J.R.R. Tolkien Expressed a “Heartfelt Loathing” for Walt Disney and Refused to Let Disney Studios Adapt His Work

Image via Wiki­me­dia Com­mons

I’ve just start­ed read­ing J.R.R. Tolkien’s The Hob­bit to my daugh­ter. While much of the nuance and the ref­er­ences to Tolkien­ian deep time are lost on her, she eas­i­ly grasps the dis­tinc­tive charms of the char­ac­ters, the nature of their jour­ney, and the per­ils, won­ders, and Elven friends they have met along the way so far. She is famil­iar with fairy tale dwarfs and myth­ic wiz­ards, though not with the typol­o­gy of insu­lar, mid­dle-class, adven­ture-averse coun­try gen­try, thus Hob­bits them­selves took a bit of explain­ing.

While read­ing and dis­cussing the book with her, I’ve won­dered to myself about a pos­si­ble his­tor­i­cal rela­tion­ship between Tolkien’s fairy tale fig­ures and those of the Walt Dis­ney com­pa­ny which appeared around the same time. The troupe of dwarves in The Hob­bit might pos­si­bly share a com­mon ances­tor with Snow White’s dwarfs—in the Ger­man fairy tale the Broth­ers Grimm first pub­lished in 1812. But here is where any sim­i­lar­i­ty between Tolkien and Dis­ney begins and ends.

In fact, Tolkien most­ly hat­ed Disney’s cre­ations, and he made these feel­ings very clear. Snow White debuted only months after The Hob­bit’s pub­li­ca­tion in 1937. As it hap­pened, Tolkien went to see the film with lit­er­ary friend and some­time rival C.S. Lewis. Nei­ther liked it very much. In a 1939 let­ter, Lewis grant­ed that “the ter­ri­fy­ing bits were good, and the ani­mals real­ly most mov­ing.” But he also called Dis­ney a “poor boob” and lament­ed “What might not have come of it if this man had been educated—or even brought up in a decent soci­ety?”

Tolkien, notes Atlas Obscu­ra, “found Snow White love­ly, but oth­er­wise wasn’t pleased with the dwarves. To both Tolkien and Lewis, it seemed, Disney’s dwarves were a gross over­sim­pli­fi­ca­tion of a con­cept they held as precious”—the con­cept, that is, of fairy sto­ries. Some might brush away their opin­ions as two Oxford dons gaz­ing down their noses at Amer­i­can mass enter­tain­ment. As Tolkien schol­ar Trish Lam­bert puts it, “I think it grat­ed on them that he [Dis­ney] was com­mer­cial­iz­ing some­thing that they con­sid­ered almost sacro­sanct.”

“Indeed,” writes Steven D. Grey­danus at the Nation­al Catholic Reg­is­ter, “it would be impos­si­ble to imag­ine” these two authors “being any­thing but appalled by Disney’s sil­ly dwarfs, with their slap­stick humor, nurs­ery-moniker names, and singsong musi­cal num­bers.” One might counter that Tolkien’s dwarves (as he insists on plu­ral­iz­ing the word), also have fun­ny names (derived, how­ev­er, from Old Norse) and also break into song. But he takes pains to sep­a­rate his dwarves from the com­mon run of children’s sto­ry dwarfs.

Tolkien would lat­er express his rev­er­ence for fairy tales in a schol­ar­ly 1947 essay titled “On Fairy Sto­ries,” in which he attempts to define the genre, pars­ing its dif­fer­ences from oth­er types of mar­velous fic­tion, and writ­ing with awe, “the realm of fairy sto­ry is wide and deep and high.” These are sto­ries to be tak­en seri­ous­ly, not dumb­ed-down and infan­tilized as he believed they had been. “The asso­ci­a­tion of chil­dren and fairy-sto­ries,” he writes, “is an acci­dent of our domes­tic his­to­ry.”

Tolkien wrote The Hob­bit for young peo­ple, but he did not write it as a “children’s book.” Noth­ing in the book pan­ders, not the lan­guage, nor the com­plex char­ac­ter­i­za­tion, nor the grown-up themes. Disney’s works, on the oth­er hand, rep­re­sent­ed to Tolkien a cheap­en­ing of ancient cul­tur­al arti­facts, and he seemed to think that Disney’s approach to films for chil­dren was espe­cial­ly con­de­scend­ing and cyn­i­cal.

