Japanese Designers May Have Created the Most Accurate Map of Our World: See the AuthaGraph

“The world is not an illu­sion,” said Alfred Korzbys­ki, “it is an abstrac­tion.” You may know Korzbys­ki for anoth­er famous max­im, “the map is not the ter­ri­to­ry.” Jorge Luis Borges took this idea to its most absurd lengths by imag­in­ing in his sto­ry “On Exac­ti­tude in Sci­ence” a map that cor­re­spond­ed in size and scale at every point with the ter­ri­to­ry. Borges, wrote Col­in Mar­shall in a pre­vi­ous Open Cul­ture post, “illus­trat­ed the idea that all maps are wrong by imag­in­ing the pre­pos­ter­ous­ness of a tru­ly cor­rect one.”

That obser­va­tion occurs in the con­text of a video from Vox that explains why it is math­e­mat­i­cal­ly impos­si­ble to cre­ate a com­plete­ly accu­rate flat world map at any scale.

We must abstract; “the sur­face of a sphere can­not be rep­re­sent­ed as a plane with­out some form of dis­tor­tion,” and so car­tog­ra­phers use a tech­nique called “pro­jec­tion.” The design map­mak­ers have most pop­u­lar­ly used dates to 1569, from a cylin­dri­cal pro­jec­tion by Flem­ish car­tog­ra­ph­er Ger­ar­dus Mer­ca­tor.

For either cul­tur­al or nav­i­ga­tion­al rea­sons, this huge­ly dis­tort­ed map inflates the size of Europe and North Amer­i­ca and makes Green­land and Africa rough­ly the same size. A long over­due update, the Peters Pro­jec­tion from 1973, improved the Mercator’s accu­ra­cy, but at the cost of leg­i­bil­i­ty and pro­por­tion.

But last year, archi­tect and artist Hajime Narukawa of Keio University’s Grad­u­ate School of Media and Gov­er­nance in Tokyo solved these prob­lems with his Autha­Graph World Map, at the top, which won Japan’s Good Design Grand Award, beat­ing out “over 1000 entries in a vari­ety of cat­e­gories,” writes Men­tal Floss. You can view it in a larg­er for­mat here.

Instead of abstract­ing the globe into a cylin­der, then a plane, as the Mer­ca­tor Pro­jec­tion did, the Autha­Graph turns the earth into a tetra­he­dron, which then unfolds in any num­ber of ways, as you can see fur­ther up, and “can be tes­sel­lat­ed just like an MC Esch­er paint­ing… much in the same way that we can tra­verse the plan­et with­out ever com­ing to an end.” Rather than one focal point—the North Atlantic in Mercator’s case—nearly any place around the earth can be at the cen­ter. Ver­sions of the map are already being used in Japan­ese text­books, and you can pur­chase a poster or buy a paper kit that allows you to unfold your own globe-to-tetra­he­dron-to-rec­tan­gle map (see above).

The video above from Pon­der explains the Autha­Graph design, which is not—and could nev­er be—100% math­e­mat­i­cal­ly accu­rate, but can, Narukawa writes, with “a fur­ther step” in its sub­di­vi­sions “be offi­cial­ly called an equal-area map.” The con­cept was impor­tant to him because of the urgent rel­e­vance of glob­al­ist think­ing. As he points out, writes Japan­ese design blog Spoon & Tam­a­go, “A large bulk of the 20th cen­tu­ry was dom­i­nat­ed by an empha­sis on East and West rela­tions. But with issues like cli­mate change, melt­ing glac­i­ers in Green­land and ter­ri­to­r­i­al sea claims, it’s time we estab­lish a new view of the world.” Those in the cen­ters of East­ern and West­ern pow­er ignore the rest of the world at every­one’s per­il. It may help to have a much more equi­table way to visu­al­ize our shared plan­et.

