NOTE: For some reaÂson, it looks like you need to click play twice to get this video startÂed.
NOTE: For some reaÂson, it looks like you need to click play twice to get this video startÂed.
T.S. Eliot reads from The WasteÂland, one of the great poems of the last cenÂtuÂry. It begins famousÂly:
APRIL is the cruÂellest month, breedÂing
Lilacs out of the dead land, mixÂing
MemÂoÂry and desire, stirÂring
Dull roots with spring rain.
WinÂter kept us warm, covÂerÂing
Earth in forÂgetÂful snow, feedÂing
A litÂtle life with dried tubers.
SumÂmer surÂprised us, comÂing over the StarnÂbergÂersee
With a showÂer of rain; we stopped in the colonÂnade,
And went on in sunÂlight, into the HofÂgarten,
And drank cofÂfee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were chilÂdren, stayÂing at the archÂduke’s,
My cousÂin’s, he took me out on a sled,
And I was frightÂened. He said, Marie,
Marie, hold on tight. And down we went.
In the mounÂtains, there you feel free.
I read, much of the night, and go south in the winÂter.
Get the full text here.
The details are still hazy. But we know this: Google will be launchÂing a “colÂlabÂoÂraÂtive research proÂgram to explore the digÂiÂtal humanÂiÂties” using Google Books. ScholÂars will get up to $50,000 per year, and they’ll come from eight potenÂtial disÂciÂplines (archaeÂolÂoÂgy, hisÂtoÂry, anthroÂpolÂoÂgy, linÂguisÂtics, litÂerÂaÂture, clasÂsics, phiÂlosÂoÂphy & sociÂolÂoÂgy). And what’s the point of their research? EssenÂtialÂly to make Google’s online digÂiÂtal library more effecÂtive and friendÂly for researchers. Just last year, a promiÂnent acaÂdÂeÂmÂic called Google Books a “DisÂasÂter for ScholÂars” in a high proÂfile forum. The new grants should begin to address these conÂcerns in some meanÂingÂful ways. For more inforÂmaÂtion, head over to The ChronÂiÂcle of HighÂer EduÂcaÂtion, which has the full stoÂry.
Kurt VonÂnegut’s SlaughÂterÂhouse-Five was pubÂlished back in 1969, and the anti-war sci fi novÂel quickÂly became a clasÂsic. (The book now appears, for examÂple, on Time MagÂaÂzine’s list of All Time 100 NovÂels.) Whether you’ve read the novÂel or not, you’ll want to check this out. HarperÂCollins has postÂed online a recordÂing of VonÂnegut himÂself readÂing a lengthy pasÂsage from the work. And he does it with the “casuÂal irony that comÂpleÂments the novÂelÂ’s wonÂderÂfulÂly eccenÂtric tone.” You can stream VonÂnegut’s readÂing in the folÂlowÂing forÂmats: .au forÂmat (4.5 Mb), .gsm forÂmat (900 Kb), .ra forÂmat ( Mb). (SorÂry a straightÂforÂward mp3 is not availÂable.) Also, if you want some more VonÂnegut, feel free to downÂload his 1962 sci fi short stoÂry, 2BR02B, which is othÂerÂwise listÂed in our colÂlecÂtion of Free Audio Books.
Note: Audible.com offers a verÂsion of SlaughÂterÂhouse-Five narÂratÂed by actor/writer Ethan Hawke. You can downÂload it (or any anothÂer othÂer book) for free if you start a free 14 day triÂal. It has no strings attached. Get some more basic details here.
In the earÂly days of cinÂeÂma, cenÂsorÂship was comÂmonÂplace in AmerÂiÂca, and even slightÂly sugÂgesÂtive film clips wound up on the cutÂting room floor. Now, at long last, some clips are finalÂly reachÂing the silÂver screen. In 2007, a filmÂmakÂer found cut scenes in an old theÂater someÂwhere in PennÂsylÂvaÂnia, and, with them, proÂduced a short film. Above, you can revisÂit the legaÂcy of cenÂsorÂship in earÂly AmerÂiÂcan film. And, what’s more, you can watch lots of great vinÂtage films with our colÂlecÂtion of Free Online Movies.
via Maria PopoÂva, aka @brainpicker, the writer behind Brainpickings.org
There’s big news comÂing out of Europe today. After 16 years and $10 bilÂlion, the Large Hadron ColÂlidÂer (LHC) is finalÂly beginÂning to colÂlide subÂatomÂic parÂtiÂcles. If you’re wonÂderÂing what this all means, let me turn your attenÂtion to a yearÂlong course that we’re offerÂing in StanÂford’s ConÂtinÂuÂing StudÂies proÂgram (my day job). New RevÂoÂluÂtions in ParÂtiÂcle Physics is taught by Leonard Susskind, one of the world leadÂing physiÂcists, and it takes a deep look at new theÂoÂries in parÂtiÂcle physics that emerged durÂing the 1970s, and how they’re now being testÂed by the LHC. The first course overviews the basic conÂcepts, and you can watch it on YouTube or iTunes. (The first lecÂture appears above.) The secÂond course will be soon made availÂable online. The third course is just getÂting underÂway in the classÂroom (you can enroll here if you live near StanÂford), and we’ll evenÂtuÂalÂly post that course online as well. You can find more physics coursÂes in the Physics secÂtion of our large colÂlecÂtion of Free Online CoursÂes.
