Gandhi Writes Letters to Hitler: “We Have Found in Non-Violence a Force Which Can Match the Most Violent Forces in the World” (1939/40)

Gandhi Hitler

It must come up in every sin­gle argu­ment, from sophis­ti­cat­ed to sopho­moric, about the prac­ti­ca­bil­i­ty of non-vio­lent paci­fism. “Look what Gand­hi and Mar­tin Luther King, Jr. were able to achieve!” “Yes, but what about Hitler? What do you do about the Nazis?” The rebut­tal implies future Nazi-like enti­ties loom­ing on the hori­zon, and though this reduc­tio ad Hitlerum gen­er­al­ly has the effect of nul­li­fy­ing any con­tin­ued ratio­nal dis­cus­sion, it’s dif­fi­cult to imag­ine a sat­is­fy­ing paci­fist answer to the prob­lem of naked, implaca­ble hatred and aggres­sion on such a scale as that of the Third Reich. Even Gand­hi’s own pro­pos­al sounds like a joke: in 1940, Adolph Hitler aban­dons his plans to claim Leben­sraum for the Ger­man peo­ple and to dis­place, enslave, or erad­i­cate Ger­many’s neigh­bors and unde­sir­able cit­i­zens. He adopts a pos­ture of non-vio­lence and “uni­ver­sal friend­ship,” and Ger­man forces with­draw from Czecho­slo­va­kia, Poland, Den­mark, France, agree­ing to resolve dif­fer­ences through inter­na­tion­al con­fer­ence and com­mit­tee.

Hitler may have been a veg­e­tar­i­an, but that’s like­ly where any sym­pa­thy between him and Gand­hi began and end­ed.  And yet, the above is pre­cise­ly what Mahat­ma Gand­hi asked of the Fuhrer, in a let­ter dat­ed Decem­ber 24, 1940. Engaged ful­ly in the strug­gle for Indi­an inde­pen­dence, Gand­hi found him­self torn by the entry of Britain into the war against Ger­many. On the one hand, Gand­hi ini­tial­ly pledged “non­vi­o­lent moral sup­port” for the war, sens­ing an enemy–Germany–even more threat­en­ing to world peace and sta­bil­i­ty. (That stance would change in short order as the Indi­an Nation­al Con­gress revolt­ed and resigned en masse rather than par­tic­i­pate in the war). On the oth­er hand, Gand­hi did not see the British Empire as cat­e­gor­i­cal­ly dif­fer­ent from the Nazis. As he put it in his let­ter to Hitler, whom he address­es as “Friend” (this is “no for­mal­i­ty,” he writes, “I own no foes”): “If there is a dif­fer­ence, it is in degree. One-fifth of the human race has been brought under the British heel by means that will not bear scruti­ny.”

Gand­hi acknowl­edges the absur­di­ty of his request: “I am aware,” he writes, “that your view of life regards such spo­li­a­tions as vir­tu­ous acts.” And yet, he mar­shals a for­mi­da­ble argu­ment for non­vi­o­lence as a force of pow­er, not weak­ness, show­ing how it had weak­ened British rule: “The move­ment of inde­pen­dence has been nev­er so strong as now,” he writes, through “the right means to com­bat the most orga­nized vio­lence in the world which the British pow­er rep­re­sents”:

It remains to be seen which is the bet­ter orga­nized, the Ger­man or the British. We know what the British heel means for us and the non-Euro­pean races of the world. But we would nev­er wish to end the British rule with Ger­man aid. We have found in non-vio­lence a force which, if orga­nized, can with­out doubt match itself against a com­bi­na­tion of all the most vio­lent forces in the world. In non-vio­lent tech­nique, as I have said, there is no such thing as defeat. It is all ‘do or die’ with­out killing or hurt­ing. It can be used prac­ti­cal­ly with­out mon­ey and obvi­ous­ly with­out the aid of sci­ence of destruc­tion which you have brought to such per­fec­tion. It is a mar­vel to me that you do not see that it is nobody’s monop­oly. If not the British, some oth­er pow­er will cer­tain­ly improve upon your method and beat you with your own weapon. You are leav­ing no lega­cy to your peo­ple of which they would feel proud. They can­not take pride in a recital of cru­el deed, how­ev­er skill­ful­ly planned. I, there­fore, appeal to you in the name of human­i­ty to stop the war.

As an alter­na­tive to war, Gand­hi pro­pos­es an “inter­na­tion­al tri­bunal of your joint choice” to deter­mine “which par­ty was in the right.” His let­ter, Gand­hi writes, should be tak­en as “a joint appeal to you and Sign­or Mus­soli­ni…. I hope that he will take this as addressed to him also with the nec­es­sary changes.”