Note: Sev­er­al read­ers men­tioned that this map seems obvi­ous­ly influ­enced by Buck­min­ster Fuller’s Dymax­ion map. We have since writ­ten a sep­a­rate post on that. Find it here.

 

via Men­tal Floss

Relat­ed Con­tent:

Why Mak­ing Accu­rate World Maps Is Math­e­mat­i­cal­ly Impos­si­ble

Down­load 67,000 His­toric Maps (in High Res­o­lu­tion) from the Won­der­ful David Rum­sey Map Col­lec­tion

Browse & Down­load 1,198 Free High Res­o­lu­tion Maps of U.S. Nation­al Parks

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness


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Comments (27)
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  • Joesixpack says:

    “For either cul­tur­al or nav­i­ga­tion­al rea­sons”

    Please stop per­pet­u­at­ing the fic­tion that the Mer­ca­tor pro­jec­tion is some sort of car­to­graph­ic eth­no­cen­trism. The Mer­ca­tor pro­jec­tion is used because of its mathamat­i­cal sim­plic­i­ty and it’s nav­i­ga­tion­al util­i­ty.

    The per­sis­tence of this myth is the result of wide­spread innu­mer­a­cy.

  • Judd says:

    “it’s [sic] nav­i­ga­tion­al util­i­ty.”

    Try again.

    Your error might be uncon­scious. Mer­ca­tor’s eth­no­cen­trism might also have been uncon­scious. Either way, you’re both wrong.

  • Peter Shapiro says:

    pla­gia­rised from r. buck­min­ster fuller…..shame…

  • Josh Jones says:

    Hi Joe­six­pack, I nev­er used the word “eth­no­cen­trism,” nor implied that Mer­ca­tor had some con­scious­ly biased agen­da. These are your pro­jec­tions onto my arti­cle.

  • E says:

    The world’s most accu­rate map, pro­duced by a Japan­ese man, just hap­pens to have Japan right smack in the mid­dle, right-side-up (as we usu­al­ly know it), where­as almost every oth­er coun­try is splayed out to the side and (to our eyes and like­ly those coun­tries’ inhab­i­tants’ eyes) tilt­ed. It is more accu­rate than many maps in var­i­ous ways, but I can’t help but won­der if this “objec­tive” pro­jec­tion would look quite the same if the design­er were from Brazil or Mau­ri­ta­nia.

  • zoid says:

    @E

    Read the arti­cle. this map can be cen­tered on any point on the earth because it is an unfold­ed tetra­he­dron (a shape with flat faces).

    he prob­a­bly put japan in the cen­tre because he is japan­ese and sub­mit­ted the design for a con­test in japan.

  • Joesixpack says:

    ” Mercator’s eth­no­cen­trism might also have been uncon­scious. Either way, you’re both wrong.”

    Mer­ca­tor was from Green­land right? I mean, that is the land­mass which was exag­ger­at­ed more than any oth­er, so by your log­ic…

    Do you under­stand Trigonom­e­try as well as you under­stand the use of the apos­tro­phe? Can you explain why maneu­ver­ing boards are Mer­ca­tor pro­jec­tions? They don’t have any land­mass­es on them.

    Do you know the dif­fer­ence between a lox­o­drome and a great cir­cle?

    I have no idea how eth­no­cen­tric Mer­ca­tor was, but I can assure you that his choice of pro­jec­tion based on the sim­plest trig func­tions had noth­ing to do with his puta­tive bias.

  • Joesixpack says:

    Sor­ry, per­haps I mis­read you. You sug­gest­ed that there may have been a cul­tur­al rea­son behind Mer­ca­tor’s pro­jec­tion. Do you also believe that there is a cul­tur­al rea­son behind mak­ing wheels round? Per­haps there are cul­tures out there who may have cho­sen a dif­fer­ent shape?

    Of course not. We all know that wheels have to be round for them to func­tion as we expect a wheel to func­tion.

