The Prado Museum Creates the First Art Exhibition for the Visually Impaired, Using 3D Printing


Image courtesy of The Prado

Are you one of the millions of sighted visitors who’ll visit a world class institution this year only to find yourself suffering from museum fatigue a couple of hours in? You know, that moment when all the paintings start to look alike, still lifes, crucifixions, and teenage noblewomen swimming before your eyes?

If so, may we recommend closing your eyes and limiting yourself to an in-depth study of a half dozen paintings? That’s the number of works on display in Hoy toca el Prado, Madrid’s Museo del Prado’s landmark exhibition aimed at people with visual disabilities.

The Louvre, New York’s Metropolitan Museum of Art, and London’s National Gallery all have touch-friendly programming that allows blind visitors to experience sculptural works with their hands. The Prado’s initiative is unique in that it applies 3D printing techniques to reproductions of painted—i.e. flat—work.

Certain aspects of each painting, including textures, were selected for showcasing in the 3D reproductions. A chemical process involving ultraviolet light and special ink resulted in a few millimeters of added volume. The reproductions retained the originals’ color, for visually impaired visitors with the ability to perceive it.


Image courtesy of The Prado

Sighted patrons can try their hands at experiencing such works as The Parasol by Goya and Velazquez’s Vulcan’s Forge in a non-visual way by donning opaque glasses. Texts are in braille. Audioguides are accessible to all.

According to the original’s record in the museum’s catalog, El Greco’s The Nobleman with His Hand on His Chest is notable for the “expressive gaze its sitter directs at the viewer.” The exhibit’s curator reported that one of the first blind visitors to come through wanted to know the subject’s eye color. He found that he could not confidently respond without double checking.


Image courtesy of ABC News

Other paintings in the collection include: Leonardo da Vinci’s  “Mona Lisa;” “Don’t touch me” (Noli me tangere) by Antonio da Correggio; and “Still life with Artichokes, Flowers and Glass Vessels” by Juan Van Der Hamen. See an online gallery of the exhibit, which will be up through June, here.

via The New York Times

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Ayun Halliday is an author, illustrator, and Chief Primatologist of the East Village Inky zine. Follow her @AyunHalliday

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Comments (3)
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  • Bill W. says:

    Wait until they hit the bulge of the codpieces…

  • Derique Ess. says:

    You must be a small child, or think like one, Billy. Perhaps some adult with the power will purge this puerile graffiti from this page. Billy: go to your room this instant. No dinner. Wait until the Gorgon gets home. Don’t give me that look! You’re gonna get it now, buster!

  • Surelis D says:

    Very interesting article. I will be cite it for an arts and culture paper for one of my classes. It’s amazing how important this is. Thanks for the info !

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