Clay Shirky on the Demise of the Newspaper

Clay Shirky, who does a lot of good think­ing (see his lat­est book) about the social and eco­nom­ic effects of inter­net tech­nolo­gies, has post­ed a new piece on the slow but steady demise of the news­pa­per. It’s an intel­li­gent, not entire­ly lengthy, piece. Here’s a quick quote to whet your appetite:

Round and round this [debate], with the peo­ple com­mit­ted to sav­ing news­pa­pers demand­ing to know “If the old mod­el is bro­ken, what will work in its place?” To which the answer is: Noth­ing. Noth­ing will work. There is no gen­er­al mod­el for news­pa­pers to replace the one the inter­net just broke.

With the old eco­nom­ics destroyed, orga­ni­za­tion­al forms per­fect­ed for indus­tri­al pro­duc­tion have to be replaced with struc­tures opti­mized for dig­i­tal data. It makes increas­ing­ly less sense even to talk about a pub­lish­ing indus­try, because the core prob­lem pub­lish­ing solves — the incred­i­ble dif­fi­cul­ty, com­plex­i­ty, and expense of mak­ing some­thing avail­able to the pub­lic — has stopped being a prob­lem…

Soci­ety doesn’t need news­pa­pers. What we need is jour­nal­ism. For a cen­tu­ry, the imper­a­tives to strength­en jour­nal­ism and to strength­en news­pa­pers have been so tight­ly wound as to be indis­tin­guish­able. That’s been a fine acci­dent to have, but when that acci­dent stops, as it is stop­ping before our eyes, we’re going to need lots of oth­er ways to strength­en jour­nal­ism instead.

When we shift our atten­tion from ’save news­pa­pers’ to ’save soci­ety’, the imper­a­tive changes from ‘pre­serve the cur­rent insti­tu­tions’ to ‘do what­ev­er works.’ And what works today isn’t the same as what used to work.

And while I’m on this top­ic, let me also direct your atten­tion to a piece pub­lished on Mash­able by a recent col­league of mine, Woody Lewis. It gives you a good look at the 10 Ways News­pa­pers are Using Social Media to Save the Indus­try (assum­ing that can be done).

via Clay Shirky’s Twit­ter Feed

Stephen Colbert on Ayn Rand Thinking

Or watch it here.

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Cheap Culture on Amazon

More just a heads up than any­thing else. If you’re spend­ing mon­ey down­load­ing MP3s from iTunes, you may want to give Ama­zon MP3 down­loads a seri­ous look. Ama­zon MP3s are gen­er­al­ly cheap­er, and you can find some out­stand­ing deals there. Take, for exam­ple, $3.99 for The Pogues’ If I Should Fall from Grace, or $1.99 for John Coltrane’s Blue Train. (Both deals were men­tioned over at Large­heart­ed Boy.) For more cheap music on Ama­zon, vis­it this page. And find 500 free songs here, although caveat emp­tor, these may be geo-restrict­ed.

It’s worth men­tion­ing that Ama­zon MP3s are all DRM-free (that’s not the case over at Apple), which means that you can play these sound files in any music pro­gram and on any MP3 device. Ama­zon also notably makes the pur­chas­ing process easy for iPod users. Once you down­load a lit­tle installer, all pur­chas­es will be auto­mat­i­cal­ly uploaded to iTunes or Win­dows Media Play­er. This makes the buy­ing expe­ri­ence pret­ty seam­less and removes all bar­ri­ers to enjoy­ing Ama­zon’s low­er prices.

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Jon Stewart v. CNBC, or The Failure of the Financial Media

A pret­ty bril­liant saga played out over the last week on The Dai­ly Show. It start­ed when Jon Stew­art tweaked Rick San­tel­li and his wide­ly-pub­li­cized rant against home­own­er bailouts. Appar­ent­ly San­tel­li’s net­work, CNBC, could­n’t take a lit­tle joke and fought back, which only pro­vid­ed The Dai­ly Show with more com­ic fod­der. (You can watch the fol­low-up seg­ments here and here. Very fun­ny stuff.) Then, it all cul­mi­nat­ed last night when Stew­art brought Jim Cramer, a lead­ing CNBC per­son­al­i­ty and invest­ment advi­sor, on the show. Here, the jokes end and a long and dead­ly seri­ous inter­view begins, and we all get to see how the finan­cial media failed, if not betrayed, us dur­ing the rise and fall of the cred­it bub­ble. Sad that a come­di­an has to make the point. But I’ll take it.