Gand­hi also ref­er­ences an appeal he made “to every Briton to accept my method of non-vio­lent resis­tance.” That appeal took the form of an open let­ter he pub­lished that July, “To Every Briton,” in which he wrote:

You will invite Herr Hitler and Sign­or Mus­soli­ni to take what they want of the coun­tries you call your pos­ses­sions. Let them take pos­ses­sion of your beau­ti­ful island, with your many beau­ti­ful build­ings. You will give all these, but nei­ther your souls, nor your minds. If these gen­tle­men choose to occu­py your homes, you will vacate them. If they do not give you free pas­sage out, you will allow your­self, man, woman and child, to be slaugh­tered, but you will refuse to owe alle­giance to them.

When Gand­hi vis­it­ed Eng­land that year, he found the viceroy of colo­nial India “dumb­struck” by these requests, writes Stan­ley Wolpert in his biog­ra­phy of the Indi­an leader, “unable to utter a word in response, refus­ing even to call for his car to take the now more deeply despon­dent Gand­hi home.”

Gand­hi’s 1940 let­ter to Hitler was actu­al­ly his sec­ond addressed to the Nazi leader. The first, a very short mis­sive writ­ten in 1939, one month before the ill-fat­ed Sovi­et Non-Aggres­sion Pact, strikes a con­cil­ia­to­ry tone. Gand­hi writes that he resist­ed requests from friends to pen the let­ter “because of the feel­ing that any let­ter from me would be an imper­ti­nence,” and though he calls on Hitler to “pre­vent a war which may reduce human­i­ty to a sav­age state,” he ends with, “I antic­i­pate your for­give­ness, If I have erred in writ­ing to you.” But again, in this very brief let­ter, Gand­hi appeals to the “con­sid­er­able suc­cess” of his non­vi­o­lent meth­ods. “There is no evi­dence,” The Chris­t­ian Sci­ence Mon­i­tor remarks, “to sug­gest Hitler ever respond­ed to either of Gand­hi’s let­ters.”

As the war unavoid­ably raged, Gand­hi redou­bled his efforts at Indi­an inde­pen­dence, launch­ing the  “Quit India” move­ment in 1942, which—writes Open Uni­ver­si­ty—“more than any­thing, unit­ed the Indi­an peo­ple against British rule” and has­tened its even­tu­al end in 1947. Non-vio­lence suc­ceed­ed, improb­a­bly, against the British Empire, though cer­tain oth­er for­mer colonies won inde­pen­dence through more tra­di­tion­al­ly war­like meth­ods. And yet, though Gand­hi believed non-vio­lent resis­tance could avert the hor­rors of World War II, those of us with­out his lev­el of total com­mit­ment to the prin­ci­ple may find it dif­fi­cult to imag­ine how it might have suc­ceed­ed against the Nazis, or how it could have appealed to their total­iz­ing ide­ol­o­gy of dom­i­na­tion.

Relat­ed Con­tent:

Tol­stoy and Gand­hi Exchange Let­ters: Two Thinkers’ Quest for Gen­tle­ness, Humil­i­ty & Love (1909)

Hear Gandhi’s Famous Speech on the Exis­tence of God (1931)

Watch Gand­hi Talk in His First Filmed Inter­view (1947)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Try the Oldest Known Recipe For Toothpaste: From Ancient Egypt, Circa the 4th Century BC

Ancient_Egypt_Dentistry

Image of Ancient Egypt­ian Den­tistry, via Wiki­me­dia Com­mons

When we assume that mod­ern improve­ments are far supe­ri­or to the prac­tices of the ancients, we might do well to actu­al­ly learn how peo­ple in the dis­tant past lived before indulging in “chrono­log­i­cal snob­bery.” Take, for exam­ple, the area of den­tal hygiene. We might imag­ine the ancient Greeks or Egyp­tians as prone to ram­pant tooth decay, lack­ing the ben­e­fits of pack­aged, brand­ed tooth­paste, silken rib­bons of floss, astrin­gent mouth­wash, and ergonom­ic tooth­brush­es. But in fact, as tooth­paste man­u­fac­tur­er Col­gate points out, “the basic fun­da­men­tals” of tooth­brush design “have not changed since the times of the Egyp­tians and Babylonians—a han­dle to grip, and a bris­tle-like fea­ture with which to clean the teeth.” And not only did ancient peo­ple use tooth­brush­es, but it is believed that “Egyp­tians… start­ed using a paste to clean their teeth around 5000 BC,” even before tooth­brush­es were invent­ed.

