Five Hardcore Deaths Suffered By Roman Emperors

HumiliationValerianusHolbein

It is iron­ic that the ancient world that cre­at­ed the adage “mod­er­a­tion in all things” could dis­re­gard this coun­sel in fla­grant fash­ion. We’ve recent­ly writ­ten about a num­ber of var­i­ous Gre­co-Roman excess­es, from cer­tain Roman gas­tro­nom­ic overindul­gences to grotesque­ly imag­i­na­tive Greek tor­ture meth­ods. Today, con­tin­u­ing this trend, we bring you a short list of the most grue­some deaths of Roman emper­ors, based on The Awl’s 2012 post, “Roman Emper­ors, Up To AD 476 And Not Includ­ing Usurpers, In Order Of How Hard­core Their Deaths Were” com­piled by Josh Fruh­linger.

With­out fur­ther ado, and in no par­tic­u­lar order, here is the list:

Cara­calla & Geta (198–217 C.E.) – Unlike some of the oth­er emper­ors we’ve gath­ered here, Cara­calla real­ly was a jerk of colos­sal pro­por­tions. After reign­ing over Rome for a few years along­side his father, Sep­ti­m­ius Severus, Cara­calla took charge of the Roman Empire in tan­dem with his younger broth­er, Geta, in 211. The reign of broth­er­ly love didn’t last long: after fail­ing to assas­si­nate Geta dur­ing the rev­el­ry that was the fes­ti­val of Sat­ur­na­lia, Cara­calla had him slaugh­tered in their mother’s arms by loy­al cen­tu­ri­ons dur­ing a peace agree­ment meet­ing.

To fol­low with this frat­ri­ci­dal motif, Cara­calla him­self was mur­dered in 217 by a man whose broth­er Cara­calla may have had killed just days ear­li­er. Cara­calla had stopped on the side of a road to uri­nate while jour­ney­ing to Edessa, and was dis­patched by Julius Mar­tialis, one of his body­guards, with a sin­gle sword blow. Mar­tialis, in turn, suc­cumbed to an arrow fired by an Impe­r­i­al Guard archer. We pre­sume that Mar­tialis did­n’t have any more broth­ers, because things seem to have end­ed there.

Joannes (423–425 C.E.) – By the rare extant accounts, Joannes seems to have been a senior civ­il ser­vant of some abil­i­ty who had, to his detri­ment, failed to estab­lish a firm grip on the Empire. Although Pro­copius, an antique schol­ar, had called him “both gen­tle and well-endowed with sagac­i­ty and thor­ough­ly capa­ble of val­or­ous deeds,” Joannes was quick­ly engulfed in con­flict with the east­ern part of the Empire. In 425, the east­ern Empire’s army cap­tured him, cut off his hands, and placed him on a don­key to be parad­ed and jeered at in a hip­po­drome. Hav­ing suf­fered both insult and injury, Joannes was put out of his mis­ery and decap­i­tat­ed.

Com­modus (177–192 C. E.) – On paper, Com­modus should have made an exem­plary emper­or. Both his grand­fa­ther and father were emper­ors before him, and his father, Mar­cus Aure­lius, was praised both as a ruler and one of Stoicism’s cen­tral thinkers. Com­modus, how­ev­er, inher­it­ed nei­ther his father’s philo­soph­i­cal incli­na­tions nor his polit­i­cal smarts. To cap off a reign plagued by polit­i­cal strife, Com­modus let him­self fall vic­tim to some destruc­tive mega­lo­ma­nia: after Rome was engulfed in a con­fla­gra­tion, Com­modus declared him­self to be the new Romu­lus and cer­e­mo­ni­ous­ly re-found­ed the city under the new name of Colo­nia Lucia Annia Com­modi­ana. The renam­ing of his empire’s fore­most city didn’t quite cut it, how­ev­er, and Com­modus resort­ed to renam­ing the months of the year after his 12 names. As Decem­ber of 192 (known, by this point, as Pius of 192) drew to a close, Com­modus was poi­soned by his con­cu­bine, but vom­it­ed the sub­stance, where­upon his wrestling train­ing part­ner was sent in by a num­ber of sen­a­tors to stran­gle the emper­or in the bath­tub.

