How Star Wars Borrowed From Akira Kurosawa’s Great Samurai Films

Hollywood has a long history poaching from abroad. Ask Orson Welles, who along with cinematographer Gregg Toland, incorporated the look of German Expressionist cinema into Citizen Kane. Ask Quentin Tarantino who cribbed much of Ringo Lam’s City on Fire for his breakout debut Reservoir Dogs. And ask George Lucas who was so greatly influenced by Japanese master Akira Kurosawa that he lifted large chunks of his Hidden Fortress for Star Wars.

Above is a video that (if you can get past the bro-tastic narration and mangled Japanese pronunciation) neatly unpacks how Lucas’s seminal space opera owes a lot to Kurosawa. It doesn’t take too much imagination to connect a light saber with a samurai’s katana. Obi-Wan Kenobi’s robes look like something that Toshio Mifune might wear in one of Kurosawa’s epics. Lucas even uses Kurosawa’s trademark screen wipe. Below is an interview with Lucas where he describes how Kurosawa’s visual style influenced him.

Hollywood generally has a better track record with borrowing from foreign filmmaking geniuses than actually working with them. Fritz Lang and John Woo were seduced into coming to America only to be forced by overbearing studios into making anodyne versions of their previous works. Kurosawa himself had a deeply troubling experience in Hollywood; cultural differences, studio politics and Kurosawa’s autocratic directing style – he wasn’t nicknamed ‘The Emperor’ for nothing – got him axed after three weeks from the 20th Century Fox movie Tora! Tora! Tora!. Kurosawa took the blow very personally and, following the box office flop of his next movie Dodesukaden, attempted suicide.

Yet the spectacular success of Star Wars proved to be an unexpected boon to Kurosawa. With his newfound influence in Hollywood, Lucas managed to strong arm 20th Century Fox, the same studio that axed Kurosawa a decade before, into funding Kagemusha. The movie proved to be a commercial and critical hit, winning the Palme d’Or at Cannes. The film also gave Kurosawa the clout to raise the money for his last masterpiece Ran.

Of course, Lucas wasn’t the only filmmaker influenced by Kurosawa. Check out Kurosawa: The Last Emperor below — a documentary about the director featuring a host of filmmakers who have been influenced by him, including Bernardo Bertolucci, John Woo and Francis Ford Coppola.

Related Content:

Watch Kurosawa’s Rashomon Free Online, the Film That Introduced Japanese Cinema to the West

The Kurosawa Digital Archive

Akira Kurosawa & Francis Ford Coppola Star in Japanese Whisky Commercials (1980)

Jonathan Crow is a Los Angeles-based writer and filmmaker whose work has appeared in Yahoo!, The Hollywood Reporter, and other publications. You can follow him at @jonccrow.


by | Permalink | Comments (2) |

Comments (2)
You can skip to the end and leave a response. Pinging is currently not allowed.
  1. Arlynda Boyer says . . . | May 28, 2014 / 10:19 am

    Everything is a Remix is a more detailed look at film borrowing, covering Lucas/Kurosawa in detail but also Tarantino’s nods to film history and the tendency toward genre films, remakes, and live-action versions of comic books that so dominate film today. I’ve used this clip in my teaching.

    Part 2 is about film, but the whole series is well worth a watch–Part 1 covers music, and parts 3 and 4 are about the nature of creativity, invention, and copyright.

    http://everythingisaremix.info/watch-the-series/

    [Ignore the creator's odd, unexplained habit of putting credits in the middle and then resuming the story after them.]

  2. Dan Colman says . . . | May 28, 2014 / 3:35 pm

    Glad that you’ve mentioned that Arlynda. We have featured the Remix films on the site in the past.

    http://www.openculture.com/2012/02/everything_is_a_remix_all_together_now.html

    Very much enjoyed it,
    Dan

Add a comment

Quantcast