In 2003, cura­tors at a Vien­nese muse­um dis­cov­ered “the world’s old­est-known for­mu­la for tooth­paste,” writes Irine Zoech in The Tele­graph, “used more than 1,500 years before Col­gate began mar­ket­ing the first com­mer­cial brand in 1873.” Dat­ing from the 4th cen­tu­ry AD, the Egypt­ian papyrus (not shown above), writ­ten in Greek, describes a “pow­der for white and per­fect teeth” that, when mixed with sali­va, makes a “clean tooth paste.” The recipe is as fol­lows, Zoech sum­ma­rizes: “…one drach­ma of rock salt—measure equal to one hun­dredth of an ounce—two drach­mas of mint, one drach­ma of dried iris flower and 20 grains of pep­per, all of them crushed and mixed togeth­er.”

Zoech quotes Den­tist Heinz Neu­man, who remarked, “Nobody in the den­tal pro­fes­sion had any idea that such an advanced tooth­paste for­mu­la of this antiq­ui­ty exist­ed.” Hav­ing tried the ancient recipe at a den­tal con­fer­ence in Aus­tria, he found it “not unpleas­ant”

It was painful on my gums and made them bleed as well, but that’s not a bad thing, and after­wards my mouth felt fresh and clean. I believe that this recipe would have been a big improve­ment on some of the soap tooth­pastes used much lat­er.

Dis­cov­ered among “the largest col­lec­tion of ancient Egypt­ian doc­u­ments in the world,” the doc­u­ment, says Her­mann Har­rauer, head of the papyrus col­lec­tion as the Nation­al Library in Vien­na, “was writ­ten by some­one who’s obvi­ous­ly had some med­ical knowl­edge, as he used abbre­vi­a­tions for med­ical terms.”

When we sur­vey the den­tal reme­dies of Medieval Eng­land, we do indeed find that mod­ern den­tal care is far bet­ter than much of what was avail­able then. Most den­tal cures of the time, writes Trevor Ander­son in a Nature arti­cle, “were based on herbal reme­dies, charms and amulets.” For exam­ple, in the 1314 Rosa Angli­ca, writer John of Gad­des­den reports, “some say that the beak of a mag­pie hung from the neck cures pain in the teeth.” Anoth­er rem­e­dy involves stick­ing a nee­dle into a “many foot­ed worm which rolls up in a ball when you touch it.” Touch the aching tooth with that roly-poly nee­dle and “the pain will be erased.”

How­ev­er, “there is also doc­u­men­tary evi­dence,” writes Ander­son, “for pow­ders to clean teeth and attempts at fill­ing car­i­ous cav­i­ties,” as well as some sur­gi­cal inter­ven­tion. In Gilber­tus Angli­cus’ 13th cen­tu­ry Com­pendi­um of Med­i­cine, read­ers are told to rub teeth and gums with cloth after eat­ing to ensure that “no cor­rupt mat­ter abides among the teeth.” In The Tro­tu­la—a com­pendi­um of folk reme­dies from the 11th or 12th century—we find many recipes for what we might con­sid­er tooth­paste, though their effi­ca­cy is dubi­ous. Danièle Cybul­skie at Medievalists.net quotes one recipe “for black teeth”:

…take wal­nut shells well cleaned of the inte­ri­or rind, which is green, and… rub the teeth three times a day, and when they have been well rubbed… wash the mouth with warm wine, and with salt mixed if desired.

Anoth­er, more extrav­a­gant, recipe sounds imprac­ti­cal.

Take burnt white mar­ble and burnt date pits, and white natron, a red tile, salt, and pumice. From all of these make a pow­der in which damp wool has been wrapped in a fine linen cloth. Rub the teeth inside and out.

Yet a third recipe gives us a lux­u­ry vari­ety, its ingre­di­ents well out of reach of the aver­age per­son. We are assured, how­ev­er, that this for­mu­la “works the best.”

Take some each of cin­na­mon, clove, spike­nard, mas­tic, frank­in­cense, grain, worm­wood, crab foot, date pits, and olives. Grind all of these and reduce them to a pow­der, then rub the affect­ed places.

Whether any of these for­mu­las would have worked at all, I can­not say, but they like­ly worked bet­ter than charms and amulets. In any case, while medieval Euro­pean texts tend to con­firm cer­tain of our ideas about poor den­tal hygiene of the past, it seems that the dai­ly prac­tices of more ancient peo­ples in Egypt and else­where might have been much more like our own than we would sus­pect.

via The Tele­graph/Medievalists.net

Relat­ed Con­tent:

Dis­cov­er the Old­est Beer Recipe in His­to­ry From Ancient Sume­ria, 1800 B.C.