Valer­ian (253–259 C. E.) – If Joannes’ demise strikes you as hav­ing been some­what undig­ni­fied, Valerian’s end was a full-blown assault on human decen­cy. Lac­tan­tius, an ear­ly Chris­t­ian author, claimed that after his cap­ture by the Per­sian king Sha­pur I, Valer­ian was put to use as a regal foot­stool to help the Per­sian ruler mount his horse. Valer­ian, under­stand­ably, expressed some con­ster­na­tion at such treat­ment, and offered Sha­pur a hefty sum in exchange for his free­dom. There are two ver­sions of what tran­spired next. In the first, Sha­pur express­es his dis­dain for Valerian’s measly offer by pour­ing molten gold down the for­mer emperor’s throat. In the sec­ond, Sha­pur also express­es his dis­dain, albeit in a more cre­ative fash­ion, this time by flay­ing Valerian’s skin and sub­se­quent­ly stuff­ing it with straw to be put on dis­play. Thank­ful­ly, there’s evi­dence to con­tra­dict Lac­tan­tius’ account, which leads some his­to­ri­ans to believe that Valer­ian was used as nei­ther fur­ni­ture nor gold recep­ta­cle, but rather lived a qui­et life with some of his sol­diers in an inde­ter­mi­nate Per­sian city. For his sake, we hope they’re right.

Above, you can see “The Humil­i­a­tion of Valer­ian by Sha­pur,” a pen and black ink sketch cre­at­ed by Hans Hol­bein the Younger in 1521.

For a full list of gory deaths, head on over to The Awl.

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman.

Relat­ed Con­tent:

Cook Real Recipes from Ancient Rome: Ostrich Ragoût, Roast Wild Boar, Nut Tarts & More

Dis­cov­er the “Brazen Bull,” the Ancient Greek Tor­ture Machine That Dou­bled as a Musi­cal Instru­ment

The His­to­ry of Rome in 179 Pod­casts

Cours­es on Roman his­to­ry can be found in the His­to­ry sec­tion of our col­lec­tion of 800 Free Online Cours­es

Watch Dinner for One, the Short Film That Has Become a Baffling New Year’s Tradition in Europe

There are myr­i­ad New Year’s Eve cus­toms world­wide. In Japan, toshikoshi soba noo­dles are eat­en to bring in the com­ing year. In North Amer­i­ca, find­ing some­one to share a New Year’s Eve kiss with as the clock winds down has become a boon to the roman­ti­cal­ly-chal­lenged. In Ger­many, how­ev­er, a dif­fer­ent tra­di­tion has tak­en form: every year on Decem­ber 31st, TV net­works broad­cast an 18-minute-long black and white two-han­der com­e­dy skit.

In 1963, Germany’s Nord­deutsch­er Rund­funk tele­vi­sion sta­tion record­ed a sketch enti­tled Din­ner For One, per­formed by the British comics Fred­die Frin­ton and May War­den. The duo depict­ed an aging but­ler serv­ing his aris­to­crat­ic mis­tress, Miss Sophie, din­ner on the occa­sion of her 90th birth­day.

Although four addi­tion­al spots have been set at the table, the nonagenarian’s friends have long since passed away, and the but­ler is forced to take their places in drink­ing copi­ous amounts of alco­hol while toast­ing Miss Sophie’s health. Hilar­i­ty, as it is wont to do in such cas­es, ensues.