He described Disney’s work on the whole as “vul­gar” and the man him­self, in a 1964 let­ter, as “sim­ply a cheat,” who is “hope­less­ly cor­rupt­ed” by prof­it-seek­ing (though he admits he is “not inno­cent of the prof­it-motive” him­self).

…I rec­og­nize his tal­ent, but it has always seemed to me hope­less­ly cor­rupt­ed. Though in most of the ‘pic­tures’ pro­ceed­ing from his stu­dios there are admirable or charm­ing pas­sages, the effect of all of them is to me dis­gust­ing. Some have giv­en me nau­sea…

This expli­ca­tion of Tolkien’s dis­like for Dis­ney goes beyond mere gos­sip to an impor­tant prac­ti­cal upshot: Tolkien would not allow any of his works to be giv­en the Walt Dis­ney treat­ment. While his pub­lish­er approached the stu­dios about a Lord of the Rings adap­ta­tion (they were turned down at the time), most schol­ars think this hap­pened with­out the author’s knowl­edge, which seems a safe assump­tion to say the least.

Tolkien’s long his­to­ry of express­ing neg­a­tive opin­ions about Dis­ney led to his lat­er for­bid­ding, “as long as it was pos­si­ble,” any of his works to be pro­duced “by the Dis­ney stu­dios (for all whose works I have a heart­felt loathing).” Astute read­ers of Tolkien know his seri­ous intent in even the most com­ic of his char­ac­ters and sit­u­a­tions. Or as Vin­tage News’ Mar­tin Cha­lakos­ki writes, “there is not a speck of Dis­ney in any of those pages.”

Note: An ear­li­er ver­sion of this post appeared on our site in 2018.

Relat­ed Con­tent:

J.R.R. Tolkien Snubs a Ger­man Pub­lish­er Ask­ing for Proof of His “Aryan Descent” (1938)

110 Draw­ings and Paint­ings by J.R.R. Tolkien: Of Mid­dle-Earth and Beyond

J. R. R. Tolkien Writes & Speaks in Elvish, a Lan­guage He Invent­ed for The Lord of the Rings

When J.R.R. Tolkien Worked for the Oxford Eng­lish Dic­tio­nary and “Learned More … Than Any Oth­er Equal Peri­od of My Life” (1919–1920)

Josh Jones is a writer and musi­cian based in Durham, NC. 


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Comments (61)
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  • Stephen says:

    Times change. Dis­ney should be allowed to bring Mid­dle Earth to Dis­ney theme parks.

  • Baroness says:

    Did you hon­est­ly read the arti­cle?
    Cause every­thing they have touched is but a mod­ern day mock­ery or a dis­gust­ing par­o­dy of old­er IP’s.
    Star wars is stag­nant, Indi­ana Jones is dead in the water, and the Mup­pets are stuck in lim­bo.
    They would only turn Lotrs, into an arti­fi­cial sug­ary mess ooz­ing with com­mer­cial­iza­tion and stripped of it’s lan­guage and iden­ti­ty till it looks like Can­dy Land. So you think that’s a good idea?

  • PB says:

    Out of respect for the author of a pow­er­ful, and exhaus­tive body of work, Dis­ney should not have a chance to do any­thing to LOTR or Mid­dle Earth.

    It’s not a ques­tion of social norms today, or Dis­ney’s evo­lu­tion over time, it’s a ques­tion of respect for the cre­ator and his clear, explic­it, and clear head­ed opin­ions.

    Why did Dis­ney need to adapt this sto­ry? Dis­ney is just Dis­ney, it’s not worth ruin­ing J.R.R. Tolkien’s dig­ni­fied stance to give them a project. Even in the 21st Cen­tu­ry, some things must and can stay sacred.

  • Claude says:

    Absolute­ly no!

  • Shane K. Bernard says:

    There are con­stant rumors (and I think that’s all they are at this point) that Uni­ver­sal’s Epic theme park will be expand­ed to include a Tolkien sec­tion. In fact, I heard this men­tioned in the most recent episode of Dis­ney Food Blog on YouTube (but that does­n’t mean it’s true).

  • Eigonosenseiretd says:

    Tolkien writes of dwarves and elves because this is stan­dard in British Eng­lish. If you pre­fer dwarfs and elfs, enjoy your Amer­i­cana. By the way, fawn is spelled faun (CS Lewis). Mark Twain, as in, two coun­tries sep­a­rat­ed by a com­mon lan­guage.

  • Thomas Devine says:

    Dis­ney should have adapt­ed Charles Dick­ens. Dis­ney doing the “Pick­wick Papers” or “The Old Curios­i­ty Shop” would make more sense.

