CERN’s Cosmic Piano and Jazz Pianist Jam Together at The Montreux Jazz Festival

The Mon­treux Jazz Fes­ti­val — the sec­ond largest jazz fes­ti­val in the world — has seen many acts come and go since it kicked off in 1967. Miles Davis, Kei­th Jar­rett, Nina Simone, Bill Evans and Ella Fitzger­ald have all played there. And now we have the first con­cert per­formed by a jazz pianist (Al Blat­ter) and The Cos­mic Piano, an instru­ment cre­at­ed by par­ti­cle physi­cists at CERN, the home of the Large Hadron Col­lid­er, in Switzer­land. The Cos­mic Piano works some­thing like this: “When a cos­mic ray pass­es through one of four sep­a­rate detec­tor pads of the Cos­mic Piano, it trig­gers a musi­cal note and a colour­ful flash of light.” The rays arrive in ran­dom inter­vals, and once they’re com­bined with Blat­ter’s notes, you get some inter­est­ing polyrhyth­mic jazz. Catch a few high­lights above, and get more back­ground infor­ma­tion and video clips on CERN’s web site.

via @matthiasrascher

Relat­ed Con­tent:

NASA & Grate­ful Dead Drum­mer Mick­ey Hart Record Cos­mic Sounds of the Uni­verse on New Album

The Sound­track of the Uni­verse

CERN Physi­cist Explains the Ori­gins of the Uni­verse for Begin­ners with a Short Ani­mat­ed Video

Hig­gs Boson, the Musi­cal: CERN Data Turned into Melody

Free Stan­ford Course Explains Par­ti­cle Physics & the Large Hadron Col­lid­er

Free Online Physics Cours­es

The Hig­gs Boson, AKA the God Par­ti­cle, Explained with Ani­ma­tion

The Mysterious Physics Behind How Bikes Ride by Themselves

So sim­ple and yet so com­plex. The bicy­cle remains the world’s most pop­u­lar form of trans­porta­tion, found in house­holds world­wide, in coun­tries rich and poor. And yet the bike remains some­thing of a mys­tery to us. How the bike can ride almost on its own is some­thing physi­cists still pon­der and write aca­d­e­m­ic papers about. It’s also the sub­ject of this new episode from the pop­u­lar YouTube series Minute Physics. The video explains in a few suc­cinct min­utes what we know and still don’t know about this fix­ture in our every­day lives. All stuff to think about on your next ride.…

via NPR

Relat­ed Con­tent:

Physics: Free Online Cours­es

The Feyn­man Lec­tures on Physics, The Most Pop­u­lar Physics Book Ever Writ­ten, Now Com­plete­ly Online

Physics from Hell: How Dante’s Infer­no Inspired Galileo’s Physics

The Art & Sci­ence of Bike Design: A 5‑Part Intro­duc­tion from the Open Uni­ver­si­ty

Albert Einstein Tells His Son The Key to Learning & Happiness is Losing Yourself in Creativity (or “Finding Flow”)

einstein creativity

As one par­tic­u­lar­ly astute observ­er of human emo­tions might put it, it is a truth uni­ver­sal­ly acknowl­edged that we can’t all be Albert Ein­stein. In fact, none of us can. That unique expe­ri­ence was denied even Einstein’s son Hans Albert, though he did go on to his own dis­tin­guished career as an engi­neer and pro­fes­sor of hydraulics. Ein­stein father and son had a strained rela­tion­ship, yet the great physi­cist had a hand in his son’s suc­cess, inspir­ing him to pur­sue his sci­en­tif­ic pas­sion. But Einstein’s pater­nal encour­age­ment extend­ed fur­ther, beyond sci­en­tif­ic pur­suits and to a gen­er­al the­o­ry of learn­ing and enjoy­ment that sug­gests we can be hap­pi­est and most pro­duc­tive when being most our­selves.

While liv­ing in Berlin in 1915, Ein­stein wrote a poignant let­ter to his son, just two days after fin­ish­ing his the­o­ry of gen­er­al rel­a­tiv­i­ty. His tone swings from buoy­ant to pained—lamenting his family’s “awk­ward” sep­a­ra­tion and propos­ing to spend more time with Albert, as he calls him. His son can “learn many good and beau­ti­ful things from me,” writes Ein­stein, “These days I have com­plet­ed one of the most beau­ti­ful works of my life.”