Since its ini­tial record­ing, the clip has become a New Year’s Eve sta­ple in Ger­many. Although Din­ner For One has nev­er been broad­cast in the U. S. or Cana­da, the clip has spread through­out Europe to Nor­way, Fin­land, Esto­nia, Lithua­nia, Aus­tria, Switzer­land, and beyond the con­ti­nen­t’s shores, to South Africa and Aus­tralia. In Swe­den, a bowd­ler­ized 11-minute ver­sion of the clip has been pro­duced, where, for decency’s sake, much of the butler’s booz­ing was excised along­side its atten­dant comedic effect. In Den­mark, after the nation­al tele­vi­sion net­work failed to broad­cast the sketch in 1985, an avalanche of view­er com­plaints has guar­an­teed its sub­se­quent year­ly appear­ance. Although the cat­e­go­ry is now defunct, the clip held the Guin­ness World Record for Most Fre­quent­ly Repeat­ed TV Pro­gram. As for why the video’s gar­nered so much atten­tion? No one’s real­ly sure. The Wall Street Jour­nal’s Todd Buell posits that the sketch’s easy to under­stand Eng­lish com­bined with a Ger­man long­ing for secu­ri­ty and sim­plic­i­ty may have led to its icon­ic sta­tus. To me, how­ev­er, it seems that the fine­ly tuned phys­i­cal com­e­dy trans­lates read­i­ly beyond any lin­guis­tic bound­aries, and sim­ply hit the right note at the right time.

Above, you can view the orig­i­nal 18-minute comedic opus and cel­e­brate New Year’s day in the same way that much of Europe brought in 2014 (don’t mind the Ger­man intro­duc­tion — the video is in Eng­lish). In future years, you can always find Din­ner for One in our col­lec­tion 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

From all of us at Open Cul­ture to you, have a hap­py new year!

Relat­ed Con­tent:

The Sci­ence of Willpow­er: 15 Tips for Mak­ing Your New Year’s Res­o­lu­tions Last from Dr. Kel­ly McGo­ni­gal

The Ramones Play New Year’s Eve Con­cert in Lon­don, 1977

A New Year’s Wish from Neil Gaiman

The Top 10 New Year’s Res­o­lu­tions Read by Bob Dylan

 

A Brief History of Hollywood Censorship and the Ratings System

Cen­sor­ship, as most seri­ous film­go­ers know, shaped the sen­si­bil­i­ty of all the pic­tures we know from the “Gold­en Age” of Hol­ly­wood. It did so in the form of 1930’s “Motion Pic­ture Pro­duc­tion Code (also known as the Hays Code),” which “set up a small jury to review films for con­tent,” at first “still with­out teeth and large­ly mocked by indus­try insid­ers.” But that changed in a big way when “the Amer­i­can Bish­ops of the Roman Catholic Church orga­nized The Legion of Decen­cy and, in 1934, with the sup­port of Protes­tant and Jew­ish Orga­ni­za­tions, began call­ing for boy­cotts of films deemed unac­cept­able. [ … ] The Hol­ly­wood stu­dios, still reel­ing from the loss­es of 1933 due in large part to the delayed effects of the Great Depres­sion, were forced to act.” That sum­ma­ry comes from “The His­to­ry of Hol­ly­wood Cen­sor­ship and the Rat­ings Sys­tem,” a brief but in-depth les­son pro­duced by Film­mak­er IQ. Its video ver­sion appears at the top. Below, you can watch 1941’s The Out­law, the bust size of whose star Jane Rus­sell had the cen­sors demand­ing “37 spe­cif­ic reshoots.”