Cook Real Recipes from Ancient Rome: Ostrich Ragoût, Roast Wild Boar, Nut Tarts & More

How the Egypt­ian Pyra­mids Were Built: A New The­o­ry in 3D Ani­ma­tion

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

An Animated Introduction to Goethe, Germany’s “Renaissance Man”

We all know the name Goethe — some of us even know the full name, Johann Wolf­gang von Goethe. I’ve nev­er lived in the renowned 18th- and 19th-cen­tu­ry writer, politi­cian, and cul­tur­al poly­math­’s home­land of Ger­many, but even when I lived in Los Ange­les, I reg­u­lar­ly went to my local branch of the Goethe-Insti­tute for Ger­man cul­tur­al events. Even in Korea, where I live now, Goethe has left a wide if shal­low mark: you can see The Sor­rows of Young Werther in the form of an elab­o­rate stage musi­cal, for instance, and buy almost all the goods you need in life from the enor­mous con­glom­er­ate named after the young lady on whom Werther con­cen­trates his doomed affec­tions, Lotte.

But why, more than 180 years after Goethe’s death, does his name still come up in so many dif­fer­ent con­texts? And giv­en that, why do so many of us know so lit­tle about his long, var­ied, col­or­ful, and high­ly pro­duc­tive life and career? This sounds like a job for the video wing of Alain de Bot­ton’s School of Life, whose short primers con­tin­ue to bring us up to speed on why the lega­cies of so many cul­tur­al fig­ures (with one sec­tion giv­en over to the lit­er­ary) have endured, or should endure. “Goethe is one of the great minds of Euro­pean civil­i­sa­tion, though his work is large­ly unknown out­side of the Ger­man speak­ing coun­tries,” says de Bot­ton in their video on Goethe: “He deserves our renewed atten­tion.”

To fill out the details pro­vid­ed in the School of Life’s video, you can read an overview of Goethe’s career (includ­ing details on the prop­er pro­nun­ci­a­tion of his name) in the accom­pa­ny­ing Book of Life entry online. It tells the sto­ry of not just Young Werther’s cre­ator, but “one of Europe’s big cul­tur­al heroes – com­pa­ra­ble to the likes of Shake­speare, Dante and Homer,” skilled in let­ters, of course, but also in “phys­i­ol­o­gy, geol­o­gy, botany and optics,” who also spent stretch­es of his career as “a diplo­mat, fash­ion guru, a senior civ­il ser­vant, a pornog­ra­ph­er, the head of a uni­ver­si­ty, a fine artist, an adven­tur­ous trav­eller, the direc­tor of a the­atre com­pa­ny and the head of a min­ing com­pa­ny.”

We might call Goethe, inso­far as he devel­oped his own mas­tery, span­ning so much of the human expe­ri­ence, a Renais­sance man out of time — but one who, in his way, out­did even the actu­al men of the Renais­sance. “We have so much to learn from him,” adds the Book of Life. “We don’t often hear peo­ple declar­ing a wish to be a lit­tle more like ‘Goethe.’ But if we did, the world would be a more vibrant and humane place.”

Relat­ed Con­tent:

Goethe’s The­o­ry of Col­ors: The 1810 Trea­tise That Inspired Kandin­sky & Ear­ly Abstract Paint­ing

The Tale of the Fox: Watch Ladis­las Starevich’s Ani­ma­tion of Goethe’s Great Ger­man Folk­tale (1937)

The Death Masks of Great Authors: Dante, Goethe, Tol­stoy, Joyce & More

Har­ry Clarke’s 1926 Illus­tra­tions of Goethe’s Faust: Art That Inspired the Psy­che­del­ic 60s

Eugène Delacroix Illus­trates Goethe’s Faust, “One of the Very Great­est of All Illus­trat­ed Books”

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Negro Travelers’ Green Book, the Pre-Civil Rights Guide to Traveling Safely in the U.S. (1936–66)

Green Book Cover

Pop­u­lar enter­tain­ment has roman­ti­cized the idea of the road trip as a whol­ly spon­ta­neous adven­ture, but for mid-cen­tu­ry African Amer­i­can motorists, plan­ning was essen­tial. The lodg­ings, restau­rants, and tourist attrac­tions where they could be assured of a warm wel­come were often few and far between in the era of seg­re­ga­tion.

The Negro Trav­el­ers’ Green Book, first print­ed in 1936, was an invalu­able resource for trav­el­ers of col­or, par­tic­u­lar­ly when their route took them out­side of urban areas. In the pre-Inter­net age, pub­lish­er Vic­tor Green, a Harlem-dwelling mail­man, relied on read­ers to sup­ply feed­back and new loca­tions for sub­se­quent edi­tions:

There are thou­sands of first class busi­ness places that we don’t know about and can’t list, which would be glad to serve the trav­el­er, but it is hard to secure list­ings of these places since we can’t secure enough agents to send us the infor­ma­tion. Each year before we go to press the new infor­ma­tion is includ­ed in the new edi­tion. When you are trav­el­ing please men­tion the Green Book, in order that they might know how you found their place of busi­ness, as they can see that you are strangers. If they haven’t heard about this guide, ask them to get in touch with us so that we might list their place. If this guide has proved use­ful to you on your trips, let us know. If not, tell us also as we appre­ci­ate your crit­i­cisms and ideas in the improve­ment of this guide from which you ben­e­fit. There will be a day some­time in the near future when this guide will not have to be pub­lished. That is when we as a race will have equal oppor­tu­ni­ties and priv­i­leges in the Unit­ed States. It will be a great day for us to sus­pend this pub­li­ca­tion for then we can go wher­ev­er we please, and with­out embar­rass­ment. But until that time comes we shall con­tin­ue to pub­lish this infor­ma­tion for your con­ve­nience each year.