Ein­stein also writes, “I am very pleased that you find joy with the piano. This and car­pen­try are in my opin­ion for your age the best pur­suits.” An ama­teur musi­cian him­self, Ein­stein under­stood the val­ue of devel­op­ing an infor­mal avo­ca­tion. “Main­ly play the things on the piano which please you,” he tells his son, “even if the teacher does not assign those.” Doing what you love, the way you like to do it, he goes on, “is the way to learn the most, that when you are doing some­thing with such enjoy­ment that you don’t notice that the time pass­es.”

This great theme of total immer­sion in a cre­ative endeav­or sur­faced sev­er­al decades lat­er in anoth­er scientist’s work, that of Hun­gar­i­an psy­chol­o­gist Mihaly Csik­szent­mi­ha­lyi, described by Mar­tin Selig­man—for­mer Pres­i­dent of the Amer­i­can Psy­cho­log­i­cal Association—as “the world’s lead­ing researcher” in the field of pos­i­tive psy­chol­o­gy. Pre­sent­ed in his pop­u­lar TED talk above, and at more length in his books on the sub­ject, Csikszentmihalyi’s insights into human flour­ish­ing mir­ror Einstein’s: he calls such cre­ative immer­sion “flow,” or the state of “being com­plete­ly involved in an activ­i­ty for its own sake.”

The ego falls away. Time flies. Every action, move­ment, and thought fol­lows inevitably from the pre­vi­ous one, like play­ing jazz. Your whole being is involved, and you’re using your skills to the utmost.

Con­trary to our usu­al con­cep­tions of using one’s “skills to the utmost,” Csik­szent­mi­ha­lyi tells us that the reward for enter­ing such a state is not the mate­r­i­al ben­e­fits it gen­er­ates, but the pos­i­tive emo­tions. These, as Ein­stein the­o­rized, not only moti­vate us to become bet­ter, but they also pro­vide a source of mean­ing no amount of finan­cial gain above a min­i­mum lev­el can offer. “The lack of basic mate­r­i­al resources con­tributes to unhap­pi­ness,” Csikszentmihalyi’s data demon­strates, “but the increase in mate­r­i­al resources does not increase hap­pi­ness.” While none of us can be Ein­stein, Csik­szent­mi­ha­lyi tells us we can all ben­e­fit from Einstein’s advice, by doing what­ev­er we do to the best of our abil­i­ties and with­out any motive oth­er than sheer plea­sure.

via Far­nam Street/Brain Pick­ings

Relat­ed Con­tent:

The Musi­cal Mind of Albert Ein­stein: Great Physi­cist, Ama­teur Vio­lin­ist and Devo­tee of Mozart

Albert Ein­stein on Indi­vid­ual Lib­er­ty, With­out Which There Would Be ‘No Shake­speare, No Goethe, No New­ton’

Lis­ten as Albert Ein­stein Calls for Peace and Social Jus­tice in 1945

Albert Ein­stein Reads ‘The Com­mon Lan­guage of Sci­ence’ (1941)

Free Online Psy­chol­o­gy Cours­es

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Stephen Hawking Sings Monty Python’s “Galaxy Song”: Hear the Newly-Released Single

The “Galaxy Song” first appeared in the 1983 film Mon­ty Python’s The Mean­ing of Life, and it has been revived in lat­er years — on Mon­ty Python albums, and in Mon­ty Python stage plays. Now the song orig­i­nal­ly writ­ten by Eric Idle has been re-record­ed, this time with the lyrics sung by the world-famous physi­cist Stephen Hawk­ing. The lyrics include a lot of astro­nom­i­cal facts, some now con­sid­ered out­dat­ed by schol­ars. But that does­n’t take the fun out of the record­ing.

The song will be avail­able for down­load on iTunes. (If you live in the UK, find it here.) And it will also be released as a 7″ sin­gle. But you can stream it online for free above. Enjoy.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Mon­ty Python’s Best Phi­los­o­phy Sketch­es

Ter­ry Gilliam Reveals the Secrets of Mon­ty Python Ani­ma­tions: A 1974 How-To Guide

John Cleese’s Phi­los­o­phy of Cre­ativ­i­ty: Cre­at­ing Oases for Child­like Play

Stephen Hawking’s Big Ideas Explained with Sim­ple Ani­ma­tion

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Alan Alda Uses Improv to Teach Scientists How to Communicate Their Ideas

Woe to the famous actor who dares to write a nov­el or start a band or design a line of cloth­ing. The pub­lic can be awful­ly snob­by about such extracur­ric­u­lar pur­suits. We reward our chil­dren for cul­ti­vat­ing a wide range of inter­ests, but heav­en for­fend a celebri­ty who wan­ders away from the accept­ed script.