The com­plete sto­ry of cen­sor­ship and rat­ings in Hol­ly­wood involves such ele­ments of Amer­i­can his­to­ry and cul­ture as not just the Great Depres­sion and the Roman Catholic Church, but the 1919 World Series Gam­bling scan­dal, the Chicago’s Women’s Munic­i­pal League, mighty sys­tems of pro­duc­tion, the sport of box­ing, Howard Hugh­es, and of course, the almighty dol­lar. Even­tu­al­ly, film­mak­ers began to sim­ply defy the Hays Code; you can watch Otto Pre­minger’s famous exam­ple of just that, the 1953 com­e­dy The Moon is Blue (pos­sessed, cen­sors said, of “an unac­cept­ably light atti­tude towards seduc­tion, illic­it sex, chasti­ty, and vir­gin­i­ty”). In 1968, the weak­ened Code’s replace­ment arrived: the Motion Pic­ture Asso­ci­a­tion of Amer­i­ca’s Rat­ings sys­tem and its still-famil­iar G, PG, R, and X (PG-13 was intro­duced in 1984; NC-17 replaced X in 1990). Quaint as these mea­sures may now seem, the les­son tells us that con­tro­ver­sy has remained. “Some may say that films were sex­i­er and scari­er under the cen­sor­ship of the pro­duc­tion code – for noth­ing that can be seen is as tan­ta­liz­ing and hor­ri­fy­ing as what the imag­i­na­tion and antic­i­pa­tion can con­jure. But giv­en the choice between free­dom and cen­sor­ship, free­dom is the only sus­tain­able option.”

Relat­ed Con­tent:

Ear­ly Hol­ly­wood Cen­sored

Did Hol­ly­wood Movies Stu­dios “Col­lab­o­rate” with Hitler Dur­ing WW II? His­to­ri­an Makes the Case

Frank Zap­pa Debates Cen­sor­ship on CNN’s Cross­fire (1986)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, Asia, film, lit­er­a­ture, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on his brand new Face­book page.

On Christmas, Browse A Historical Archive of More Than 50,000 Toys

paratroops in action

The Strong Nation­al Muse­um of Play, locat­ed in Rochester, NY, is a fun children’s muse­um. But the insti­tu­tion also has seri­ous research archives, stuffed with toys, games, and records of the toy indus­try. Its online col­lec­tions, which cur­rent­ly boast 55,068 objects, take a hol­i­day brows­er on a trip into a fig­u­ra­tive grandma’s attic, chock-full of the play­things peo­ple loved in the nine­teenth and twen­ti­eth cen­turies.

The online archives are divid­ed into four cat­e­gories: “Toys”, “Dolls”, “Games”, and “More.” Each of these four sec­tions is fur­ther sub­di­vid­ed into top­i­cal­ly-spe­cif­ic groups, cho­sen by the archivists.

The collection’s strength is also its weak­ness: there are so many toys that it can be easy to get over­whelmed. The sub­ject divi­sions are help­ful here. As some­body with an inter­est in gen­der and child­hood, I found myself fas­ci­nat­ed by the house­keep­ing toys—kids used to use ovens that were heat­ed with real coals!—and that was an easy way to nar­row down my browse.  Sub­ject group­ings for toy sol­diers, celebri­ty dolls, and board games also piqued my inter­est.

It’s fun to look around for toys from your own child­hood (I found a few), but if you’re inter­est­ed in his­to­ry, you might find the echoes of his­tor­i­cal events to be even more intrigu­ing. Late-nine­teenth-cen­tu­ry kids played with a paper doll inspired by the cir­cus celebri­ty Tom Thumb; chil­dren of the 1930s had licensed dolls of the media-sen­sa­tion Dionne Quin­tu­plets; a play­set from 1940 fea­tured grim, suit­ed-up “Para­troops in Action.”

Mou­s­ing over the thumb­nails will allow you to see the item’s name. If you see a blue “Learn More” tag, be sure to click through; that means that the item’s image will be accom­pa­nied by an inter­pre­tive his­tor­i­cal note writ­ten by the Strong’s archivists. These vary in length, and con­tain intrigu­ing tid­bits. Did you know, for exam­ple, that Hol­ly Hob­bie was a real per­son: the artist Hol­ly Ulinkas Hob­bie? Or that the famous artist Charles Dana Gib­son had a now-for­got­ten fol­low­er, Nell Brink­ley, who illus­trat­ed the flap­per era?

