Who Says Music Doesn’t Make a Difference?

Out in remix cul­ture, one is nev­er sure what one will find. Take this video for exam­ple. If you watched Amer­i­can TV dur­ing the 1980s, you’re like­ly to remem­ber Dif­f’rent Strokes, a sit­com that had a kind of far-fetched premise: a rich white wid­ow­er adopts two African-Amer­i­can chil­dren from Harlem, and they live hap­pi­ly togeth­er in a pent­house with the wid­ow­er’s bio­log­i­cal daugh­ter and maid. The show’s open­ing cred­its were accom­pa­nied by an upbeat lit­tle jin­gle (watch it here). Now watch what hap­pens above when some­one lay­ers Hitch­cock style music over the orig­i­nal. How we inter­pret the video sud­den­ly does a com­plete 180. The mes­sage that leaps out is not one that we’re mak­ing light of. Not at all. We’re sim­ply fea­tur­ing the clip because it demon­strates so well how music shades the mean­ing we give to images.

PS Read­ers have added some oth­er intrigu­ing exam­ples in the com­ments below.

Peter Kauf­man comes to us from Intel­li­gent Tele­vi­sion.

Ending the University as We Know It

The most pop­u­lar arti­cle in yes­ter­day’s New York Times was an Op-Ed call­ing for a thor­ough­go­ing over­haul of the tra­di­tion­al uni­ver­si­ty. For Mark Tay­lor (chair­man of the reli­gion depart­ment at Colum­bia Uni­ver­si­ty), it’s time to get rid of the mass-pro­duc­tion uni­ver­si­ty mod­el — the uni­ver­si­ty that builds walls between dis­ci­plines, encour­ages aca­d­e­mics to work on often irrel­e­vant top­ics, and pro­duces an ongo­ing glut of grad­u­ate stu­dents, who work as cheap labor­ers, then have dif­fi­cul­ty find­ing full-time teach­ing jobs. So what’s the solu­tion? Tay­lor pro­pos­es six ideas: 1) Get­ting rid of free-stand­ing aca­d­e­m­ic depart­ments and mak­ing aca­d­e­m­ic work cross-dis­ci­pli­nary, 2) devel­op­ing mul­ti-dis­ci­pli­nary pro­grams that focus on “real” prob­lems, 3) increas­ing col­lab­o­ra­tion among insti­tu­tions, part­ly with the help of the inter­net, so that uni­ver­si­ties don’t have to devel­op redun­dant strengths, 4) mov­ing away from tra­di­tion­al, cita­tion-packed dis­ser­ta­tions and instead hav­ing grad stu­dents com­mu­ni­cate their research in more con­tem­po­rary dig­i­tal for­mats, 5) help­ing grad stu­dents plan for a life beyond schol­ar­ship itself, and 6) impos­ing manda­to­ry retire­ment and abol­ish­ing tenure, essen­tial­ly in order to keep fac­ul­ty respon­sive and pro­duc­tive.

What Tay­lor is sug­gest­ing is not entire­ly new. These ideas have been float­ing around for some time. But they’re pack­aged well, and they dri­ve home the point that uni­ver­si­ties, like so many oth­er tra­di­tion­al insti­tu­tions (news­pa­pers, book pub­lish­ers, fos­sil fuel-based ener­gy sys­tems, Gen­er­al Motors, etc), are increas­ing­ly feel­ing out­dat­ed. Or, put dif­fer­ent­ly, they’re not respond­ing to rapid changes in tech­nol­o­gy and the glob­al econ­o­my. There’s an old­er gen­er­a­tion that likes these insti­tu­tions pret­ty much as they are. And that gen­er­a­tion now runs them. Then, there’s a younger gen­er­a­tion learn­ing to do things in dif­fer­ent ways. And we’re left to won­der: How long will it take for these insti­tu­tions to catch up? Or will they sim­ply get out­flanked by some­thing new? As always, love to hear your thoughts.

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The Australian Screen Archive

The Aus­tralian Nation­al Film and Sound Archive pro­vides free and world­wide access to over 1,000 film and tele­vi­sion titles – a trea­sury of down-under video 100 years in the mak­ing. In a part­ner­ship with the major net­works and oth­er learn­ing orga­ni­za­tions, the Archive has com­mis­sioned expert cura­tors to anno­tate the hold­ings, which pro­vides for a rich and con­tex­tu­al­ized experience—whether one is watch­ing unique home movies of Bal­lets Russ­es stars from the 1930s or Aus­tralian films about the sav­agery of World War I. Carve out a good chunk of time and enjoy explor­ing this free resource.