As a quick side note, it should­n’t be said that no one ever warned the Amer­i­can pub­lic about the pro­gram­ming being put out by CNBC and espe­cial­ly Jim Cramer. Last year, David Swensen, who man­ages Yale’s multi­bil­lion dol­lar endow­ment (which has fared quite well dur­ing this decline, at least rel­a­tive to oth­er large endow­ments) took aim at Jim Cramer in the NYTimes, not­ing: “There is noth­ing that Cramer says that can help peo­ple make intel­li­gent deci­sions.” “He takes some­thing that is very seri­ous and turns it into a game. If you want to have fun, go to Dis­ney World.”

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Sita Sings the Blues

Nina Paley, a self-taught ani­ma­tor, released in 2008 an 82-minute ani­mat­ed film, Sita Sings the Blues, that min­gles the clas­sic Indi­an myth, The Ramayana, with con­tem­po­rary auto­bi­o­graph­i­cal events, and it’s all set to the 1920’s jazz vocals of Annette Han­shaw. The film, which launched the San Fran­cis­co Inter­na­tion­al Ani­ma­tion Fes­ti­val (and was also recent­ly fea­tured in the MoMA’s series “Best Film Not Play­ing at a The­ater Near You”) has won awards and gath­ered a lot of fans. In late Feb­ru­ary, Paley hand­ed the film over to the pub­lic, releas­ing it under a Cre­ative Com­mons license (down­load it here). You can now take it and pret­ty much do what­ev­er you want with it (broad­cast it, share it, remix it, etc.). The only thing you can’t do is copy­right the film or attach dig­i­tal rights man­age­ment to it.

You can read more in the NYTimes about Sita Sings the Blues. The film will be added to our col­lec­tion 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

No Title; Just Watch

Appear­ing last month at the TED Con­fer­ence, jazz pianist Eric Lewis pre­sent­ed a quite amaz­ing ver­sion of Evanes­cence’s hit Going Under. As you’ll see from the very out­set, the piece has some rather uncon­ven­tion­al ele­ments (some won’t like it), but stay with it. It all hangs togeth­er in a strange­ly beau­ti­ful way.

via Min­neso­ta Pub­lic Radio

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Leonard Cohen, Live From The Beacon Theatre

Leg­endary Cana­di­an musi­cian Leonard Cohen is now tour­ing the Unit­ed States for the first time in 15 years (get all of the details here). Fans who can’t catch a show will be pleased to know that NPR’s All Songs Con­sid­ered pro­vides free access to Cohen’s recent show at the Bea­con The­atre in NYC. (It was record­ed on or around Feb­ru­ary 19th.) The set should run about 1:14 and includes 12 songs. You can get it here:  StreamRSS FeediTunes.

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Colonial and Revolutionary America: A Free Course

Although the flow of open edu­ca­tion­al resources has been slow­ing down late­ly (anoth­er casu­al­ty of the reces­sion), the stream has not yet run dry.

Stan­ford has recent­ly added anoth­er free course to its iTunes col­lec­tion. Taught by Jack Rakove, a Pulitzer Prize-win­ning his­to­ri­an, Colo­nial and Rev­o­lu­tion­ary Amer­i­ca (iTune­sU —  Feed) cov­ers the ear­ly phase of the tra­di­tion­al Amer­i­can his­to­ry sur­vey course. The major themes addressed here include “the char­ac­ter of colo­nial soci­ety; the ori­gins and con­se­quences of the Amer­i­can Rev­o­lu­tion, from the Stamp Act con­tro­ver­sy to the adop­tion of the Fed­er­al Con­sti­tu­tion; the impact of the Rev­o­lu­tion on the gen­er­al pop­u­la­tion and cul­ture; and (implic­it­ly) the long-term sig­nif­i­cance of the social and polit­i­cal his­to­ry of this era for our con­cep­tions of Amer­i­can nation­hood, soci­ety and cit­i­zen­ship.” This course is being rolled out in week­ly install­ments. You’ll cur­rent­ly find sev­en lec­tures, but there will even­tu­al­ly be 30.