Rebec­ca Onion is a writer and aca­d­e­m­ic liv­ing in Philadel­phia. She runs Slate.com’s his­to­ry blog, The Vault. Fol­low her on Twit­ter: @rebeccaonion. 

Read 100 Entries From America’s Most Unique Dictionary, Now Available Online For The First Time

Ear­li­er this year, we wrote about the region­al dif­fer­ences in how Amer­i­cans refer to soft drinks. An explo­ration of the var­i­ous geo­graph­i­cal names for a car­bon­at­ed bev­er­age is all well and good, but it’s impor­tant to remem­ber that America’s lex­i­cal vari­a­tions are sig­nif­i­cant­ly more col­or­ful than “soda,” (East and West coasts), “coke,” (South), and “pop” (Mid­west and North­west).

For those inter­est­ed in expe­ri­enc­ing the full range of ver­bal Amer­i­cana, the Dic­tio­nary of Amer­i­can Region­al Eng­lish (DARE) has final­ly become avail­able online after 47 years of work. Unlike any oth­er dic­tio­nary, DARE attempts to doc­u­ment the region­al aspects of Amer­i­can Eng­lish, and sys­tem­atize the wide array of  geo­graph­i­cal­ly unique terms and expres­sions. As John McWhort­er notes in The New Repub­lic, this labor of lin­guis­tic love con­tains some 60,000 entries from 1,002 com­mu­ni­ties, col­lect­ed between 1965 and 1970. Of course, as McWhort­er points out, some of the terms indexed in DARE are dat­ed, hav­ing suc­cumbed to mass-media’s democ­ra­tiz­ing effects on lan­guage over the course of DARE’s lengthy prepa­ra­tion. Still, with entries like “rich rel­a­tives” (dust bun­nies) and “Cana­di­an per­jun­kety” (pim­ples), the dic­tio­nary pro­vides a fas­ci­nat­ing glimpse of the ver­bal curios, both old and new, that have sprung up around the coun­try.

Although DARE is a sub­scrip­tion-based ser­vice, its web­site pro­vides vis­i­tors with a list of 100 free and brows­able terms. We’ve includ­ed a selec­tion below:

  • “To acknowl­edge the corn – to admit to being drunk; by exten­sion, to admit to any mis­take, fault, or impro­pri­ety (for­mer­ly wide­spread, now chiefly Mid­land).”
  • “Flan­nel cake – pan­cake (chiefly Appalachi­an)”
  • “Flea in one’s ear – A hint, warn­ing, dis­qui­et­ing dis­clo­sure; a rebuke (chiefly North­east)”
  • “Lucy Bowles – loose bow­els, diar­rhea (scat­tered, but esp. Penn­syl­va­nia, New Jer­sey, south­east­ern New York)”
  • “Slick and a promise – A hasty or super­fi­cial per­for­mance of a task (chiefly New Jer­sey)”

Addi­tion­al­ly, a sam­ple of audio record­ings demon­strat­ing the breadth of accents and vocab­u­lar­ies in var­i­ous gen­er­a­tions, cities, and class­es dur­ing the ‘60s may be found on the Uni­ver­si­ty of Wis­con­sin-Madi­son DARE web­site.

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman.

Short Film Shows What Happens When a Letter from World War II Finally Gets Delivered 69 Years Later

A few years ago, I stum­bled upon a nev­er-sent let­ter writ­ten to a friend when we were both in col­lege. The con­tents weren’t heavy. Dis­or­ga­ni­za­tion is the most like­ly expla­na­tion for why it nev­er went in the mail. I cracked the enve­lope and had a look.

It was a time cap­sule, for sure, a cringe-induc­ing one. It was­n’t so much the life I was report­ing on as how I framed it, self-aggran­dize­ment strain­ing to pass as non­cha­lance. For­tu­nate­ly, an artist acquain­tance hap­pened to be run­ning a project— send her your shred­d­a­ble doc­u­ments, and even­tu­al­ly, she’d send you a few sheets of hand­made paper in which your mulched data min­gled with that of oth­ers. Tru­ly a beau­ti­ful way to dis­pose of the evi­dence.

