Even in our age of unprecedentedly abundant images, delivered to us at all times by print, film, television, and especially the ever-multiplying forms of digital media, something inside us still values paintings. It must have to do with their physicality, the physicality of oil on canvas or whatever tangible materials the painter originally used. But in that great advantage of the painting lies the great disadvantage of the painting: tangible materials degrade over time, and many, if not most, of the paintings we most revere have been around for a long time indeed, and few of them have come down to us in pristine shape.
Enter the art restorer, who takes on the task of undoing, painstakingly and entirely by hand, both the ravages of time and the blunders of less competent stewards who have come before. In this case, enter Julian Baumgartner of Chicago’s Baumgartner Fine Art Restoration, a meditative short documentary on whose practice we featured earlier this year here on Open Culture.
You can see much more of it in these videos: in the one above, writes Colossal’s Kate Sierzputowski, Baumgartner “condenses over 40 hours of delicate swiping, scraping, and paint retouching into a 11.5 minute narrated video” showing and explaining his restoration of The Assassination of Archimedes.
The project, not atypical for a painting restoration, “involved cleaning a darkened varnish from the surface of the piece, removing the work from its original wooden panel using both modern and traditional techniques, mounting the thin paper-based painting to acid-free board, and finally touching up small areas that had become worn over the years.” Baumgartner’s Youtube channel also offers similar condensed restoration videos of two other paintings, Mother Mary and a portrait by the American Impressionist William Merrit Chase.
Baumgartner packs into each of these videos an impressive amount of knowledge about his restoration techniques, which few of us outside his field would have had any reason to know — or even imagine —before. They’ve racked up their hundreds of thousands of views in part thanks to that intellectual stimulation, no doubt, but all these physical materials and the sounds they make have also attracted a crowd that shares a variety of enthusiasm unknown before the age of digital media. I’m talking, of course, about ASMR video fans, whom Baumgartner has obliged by creating a version of his The Assassination of Archimedes restoration especially for them. Now there’s an art restorer for the 21st century.
How an Art Conservator Completely Restores a Damaged Painting: A Short, Meditative Documentary
The Art of Restoring a 400-Year-Old Painting: A Five-Minute Primer
The Art of Restoring Classic Films: Criterion Shows You How It Refreshed Two Hitchcock Movies
Rembrandt’s Masterpiece, The Night Watch, Will Get Restored and You Can Watch It Happen Live, Online
25 Million Images From 14 Art Institutions to Be Digitized & Put Online In One Huge Scholarly Archive
Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.
Totally cool, thanks!
2018 brought an excellent series of YouTube videos from London’s National Gallery showing the restoration of Artemisia Gentileschi’s “Self-Portrait as St. Catherine”. This series allowed people to follow along through the year as the work was assessed and restored before being put on display at the gallery in mid-December.
Another interesting discussion of this phenomenon can be found in a recent London “Times” article by the critic Waldemar Januszczak, “The art of restoration: Artemisia Gentileschi, Rembrandt, Van Eyck and a new gallery trend” (December 23, 2018).
This guy is an arrogant ‘restorer’ that has no credentials, blocks and deletes questions and concerns of conservators and restorers with actual degrees.
Do your research and listen to the art conservation world before showing the world this quack.
I totally agree with the individual above. This “restorer” is not a properly-trained conservator. He is not a graduate of a recognized art conservation graduate program . A number of trained professionals have weighed in on his techniques, many of which are outdated and heavy handled. His techniques can damage paintings,…Iamd I’m sure he has on a number of occasions.