I’ve added the course to our big col­lec­tion of Free Uni­ver­si­ty Cours­es, and it will be per­ma­nent­ly housed there. This page is loaded with links to thou­sands of hours of free lec­tures and cours­es from major uni­ver­si­ties. A great resource in gen­er­al, and par­tic­u­lar­ly for these lean times. Check it out, and please for­ward it to a friend (or men­tion it on your web site) if you have a chance. Thanks.

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The Tolstoy Bailout, Or Why The Humanities Matter

Writ­ing in The New Repub­lic, Leon Wieselti­er offers a response to the Feb 25 piece in the NYTimes: In Tough Times, the Human­i­ties Must Jus­ti­fy Their Worth. His argu­ment is worth a read, and here is one lengthy mon­ey quote:

The com­plaint against the human­i­ties is that they are imprac­ti­cal. This is true. They will not change the world. They will change only the expe­ri­ence, and the under­stand­ing, and the eval­u­a­tion, of the world. .… It is worth remem­ber­ing, then, that the cri­sis in which we find our­selves was the work of prac­ti­cal men. The secu­ri­ti­za­tion of mort­gages was not con­ceived by a head in the clouds. No poet cost any­body their house. No his­to­ri­an cost any­body their job. Not even the most pam­pered of pro­fes­sors ever squan­dered $87,000 of some­one else’s mon­ey on a lit­tle rug. The cre­ativ­i­ty of bankers is a lux­u­ry that we can no longer afford. But now I read about “defend­ing the virtues of the lib­er­al arts in a mon­ey-dri­ven world,” as the Times says. I would have thought that in these times the per­spec­tive of mon­ey would be ashamed to show itself. What author­i­ty, real­ly, should the stand­point of finance any longer have for Amer­i­can soci­ety? Who gives a damn what Ken­neth D. Lewis thinks about any­thing? … The study of reli­gion, defend­ing itself to cap­i­tal­ists? …

In tough times, of all times, the worth of the human­i­ties needs no jus­ti­fy­ing. The rea­son is that it will take many kinds of sus­te­nance to help peo­ple through these trou­bles. Many peo­ple will now have to fall back more on inner resources than on out­er ones. They are in need of loans, but they are also in need of mean­ings.… We are in need of fis­cal pol­i­cy and spir­i­tu­al pol­i­cy. And spir­i­tu­al­ly speak­ing, lit­er­a­ture is a bailout, and so is art, and phi­los­o­phy, and his­to­ry, and the rest.  … Regres­sion analy­sis will not get us through the long night. We need to know more about the human heart than the study of con­sumer behav­ior can teach. These are the hours when the old Pen­guin paper­backs must stand us in good stead. It was for now that we read them then.

Very well said, and the log­ic out­lined here could be one rea­son why the con­tin­u­ing edu­ca­tion pro­gram that I help lead — which is heavy on meat & pota­to human­i­ties cours­es — is so far far­ing quite well.
via the TNR Twit­ter Feed (ours here)

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Ricky Gervais on American Optimism

Ricky Ger­vais, the come­di­an and brains behind The Office, talks here about the dif­fer­ence between British and Amer­i­can humor, and it real­ly gets down to deep cul­tur­al dif­fer­ences. Opti­mism, the belief that any­thing is pos­si­ble, ver­sus an ingrained pes­simism and pen­chant for the under­dog. I won­der whether UK read­ers would agree with this char­ac­ter­i­za­tion. And, more so, I won­der which out­look, the British or Amer­i­can, can bet­ter get you through these dif­fi­cult times. The answer, to me, is not obvi­ous…

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The New Open Source Textbook

A lit­tle rev­o­lu­tion is get­ting under­way. The state of Vir­ginia has pub­lished a new open source physics text­book under a Cre­ative Com­mons license. As detailed in this piece from ZDNet, this peer-reviewed text­book was pro­duced in less than six months by a team of authors, which includ­ed “active researchers, high school teach­ers, and col­lege pro­fes­sors, as well as some retirees.” And it was launched on CK-12’s tech­nol­o­gy plat­form. Here comes the new world of text­book pub­lish­ing. Quick to press, vet­ted, easy to revise, pro­duced at a low cost by pub­lish­ers, free for stu­dents. What’s not to like … except if you’re in the tra­di­tion­al text­book pub­lish­ing busi­ness?

As a quick aside, you can find anoth­er free physics text­book (in e‑book for­mat) at motionmountain.net.

via ccLearn Twit­ter Feed (Open Cul­ture Twit­ter feed here)

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