But what hap­pens when nei­ther the writer, nor the intend­ed recip­i­ent, is the find­er of the lost let­ter? In Feb­ru­ary 2013, some mail post­ed by Lt. Joseph O. Matthews, a sol­dier sta­tioned at a mil­i­tary train­ing facil­i­ty in Jack­sonville, North Car­oli­na, found its way to Abbi Jacob­son, an actress (and col­or­ing book author!) rent­ing an apart­ment on Mac­Dou­gal Street in New York City. Addressed to Matthew’s wife, the can­cel­la­tion mark was dat­ed Decem­ber 2, 1944.

Jacob­son opened the let­ter, the con­di­tion of the enve­lope hav­ing sug­gest­ed that she would not be the first to breach its con­tents dur­ing the 69 years it had spent wan­der­ing in the wilder­ness. The words inside were roman­tic, a young offi­cer inform­ing the bride he’d left back home that he’d soon be ship­ping out to Oki­nawa. Eager to pull an Amélie by reunit­ing the let­ter with those to whom it would mean the most, Jacob­son enlist­ed the help of her friend, doc­u­men­tary film­mak­er Todd Bieber. Togeth­er they searched records at City Hall, look­ing for clues. When that approach proved fruit­less, they cre­at­ed the Lost Let­ter Project, a web por­tal that invit­ed the pub­lic to join in the search.

An avalanche of tweets, Face­book updates, and human inter­est pieces ensued. In no time at all, they had their man, or rather his descen­dants, Lt. Matthews hav­ing passed away in 1999, crush­ing Jacob­son’s dreams of hand deliv­er­ing the let­ter to “a lit­tle old man and a lit­tle old lady.” (I’m will­ing to bet Jacob­son will one day wish there was a giant blender capa­ble of turn­ing dig­i­tal state­ments like how cute would that be, my god, right? I love old peo­ple into hand­made paper.)

Bieber’s video reveals what became of Lt. Matthews and his wife. Even more inter­est­ing is how the let­ter res­onates with his grown chil­dren, par­tic­u­lar­ly a cer­tain the­o­log­i­cal ref­er­ence at odds with the man they thought they knew.

Relat­ed Con­tent:

In Touch­ing Video, Artist Mari­na Abramović & For­mer Lover Ulay Reunite After 22 Years Apart

“Noth­ing Good Gets Away”: John Stein­beck Offers Love Advice in a Let­ter to His Son (1958)

Stephen King Writes A Let­ter to His 16-Year-Old Self: “Stay Away from Recre­ation­al Drugs”

Ayun Hal­l­i­day is all for stuff­ing your stock­ing with a hol­i­day gift sub­scrip­tion to the East Vil­lage Inky, her award win­ning hand-illus­trat­ed zine. Fol­low her @AyunHalliday

Hand-Colored Photographs of 19th Century Japan

hand colored japanese photos

This week, The Pub­lic Domain Review (PDR) post­ed a series hand-col­ored albu­mine prints (“a process which used the albu­men found in egg whites to bind the pho­to­graph­ic chem­i­cals to the paper) from 19th cen­tu­ry Japan. They date back to 1880.

Some of the prints, like the one below, cer­tain­ly have a for­eign qual­i­ty to them. They feel far away in terms of time and place. But oth­ers (like the shot above) feel remark­ably close, some­thing we can all relate to today.

Hand coloured photographs of 19th century Japan

Accord­ing to the PDR, the pic­tures came to reside in the Dutch Nation­al Archive as a result of the cen­turies-long com­mer­cial rela­tion­ship between the Dutch and the Japan­ese. More vin­tage pix can be viewed here.