Hacks! Poseurs! Wannabes!

There are excep­tions, of course. I don’t see too many peo­ple tak­ing pot­shots at Leonard Nimoy’s pas­sion for pho­tog­ra­phy, Ed Beg­ley Jr.’s com­mit­ment to the envi­ron­ment, or the Won­der Years’ Dan­i­ca McKel­lar’s devo­tion to math.

(Per­son­al­ly, I will brook no unkind words toward ani­mal lov­ing TV dad Dick Van Pat­ten, not after he fathered the only cat food the small mam­mal with whom I live a lie will deign to eat.)

If there’s a for­mu­la to be gleaned from these exam­ples, it’s like­ly a syn­the­sis of icon­ic role, num­ber of years spent on the pas­time of choice, and a rabid curios­i­ty of the sort that dri­ves ordi­nary mor­tals to become edu­ca­tors. Once a pub­lic fig­ure is in pos­ses­sion of that for­mu­la, the pub­lic he or she serves will grant a pass to pur­sue a side inter­est.

I’m not sure that sci­ence could be called a side inter­est of Alan Alda’s.

Not when he ranks host­ing Sci­en­tif­ic Amer­i­can Fron­tiers  as the pin­na­cle of his TV career.

He played physi­cist Richard Feyn­man onstage, and has writ­ten plays about Albert Ein­stein and Marie Curie. He’s one of the annu­al World Sci­ence Fes­ti­val’s MVPs. At this rate, his love of sci­ence seems des­tined to car­ry him from cra­dle to grave.

By now, he’s prob­a­bly met more sci­en­tists than M*A*S*H fans—enough to sug­gest a trou­bling gap between the sci­en­tif­ic  mes­sage and the man­ner in which it’s deliv­ered. To put it anoth­er way, if you think sci­ence is bor­ing, per­haps the trou­ble is with the sci­en­tist.

The solu­tion? Improv train­ing.

Uh oh. Is there a dan­ger this knife could cut both ways? Will some emi­nent biol­o­gist or astronomer be pil­lo­ried for play­ing freeze tag a bit too zest­ful­ly or join­ing a lev­el 1 team at the Annoy­ance or UCB East? Like, how dare Stephen Hawk­ing think he can make a machine?

It’s worth the risk (tech­ni­cal­ly, Alda espous­es Vio­la Spolin’s explorato­ry impro­vi­sa­tion form over the kind with a strict­ly comedic goal, but c’mon. I know a gate­way drug when I see one…)

His belief is that sci­en­tists who study improv are bet­ter equipped to com­mu­ni­cate the com­pli­cat­ed nature of their work to pub­lic offi­cials, the media, and for­mer the­ater majors such as myself. The lev­el of engage­ment, flex­i­bil­i­ty, and aware­ness that impro­vi­sa­tion requires of its prac­ti­tion­ers are also the stuff of good TED talks.

Watch the “before and after” pre­sen­ta­tions of par­tic­i­pants in his improv work­shop at the Alan Alda Cen­ter for Com­mu­ni­cat­ing Sci­ence at Stony Brook Uni­ver­si­ty, above. His the­sis holds water, it would seem. Improv hones the sens­es and helps one to clar­i­fy what is essen­tial in any scene. Even the solo scene where­in one explains wave par­ti­cle dual­i­ty or spe­cial­ized leaf forms to one’s fel­low adults.

I’ll bet those same improv-based skills could help a TV star to per­suade his stu­dents that he’s just as approach­able and sup­port­ive as any old teacher. (Maybe even more so, to judge by his han­dling of an invis­i­ble jar of jel­ly­fish that slips through one sci­en­tist’s fin­gers.)