    Tolkien bland­ly assumed that no Amer­i­can could adapt his works. I’d put the Rankin and Brass “Hob­bit” up against the 3D tril­o­gy they did a few years ago.

    Tolkien, a man of many won­der­ful virtues sim­ply could­n’t get beyond his upbring­ing to see much of any worth in Amer­i­ca. It’s kind of sad real­ly, much like Orwell he ignored Amer­i­ca because he was trained to. Orwell’s blind­ness cost him his life which peni­cillin might have saved. Tolkien nev­er paid a sim­i­lar price.

  • Suz D says:

    While I have my own set of issues with all three of these peo­ple. Dis­ney was a cul­tur­al pio­neer. He was­nt a writer, he was a cre­ative dream­er. His influ­ence changed the world.
    The advance­ment to engi­neer­ing in the build­ing Dis­ney Land and Dis­ney World alone is sig­nif­i­cant.
    I dont see Tolkien or Lewis mak­ing any sig­nif­i­cant con­tri­bu­tions. While I enjoy read­ing their sto­ries.… that’s about it.

  • Erok X says:

    Tolkien sounds like an Effite Snob.
    He’s crit­i­ciz­ing Dis­ney cir­ca 1933 to 1972 when they were at their Best, Peter Pan, Snow White, Sleep­ing Beau­ty, Fan­ta­sia which are all Mas­ter­pieces.
    I appre­ci­ate his works as lit­er­ary clas­sics but this insane cult like wor­ship of this man is ridicu­lous.
    ( Peo­ple Con­demn­ing Rings of Pow­er because it’s Not ” Tolkien” what­ev­er the Hell that means )
    Also peo­ple are con­fus­ing Dis­ney under Walt with Dis­ney under Iger which are two dif­fer­ent com­pa­nies entire­ly.

  • Erok X says:

    ALL OF THIS 💯💯💯💯💯
    WELL SAID 👍👍👍

  • Cherie Cook says:

    Agreed 100%!

  • Andrew T says:

    Yeah,after what dis­ney has done to Star Wars, that is an emphat­ic HELL NO!!

  • Gamephreak5 says:

    Lol, Dis­ney would­n’t make LotR “Can­dy Land”. Mod­ern Dis­ney would just make it lame and gay. Dis­ney does­n’t sug­ar coat every­thing any­more, just gay-code every­thing.

    Although, Ama­zon has done a great job at doing that already. Ama­zon killed LotR with­out Dis­ney’s help.

  • BeastieBouy says:

    Assum­ing you may be GenX like me… we were the first gen­er­a­tion real­ly brought up with a met­ric sh!t‑ton of IPs.I think we assumed they were all time­less… and I also think we’re learn­ing that they’re not. Sure, some have more stay­ing pow­er than oth­ers, but some just with­er and die, or worse, become unrec­og­niz­able.

    6–7, my friend, 6–7

  • Cyber grandpa says:

    Your’s like Tolkien’s & Lewis’is an opin­ion and we all know what opin­ions are like…

  • Clarabell says:

    Rings of Pow­er is in my opin­ion respect­ful of Tolkien. I love that series very much. Why crit­i­cize that and not Peter Jack­son? Parts of LOTRs was bril­liant, but much if it was awful, mak­ing changes to pan­der to a US audi­ence, like skate­board­ing Lego­las in The 2 Tow­ers. The Hob­bit movies were plain offen­sive to the Tolkien name and clear­ly a mon­ey spin­ner. And the War of the Rohirrim was a box office flop. As a Tolkien fan, I’m stay­ing well away from any­thing more that Tolkien churns out. As for Rop, I can’t wait for series 3. For one, it has no skate­board­ing elves.

  • Clarabell says:

    Rings of Pow­er is in my opin­ion respect­ful of Tolkien. I love that series very much. Why crit­i­cize that and not Peter Jack­son? Parts of LOTRs was bril­liant, but much if it was awful, mak­ing changes to pan­der to a US audi­ence, like skate­board­ing Lego­las in The 2 Tow­ers. The Hob­bit movies were plain offen­sive to the Tolkien name and clear­ly a mon­ey spin­ner. And the War of the Rohirrim was a box office flop. As a Tolkien fan, I’m stay­ing well away from any­thing more that Tolkien churns out. As for Rop, I can’t wait for series 3. For one, it has no skate­board­ing elves.