- from the intro­duc­tion to the 1949 edi­tion

The New York Pub­lic Library’s Schom­burg Cen­ter for Research in Black Cul­ture has dig­i­tized 21 vol­umes of its Green Book col­lec­tion for your brows­ing plea­sure. It’s a trip back in time.

Green Book Points of Interest NYC

1936’s pre­mier edi­tion is geared toward vis­i­tors spend­ing time in and around New York City. In appear­ance, it resem­bles a church bul­letin or com­mu­ni­ty the­ater pro­gram, with busi­ness card ads for beau­ty salons spe­cial­iz­ing in mar­cel wav­ing and restau­rants serv­ing South­ern home cook­ing. Pub­lish­er Green extols the won­ders of Coney Island, Chi­na­town, and the The­atri­cal Dis­trict, even as he notes that “the col­ored show hous­es are in Harlem.” He also seeks to give read­ers a laugh with “How to Keep From Grow­ing Old,” a dri­ver-spe­cif­ic list that could be read aloud from the pas­sen­ger seat for the mer­ri­ment of every­one in the car. (“In slop­py weath­er, dri­ve close to pedes­tri­ans. Dry clean­ers appre­ci­ate this.”)

Green Book Westchester

The Green Book soon swelled to include nation­al list­ings, as tourists and busi­ness trav­el­ers heed­ed Green’s call to beef up the info.

1961’s 25th anniver­sary edi­tion includes a his­to­ry of the enter­prise, a fair amount of typos, newsy updates on the staff, and a renewed promise to list the best places on the moon, should lunar trav­el become an option.

Green Book Pg 5

Green Book 25th Anniversary

Arm­chair trav­el­ers can take the NYPL’s dig­i­tized col­lec­tion out for a spin by enter­ing coor­di­nates into a map­ping fea­ture for 1947 or 1956.

Start­ing in my Indi­ana home­town with sights set on Man­hat­tan took me to the Cot­tage Restau­rant in Colum­bus, Ohio, the Jones Restau­rant in Grafton, West Vir­ginia, and the beau­ti­ful­ly named Trott Inn in Philadel­phia, before I final­ly lay my vir­tu­al head at the Amer­i­ca Hotel. (These days, it would be the Mil­len­ni­um Broad­way.)

Green Book 1956

Enjoy your trip. In the words of Vic­tor Green, “let’s all get togeth­er and make motor­ing bet­ter.”

Relat­ed Con­tent:

Read Mar­tin Luther King and The Mont­gomery Sto­ry: The Influ­en­tial 1957 Civ­il Rights Com­ic Book

Robert Penn War­ren Archive Brings Ear­ly Civ­il Rights to Life

Vin­tage 1930s Japan­ese Posters Artis­ti­cal­ly Mar­ket the Won­ders of Trav­el

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. She doc­u­ment­ed her mis­ad­ven­tures on the road in No Touch Mon­key! And Oth­er Trav­el Lessons Learned Too Late Fol­low her @AyunHalliday

Attention K‑Mart Shoppers: Hear 90 Hours of Background Music & Ads from the Retail Giant’s 1980s and 90s Heyday

Back in high school, I worked part-time at the Gap, a job that, for all its dis­com­forts — the late-night restock­ing, the Sisyphean fold­ing and re-fold­ing, those head­sets — real­ly only left a bit­ter mem­o­ry because of the music. Each month, the store received a new disc of back­ground shop­ping sound­track, but only an hour-long sound­track, to be played on loop over over and over again, and so to be heard by me six or sev­en times per shift. Need­less to say, the start of a new month, and, with this, the arrival of a new mix of bland pop hits, felt like a sal­va­tion.

This sort of pro­gram­mat­ic musi­cal engi­neer­ing already had plen­ty of prece­dent by that point, as thor­ough­ly doc­u­ment­ed by Mark Davis, who spent the late 1980s and ear­ly 1990s work­ing at K‑Mart’s cus­tomer ser­vice desk and — per­haps fore­see­ing both the future ease of shar­ing audio­vi­su­al mate­ri­als over the inter­net and the waves of nos­tal­gia for the recent past that ease would enable — pock­et­ed all the shopp­ping-sound­track cas­sette tapes that passed through his hands, build­ing the impres­sive col­lec­tion you can see in the video above.

