The Ukulele Orchestra of Great Britain Performs The Ramones “I Wanna Be Sedated”

You have seen The Ukulele Orches­tra of Great Britain (UOGB)  pay trib­ute to The Clash, Nir­vana and Bowie. Now, it’s time for The Ramones and their 1978 clas­sic, “I Wan­na Be Sedat­ed.” The UOGB took shape in 1985, and they’ve been per­form­ing cre­ative cov­ers of pop­u­lar songs and musi­cal pieces ever since. Enjoy this one, and find a long playlist of their oth­er cov­ers here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Laugh­ing Squid

Relat­ed Con­tent 

The Ukulele Orches­tra of Great Britain Per­forms The Clash’s “Should I Stay Or Should I Go”

The Ukulele Orches­tra of Great Britain’s Head­bang­ing Cov­er of Nirvana’s “Smells Like Teen Spir­it”

David Bowie’s “Heroes” Delight­ful­ly Per­formed by the Ukulele Orches­tra of Great Britain

Ukulele Orches­tra Per­forms Ennio Morricone’s Icon­ic West­ern Theme Song, “The Good, The Bad and The Ugly.” And It’s Pret­ty Bril­liant.

The Ukulele Orches­tra of Great Britain Per­forms The Rolling Stones’ “(I Can’t Get No) Sat­is­fac­tion”

 


by | Permalink | Comments (1) |

Sup­port Open Cul­ture

We’re hop­ing to rely on our loy­al read­ers rather than errat­ic ads. To sup­port Open Cul­ture’s edu­ca­tion­al mis­sion, please con­sid­er mak­ing a dona­tion. We accept Pay­Pal, Ven­mo (@openculture), Patre­on and Cryp­to! Please find all options here. We thank you!


Comments (1)
You can skip to the end and leave a response. Pinging is currently not allowed.

Leave a Reply

Quantcast
Open Culture was founded by Dan Colman.