song and should not be sung as such. The Dis­turbed singer sounds raged and dis­turbed. Not a good fit for this song.

  • Christina says:

    It’s a ter­ri­ble cov­er and a major dis­ser­vice of the song.

  • Kland says:

    No clue how this even became pop­u­lar.

    Dis­turbed is not a very good band and their cov­er is pret­ty bad.

  • Susan says:

    Every­one has and enti­tled to their own opin­ion. Thats music for you. I per­fer S&G ver­sion. But when the cov­er song is used inn the Mil­i­tary videos. Its per­fect for it. See. Every­one has their own opin­ions. This is mine.

  • Kim newrick says:

    Nev­er heard of this band but watched this on YouTube. Oh my lordy, when it fin­ished I was weep­ing. Utter­ly won­der­ful, haunt­ing cov­er. David’s voice is stun­ning. Absolute­ly love this.

  • Reid says:

    I came on here to com­ment the same thing.

  • Diana says:

    “Silence is like the can­cer that grows”

    This song had so much mean­ing & rel­e­vance now, more than ever, but that one sen­tence, (com­par­ing silence to a grow­ing can­cer) is TIMELESS.

    Watch­ing the Amer­i­can ppl start to rise up & speak out against the fas­cist regime that is run­ning their coun­try & watch­ing my fel­low Cana­di­ans turn out to vote in RECORD #‘s so we DON’T make the same mis­takes as our Amer­i­can neigh­bors, real­ly tugs at my heart & soul. It gives me a bit of hope that some of the things that we cher­ish & val­ue most (free­dom & sov­er­eign­ty) are still worth fight­ing for!

  • Chang says:

    Yeah unfor­tu­nate­ly the fact they sup­port Israel and geno­cide turned me off one of my once favourite bands. Shame.

  • Nilly says:

    His voice strains the entire time to try and hit any­thing beyond a mid range note. He does­n’t sing, he yells lyrics.

  • Nilly says:

    His voice strains the entire time to try and hit any­thing beyond a mid range note. He does­n’t sing, he yells lyrics.

  • Chuck says:

    LOVE IT!!

  • Kathrina vidrine says:

    He is just fuck­ing creepy and scary

  • Niall says:

    This should­n’t work but it absolute­ly does. It’s a dif­fer­ent take on the orig­i­nal but he has kept to the orig­i­nal melody just with a sharp­er edge. His voice is incred­i­ble. Most heavy met­al singers just scream but, on this song at least, this guy can SING

  • Kevin says:

    For all the haters. It is by far the best cov­er ever­rr. Peri­od

  • Michael Downing says:

    Love what Dis­turbed did with this cov­er. So much more inter­est­ing and ener­gis­ing than the orig­i­nal. Simon and Gar­funkel were from a dif­fer­ent time. Dis­turbed is now. Can’t believe I’ve been lis­ten­ing to this ver­sion on repeat for ten years. It breaths new life into a tired clas­sic.

  • Mayday says:

    I don’t see why. It’s a ter­ri­ble cov­er. I would rather dri­ve with no music then lis­ten to that bru­tal song.

  • Barbara says:

    The gen­er­al “pubic”? Lol I need­ed that laugh today. Thanks

  • Bajemo says:

    This ver­sion rips the ban­dages off. I love it for its raw­ness and intensity….and it’s beau­ty Go fig­ure.

  • Victoria says:

    Your an idiot

  • Arthur says:

    I’m sor­ry, but the test results have come back and it appears you have an enor­mous stick lodged up your back­side. Not only that but you’re ter­mi­nal­ly thick.

  • Rick says:

    Con­grat­u­la­tions, you have proven that taste­less imbe­ciles can oper­ate key­boards.

  • Grant says:

    .…..and you as well.

  • Ladybaisi says:

    Agreed 100%.
    And the Cyril remix is one if my favourites. Such an incred­i­ble voice.

  • Gennie says:

    Imag­ine a Jew­ish Can­ter being pro Israel?! 😱

  • Gennie says:

    If it’s the Conan ver­sion it’s cause DD was sick at the time. I sug­gest either the orig­i­nal video or the dozens of live per­for­mances on YT post­ed over the years.

  • Gennie says:

    Paul Simon said it’s the only cov­er he likes

  • Cobud Botha says:

    Dont like the band and their music.