“Until around 1992, the cas­settes were rotat­ed month­ly,” writes Davis. “Then, they were replaced week­ly. Final­ly some­time around 1993, satel­lite pro­gram­ming was intro­duced which elim­i­nat­ed the need for these tapes alto­geth­er. The old­er tapes con­tain canned ele­va­tor music with instru­men­tal ren­di­tions of songs. Then, the songs became com­plete­ly main­stream around 1991. All of them have adver­tise­ments every few songs. The month­ly tapes are very, very, worn and rip­pled. That’s because they ran for 14 hours a day, 7 days a week on auto-reverse.”

The high­ly delib­er­ate, near-fric­tion­less mild­ness; the inter­spersed spo­ken-word adver­tise­ments and their hyp­not­i­cal­ly repet­i­tive empha­sis on low, low prices; the wob­ble and hiss of the bat­tered record­ing media; all of it adds up to a lis­ten­ing expe­ri­ence his­tor­i­cal­ly and aes­thet­i­cal­ly like no oth­er. (If you enjoy this sort of thing and haven’t yet heard of the move­ment called “vapor­wave,” hie thee to Google, look it up, and pre­pare for aston­ish­ment.) You can hear over 90 hours of it at Atten­tion K‑Mart Shop­pers, Davis’ dig­i­tized repos­i­to­ry of his cas­settes at the Inter­net Archive.

If you have any mem­o­ries of shop­ping at K‑Mart twen­ty to thir­ty years ago, these tapes may bring on a rush of Prous­t­ian rec­ol­lec­tion. But not all of them scored the aver­age shop­ping day. One, for exam­ple, came just for play on March 1st, 1992, K‑Mart’s 30th anniver­sary. “This was a spe­cial day at the store where employ­ees spent all night set­ting up for spe­cial pro­mo­tions and extra excite­ment. It was a real fun day, the store was packed wall to wall, and I recall that the stores were asked to play the music at a much high­er vol­ume,” a pro­gram which includ­ed “oldies and all sorts of fun facts from 1962.” Final­ly, a way to feel nos­tal­gia for one era’s nos­tal­gia of anoth­er era. How’s that for a 21st-cen­tu­ry expe­ri­ence?

Relat­ed Con­tent:

As Benev­o­lent Dic­ta­tor, Vladimir Nabokov Would Abol­ish Muzak & Bidets: What Would Make Your List?

Why We Love Rep­e­ti­tion in Music: Explained in a New TED-Ed Ani­ma­tion

Woody Allen Lives the “Deli­cious Life” in Ear­ly-80s Japan­ese Com­mer­cials

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Artist Julie Green Paints the Last Suppers of 600+ Death Row Inmates on Ceramic Plates

What would you choose for your last meal?

The com­fort food of your child­hood?

Or some lav­ish dish you nev­er had a chance to taste?

What might your choice reveal about your race, region­al ori­gins, or eco­nom­ic cir­cum­stances?

Artist Julie Green devel­oped a fas­ci­na­tion with death row inmates’ final meals while teach­ing in Okla­homa, where the per capi­ta exe­cu­tion rate exceeds Texas’ and con­demned pris­on­ers’ spe­cial menu requests are a mat­ter of pub­lic record:

Fried fish fil­lets with red cock­tail sauce from Long John Silver’s

Large pep­per­oni piz­za with sausage and extra mush­rooms and a large grape soda.

Chateaubriand steak, medi­um rare with A‑1 steak sauce, fried shrimp entree with cock­tail sauce, large baked pota­to with but­ter, sour cream, chopped scal­lions, bacon bits, salt and pep­per, six pieces of gar­lic but­ter toast, whole Ken­tucky Bour­bon pecan pie, one liter of Coca Cola Clas­sic, and bag of ice

Last Meal Plate

The lat­ter order, from April 29, 2014, was denied on the grounds that it would have exceed­ed the $15-per-cus­tomer max. The pris­on­er who’d made the request skipped his last meal in protest.

Green recre­ates these, and hun­dreds of oth­er death row pris­on­ers’ last sup­pers in cobalt blue min­er­al paint on care­ful­ly select­ed sec­ond-hand plates. The influ­ence of Dutch Delft­ware and Span­ish still life paint­ing are evi­dent in her depic­tion of burg­ers, Ken­tucky Fried Chick­en, and pie.

Many of the requests betray a child­like poignan­cy:

A sin­gle hon­ey bun (North Car­oli­na, Jan­u­ary 30, 1998) 

Shrimp and ice cream  (New Mex­i­co, Novem­ber 6, 2001)

 A peanut but­ter and jel­ly sand­wich (Flori­da, Feb­ru­ary 26, 2014)

One man got per­mis­sion for his moth­er to pre­pare his last meal in the prison kitchen. Anoth­er was sur­prised with a birth­day cake after prison staff learned he had nev­er had one before.

