Why Open Video?

What is open video? And how does it pro­mote free speech, par­tic­i­pa­tion, diver­si­ty and a more engaged media sphere? Get the answers from Amy Good­man (Democ­ra­cy Now), Xeni Jardin (Boing Boing), Nina Paley (Sita Sings the Blues), Yochai Ben­kler & Jonathan Zit­train (Har­vard Berk­man Cen­ter), among oth­ers. This is a mis­sion to get behind. Excel­lent work by Peter Kauf­man and Intel­li­gent Tele­vi­sion. Note: You can down­load this video in OGG and MP4 for­mats.

Kindle Competitor Gets Off to a Shaky Start


Look­ing to take back some of the e‑book mar­ket from Ama­zon’s Kin­dle, Barnes & Noble has released its new read­er, the Nook. This week, Walt Moss­berg, the influ­en­tial tech review­er, gave his thoughts on the new gad­get. Need­less to say, it’s not a good PR day when he says that it feels like a prod­uct “rushed to mar­ket.”  Watch the video review here.

Stream Neil Young’s New Album Online

A lit­tle some­thing for Neil Young fans. Right now, you can stream online (click and scroll down) his new album, Dreamin’ Man Live ’92. It’s a live per­for­mance of Young’s 1992 album Har­vest Moon, which itself returned to the sounds of Har­vest, Young’s clas­sic 1972 record­ing. A good find by About.com.

Charles Bukowski “Bluebird”

Get the text here. Thanks @sethharwood!

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Great Movie Directors During Wartime: Alfred Hitchcock, Frank Capra, John Huston, Billy Wilder & Their World War II Films

Frank Capra, Alfred Hitch­cock, Howard Hawks, John Ford and John Hus­ton. They were some of the most impor­tant film­mak­ers dur­ing Hol­ly­wood’s Gold­en Age. And they were also part of “The Great­est Gen­er­a­tion,” the gen­er­a­tion that scraped and strug­gled to bring vic­to­ry to the Allies dur­ing World War II. Like many oth­ers, these direc­tors put com­mer­cial aspi­ra­tions aside for a while, and worked with the gov­ern­ment to pro­duce pro­pa­gan­da films that gal­va­nized sup­port for the war at home. You can find these films host­ed at the Inter­net Archive with­in the Cin­emoc­ra­cy sec­tion, and below we have high­light­ed some of the more impor­tant ones. For many more clas­sic films, don’t for­get to see our long list of Free Movies Online:

  • Frank Capra brought us some of Amer­i­ca’s great feel good films: It Hap­pened One Night (1934), Mr. Smith Goes to Wash­ing­ton (1939), and It’s a Won­der­ful Life (1946). But, once WW II broke out, he was com­mis­sioned by the US gov­ern­ment to direct a sev­en episode series of films called “Why We Fight.” This includ­ed Pre­lude to War, The Nazis Strike, War Comes to Amer­i­ca and oth­ers.
  • John Hus­ton — The Mal­tese Fal­con (1941), The Trea­sure of the Sier­ra Madre (1948), Key Largo (1948) — served in the U.S. Army Sig­nal Corps in 1943 and direct­ed an Acad­e­my Award win­ning doc­u­men­tary, Report from the Aleu­tians. The film, which Hus­ton helped nar­rate, fol­lows the dai­ly lives of Amer­i­can sol­diers serv­ing in the Aleut­ian Islands (off the shores of Alas­ka). Hus­ton also direct­ed anoth­er wartime film, The Bat­tle of San Pietro (1945).
  • John Ford, famous for his west­erns Stage­coach (1939) and The Searchers (1956) and for his adap­ta­tion of Stein­beck­’s The Grapes of Wrath (1940), also got into the act of shoot­ing wartime films, direct­ing The Bat­tle of Mid­way, an account of the Japan­ese attack on Amer­i­can ships at Mid­way. The film uses most­ly authen­tic footage from the bat­tle and is nar­rat­ed by Hen­ry Fon­da (who starred in The Grapes of Wrath). The oth­er notable pro­duc­tion was Decem­ber 7th, a film doc­u­ment­ing the Japan­ese attack on Pearl Har­bor.