Relat­ed Con­tent:

The Old­est Col­or Movies Bring Sun­flow­ers, Exot­ic Birds and Gold­fish Back to Life (1902)

One of the Ear­li­est Known Pho­tos of Guys Sit­ting Around and Drink­ing Beer (Cir­ca 1845)

1922 Pho­to: Claude Mon­et Stands on the Japan­ese Foot­bridge He Paint­ed Through the Years

Morgan Freeman Masterfully Recites Nelson Mandela’s Favorite Poem, “Invictus”

Nel­son Man­dela, who died on Decem­ber 5, 2013, had spent more than a quar­ter of his life serv­ing time in var­i­ous jails. While behind bars for the 18-year peri­od between 1962 and 1980, the anti-apartheid rev­o­lu­tion­ary edu­cat­ed both him­self and oth­ers to pre­pare for the advent of mul­tira­cial equal­i­ty in South Africa. Dur­ing his con­fine­ment at the Robben Island prison, Man­dela stud­ied law by cor­re­spon­dence at the Uni­ver­si­ty of Lon­don, learned Afrikaans to fos­ter a rap­port with jail­house war­dens, and was instru­men­tal in launch­ing the “Uni­ver­si­ty of Robben Island”, where pris­on­ers pos­sess­ing exper­tise in par­tic­u­lar fields pre­sent­ed lec­tures to their fel­low inmates.

Mandela’s stay, how­ev­er, was fre­quent­ly marred by demean­ing and deplorable treat­ment. Ini­tial­ly, black pris­on­ers were humil­i­at­ed by being giv­en shorts, com­mon­ly worn by chil­dren, rather than full-length pants as uni­forms. Man­dela was also for­bid­den from wear­ing sun­glass­es when forced to labor at a lime­stone quar­ry, and the harsh reflec­tions from the rocks dam­aged his vision. The quar­ry dust also dam­aged his tear ducts, which made it impos­si­ble for him to cry until receiv­ing cor­rec­tive surgery in 1994. Per­haps the most painful moments arrived in the late 1960s, when Man­dela lost his moth­er and first­born son, and was denied per­mis­sion to attend their funer­als.

In spite of these ordeals, Man­dela per­se­vered. In an inter­view with Char­lie Rose, above, Mor­gan Free­man dis­cuss­es Mandela’s reliance on William Ernest Henley’s 1875 poem, “Invic­tus,” to keep his hope alive:

“That poem was his favorite… When he lost courage, when he felt like just giv­ing up — just lie down and not get up again — he would recite it. And it would give him what he need­ed to keep going.”

Free­man, who played Man­dela in the 2009 film Invic­tus, also pro­vides a solemn and dig­ni­fied recita­tion of the poem begin­ning at 3:51. Although the poem is best known for pro­vid­ing suc­cour to Man­dela in times of despair, its words of courage have served as inspi­ra­tion to count­less oth­ers. Famous fig­ures who have drawn hope from “Invic­tus” include the father of Burmese oppo­si­tion leader Aung San Suu Kyi dur­ing his strug­gle for Burmese inde­pen­dence and ten­nis cham­pi­on Andre Agas­si. Rumor has it that U.S. Pres­i­dent Franklin D. Roo­sevelt was also quite fond of it. We’ve includ­ed the full text for “Invic­tus” below:

Out of the night that cov­ers me,

Black as the Pit from pole to pole,

I thank what­ev­er gods may be

For my uncon­quer­able soul.

In the fell clutch of cir­cum­stance

I have not winced nor cried aloud.

Under the blud­geon­ings of chance

My head is bloody, but unbowed.

Beyond this place of wrath and tears

Looms but the Hor­ror of the shade,

And yet the men­ace of the years

Finds, and shall find, me unafraid.

It mat­ters not how strait the gate,

How charged with pun­ish­ments the scroll.

I am the mas­ter of my fate:

I am the cap­tain of my soul.

H/T to Bruno, one of our read­ers, for send­ing this video our way.

Ilia Blin­d­er­man is a Mon­tre­al-based cul­ture and sci­ence writer. Fol­low him at @iliablinderman.

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