UPDATE: As Maria, aka @brainpicker notes in the comÂments, CERN (which runs the LHC) hosts an archive of lecÂtures, movies and colÂliÂsion videos, includÂing some of this morning’s sucÂcessÂful tests. More here.
As we menÂtioned two weeks ago, Tony Judt, a promiÂnent hisÂtoÂriÂan and pubÂlic intelÂlecÂtuÂal, has been grapÂpling with ALS (othÂerÂwise known as Lou Gehrig’s disÂease) since 2008. With the disÂease now takÂing its toll, Judt has gone more pubÂlic and startÂed pubÂlishÂing with more urgency. On MonÂday, he was interÂviewed by TerÂry Gross on NPR’s Fresh Air (lisÂten below, here or on iTunes). Of the many items disÂcussed, one parÂticÂuÂlarÂly struck me. When Gross asked whether hisÂtoÂry still matÂtered deeply to him, the hisÂtoÂriÂan answered: yes, but:
I think now, I’m more worÂried about the future. The past is always going to be a mess. It’s going to be a mess because it was mess and because peoÂple are going to abuse it, get it wrong and so on. But I’m reaÂsonÂably conÂfiÂdent that with each genÂerÂaÂtion of hisÂtoÂriÂans, we keep fightÂing hard to get it right again. But we could get the future very seriÂousÂly wrong, and there it’s much hardÂer to get it right… I’m encounÂterÂing the first genÂerÂaÂtion of young peoÂple in colÂleges and schools who realÂly do not believe in the future, who don’t think not just that things will get eviÂdentÂly and perÂmaÂnentÂly betÂter but who feel that someÂthing has gone very badÂly wrong that they can’t quite put their finÂger on, but that is going to spoil the world that they’re growÂing up into.
Whether it’s cliÂmate change or politÂiÂcal cynÂiÂcism or overÂreÂacÂtion or lack of reacÂtion, to exterÂnal chalÂlenges, whether it’s terÂrorÂism or poverÂty, the sense that it’s all got out of conÂtrol, that they, the politiÂcians and so on, media peoÂple, are neiÂther doing anyÂthing nor telling us the truth. That sense seems to have perÂvadÂed the younger genÂerÂaÂtion in ways that were not true in my expeÂriÂence.
Maybe the last time that might have been true was in the 1920s, where you had the comÂbiÂnaÂtion of shock and anger from World War I, the beginÂnings of ecoÂnomÂic depresÂsion and the terÂriÂfyÂing realÂizaÂtion that there might very well be a World War II. I don’t think we’re on the edge of World War III or IV. But I do think that we are on the edge of a terÂriÂfyÂing world. That’s why I wrote the book [Ill Fares the Land].
The first chapÂter of Ill Fares the Land is now availÂable (for free) on The New York Times webÂsite, and it will give you a quick feel for the issues that Judt thinks we need to conÂfront. The comÂplete Fresh Air interÂview ranges much more broadÂly, going into Judt’s perÂsonÂal expeÂriÂence with ALS, and I’d encourÂage you to give it your time. (Stream below.) Also please visÂit Move For ALS to conÂtribute to a new camÂpaign affilÂiÂatÂed with Tony Judt to fund ALS research.
The SisÂtine Chapel in the VatÂiÂcan. It’s one of the triÂumphs of RenaisÂsance paintÂing. The chapel’s walls were fresÂcoed by Raphael, BerniÂni, and SanÂdro BotÂtiÂcelÂli. And then, between 1508 and 1512, MichelanÂgeÂlo paintÂed the chapel ceilÂing, covÂerÂing some 12,000 square feet, decÂoÂratÂing it with 300 figÂures from nine Book of GenÂeÂsis scenes. Thanks in part to VilÂlanoÂva UniÂverÂsiÂty, you can now take a virÂtuÂal, panoramÂic tour of the Chapel. Using butÂtons in the lowÂer left screen, you can move around the room and zoom in on the paintÂings, includÂing those on the ceilÂing. It’s been a while since I visÂitÂed the VatÂiÂcan. But, from what I rememÂber, this virÂtuÂal tour gives you a closÂer look than the averÂage visÂiÂtor gets.