Note: This is the first post by Peter Kauf­man, who heads up Intel­li­gent Tele­vi­sion and shares our pas­sion for thought­ful media. Peter will be bring­ing you intel­li­gent media in the days, weeks, and months ahead. And we’ve also got some oth­er cool projects in mind. More on that lat­er. In the mean­time, keep an eye out for Peter.

How the E‑Book Will Change the Way We Read and Write

Accord­ing to Steven John­son’s piece in The Wall Street Jour­nal, the “break­through suc­cess of Ama­zon’s Kin­dle e‑book read­er, and the mat­u­ra­tion of the Google Book Search ser­vice”  could “make 2009 the most sig­nif­i­cant year in the evo­lu­tion of the book since Guten­berg ham­mered out his orig­i­nal Bible.” John­son goes on to explain why e‑book read­ers (like the Kin­dle) will stim­u­late book sales (nev­er a bad thing for a bat­tered indus­try), and why it will also trans­form the way we find, read, talk and write about books. Def­i­nite­ly worth a quick read. And if you have more thoughts on what the dig­i­tal book uni­verse will look like, add them to the com­ments below.

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When Galaxies Collide

What will hap­pen 3 to 5 bil­lion years from now, when our galaxy will like­ly merge with the Androm­e­da galaxy? The (sound­less) video above will give you a quick pre­view. This footage from the Hub­ble Space Tele­scope offers mul­ti­ple views of recent galaxy col­li­sions. It’s worth not­ing that when galax­ies “col­lide,” they don’t lit­er­al­ly hit one anoth­er. Rather they pull on one anoth­er, as the New Sci­en­tist explains. And the grav­i­ta­tion­al force is enough to do some seri­ous vio­lence — the kind cap­tured in the footage above.

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Open Culture on Facebook

Just a quick fyi, we cre­at­ed a lit­tle Face­book page where you can access our dai­ly con­tent. So head over and become a “Fan.” And tell a friend.

Also, please note, you can find us on Twit­ter or sub­scribe to our RSS feed. And remem­ber that we’re now locat­ed at www.openculture.com  

Have a good week­end.

Bill Moyers with The Wire’s David Simon

Here Bill Moy­ers sits down with David Simon, exec­u­tive pro­duc­er of The Wire, the stun­ning HBO pro­duc­tion. As any­one who has watched the show knows, The Wire is not just a splen­did dra­ma. It is, as Simon has once called it, â€śa polit­i­cal tract mas­querad­ing as a cop show.” It takes a pen­e­trat­ing and aes­thet­i­cal­ly rich look at some of Amer­i­ca’s most vex­ing social issues. And it’s why Moy­ers says, “What Edward Gib­bon was to the decline and fall of the Roman Empire, or Charles Dick­ens to the smokey, mean streets of Vic­to­ri­an Lon­don, David Simon is to Amer­i­ca today.” To access this 40 minute inter­view, you can watch it on the web or on iTunes. You can also grab an audio mp3 here.

Final­ly, as a quick aside, the video below recaps The Wire’s 5 sea­sons in 5 min­utes. It hard­ly does the show jus­tice, but it gives you a quick feel for things. If you haven’t watched the show, do your­self a big favor and get your­self a Net­flix sub­scrip­tion and spend the new few months watch­ing it from begin­ning to end.

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Adult Content. For Mature Thinkers Only

A new sea­son of Enti­tled Opin­ions (iTunes Feed Web Site) recent­ly got off the ground, and it does­n’t take long to under­stand what this pro­gram is all about. Robert Har­ri­son, the Stan­ford lit­er­a­ture pro­fes­sor who hosts the show, opens the new sea­son with these very words:

Our stu­dios are locat­ed below ground, and every time I go down the stairs to do a new show, I feel like I’m descend­ing into the cat­a­combs where those of us who still read great lit­er­a­ture, probe ideas, and explore the recess­es of cul­tur­al his­to­ry, prac­tice a per­se­cut­ed reli­gion. In this neuras­thenic world of ours, we are like a dis­persed soci­ety of secret ini­ti­ates. We live covert­ly, as it were. And it’s in spe­cial shel­ters that our read­ing, think­ing and exchange of ideas take place. Maybe some­day we’ll once again be able to prac­tice our per­sua­sion pub­licly. But mean­while Enti­tled Opin­ions comes to you from the cat­a­combs.