Some refrain from exer­cis­ing their right to a spe­cial request, a choice Green doc­u­ments in text. She resorts to sim­i­lar tac­tics when a pris­on­er requests that his final meal be kept con­fi­den­tial.

Final Meal Not Made Public

Each meal Green paints is accom­pa­nied by a menu, the date, and the state in which it was served, but the pris­on­ers and their crimes go unnamed. She has com­mit­ted to pro­duc­ing fifty plates a year until cap­i­tal pun­ish­ment is abol­ished.

Green nar­rates a Last Sup­per slideshow above, or you can browse all the plates in the project, orga­nized by state here.

Relat­ed Con­tent:

What Pris­on­ers Ate at Alca­traz in 1946: A Vin­tage Prison Menu

The Odd Col­lec­tion of Books in the Guan­tanamo Prison Library

Mod­ern Art Was Used As a Tor­ture Tech­nique in Prison Cells Dur­ing the Span­ish Civ­il War

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

The New York Public Library Lets You Download 180,000 Images in High Resolution: Historic Photographs, Maps, Letters & More

NYPL 1

Most of us Open Cul­ture writ­ers and read­ers sure­ly grew up think­ing of the local pub­lic library as an end­less source of fas­ci­nat­ing things. But the New York Pub­lic Library’s col­lec­tions take that to a whole oth­er lev­el, and, so far, they’ve spent the age of the inter­net tak­ing it to a lev­el beyond that, dig­i­tiz­ing ever more of their fas­ci­nat­ing things and mak­ing them freely avail­able for all of our perusal (and even for use in our own work). Just in the past cou­ple of years, we’ve fea­tured their release of 20,000 high-res­o­lu­tion maps, 17,000 restau­rant menus, and lots of the­ater ephemera.

This week, The New York Pub­lic Library (NYPL) announced not only that their dig­i­tal col­lec­tion now con­tains over 180,000 items, but that they’ve made it pos­si­ble, “no per­mis­sion required, no hoops to jump through,” to down­load and use high-res­o­lu­tion images of all of them.

NYPL 2

You’ll find on their site “more promi­nent down­load links and fil­ters high­light­ing restric­tion-free con­tent,” and, if you have techi­er inter­ests, “updates to the Dig­i­tal Col­lec­tions API enabling bulk use and analy­sis, as well as data exports and util­i­ties post­ed to NYPL’s GitHub account.” You might also con­sid­er apply­ing for the NYPL’s Remix Res­i­den­cy pro­gram, designed to fos­ter “trans­for­ma­tive and cre­ative uses of dig­i­tal col­lec­tions and data, and the pub­lic domain assets in par­tic­u­lar.”

NYPL 3

And what do those assets include? Endur­ing pieces of Amer­i­can doc­u­men­tary art like the Farm Secu­ri­ty Admin­is­tra­tion pho­tographs tak­en dur­ing the Great Depres­sion by Dorothea Lange, Walk­er Evans, and Gor­don Parks. Lange’s shot of the Mid­way Dairy Coop­er­a­tive near San­ta Ana, Cal­i­for­nia appears at the top of the post. Arti­facts from the cre­ative process­es of such icons of Amer­i­can lit­er­a­ture as Hen­ry David Thore­auNathaniel Hawthorne, and Walt Whit­man, whose hand­writ­ten pref­ace to Spec­i­men Days you’ll find sec­ond from the top. The let­ters and oth­er papers of the Found­ing Fathers, includ­ing Thomas Jef­fer­son­’s list of books for a pri­vate library just above. And, of course, all those maps, like the 1868 Plan of New York and Brook­lyn just below.

NYPL 4

These selec­tions make the NYPL’s dig­i­tal col­lec­tion seem strong­ly Amer­i­ca-focused, and to an extent it is, but apart from host­ing a rich repos­i­to­ry of the his­to­ry, art, and let­ters of the Unit­ed States, it also con­tains such fas­ci­nat­ing inter­na­tion­al mate­ri­als as medieval Euro­pean illu­mi­nat­ed man­u­scripts16th-cen­tu­ry hand­scrolls illus­trat­ing The Tale of Gen­ji, the first nov­el; and 19th-cen­tu­ry cyan­otypes of British algae by botanist and pho­tog­ra­ph­er Anna Atkins, the first per­son to pub­lish a book illus­trat­ed with pho­tos. You can start your own brows­ing on the NYPL Dig­i­tal Col­lec­tions front page, and if you do, you’ll soon find that some­thing else we knew about the library grow­ing up — what good places they make in which to get lost — holds even truer on the inter­net.

nypl.digitalcollections.510d47da-ec3d-a3d9-e040-e00a18064a99.001.w

Relat­ed Con­tent:

100,000+ Won­der­ful Pieces of The­ater Ephemera Dig­i­tized by The New York Pub­lic Library

Food­ie Alert: New York Pub­lic Library Presents an Archive of 17,000 Restau­rant Menus (1851–2008)

New York Pub­lic Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Down­load and Use

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Michio Kaku & Noam Chomsky School Moon Landing and 9/11 Conspiracy Theorists

Who real­ly killed John F. Kennedy? Did Amer­i­ca real­ly land on the moon? What real­ly brought down the Twin Tow­ers? Few mod­ern phe­nom­e­na pos­sess the sheer fas­ci­na­tion quo­tient of con­spir­a­cy the­o­ries. If you believe in them, you’ll of course dig into them obses­sive­ly, and if you don’t believe in them, you sure­ly feel a great curios­i­ty about why oth­er peo­ple do. Sci­ence writer and Skep­tic mag­a­zine Edi­tor in Chief Michael Sher­mer falls, need­less to say, into the sec­ond group; so far into it that exam­in­ing con­spir­a­cy the­o­ries and those who sub­scribe to them has become one of his best-known pro­fes­sion­al pur­suits since at least 1997, the year of his straight­for­ward­ly titled book Why Peo­ple Believe Weird Things.

On the 50th anniver­sary of JFK’s assas­si­na­tion, Sher­mer wrote an arti­cle in the Los Ange­les Times about the rea­sons that event has drawn so many avid con­spir­a­cy the­o­rists over the past half-decade. First: their cog­ni­tive dis­so­nance result­ing from the two seem­ing­ly incom­pat­i­ble ideas, that of JFK “as one of the most pow­er­ful peo­ple on Earth” and JFK “killed by Lee Har­vey Oswald, a lone los­er, a nobody.” Sec­ond: their par­tic­i­pa­tion in a mono­log­i­cal belief sys­tem, “a uni­tary, closed-off world­view in which beliefs come togeth­er in a mutu­al­ly sup­port­ive net­work.” Third: their con­fir­ma­tion bias, or “the ten­den­cy to look for and find con­firm­ing evi­dence for what you already believe” — the umbrel­la man, the grassy knoll — “and to ignore dis­con­firm­ing evi­dence.”

These fac­tors all come into play with the oth­er major Amer­i­can con­spir­a­cy the­o­ries as well. In the pod­cast clip at the top of the post, you can hear physi­cist Michio Kaku try­ing to set straight a moon land­ing con­spir­a­cy the­o­rist. They argue that man has nev­er set foot on the moon, but that the gov­ern­ment instead hood­winked us into believ­ing it with an elab­o­rate audio­vi­su­al pro­duc­tion (direct­ed, some the­o­rists insist, by none oth­er than Stan­ley Kubrick, who sup­pos­ed­ly “con­fessed” in fake inter­view footage that recent­ly made the inter­net rounds). Should you require fur­ther argu­ment to the con­trary, have a look at S.G. Collins’ Moon Hoax Not just above.

No high­er-pro­file set of con­spir­a­cy-the­o­ry move­ment has come out of recent his­to­ry than the 9/11 Truthers, who may dif­fer on the details, but who all gath­er under the umbrel­la of believ­ing that the events of that day hap­pened not because of the actions of a con­spir­a­cy of for­eign ter­ror­ists, but because of a con­spir­a­cy with­in the Unit­ed States gov­ern­ment itself. In the Q&A footage above (orig­i­nal­ly uploaded, in fact, by a believ­er), one such the­o­rist stands up and asks lin­guist and activist Noam Chom­sky to join in on the move­ment, point­ing to a cov­er-up of the man­ner in which 7 World Trade Cen­ter col­lapsed — a big “smok­ing gun” of the larg­er con­spir­a­cy, in their eyes.

This prompts Chom­sky to offer an expla­na­tion of how sci­en­tists and engi­neers actu­al­ly go look­ing for the truth. Have they elim­i­nat­ed entire­ly their cog­ni­tive dis­so­nance, mono­log­i­cal belief sys­tems, and con­fir­ma­tion bias­es? No human could ever do that per­fect­ly — indeed, to be human is to be sub­ject to all these dis­tort­ing con­di­tions and more — but the larg­er enter­prise of sci­ence, at its best, frees us lit­tle by lit­tle from those very shack­les. What a shame to vol­un­tar­i­ly clap one­self back into them.

Relat­ed Con­tent:

Michio Kaku Schools a Moon Land­ing-Con­spir­a­cy Believ­er on His Sci­ence Fan­tas­tic Pod­cast

Stan­ley Kubrick Faked the Apol­lo 11 Moon Land­ing in 1969, Or So the Con­spir­a­cy The­o­ry Goes

Noam Chom­sky Schools 9/11 Truther; Explains the Sci­ence of Mak­ing Cred­i­ble Claims

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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