  • Sharkinachair says:

    I decid­ed to start watch­ing Rings of Pow­er, and I know that Ama­zon did­n’t have that much mate­r­i­al to adapt, but the series is an affront com­pared to the leg­endary work of Tolkien. They get every­thing wrong, in such an obvi­ous mat­ter, the geog­ra­phy of the map, names of the city, they put char­ac­ters in sit­u­a­tions that have noth­ing to do with it, it’s all a mess. They took the celebri­ty char­ac­ter and made the elf so weak, it’s piti­ful, Gal­adriel is irri­tat­ing, full of arro­gance, not even close to the great elf she is, and let’s talk about Elrond and Gal­adriel’s kiss, I believe that the screen­writ­ers and direc­tors trav­eled well, they don’t read Tolkien, they don’t have a shred of knowl­edge of the work.

  • Brian M. says:

    Beware of the worm­tounge ^

  • Emily says:

    As a child I loved any­thing Dis­ney while a car­toon ver­sion of Tolkien’s The hob­bit scared me. But as I’ve matured, I’ve grown to appre­ci­ate Tolkien’s sto­ries and have found Dis­ney’s to be ‘sick­ly sweet’. Their works have a com­plete­ly dif­fer­ent feel and pur­pose. It’s under­stand­able that Tolkien would­n’t want his artis­tic work to be skewed in a way to make its feel and pur­pose unrec­og­niz­able.

  • Sharon Angelina says:

    Pre­cise­ly. Dis­ney cares noth­ing for pre­serv­ing lit­er­a­ture. Dis­ney only cares about its bot­tom line, and has thus far infan­tilized and dis­tort­ed beyond recog­ni­tion almost every sto­ry they have laid their hands on. The retelling of any sto­ry should enhance it, not bas­tardize it until it’s mean­ing­less.

  • A griffin says:

    Just can­not stand Walt Dis­ney. He was a nazi pedophile and any­thing he touched was made awful. Amer­i­cans think Win­nie the pooh is Amer­i­can ! In fact all the real­ly half decent films are British and even then you have to be care­ful as Walt has his fin­gers in the pie!

  • Michael J Rexrode says:

    I think the Dis­ney Com­pa­ny should be kept busy adapt­ing Antho­ny Trol­lope’s nov­els. The Eustace Dia­monds come to mind.

  • Will Pryor says:

    He def­i­nite­ly did not like Jews, had no respect for Women and looked down on black people.…but where the Hell did you get the Pedophile thing from??

  • Pam says:

    Sounds like the same deep feel­ings felt by peo­ple who hate Trump so deeply it makes them men­tal­ly ill, aka Trump Derange­ment Syn­drome-TDS. In Tolkien’s case it would be DDS, Dis­ney Derange­ment Syn­drome 😂

  • David says:

    Total­ly agree with Clarabell’s assess­ment. If Tolkien want­ed noth­ing to do with Dis­ney then he would be mor­ti­fied by the most recent adap­ta­tion of The Hob­bit. Even Jackson’s laud­ed LOTR turned dwarves into com­ic relief and in my opin­ion were ok movies but ter­ri­ble adap­ta­tions. ROP on the oth­er hand, although far from per­fect, cap­tures at least more of the respect for the genre. Of all the Tolkien inspired works, it’s my favorite, but that’s not to say I think it’s even close to what Tolkien cre­at­ed. They’re dif­fer­ent medi­ums for dif­fer­ent audi­ences and so I’ll take what I can get.

  • John Cowan says:

    The spelling “dwarves” was nev­er stan­dard in any coun­try begore Tolkien. He knew that and rec­og­nized it in one of his let­ters.

  • JackD says:

    Hate to break it to you but lit­er­a­ture is many times more impor­tant than engi­neer­ing.

  • Ed Ross says:

    The most inter­est­ing part of the arti­cle for me was get­ting a glimpse of an old-world sen­si­bil­i­ty react­ing to the tech­no­log­i­cal mar­vel of ani­ma­tion with dis­gust and alien­ation. Some of my ear­li­est mem­o­ries are watch car­toons ani­mals on a screen as my con­scious­ness was still form­ing. To imag­ine two ful­ly grown sen­si­tive men encoun­ter­ing it as a new devel­op­ment and reject­ing it as unwhole­some, gives me per­spec­tive on what’s spe­cif­ic to my own men­tal archi­tec­ture.

  • Satyros says:

    “Noth­ing in the book pan­ders…”

    Michael Moor­cock begs to dif­fer.

