Free Rap in the Streets of NYC

Back in Novem­ber 2008, just days after the his­toric elec­tion of Barack Oba­ma, Chris “Shock­wave” Sul­li­van took to the streets of New York City and invit­ed unsus­pect­ing pedes­tri­ans to rap with him. The video went online in 2009, but it’s only going viral today. Fun­ny how the web works. H/T Kot­tke

Relat­ed Con­tent:

Hey New York, What Song Are You Lis­ten­ing To?

What New York­ers Heard on the Radio the Night John Lennon was Shot

Spike Jonze and Beastie Boys, Together Again

Being John Malkovich direc­tor and long­time Beast­ie Boys col­lab­o­ra­tor Spike Jonze has direct­ed yet anoth­er music video for the band: A high-con­cept sci-fi extrav­a­gan­za that fea­tures zom­bies, GI Joe action fig­ures, and, as usu­al, a sound­track with a pret­ty decent hook.

The song is called “Don’t Play No Game That I Can’t Win,” and the ver­sion we’ve post­ed above is the 11-minute direc­tor’s cut.  You can watch a short­er ver­sion here, but why would you ever want to?

Relat­ed Con­tent:

Col­lab­o­ra­tions: Spike Jonze, Yo-Yo Ma, and Lil Buck

Ful­ly Flared, the 2007 skate­board­ing film direct­ed by Spike Jonze

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Kutiman Mashes Led Zep’s Black Dog: 80 Clips Stitched into One

The Israeli mashup artist known as Kuti­man gave us Thru Jer­susalem last month, a con­tem­pla­tive jour­ney through Jerusalem’s eclec­tic, local music scene. Now he returns to his Moth­er of All Funk Chords roots and goes uptem­po again, stitch­ing togeth­er 80 cov­ers of Led Zep­pelin’s 1974 clas­sic, “Black Dog” (orig­i­nal here). Per­haps more than any oth­er I’ve seen, this video gives mean­ing to the expres­sion “the total is greater than the sum of the parts.” The indi­vid­ual cov­ers hard­ly stand out, but the mashup deliv­ers the goods.

via Wired

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Classic Jazz Album Covers Animated & Brought to Life

Back in 2009, Blue Note Records, the influ­en­tial jazz label, was cel­e­brat­ing its 70th anniver­sary. And The Bel­la Vista Social Pub, look­ing to pro­mote its own sum­mer jazz con­certs in Siena, Tus­cany, came up with a smart idea. Why not pay trib­ute to Blue Note (and pro­mote the Ital­ian con­cert series) by ani­mat­ing the cool cov­er designs that graced Blue Note albums dur­ing its hey­day. These cov­er designs were the work of Reid Miles, a graph­ic design­er who moved from Esquire mag­a­zine to Blue Note around 1955, then designed hun­dreds of aura-cre­at­ing cov­ers until he left the label in 1967. The ani­mat­ed video above, called Hi-Fi, brings Miles’ work back to life. Graph­i­col­o­gy has more on the nos­tal­gia-induc­ing clip here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Billie Holiday Sings “Strange Fruit”

Before the week­end slips away, we want to remem­ber Bil­lie Hol­i­day who was born 98 years ago today. To this day, Hol­i­day is wide­ly con­sid­ered the great­est jazz vocal­ist of all time, known for her dis­tinc­tive phras­ing and melan­choly voice. Above, we bring you her per­for­mance of “Strange Fruit,” a song record­ed in 1939 that protest­ed the lynch­ing of African Amer­i­cans in the South. The com­po­si­tion intro­duced Hol­i­day to a main­stream audi­ence, giv­ing her career a big break. Down the line, Hol­i­day closed every con­cert with the song, which con­tin­u­al­ly grew in cul­tur­al impor­tance. By 1999, TIME called “Strange Fruit” the song of the cen­tu­ry, solid­i­fy­ing its place in the Amer­i­can song­book.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Good Vibrations: Guitar and Cymbal Caught on Video

This gor­geous video of a cym­bal (shot with a Phan­tom at 1,000 frames per sec­ond) made our morn­ing. And then Kot­tke’s find below — bril­liant footage of vibrat­ing gui­tar strings — made our after­noon.

Hope you enjoy them as much as we did, and have a great week­end!

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

David Lynch and Interpol Team Up on Short Film

Three years ago, the mem­bers of the band Inter­pol sat down with film­mak­er David Lynch. It was a casu­al meet­ing, an “ice break­er,” that paved the way for a future col­lab­o­ra­tion.

Skip ahead to 2010, and the col­lab­o­ra­tion begins. Inter­pol wants to devel­op visu­als to accom­pa­ny their per­for­mance at the 2011 Coachel­la Fes­ti­val, and Lynch agrees to take on the job. The result: “I Touch a Red But­ton Man,” a short ani­mat­ed film that accom­pa­nies Inter­pol’s song “Lights.” The film (orig­i­nal­ly shown at Coachel­la) was offi­cial­ly released online yes­ter­day at Huff­Po, where the band also talked about the gen­e­sis of the project in their own words.

You can find this film list­ed in the Ani­ma­tion sec­tion of our big col­lec­tion of Free Movies Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

 

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Name That Painting!

In Feb­ru­ary 2010, the Paris-based band Hold Your Hors­es! released a music video to go with their song “70 Mil­lion,” which became an imme­di­ate suc­cess. In the video, the band mem­bers recre­at­ed famous paint­ings, tak­ing the view­er on an enter­tain­ing tour through art his­to­ry. Try to iden­ti­fy as many paint­ings as pos­si­ble, then com­pare your results with the list of the actu­al paint­ings below the jump. Enjoy — and let us know your scores! And, of course, Hap­py Bastille Day.

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