Relat­ed Con­tent:

What Is a Flame?: The First Prize-Win­ner at Alan Alda’s Sci­ence Video Com­pe­ti­tion

Adam Sav­age (Host of Myth­Busters) Explains How Sim­ple Ideas Become Great Sci­en­tif­ic Dis­cov­er­ies

Charles & Ray Eames’ A Com­mu­ni­ca­tions Primer Explains the Key to Clear Com­mu­ni­ca­tion in the Mod­ern Age (1953)

Ayun Hal­l­i­day is an author and illus­tra­tor who teach­es improv to teenage girls. Fol­low her @AyunHalliday

Albert Einstein Sports a Native American Headdress and a Peace Pipe at the Grand Canyon, 1931

einstein with the hopi
Click here to view the image in a larg­er for­mat.

In 1931, Cal­tech invit­ed Albert Ein­stein to spend some time on their cam­pus, with the hopes that he might even­tu­al­ly join their fac­ul­ty. While in South­ern Cal­i­for­nia, he met Char­lie Chap­lin, took a pho­to with an Ein­stein pup­pet, enjoyed the mild win­ter, ruf­fled a few con­ser­v­a­tive feath­ers, then even­tu­al­ly left town. On the train ride back across the coun­try, he vis­it­ed the Hopi House, near the Grand Canyon, where he posed for a pic­ture with mem­bers of the Hopi tribe. The web­site Hanksville.org revis­its the clas­sic pho­to­graph (appar­ent­ly tak­en by Eugene O. Gold­beck) that doc­u­ment­ed his short vis­it:

There are sev­er­al strik­ing things about this pho­to­graph that deserve men­tion. It is clear that the head­dress that has been placed on Pro­fes­sor Ein­stein’s head and the pipe he has been giv­en to hold have no rela­tion­ship to the Indi­ans in this pho­to­graph. These Indi­ans are Hopis from the rel­a­tive­ly near­by Hopi pueb­los while the head­dress and pipe belong to the Plains Indi­an cul­ture.… The Hopis in this pic­ture were employ­ees of the Fred Har­vey Com­pa­ny who demon­strat­ed their arts there and, no doubt, posed for many oth­er pic­tures with tourists.

Besides Albert Ein­stein and his wife, there are 3 adult Hopis and one Hopi child in the pho­to­graph. Ein­stein is hold­ing the hand of a young Hopi girl in a very nat­ur­al man­ner; she is clutch­ing some­thing tight­ly in her oth­er hand and is quite intent upon some­thing out­side the frame. Prof. Ein­stein’s attrac­tion to chil­dren is seen in sev­er­al oth­er unof­fi­cial pho­tographs. He loved chil­dren and felt quite com­fort­able with them. The two men on the left side of the pho­to­graph were there to facil­i­tate the Ein­steins’ trip. The man on the left is J. B. Duffy, Gen­er­al Pas­sen­ger Agent of the ATSF (the famous Atich­son, Tokepa and San­ta Fe Rail­road); the oth­er man is Her­man Schweiz­er, Head of Fred Har­vey Curio, nor­mal­ly sta­tioned in Albu­querque. He may have spo­ken Ger­man and was there­fore present because Prof. Ein­stein was not com­plete­ly com­fort­able yet with Eng­lish.

Accord­ing to the Ein­stein Almanac, the Hopi “gave Ein­stein a peace pipe, rec­og­niz­ing his paci­fism, and dubbed him the ‘Great Rel­a­tive.’ ” You can see the pipe on dis­play in the pho­to.

As one web­site observed, what’s per­haps most notable about the his­toric image is this: It cap­tures lay­ers of commodification/fetishization. Here stands the most fetishized intel­lec­tu­al of the 20th cen­tu­ry pos­ing with one of the most fetishized peo­ples. Or maybe that’s just over­think­ing things.

Note: Some sources date the clas­sic pho­to back to 1922, but that seems less plau­si­ble. The Har­ry Ran­som Cen­ter pro­vides an image avail­able for down­load here.

Fol­low us on Face­book, Twit­ter and Google Plus and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox.

Relat­ed Con­tent:

Lis­ten as Albert Ein­stein Calls for Peace and Social Jus­tice in 1945

Albert Ein­stein Hold­ing an Albert Ein­stein Pup­pet (Cir­ca 1931)

“Do Sci­en­tists Pray?”: A Young Girl Asks Albert Ein­stein in 1936. Ein­stein Then Responds.