You get the drift. This is a show that takes ideas, lit­er­a­ture, and life seri­ous­ly. It’s heady, and it does­n’t dumb things down. If you’re a faith­ful read­er of Open Cul­ture, you’ll find some­thing here for you. If you take a spin through the archives, you’ll find Har­ri­son in con­ver­sa­tion with Orhan Pamuk (the Nobel Prize win­ning nov­el­ist) and Richard Rorty (one of Amer­i­ca’s most impor­tant con­tem­po­rary philoso­phers). You’ll also find him talk­ing with schol­ars about  Vladimir Nabokov and his Loli­ta, World War II and the Ger­man bomb­ing of Lon­don, the His­to­ry of Psy­chi­a­try, and The His­tor­i­cal Jesus. Each pro­gram starts with a 10 minute (or so) mono­logue, and then Har­ri­son gets down to talk­ing with his guest for anoth­er 50. Give a lis­ten. Let us know your thoughts. And know that Enti­tled Opin­ions (iTunes Feed Web Site) is includ­ed in our Ideas & Cul­ture Pod­cast Col­lec­tion.

PS I shame­less­ly bor­rowed this titled from a com­ment made about Enti­tled Opin­ions on iTunes. To be hon­est, my cre­ative well was run­ning dry.

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Jon Stewart on the Relevance of Cultural Magazines

 

The Dai­ly Show With Jon Stew­art M — Th 11p / 10c
We Don’t Tor­ture
thedailyshow.com
Dai­ly Show
Full Episodes
Eco­nom­ic Cri­sis Polit­i­cal Humor

Here’s Jon Stew­art talk­ing Mon­day night about the rev­e­la­tion that Amer­i­ca’s “extreme inter­ro­ga­tion” tech­niques actu­al­ly amount to tor­ture. Some­how he man­ages to work The New York Review of Books, The Paris ReviewMcSweeney’s and The Utne Read­er into the dis­cus­sion. You’ll find it about 4 min­utes in. Pret­ty fun­ny stuff, although the com­men­tary is sad when you get right down to it.

On a more seri­ous note, Rahm Emanuel (high­light­ed in the video above) was almost cer­tain­ly ref­er­enc­ing excel­lent Mark Dan­ner’s work in the NYRB, which you can find here.

The direct link to the Stew­art video can be found here.

World Digital Library

wdl2Anoth­er big dig­i­tal archive went live this week. Backed by the Unit­ed Nations, the World Dig­i­tal Library wants to cen­tral­ize cul­tur­al trea­sures from around the world. Man­u­scripts, maps, rare books, musi­cal scores, record­ings, films, prints, pho­tographs, and archi­tec­tur­al draw­ings — they will all be absorbed into this grow­ing online col­lec­tion, and users will be able to nav­i­gate through these mate­ri­als in sev­en dif­fer­ent lan­guages (Ara­bic, Chi­nese, Eng­lish, French, Por­tuguese, Span­ish and Russ­ian). The col­lec­tion (to which Google con­tributed $3 mil­lion in 2005) now hosts about 1,250 arti­facts, a frac­tion of what it will even­tu­al­ly include. The ini­tial col­lec­tion fea­tures some gems. Take for exam­ple the Tale of the Gen­ji, a Japan­ese text from the ear­ly 11th cen­tu­ry that’s often con­sid­ered “the first great nov­el in world lit­er­a­ture.” You can also take a close look at some Ora­cle Bones from Chi­na cir­ca 1200 BC. Or how about these icon­ic pho­tos from The Great Depres­sion or these shots of the great Jack­ie Robin­son. To learn more about this new dig­i­tal archive, read this piece in The Wash­ing­ton Post.

Web 2.0 to Book Deal in 3 Minutes

After Seth Har­wood got his MFA at the Iowa Writ­ers’ Work­shop, he began pub­lish­ing in tra­di­tion­al mag­a­zines and jour­nals, as most young writ­ers do. But those pub­li­ca­tions were slow to launch his career. Things changed, how­ev­er, once he start­ed pub­lish­ing online. And they real­ly changed when he released his crime nov­el Jack Wakes Up as a free pod­cast (via iTunesRSS Feed, & MP3) and dis­trib­uted it through social net­works. Web 2.0 broad­ened the reach of his work, attract­ed fans world­wide, and ulti­mate­ly land­ed Har­wood a nice book deal with Ran­dom House. (RH will be pub­lish­ing Jack Wakes Up in print ear­ly next month). In the short video above, Har­wood gives you a quick look inside the mak­ing of his pod­cast, and how it brings expo­sure to his work. If you’re an up-and-com­ing writer, there’s cer­tain­ly some­thing here to think about. You can find out more about Seth’s work at SethHarwood.com.

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