    The same is true of map pro­jec­tions. Mer­ca­tor did­n’t design his map for the front of class­rooms to show the rel­a­tive sizes of the con­ti­nents, he designed it for the pur­pose of nav­i­ga­tion, and for that pur­pose it is excel­lent­ly suit­ed. Com­pass direc­tions are straight lines on a Mer­ca­tor pro­jec­tion, on any oth­er pro­jec­tion they will be a curve except for one sin­gle head­ing.

  • Joesixpack says:

    ” Mercator’s eth­no­cen­trism might also have been uncon­scious. Either way, you’re both wrong.”

    Mer­ca­tor was from Green­land right? I mean, that is the land­mass which was exag­ger­at­ed more than any oth­er, so by your log­ic…

    Do you under­stand Trigonom­e­try as well as you under­stand the use of the apos­tro­phe? Can you explain why maneu­ver­ing boards are Mer­ca­tor pro­jec­tions? They don’t have any land­mass­es on them.

    Do you know the dif­fer­ence between a lox­o­drome and a great cir­cle?

    I have no idea how eth­no­cen­tric Mer­ca­tor was, but I can assure you that his choice of pro­jec­tion based on the sim­plest trig func­tions had noth­ing to do with his puta­tive bias.

  • Rfgs says:

    .…or pret­ty close to it. Fuller’s ” Dymax­ion” map starts with pro­jec­tion onto an icosa­he­drons, but the con­cept is clear­ly the same.

  • Josh Jones says:

    Joe­six­pack: It has noth­ing to do with my beliefs. I was refer­ring to the so-called “map wars.”

    http://www.markmonmonier.com/rhumb_lines_and_map_wars__a_social_history_of_the_mercator_projection_39886.htm

    You’ve obvi­ous­ly resolved the issue sat­is­fac­to­ri­ly. I don’t have the req­ui­site exper­tise and so defer to those who do.

  • HeptaSean says:

    “The design map­mak­ers have most pop­u­lar­ly used dates to 1569, […]”

    Not real­ly, I think this is a myth. Even Mer­ca­tor him­self already knew and used equal-area pro­jec­tions.

    Cylin­dri­cal equal-area pro­jec­tions have been around at least since Lam­bert 1772 and Behrmann 1910. Peters was just bet­ter at mar­ket­ing his non-inven­tion.

    The Nation­al Geo­graph­ic Soci­ety has not used Mer­ca­tor for world maps for a very long time, but Van der Grin­ten, Robin­son and Winkel Tripel, which are all com­pro­mise pro­jec­tions much bet­ter than Mer­ca­tor (Van der Grin­ten not so much as the oth­er two).

    Good equal-area pro­jec­tions are around at least since Moll­wei­de 1805 or Goode Homolo­sine 1923.

    So nei­ther Peters nor Autha­graph were rev­o­lu­tion­ary or more accu­rate than any­thing known before.

    “But last year, archi­tect and artist Hajime Narukawa […] solved these prob­lems with his Autha­Graph World Map, […]”

    Not true. Autha­graph has been around since 1999. It just won this design award last year.

    Unfor­tu­nate­ly, nei­ther your arti­cle nor the Wikipedia arti­cle nor the Autha­Graph web­site are good at explain­ing how this pro­jec­tion *real­ly* works.

    How do I get back from a bunch of tri­an­gles to a rec­tan­gle with­out dis­tor­tion or dis­place­ment?

    In fact, the dis­tances, for exam­ple between Antarc­ti­ca and Aus­tralia, look heav­i­ly inac­cu­rate.

  • Joesixpack says:

    Every map is a com­pro­mise. No one pro­jec­tion resolves “THE” prob­lem of car­tog­ra­phy, but every dif­fer­ent pro­jec­tion solves ~A~ prob­lem.

  • Jessica Irish says:

    Why no men­tion of the Bucky Fuller dymax­ion map? This is a slight mod­i­fi­ca­tion of his design. Real­ly glar­ing omis­sion.