    How­ev­er, their ver­sion of “Sound of Silence” is the best I have ever heard in my live.

    100% to them

  • Barbara Brady says:

    The 1st time I saw/heard “Dis­turbed” was when I found it on my laptop.It showed David Draiman walk­ing through a New York City post-911 which was DEVOID of people.The streets were emp­ty but for a smoky,dusty haze EVERYWHERE.Having lived in that beloved city for about 30 yrs., I knew it well, and after my work­place CLOSED,I was “forced” to leave,still unem­ployed. So, WHERE can I find that ‘Emp­ty City’ video to BUY it? If any­one knows,please help me to get a copy!!

  • Wildekat13 says:

    I am a Boomer, and I grew up lis­ten­ing to the orig­i­nal. That being said, I love this ver­sion. Start­ed off low key, slow­ly build­ing to a mag­nif­i­cent crescen­do in the final verse.

  • Goldie says:

    Tru­ly great cov­er (and I’m a S&G fan) by a great per­son.
    We know why the haters are real­ly here. Racism is a men­tal dis­ease.

  • Mike Hess says:

    It’s an inter­est­ing take, and his voice is great.

    But it’s miss­ing the har­monies that make the song so beau­ti­ful and poignant.

    It’s good, but not bet­ter than the orig­i­nal.

  • Richard says:

    Dave Dra­mond shows us his incred­i­ble abil­i­ty to sing, from when the song starts, the soft­ness in his voice gives me that hair rais­ing feel­ing, and as the song pro­gress­es, he puts more & more ener­gy into his singing. I feel its an awe­some remake of the orig­i­nal song, to me it makes a song from the 60’s rel­e­vant to mod­ern times

  • Larry Stoddard says:

    Uhh , I thought that was Gen­e­sis or Phil Collin’s at least .

  • Anton says:

    Very few ver­sions if any top the orig­i­nal. This does in spades. Have you ever even lis­tened to the lyrics? The Gar­funkel ver­sion is not the way to sing such a dark song. Hel­lo dark­ness my old friend. Enough said. You made your mind up before ever lis­ten­ing to the dis­turbed ver­sion.

  • Jim says:

    Hi, was around for the orig­i­nal and still think it is one of the best songs of all time. Just lis­tened to this ver­sion and after the first minute real­ly got into it. Best I’ve heard since the orig­i­nal.
    Cheers.

  • DickB Swellen says:

    I’m shook at how gay the pub­lic is.

  • Ross says:

    Good arti­cle, how­ev­er Dis­turb is not Met­al

  • Proph says:

    Fuck that guy.
    He signed bombs to be dropped on chil­dren

  • Bigjohn says:

    Thats why they call it met­al dum­b­ass…

  • Matthew says:

    You must not have any type of musi­cal ear or you would real­ize that this is one of the best remix of a song ever in the his­to­ry of remakes.If you can lis­ten to a live ver­sion of this remake and not have any type of feel­ing then you must not have any type of musi­cal bones in your body my friend. Your com­ment and thoughts on this remake are extreme­ly flim­sy and ridicu­lous and I can’t believe you even said­it

  • Sally says:

    I can­not get enough of this. I think David Draiman is phe­nom­e­nal.

  • Felicia says:

    Exact­ly, I love Bobaflexs ver­sion. Can not stand Dis­turbed ver­sion, as it is too somber and depres­sion.

  • Elizabeth says:

    Jeff, what do you mean ?

  • Michele says:

    David did an absolute excel­lent show on 4–25-25. In San Anto­nio for his fans and to all the haters sor­ry you could­n’t afford a tick­et to see him com­mand and dom­i­nate his stage and He does the best ver­sion of sound of silence!!!! Take all that hate and Movearound! His fans love him and he can rock a stage.

  • Kathy S says:

    There’s a YouTube vid­feo of David Draiman singing Unchained Melody Acapel­la. He’s not only so incred­i­bly tal­ent­ed, but he’s extreme­ly kind and a great defend­er of peo­ple and caus­es.

  • Bea Rose says:

    This ver­sion is true and fright­en­ing!
    I’ll take com­fort in the old ver­sion giv­en to us as a gift all those years ago by …S&G
    It was sooth­ing and kinder….