Ein­stein for the Mass­es: Yale Presents a Primer on the Great Physicist’s Think­ing

The Musi­cal Mind of Albert Ein­stein: Great Physi­cist, Ama­teur Vio­lin­ist and Devo­tee of Mozart

Free Physics Cours­es in our Col­lec­tion of 1100 Free Online Cours­es

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Neil deGrasse Tyson Ponders the Big Question “Does the Universe Have a Purpose” in a Simple Animation

The Tem­ple­ton Foun­da­tion asked some heavy-hit­ter thinkers to answer the ques­tion, “Does the Uni­verse Have a Pur­pose”. Some said “Yes” and “Cer­tain­ly.” Oth­ers con­clud­ed “Unlike­ly” and “No.” Neil deGrasse Tyson — astro­physi­cist, direc­tor of the Hay­den Plan­e­tar­i­um, and pop­u­lar­iz­er of sci­ence — gave an answer that falls tech­ni­cal­ly in the “Not Cer­tain” camp.

Above, you can watch a video where Tyson reads his answer aloud, and the mak­ers of Minute Physics pro­vide the rudi­men­ta­ry ani­ma­tion. One thing astro­physi­cists have is a knack for putting things into a deep­er con­text, often mak­ing “big” human ques­tions look remark­ably small (if not some­what absurd). Carl Sagan did it remark­ably well in his famous ‘The Pale Blue Dot’ speech. And Tyson picks up right where Sagan left off.

We still live in a world where, despite Coper­ni­cus, we think the world revolves essen­tial­ly around us. And, to the extent that that’s true, some will find Tyson’s data points dis­ori­ent­ing. Oth­ers might won­der whether we should angst so much about the ques­tions we peren­ni­al­ly ask in the first place. I guess I am kind of there today.

Relat­ed Con­tent:

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

Carl Sagan’s Under­grad Read­ing List: 40 Essen­tial Texts for a Well-Round­ed Thinker

Carl Sagan Writes a Let­ter to 17-Year-Old Neil deGrasse Tyson (1975)

Free Online Astron­o­my Cours­es, part of our larg­er col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties

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The Big Ideas of Stephen Hawking Explained with Simple Animation

Full dis­clo­sure: On my 7th grade report card, a sym­pa­thet­ic sci­ence teacher tem­pered a shock­ing­ly low grade with a hand­writ­ten note to my par­ents. Some­thing to the effect of it being her opin­ion that my inter­est in the­ater would, ulti­mate­ly, serve me far bet­ter than any infor­ma­tion she was attempt­ing to ram through my skull.

Thank you, Miss Coop­er, for your com­pas­sion and excep­tion­al fore­sight.

There are times, though, when I do wish I was just a teen­sy bit bet­ter informed about cer­tain buzzy sci­en­tif­ic the­o­ries. Hank Green’s infor­ma­tion-packed sci­ence Crash Cours­es are help­ful to a degree, but he talks so damn fast, I often have the sen­sa­tion of stum­bling stu­pid­ly behind…

Which I am, but still…

Alok Jha, the author and ITV Sci­ence Cor­re­spon­dent who nar­rates the brief ani­mat­ed guide to some of Stephen Hawking’s big ideas, takes things at a more encour­ag­ing pace. His deliv­ery reminds me of Alain de Bot­ton’s, and that alone is enough to sooth me into believ­ing I stand a chance of some­what grasp­ing such quan­tum con­cepts as black holes, grav­i­ta­tion­al sin­gu­lar­i­ties, and Hawk­ing radi­a­tion.

As long as I don’t lose myself in non-sci­en­tif­ic flour­ish­es like the cat in a box anchor­ing some of Hawking’s equa­tions or a sweet homage to ET, I may be able to keep hold of this tiger’s tail. Or at least nod with some­thing resem­bling inter­est, the next time a sci­ence-obsessed teen is shar­ing his or her pas­sion…

The video above come from The Guardian’s Ani­ma­tions and Explain­ers video series. And it was cre­at­ed by Scriberia, a Lon­don ani­ma­tion stu­dio.

via Brain Pick­ings

Relat­ed Con­tent:

Stephen Hawking’s Uni­verse: A Visu­al­iza­tion of His Lec­tures with Stars & Sound

Watch A Brief His­to­ry of Time, Errol Mor­ris’ Film About the Life & Work of Stephen Hawk­ing

Carl Sagan, Stephen Hawk­ing & Arthur C. Clarke Dis­cuss God, the Uni­verse, and Every­thing Else

Free Online Physics Cours­es

Free Online Astron­o­my Cours­es

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

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