Of course, it was­n’t just Amer­i­can direc­tors who made these pro­pa­gan­da films. The great Alfred Hitch­cock was the force behind Bon Voy­age and L’aven­ture Mal­gache (1944), two French lan­guage films backed by the British Min­istry of Infor­ma­tion. Both were trib­utes to the French resis­tance move­ment. And then there’s Death Mills (1945), the dis­turb­ing Ger­man-lan­guage doc­u­men­tary direct­ed by Bil­ly Wilder (Dou­ble Indem­ni­ty, Sun­set Boule­vard and Some Like it Hot) that showed Ger­many the hor­rors the Allies encoun­tered when they lib­er­at­ed Nazi exter­mi­na­tion camps. Some of these films can be found in our col­lec­tion of Free Movies Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Hear John Lennon’s 3‑Hour Interview with Rolling Stone Magazine, 1970

Lie_In_15_--_John_rehearses_Give_Peace_A_Chance

Image by Roy Ker­wood, via Wiki­me­dia Com­mons

The anniver­sary of John Lennon’s death jogged my mem­o­ry, remind­ing me of this lengthy 1970 inter­view. Con­duct­ed by Jann Wen­ner, the founder of Rolling Stone mag­a­zine, this impor­tant con­ver­sa­tion was record­ed short­ly after The Bea­t­les’ bit­ter breakup.

Run­ning over 3 hours, it is one of Lennon’s most exten­sive inter­views, touch­ing not just on the breakup, but also on art and pol­i­tics, drugs, Yoko, pri­mal ther­a­py and more. It’s not always flat­ter­ing, but it gives you a good feel for the man and the great artist.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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New David Foster Wallace in The New Yorker

Appear­ing in The New York­er this week is an excerpt from David Fos­ter Wal­lace’s unfin­ished nov­el, The Pale King. It begins:

Once when I was a lit­tle boy I received as a gift a toy cement mix­er. It was made of wood except for its wheels—axles—which, as I remem­ber, were thin met­al rods. I’m nine­ty per cent sure it was a Christ­mas gift. I liked it the same way a boy that age likes toy dump trucks, ambu­lances, trac­tor-trail­ers, and what­not. There are lit­tle boys who like trains and lit­tle boys who like vehicles—I liked the lat­ter.

Con­tin­ue read­ing the rest here. Also see this oth­er  pre­vi­ous­ly pub­lished excerpt and some pages from DWF’s actu­al man­u­script.

via Kottke.org

PS Is any­one hav­ing prob­lems post­ing com­ments? If so, please shoot me a note at the email address above. I appre­ci­ate your help.

Herta Müller’s Nobel Lecture: Text Here

A quick note: Her­ta Müller, who won the Nobel Prize in Lit­er­a­ture, deliv­ered her lec­ture in Stock­holm yes­ter­day. You can now read the full text online; the video should be com­ing soon.

My grand­fa­ther had been a sol­dier in the First World War. He knew what he was talk­ing about when he said, often and embit­tered, in ref­er­ence to his son Matz: When the flags start to flut­ter, com­mon sense slides right into the trum­pet. This warn­ing also applied to the fol­low­ing dic­ta­tor­ship, which I expe­ri­enced. Every day you could see the com­mon sense of the prof­i­teers, both big and lit­tle, slid­ing right into the trum­pet. The trum­pet I decid­ed not to blow.

Would You Pay $3.99 for a Short Story?

The Atlantic Month­ly and Amazon/Kindle are hop­ing so…

PS Note that the “Best­sellers in Kin­dle” (look in the right col­umn of linked page) all cur­rent­ly cost $0.00.

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The World’s Smallest Writing Ever. Going Subatomic at Stanford.

Vis­it Stan­ford’s YouTube Chan­nel here.

Learning, Memory and the Brain: A Primer

The Teach­ing Com­pa­ny has post­ed online a free video lec­ture that focus­es on what hap­pens in our brain when we learn — some­thing that should pique the inter­est of pret­ty much any read­er here. (Just what hap­pens with those synaps­es when you come here every day?) The lec­ture (watch here) comes from a larg­er course called Under­stand­ing the Brain and is pre­sent­ed by Jeanette Nor­den, a pro­fes­sor in Cell and Devel­op­men­tal Biol­o­gy at Van­der­bilt Uni­ver­si­ty.

Side Note: The Teach­ing Com­pa­ny is also offer­ing free access to anoth­er lec­ture (this one in audio) that sur­veys the “Mas­ter­pieces of Clas­si­cal Hol­i­day Music,” includ­ing Bach’s Christ­mas Ora­to­rio of 1734, Handel’s Mes­si­ah of 1741; and Tchaikovsky’s Nut­crack­er Suite of 1892. Lis­ten or down­load here.


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