Bubbles Over Stinson Beach

Ster­ling John­son, oth­er­wise known as the Bub­ble­smith, goes to work at Stin­son Beach, a lit­tle north of San Fran­cis­co. Mark Day cap­tures the artis­tic dis­play with his Canon 550D, and it’s all set to Bach’s Pre­lude in C Major. Like the kid said in Amer­i­can Beau­ty, “Some­times there’s so much beau­ty in the world, I feel like I can’t take it, like my heart’s going to cave in…”

via Sci­ence Dump

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The Cinemagraph: A Haunting Photo/Video Hybrid

As gim­micks go, the mov­ing GIF is almost as old as the inter­net itself. But artists Jamie Beck and Kevin Berg have tak­en their ani­mat­ed pho­tographs, or “cin­ema­graphs,” as Beck calls them, far beyond the orig­i­nal gim­mick. While some of their images tend towards kitsch, fea­tur­ing clich­es like long hair rustling in the breeze, or wine pour­ing from a bot­tle, the duo (see a col­lec­tion of their pho­tos here) has also pro­duced sev­er­al shots of star­tling beau­ty: A sin­gle news­pa­per page rus­tles in a frozen park. The reflec­tion of a taxi­cab glides like a ghost across a win­dow. A beau­ti­ful woman sud­den­ly seems to catch you star­ing at her. The effect is pure para­noia, like ear­ly Polan­s­ki, or a morn­ing walk on no sleep.

So is the cin­ema­graph the future of pho­tog­ra­phy, or just a neat trick? You can join that debate over at flickr.

Thanks to Eric Strenger and @eugenephoto for the tip.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Orion: The Beauty of South Dakota Nights in Time Lapse

This past Feb­ru­ary, Randy Halver­son ven­tured forth into the frigid South Dako­ta night to cre­ate a painful­ly pret­ty time-lapse film. He called it “Sub Zero,” an apt title giv­en that tem­per­a­tures fell to ‑25 degrees Fahren­heit.

With the approach of spring, Halver­son returned to the great out­doors to shoot “Ori­on,” which fea­tures con­stel­la­tions track­ing across his fam­i­ly farm. The film starts in an old grain dis­tillery, then moves out­side, and gets down­right mes­mer­iz­ing around the 1:45 mark.

In case you’re won­der­ing, the film does­n’t take its name from the Ori­on con­stel­la­tion. Rather it comes from the Ori­on tele­scope head used to shoot the film. That gear appears at the 2:09 mark.

You can read more about “Ori­on” in Wired as well as on Vimeo. And stay tuned for more: Halver­son hopes to shoot South Dakota’s bad­lands and the Rocky Moun­tains this com­ing sum­mer…

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Flux: Short Animation Inspired by İlhan Koman

Sit back and enjoy Can­daş Şişman’s video ded­i­cat­ed to the influ­en­tial Turk­ish sculp­tor, İlh­an Koman (1923–1986). Rodin, Gia­comet­ti, Bran­cusi – they all informed Koman’s work, and now fil­ter back into Şişman’s video instal­la­tion, which went on dis­play at last year’s Hul­da Fes­ti­val.

The fes­ti­val, fea­tur­ing Koman’s sci­en­tif­ic sculp­tures, ran from March 2009 until Novem­ber 2010, and trav­eled to Stock­holm, Ams­ter­dam, Antwerp, Bor­deaux, Lis­bon, Barcelona, Naples, Mal­ta, Thes­sa­loni­ca and final­ly Istan­bul. You can find more of Şişman’s work on Vimeo here.

via @kirstinbutler

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The Hourglass: A Short Film that Celebrates Time, Slowly

Marc New­son is one of the world’s most respect­ed, exhib­it­ed and award-win­ning design­ers. Accord­ing to his web­site, he’s also the most high­ly-val­ued. New­son’s pieces have set so many records at auc­tion that his work now accounts for almost 25% of the total con­tem­po­rary design mar­ket. It there­fore comes as no sur­prise that the hour­glass­es he has designed for Ike­pod’s reboot cost any­where from 9,000 to 13,000 Euros.

It’s tempt­ing to dis­miss Ike­pod’s new Hour­glass video as a sleek ad for an over­priced prod­uct, espe­cial­ly since that’s exact­ly what it is. But the video is also an ele­gant, visu­al­ly strik­ing trib­ute to a van­ish­ing world, in which time (and time­pieces) seemed to move more slow­ly.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

A Perfect Springtime Animation: The Windmill Farmer by Joaquin Baldwin

April may be the cru­elest month, mix­ing mem­o­ry and desire, etc. But Mr. Eliot nev­er depend­ed on sea­son­al change for his liveli­hood, except per­haps in the vaguest metaphor­i­cal sense. For a more uplift­ing take on spring, here’s The Wind­mill Farmer, a charm­ing short film by one of our favorite young ani­ma­tors.

Joaquin Bald­win, 27, earned his MFA at The UCLA Ani­ma­tion Work­shop. He was born in Paraguay to an envi­ron­men­tal activist moth­er and an artist father, and you can see the influ­ence of both voca­tions in his shorts, which have already won over 100 awards, and often have an envi­ron­men­tal theme. For more infor­ma­tion about his work and back­ground, check out our edi­tor’s 2010 write-up over at Brain­pick­ings. And enjoy those lilacs while they last.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Kevin Spacey & Alec Baldwin Go to Bat for the Arts

Both Alec Bald­win and Kevin Spacey are long­time advo­cates for gov­ern­ment fund­ing of  the Arts. If you missed their tes­ti­mo­ny before the House Appro­pri­a­tions Subcom­mi­tee on the Inte­ri­or ear­li­er this month, you aren’t alone. They were kicked off the sched­ule because of prepa­ra­tions for a con­gres­sion­al shut­down. These speech­es were deliv­ered not to the sub­com­mit­tee but to a crowd of advo­cates and fans.

Both are well worth watch­ing. Spacey, who is also the artis­tic direc­tor of Lon­don’s Old Vic The­atre, has long been one of the most respect­ed and artic­u­late actors in Hol­ly­wood. (See his inspir­ing pep talk to a young actor on Inside the Actor’s Stu­dio here.) He packs more wis­dom in these 12 and a half min­utes than some per­form­ers do in a life­time.

As for Alec Bald­win, his speech is short­er, but equal­ly com­pelling. If you’re in a rush, head straight to minute  4:00, which begins with this teas­er: “I come from a busi­ness where we all know a great secret …”

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

El Teide in Time Lapse

It’s the sec­ond time we have Spain in time lapse video this week. First, the his­tor­i­cal land­scape of Cen­tral Spain. Now El Tei­de, Spain’s high­est moun­tain, and the home to one of the world’s best obser­va­to­ries. This drop-dead gor­geous footage (click here to watch expand­ed ver­sion) was cap­tured just days ago by Ter­je Sorgjerd, whose work can be fol­lowed on Face­book here. And, don’t miss our Face­book page, where you can get our dai­ly posts and share intel­li­gent media with fam­i­ly and friends…

via Metafil­ter

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