  • Sue says:

    The theme of this song is raw.How we can be togeth­er and not com­mu­ni­cate because we spend our time bow­ing to a neon god. That is why his edgy vocals work. But on oth­er aspects of the song, he voice is nice and resonant.¹p

  • Olivia says:

    Yall dis­turbed isn’t heavy met­al… like if you don’t know the gen­res of met­al please ask some­one who actu­al­ly lis­tens to met­al💀

  • King Candy says:

    The song is sung with the pas­sion of the words. The mean­ing remains rel­e­vant even more today. The hate and the fear of hate is what keeps us silent…

  • King Candy says:

    Well stat­ed Diana.

  • King Candy says:

    A good man.

  • Karen Danna says:

    I love it love it love it this is the best ver­sion of this song his voice is fan­tas­tic

  • Chris says:

    Each to their own. But for me the Dis­turbed cov­er is eff­ing awful. Makes me cringe when­ev­er I have the mis­for­tune to hear it.

  • Brumy says:

    I love the orig­i­nal but Dis­turbed real­ly brought it to a new lev­el. Love it

  • RooBeeAnn says:

    Exact­ly what I was gonna say: The Best Remake of all time and of all oth­er remakes. I’ve seen peo­ple of all ages like just lov­ing it. And with that voice, it takes u deep and feel­ing it

  • Jules says:

    I like it and I like the orig­i­nal. I like opera and Nick­le­back too. #Free­bird

  • Flick says:

    Yep, it’s youth pas­tor bull­shit.

  • M M Werner says:

    I played this ver­sion at my Sons funer­al and every­one enjoyed it very much … it doesn’t replace the Simon and Gar­funkel ver­sion but My Son liked Dis­turbed

  • V Blair says:

    I absolute­ly LOVE this ren­di­tion. My favorite.

  • iloveopossums says:

    I com­plete­ly agree.
    I saw them recent­ly, and it was bet­ter live than the record­ing!

  • Chuckharr says:

    Since when is Dis­turbed a “Heavy Met­al” band. Pret­ty sure you mean Nu Met­al. And David can GTFOH since he sup­ports the blan­ket bomb­ing of civil­ians of entire nation rather than tar­get­ed strikes against those who per­pe­trat­ed Oct. 7th. Sor­ry about your friend David but blown up kids is not jus­tice for that.

  • Hilly says:

    For those that don’t under­stand.
    Dis­turbed is not just a music taste.
    Dis­turbed tries to make you see in the dark­ness and tries keep your spark of light flick­er­ing on.

  • Murdawg78 says:

    Earth­man, I am will­ing to bet you are the guy who just does­n’t like things BECAUSE OTHER PEOPLE DO. Not based on mer­it, skill or real­i­ty of what ever project hap­pens to tick­le the fan­cy of the pop­u­la­tion at the time. I’m not a fan of any of the music played today on the radio or what Is played to numb the mass­es now a days. I have to say that the remake of this clas­sic was done with a very orig­i­nal take on a song that had been fes­ter­ing for years with zero new fans and old ones for­get­ting about the song com­plete­ly “except for” Earth­man” of course, Who was tak­en with the orig­i­nal sound and pro­gres­sions that would speak to him. So no change was need­ed. Tell the orig­i­nal writer of the song, that with all the new roy­al­ties that are rolling in.

  • Murdawg78 says:

    That is awe­some, to be able to do some­thing won­der­ful dur­ing such a sad day. You are right that it does­n’t replace the orig­i­nal ver­sion but it def­i­nite­ly adds an amaz­ing amount to it that it need­ed to become reliv­ent Again.

  • Michelle willette says:

    This song is sang straight from Soul so real so Beau­ti­ful so pow­er­ful.

  • P.Delaney says:

    Scum­bag sign­ing Amer­i­can bombs to be used to mur­der women and chil­dren in Pales­tine.

  • P.Delaney says:

    David Draiman sign­ing USA bombs for the geno­cide on the Pales­tine peo­ple.
    Boy­cott peti­tion to stop this geno­cide sup­port­er from per­form­ing in Ire­land 🇮🇪 in 2025.

  • Paul mcnerney says:

    Awful ren­di­tion

  • 1488 says:

    It’s a hit, Goy.

  • Francisco says:

    Says the idiot who uses “your” instead of “you’re”.

  • JD says:

    Yes Jeff, you pro­vide a great amount of evi­dence.

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