Imagine the scene: you uncover a painting stored away in the closet of an elderly relative’s home, coated in a blanket of dust so thick you can hardly make out anything but more dust underneath. You slide it out, begin to carefully brush it off, and find two piercing eyes peering out at you.[...]
It’s telling that the Library of Congress, in digitizing its vast Rosa Parks Collection in close to its entirety, had to resort to a “representative sample” of children’s greeting cards. The lady had no shortage of admirers at the elementary school level.[...]
Even if you don’t think you know what a shot reverse shot is, you’ve probably seen thousands of them. Tony Zhou, creator of the video essay series Every Frame a Painting, calls it “the most basic thing we have in film grammar. Nearly everything you watch is going to be filled with it.[...]
Earlier this month, we gave you this news bulletin: “scientists announced that they had recorded the sound of two black holes colliding a billion light years away, providing the first real proof that gravitational waves actually exist–something Albert Einstein predicted 100 years ago in his famous paper on general relativity.[...]
There are a great many compositions I can never hear again the way I did the first time around. Aaron Copland’s American symphonies, for example—sentimental childhood favorites that once evoked memories of landscapes I knew well—have since become inseparable from advertisements for the meat industry and other disagreeable things.[...]
The system is broken…
A common enough sentiment in an election year, but in this case, the speaker is Batman, and the proof is the 30-minute labor of love above.
Five years ago, father and son Batman fans Sean and Aaron Schoenke spent $27,000 to make City of Scars, this thrillingly grim entry into the canon.
Everyone remembers the first time they saw La Jetée.[...]
Before Shakespeare, literary characters mostly remained static, representing types rather than psychologically real human beings.[...]
The above video is a breathless example of American cable television, and how we love a good story and seriously want something to be more fantastic than boring ol’ scientific fact. It also ties into our culture’s perpetual love and nostalgia for the space program of the 1960s.[...]