Johnny Depp Reads Letters from Hunter S. Thompson

Back in 1998, Hunter S. Thomp­son’s most famous piece of Gonzo jour­nal­ism, Fear and Loathing in Las Vegas, was brought to the sil­ver screen, with John­ny Depp play­ing a lead role. From this point for­ward, Depp and Thomp­son became fast friends. (Indeed, Depp would end up pay­ing for Thomp­son’s elab­o­rate funer­al, which involved shoot­ing the writer’s ash­es out of a can­non to the tune of Nor­man Green­baum’s Spir­it in the Sky and Bob Dylan’s Mr. Tam­bourine Man.) Above we fea­ture John­ny read­ing out loud some let­ters he received from Hunter. The let­ters are very Thomp­son-esque, which means, among things, they’re NOT SAFE for work! Part 2 can be found here, and Part 3 here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Samuel Beckett Speaks

Samuel Beck­ett gave us Wait­ing for Godot, one of the great plays of the 20th cen­tu­ry. Today, he would have turned 104 years old. He died back in 1989, and just two years before that, the pub­lic­i­ty-shy play­wright was cap­tured in some rare footage that appeared in an Amer­i­can doc­u­men­tary called “Wait­ing for Beck­ett.” The images and voic­es can be a lit­tle dif­fi­cult to make out, but it’s worth giv­ing this clip a lit­tle bit of time to unfold. Mean­while, you can find more film clips involv­ing Beck­ett (as writer and direc­tor) on UBUWeb, the avant-garde media site we fea­tured here last month.

Thanks Mike for send­ing this one our way.

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David Lynch Lists His Favorite Movies & Filmmakers in 59 Seconds

In a quick 59 sec­onds, David Lynch tells you the films and film­mak­ers that he likes best. In equal­ly suc­cinct videos, though with a bit more salty lan­guage (read: lan­guage that’s not ide­al for work), Lynch also gives you his thoughts on prod­uct place­ment and the whole con­cept of watch­ing a movie on an iPhone. You can find sev­er­al of Lynch’s ear­ly short films in our col­lec­tion of Free Movies Online. This bit of cul­tur­al good­ness comes from our archives.

Love on the Metro: Watch J’Attendrai Le Suivant (I’ll Wait for the Next One)

It starts as it always does on the sub­way in France. The speech has the same for­mu­la­ic windup. And you think you know what’s com­ing next — the pitch for some spare change. But then things head in a new direc­tion, and a mini dra­ma unfolds. I won’t spoil the rest. J’At­tendrai Le Suiv­ant (I’ll Wait for the Next One) was nom­i­nat­ed for an Acad­e­my Award for the Best Short Film in 2002. It received mul­ti­ple oth­er nom­i­na­tions and prizes. This comes our way via Daniel, a film stu­dent in Berlin. We’ve added it to our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Early Hollywood Censored

In the ear­ly days of cin­e­ma, cen­sor­ship was com­mon­place in Amer­i­ca, and even slight­ly sug­ges­tive film clips wound up on the cut­ting room floor. Now, at long last, some clips are final­ly reach­ing the sil­ver screen. In 2007, a film­mak­er found cut scenes in an old the­ater some­where in Penn­syl­va­nia, and, with them, pro­duced a short film. Above, you can revis­it the lega­cy of cen­sor­ship in ear­ly Amer­i­can film. And, what’s more, you can watch lots of great vin­tage films with our col­lec­tion of Free Online Movies.

via Maria Popo­va, aka @brainpicker, the writer behind Brainpickings.org

Papiroflexia

Orig­i­nal­ly from Paraguay, Joaquin Bald­win moved to LA and start­ed study­ing at The UCLA Ani­ma­tion Work­shop, where he direct­ed this short ani­mat­ed film, Papiroflex­ia (Span­ish for “Origa­mi”). The film end­ed up being a final­ist at the Cannes Film Fes­ti­val in 2008. Then, in 2009, Bald­win went on win the com­pe­ti­tion with a new ani­mat­ed film, Sebas­tian’s Voodoo, even though he was com­pet­ing with films by Pixar and Dis­ney. You can watch four shorts (includ­ing Sebas­tian’s Voodoo) at Bald­win’s site, PixelNitrate.com. And for lots of oth­er film good­ness, be sure to check out our col­lec­tion of Free Movies Online.

Marlon Brando Opens Up to Tennessee Williams

I had no idea that Mar­lon Bran­do was much of a writer, but this 1955 let­ter to Ten­nessee Williams is superb. Per­haps I just can’t help iden­ti­fy­ing him with Stan­ley Kowal­s­ki of the “Napoleon­ic code,” Stel­la!” and “Hoity-toity, describ­in’ me like a ape.” Espe­cial­ly inter­est­ing is his atti­tude towards suc­cess. (Note some of the lan­guage is a lit­tle strong/racy):

I have been afraid for you some­times, because suc­cess sings a dead­ly lul­la­by to most peo­ple. Suc­cess is a real and sub­tle whore, who would like noth­ing bet­ter than to catch you sleep­ing and bite your cock off. You have been as brave as any­body I’ve known, and it is com­fort­ing to think about it. You prob­a­bly don’t think of your­self as brave because nobody who real­ly has courage does, but I know you are and I get food from that.

This pas­sage echoes Williams’ own views on suc­cess, espe­cial­ly his beau­ti­ful (and iron­i­cal­ly inspir­ing) essay On a Street­car Named Suc­cess, writ­ten eight years ear­li­er:

It is nev­er alto­geth­er too late, unless you embrace the Bitch God­dess, as William James called her, with both arms and find in her smoth­er­ing caress­es exact­ly what the home­sick lit­tle boy in you always want­ed, absolute pro­tec­tion and utter effort­less­ness. Secu­ri­ty is a kind of death, I think, and it can come to you in a storm of roy­al­ty checks beside a kid­ney-shaped pool in Bev­er­ly Hills or any­where at all that is removed from the con­di­tions that made you an artist, if that’s what you are or were intend­ed to be. Ask any­one who has expe­ri­enced the kind of suc­cess I am talk­ing about–What good is it? Per­haps to get an hon­est answer you will have to give him a shot of truth-serum but the word he will final­ly groan is unprint­able in gen­teel pub­li­ca­tions.

You’ll find the rest of Bran­do’s let­ter (includ­ing an image of the orig­i­nal) — which includes reflec­tions on actors Anna Mag­nani and Burt Lan­cast­er — here.

Wes Alwan lives in Boston, Mass­a­chu­setts, where he works as a writer and researcher and attends the Insti­tute for the Study of Psy­cho­analy­sis and Cul­ture. He also par­tic­i­pates in The Par­tial­ly Exam­ined Life, a pod­cast con­sist­ing of infor­mal dis­cus­sions about philo­soph­i­cal texts by three phi­los­o­phy grad­u­ate school dropouts.

The Wilhelm Scream is Back

The Wil­helm Scream, named after Pri­vate Wil­helm, a char­ac­ter in the 1953 West­ern film The Charge at Feath­er Riv­er, has appeared in over 140 Hol­ly­wood films, includ­ing Star Wars, Raiders of the Lost Ark, Reser­voir Dogs, and oth­ers. (See full list here.) Now the scream is com­ing back. Accord­ing to the LA Times, the scream will again echo through cin­e­mas with the May 7 release of Jon Favreau’s Iron Man 2. Above, you can watch a mon­tage of The Wil­helm Scream. Nat­u­ral­ly, the ur-scream comes first. Thanks Veron­i­ca for the tip on this one!

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