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WarnÂings of dicÂtaÂtorÂship are nothÂing new in AmerÂiÂca. We have them now, and we’ve had them before, and we’ve even had them come from the intelÂliÂgentsia at times. Above, Aldous HuxÂley, author of Brave New World (get free text here), talks with Mike WalÂlace in 1958 — smack in the midÂdle of the Cold War — about the major threats to AmerÂiÂcan freeÂdom. Who were the vilÂlains? Not electÂed repÂreÂsenÂtaÂtives who passed laws with a majorÂiÂty in ConÂgress. No, it was a difÂferÂent set of charÂacÂters: overÂpopÂuÂlaÂtion, bureauÂcraÂcy, proÂpaÂganÂda, drugs, adverÂtisÂing, and, yes, teleÂviÂsion. Part 1 of the interÂview appears above, and you can conÂtinÂue with Part 2, and Part 3. For more interÂviews from The Mike WalÂlace InterÂview (1957–1960), please revisÂit our earÂliÂer piece. You’ll find some more thought proÂvokÂing interÂviews there (and lots of cigÂaÂrette pedÂdling).
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OrigÂiÂnalÂly from Paraguay, Joaquin BaldÂwin moved to LA and startÂed studyÂing at The UCLA AniÂmaÂtion WorkÂshop, where he directÂed this short aniÂmatÂed film, PapiroflexÂia (SpanÂish for “OrigaÂmi”). The film endÂed up being a finalÂist at the Cannes Film FesÂtiÂval in 2008. Then, in 2009, BaldÂwin went on win the comÂpeÂtiÂtion with a new aniÂmatÂed film, SebasÂtian’s Voodoo, even though he was comÂpetÂing with films by Pixar and DisÂney. You can watch four shorts (includÂing SebasÂtian’s Voodoo) at BaldÂwin’s site, PixelNitrate.com. And for lots of othÂer film goodÂness, be sure to check out our colÂlecÂtion of Free Movies Online.
I had no idea that MarÂlon BranÂdo was much of a writer, but this 1955 letÂter to TenÂnessee Williams is superb. PerÂhaps I just can’t help idenÂtiÂfyÂing him with StanÂley KowalÂsÂki of the “NapoleonÂic code,” StelÂla!” and “Hoity-toity, describÂin’ me like a ape.” EspeÂcialÂly interÂestÂing is his attiÂtude towards sucÂcess. (Note some of the lanÂguage is a litÂtle strong/racy):
I have been afraid for you someÂtimes, because sucÂcess sings a deadÂly lulÂlaÂby to most peoÂple. SucÂcess is a real and subÂtle whore, who would like nothÂing betÂter than to catch you sleepÂing and bite your cock off. You have been as brave as anyÂbody I’ve known, and it is comÂfortÂing to think about it. You probÂaÂbly don’t think of yourÂself as brave because nobody who realÂly has courage does, but I know you are and I get food from that.
This pasÂsage echoes Williams’ own views on sucÂcess, espeÂcialÂly his beauÂtiÂful (and ironÂiÂcalÂly inspirÂing) essay On a StreetÂcar Named SucÂcess, writÂten eight years earÂliÂer:
It is nevÂer altoÂgethÂer too late, unless you embrace the Bitch GodÂdess, as William James called her, with both arms and find in her smothÂerÂing caressÂes exactÂly what the homeÂsick litÂtle boy in you always wantÂed, absolute proÂtecÂtion and utter effortÂlessÂness. SecuÂriÂty is a kind of death, I think, and it can come to you in a storm of royÂalÂty checks beside a kidÂney-shaped pool in BevÂerÂly Hills or anyÂwhere at all that is removed from the conÂdiÂtions that made you an artist, if that’s what you are or were intendÂed to be. Ask anyÂone who has expeÂriÂenced the kind of sucÂcess I am talkÂing about–What good is it? PerÂhaps to get an honÂest answer you will have to give him a shot of truth-serum but the word he will finalÂly groan is unprintÂable in genÂteel pubÂliÂcaÂtions.
You’ll find the rest of BranÂdo’s letÂter (includÂing an image of the origÂiÂnal) — which includes reflecÂtions on actors Anna MagÂnani and Burt LanÂcastÂer — here.
Wes Alwan lives in Boston, MassÂaÂchuÂsetts, where he works as a writer and researcher and attends the InstiÂtute for the Study of PsyÂchoÂanalyÂsis and CulÂture. He also parÂticÂiÂpates in The ParÂtialÂly ExamÂined Life, a podÂcast conÂsistÂing of inforÂmal disÂcusÂsions about philoÂsophÂiÂcal texts by three phiÂlosÂoÂphy gradÂuÂate school dropouts.