  • Kai Werthwein says:

    Im just won­der­ing: Is this an adver­tis­ment of some sort? Where is the open and free cul­tur­al media? it seems i can only buy posters. Strange!

  • Ryan says:

    Buck­min­ster Fuller did this already but used the Icosa­he­dron for greater accu­ra­cy in 1943. I like that the tetra­he­dron ver­sion can be tes­sel­lat­ed on a sheet into a wall­pa­per style image.

  • Bob says:

    ‘that was’…smart arse’!

  • Bob says:

    ‘that was’…smart arse!

  • Harmon Dow says:

    Thanks for the excel­lent link!

  • Nathalie says:

    No, Mer­ca­tor was from Bel­gium.

  • Micheal Pounds says:

    R. Buck­min­ster Fuller’s Dymax­ion Pro­jec­tion of Earth is the obvi­ous pre­cur­sor of the Autha­graph map by 73 years. Dur­ing that inter­val it has been con­stant­ly avail­able to stu­dents, pro­fes­sion­al car­tog­ra­phers and the curi­ous in print and, now, online. It seems incon­ceiv­able that Autha­graph drafter were unaware Fuller’s orig­i­nal approach to depic­tion our world as one island in a world ocean and elim­i­nat­ing errors in land­mass­es. Any casu­al key­word search or query of any library would have returned Fuller’s bril­liant solu­tion as the first world map of the age of flight. To save face, the cre­ators of Autha­graph should qui­et­ly retract their draw­ing and acknowl­edge the pri­ma­cy of Fuller’s first and unsur­passed accom­plish­ment.

  • MicheL Pound says:

    Nav­i­ga­tion as a con­cept chances over time. In Mer­ca­tor’s time Euro­pean empires need­ed a reli­able tool for going from home ports across the oceans — some­times around the world — and back. The rel­a­tive size of land mass­es was not impor­tant, sea routes were. This remained the case up to World War II and the ascen­dan­cy of the air­plane. Fuller’s map is for the Air Age (and the col­lapse of Euro­pean Empires) and puts the empha­sis on get­ting the land­mass­es right because that’s where the plane take off from and land on. He inge­nious­ly dis­pens­es with the inevitable errors of going from sphere to 2‑D in the ocean mar­gins. The coin­ci­dence of the dom­i­nance of the US Air Indus­try after WWII and Fuller’s approach to map tech­nol­o­gy might be a top­ic for anoth­er time. That’s my sto­ry and I’m stick­ing with it.

  • Kevin buchnoff says:

    Thank you. I do enjoy maps so. For me, maps are the only place you can find and learn about our ture his­to­ry. Because as we all know “his­to­ry is dic­tat­ed by the win­ners.”
    As far as every­one that has neg­a­tive com­ments on here, I must ask you this…
    Why? You should encour­age every­one to make maps. Nev­er put down there inter­pre­ta­tion of the world they live in. Again, thank you very much for this. Take care.

  • Martin says:

    The design­er of the map actu­al­ly was aware of the Dymax­ion map

    “In an inter­view, Hajime Narukawa stat­ed that he had Dymax­ion as a guide on fin­ish­ing his very own world map. This is why there are sim­i­lar­i­ties that peo­ple can take note about the two. Though, the lat­est is sure­ly the bet­ter one due to the fact that it even includ­ed Antarc­ti­ca on accu­ra­cy.”

    http://www.designtimes.com/articles/1887/20170227/buckminster-fuller-s-dymaxion-hajime-nakurawa-s-authagraph-the-battle-of-revolutionary-world-maps.htm

  • Caroline says:

    Hi,
    the Pon­der video does not con­tain any expla­na­tion of how the map is built. It’s just an ad.
    And I expect bet­ter from Open Cul­ture.
    Thanks you,
    Car­o­line

  • Nikos C says:

    Haha­ha­ha real­ly??
    Exten­tion of south pole?
    We dont live in an ani­me cone earth
    What a trol­log­ic

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