  • Amanda says:

    Absolute­ly not.

  • Cynda says:

    You must be a gen Z, so much anger and hate. Walt Dis­ney was not a Nazi pedophile, your dis­dain is uncalled for and obvi­ous­ly you are not aware of his his­to­ry. He was as some­one else point­ed out, a dream­er a weaver of fan­ta­sy and cre­ativ­i­ty. There’s room for all cre­atives, it’s not lim­it­ed to British cul­ture and authors.

  • Jones says:

    You are poor­ly informed. Orwell died of a rup­tured pul­monary artery. Peni­cillin does NOT repair that.

  • Jen says:

    I found all things Dis­ney as creepy,even as a child. Did­n’t like their car­toons or movies, had no desire to ever vis­it a Dis­ney prop­er­ty. Hard pass on all things Dis­ney.

  • BP says:

    It would be an abom­i­na­tion and a betray­al of all Tolkien’s sen­si­bil­i­ties to put his works through the Dis­ney machine. I can­not even watch Dis­ney nature spe­cials, they are so sac­cha­rine and arti­fi­cial-dra­ma cre­at­ing they are unwatch­able.

    Dis­ney does­n’t reflect the world or it’s beau­ty, rich­ness and diver­si­ty. It only pro­vides a pas­teur­ized, ano­dyne, inof­fen­sive ver­sion of any sto­ry. It is a shame (for instance) that the mem­o­ry of the great works of Lewis Car­roll and the Broth­ers Grimm will now for­ev­er be taint­ed and bas­tardized by the Dis­ney cul­tur­al anni­hi­la­tor.

  • Frisky Pete says:

    It is well doc­u­ment­ed that Walt Dis­ney would elec­tro­cute babies, by the hun­dreds, in a huge pool and then have sex with the bod­ies. He had secret under­ground bunkers where he would muti­late ani­mals and peo­ple into crea­ture mod­eled after his ani­mat­ed char­ac­ters. He also kissed his dad on the mouth. I rest my case.

  • Nancy Kovacs says:

    Dis­ney DID adapt a Dick­ens story…or have you nev­er heard of ‘Oliv­er and Com­pa­ny’?

  • wmb says:

    Its amaz­ing to hear all the com­ments of adults hat­ing Dis­ney sto­ries and m9vies that were made for chil­dren. May be Dis­ney char­ac­ters are “dumb­ed down”, for lack of a bet­ter expres­sion, but when your main audi­ence are chil­dren, is it not a par­en­t’s job to pro­tect them from the harsh real­i­ties of life as long as they can? I’m say­ing that par­ents can’t or should­n’t, but if one had the choice to have their lit­tle enjoy the silli­ness of Snow White and the Sev­en Dwarfs or the LoTRs before bed, per­haps the Dis­ney might be more like­ly to give them pleas­ant dreams. Why is that one has to love one or the oth­er? Its much like the way may view Christ­mas! Young ones love San­ta and the elves mak­ing gifts, teens like the gifts and mon­ey, but all like the hol­i­day! Every­thing has its place, so why is there so much hate and fight­ing?!

  • NOT Stephen Thankfully says:

    I’ve nev­er dis­agreed more with some­one. What a ter­ri­ble take, in com­plete con­tra­dic­tion with this arti­cle as well. Shame on you.

  • I see stupid people says:

    My ass it should

  • wmb says:

    …its kind of like adults get­ting upset over the live action remakes of Dis­ney car­toons. While it may dis­ap­point them that the remakes don’t live up to what they remem­ber, but the remake is for enjoy­ment many of chil­dren. Did they like it? While the author of LoTHs may not have been impressed by Dis­ney’s take on elves and dwarfs, but do chil­dren?! The movie was not nec­es­sar­i­ly made for the par­ents that brought their chil­dren to see the film and if the chil­dren are hap­py, the patent made not have to like the film!

  • wmb says:

    …its kind of like adults get­ting upset over the live action remakes of Dis­ney car­toons. While it may dis­ap­point them that the remakes don’t live up to what they remem­ber, but the remake is for enjoy­ment many of chil­dren. Did they like it? While the author of LoTHs may not have been impressed by Dis­ney’s take on elves and dwarfs, but do chil­dren?! The movie was not nec­es­sar­i­ly made for the par­ents that brought their chil­dren to see the film and if the chil­dren are hap­py, the patent made not have to like the film! Just a thought.

