It’s always interesting to see how things are made—crayons, Fender Stratocasters, cartoon eggs…
The documentary above takes you through the creation of a cello in the Barcelona workshop of master luthier Xavier Vidal i Roca. (To watch with English subtitles, click the closed caption icon — “CC” — in the lower right corner.
Ralph Steadman will always best be known—and for good reason—as the visual interpreter of Hunter S. Thompson’s druggy gonzo vision of American excess and hubris.[...]
Perform an internet search on the phrase “David Bowie Paper Doll” and what do you get? Hint: it’s not a cover of the Mills Brothers hit. David Bowie paper dolls are proliferating in astonishing numbers.[...]
Behold, the ingenious underground bicycle storage of Japan! What a vision of futurist efficiency – the only thing missing is Raymond Scott’s Powerhouse (aka Bugs Bunny factory music).[...]
Remember disfiguring binders with band logos and lyrics, doodling in the margins of textbooks, idly marking the fore edges with ball point designs?
At most, such pursuits helped pass a few minutes in study hall.
How long would it take to undo all this handiwork?
Clearly much, much longer than it took to create.
In the 1930s, the systems theorist, designer and inventor Buckminster Fuller created the Dymaxion car — an aerodynamic concept car that managed to get 30 miles per gallon while topping out at 90 miles per hour, and transporting 11 passengers.[...]
Image by Zach Klein
Singer-songwriter Björk, currently enjoying a career retrospective at the Museum of Modern Art, celebrated TED’s billionth video view with a playlist of six treasured TED Talks.
Image via The Digital Fishbowl
In high school, the language I most fell in love with happened to be a dead one: Latin. Sure, it’s spoken at the Vatican, and when I first began to study the tongue of Virgil and Catullus, friends joked that I could only use it if I moved to Rome.
Red seems to be a magnet for angry bulls and great directors. After all, it’s the color that seems to stand out more than any other. Yasujiro Ozu, for one, made the jump to color movies very reluctantly late in his career and promptly became obsessed with the color red.[...]