  • Donna L Haynes says:

    Just NO

  • Brenda says:

    Thanks for post­ing about the spelling of dwarves! I always assumed that “dwarves” was the cor­rect spelling because I read “The Hob­bit” & LOTR as a kid. So it’s just the dif­fer­ence between British & Amer­i­can spellings. As an Eng­lish teacher, I find these dif­fer­ences fas­ci­nat­ing!

  • Scorer61 says:

    I don’t know about “elves”, but at the time Tolkien wrote about “dwarves”, “dwarfs” was the accept­ed plur­al, even in Eng­land. Tolkien’s edi­tor even cor­rect­ed “dwarves” to “dwarfs” in Tolkien’s work. Tolkien was the one who pop­u­lar­ized the use of “dwarves”.

    Tolkien said that the actu­al plur­al of dwarf was dwar­row, but he did­n’t like the sound of it. So, he used dwarves instead.

    So, pre-1937, “dwarfs” was stan­dard British Eng­lish.

    The Oxford Eng­lish Dic­tio­nary lists dwarfs as the stan­dard and notes that Tolkien pop­u­lar­ized dwarves as an alter­na­tive to be used for fan­ta­sy and myth­i­cal beings.

  • Jimmy says:

    Also a sto­ry theif…

  • Pete Fernbaugh says:

    Can you back up these seri­ous charges with actu­al facts? There’s a ton of doc­u­men­ta­tion about Dis­ney’s life to draw upon, so please pro­vide sources.

    And if you can’t imme­di­ate­ly pin­point where your infor­ma­tion came from, then you real­ly don’t know enough to be com­ment­ing on a per­son­’s life, hard stop.

    And if you say you don’t have the time to pro­vide sources, then maybe you should invest your time in read­ing rather than com­ment­ing. Sec­ond hard stop.

  • Pete Fernbaugh says:

    The com­ment above was in response to “A grif­fin.”

  • P. Alden Peirce says:

    Will,

    The word “pedophile” in the descrip­tion of Walt Dis­ney, is a com­mon tac­tic of the “Enti­tled Amer­i­can Lib­er­al” in their efforts toward “neg­a­tive mar­ket­ing” much in the same way the term “gluten-free” is used to sell items nat­u­ral­ly devoid of “gluten”. It is a ter­ri­ble game of “Cap­i­tal­is­tic Seman­tics” (a term I have just come to mind).

  • Rosalind Werner says:

    A fawn is a young deer. A faun is a myth­i­cal crea­ture (½ man,½ goat I think) from classical/pagan antiq­ui­ty. Cf the god Pan.

  • Rosalind Werner says:

    The stan­dard plu­rals are: elf, elves; dwarf, dwarfs. It was a pecu­liar­i­ty of Tolkien’s that he invent­ed the usage dwarves for his par­tic­u­lar inhab­i­tants of Mid­dle Earth.

  • -daj says:

    I appre­ci­ate your step­ping in to defend Tolkien’s use of “dwarves.” If your com­ment had­n’t been here, I’d have left one of my own, as I was tak­en aback by the sur­pris­ing­ly back­hand­ed tone of “as he insists on plu­ral­iz­ing the word” in the arti­cle. I mean, if you’re going to be sneer at some­one’s usage, it seems to me that you should do a deep dive on the ety­mol­o­gy of the word to make sure you’re not embar­rass­ing your­self pub­licly before you do. It’s not exact­ly as if the answers aren’t at your fin­ger­tips these days.

  • Patrick says:

    You make it sound like gay is bad.

  • Marcos says:

    Absolute­ly not. And espe­cial­ly not today. Dis­ney is worse than it’s ever been. They’d cram some mod­ern pol­i­tics in there that are anti­thet­i­cal to Tolkien

  • Marcos says:

    No, rings of pow­er, aside from some writ­ing errors, philo­soph­i­cal­ly clash­es with Tolkien which is the num­ber one rea­son for why I can’t stand it

  • Marcos says:

    No. There is a big dif­fer­ence between “pan­der­ing” and writ­ing what about what you love and are pas­sion­ate about which is what Tolkien did. Dis­ney is just doing the for­mer today.

  • Joel says:

    They could if Tolkien’s works enter the pub­lic domain, where they arguably belong.

  • No says:

    No.Just no. Times have not changed. Keep LOTR away from Dis­ney.

  • It is says:

    It can be.

  • Nonsene says:

    No, Dis­ney did not elec­tro­cute babies or any of that oth­er non­sense. You need to go get a room with Can­dace Owens and STFU nutjob.

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