Few people have done more to accurately foresee and help shape the century ahead of them as W.E.B. Du Bois. And perhaps few intellectuals from the early twentieth century still have as much critical relevance to our contemporary global crises.[...]
Images courtesy of MoMA
We all hate it when we hear of an exciting exhibition, only to find out that it closed last week — or 80 years ago. New York’s Museum of Modern Art has made great strides toward taking the sting out of such narrowly or widely-missed cultural opportunities with their new digital exhibition archive.
Not a day now goes by without the appearance of new infographics, each of them meant to bring its viewers a fuller understanding of a subject or phenomenon (or convince them of an argument) at a glance.[...]
Phillumeny – the practice of collecting matchboxes – strikes me as a fun and practical hobby. As a child, I was fascinated with the contents of a large glass vase my grandparents had dedicated to this pursuit.[...]
New York City lost some of its charm this weekend, with the news that Bill Cunningham, the Times’ beloved, on-the-street fashion photographer, had passed away at the age of 87.
Much has been made over the fact that he was designated a living landmark by the New York Landmarks Conservancy.
Keep copying those Sunday funnies, kids, and one day you may beat Al Jaffee’s record to become the Longest Working Cartoonist in History.
You’ll need to take extra good care of your health, given that the Guinness Book of World Records notified Jaffee, above, of his honorific on his 95th birthday.
No need to scramble to the fallout shelter, friends.
That massive boom you just heard is merely the sound of thousands of crafters’ minds being blown en masse by the University of Southhampton’s Knitting Reference Library, an extensive resource of books, catalogues, patterns, journals and magazines—over seventeen decades worth.
Every story has its architecture, its joints and crossbeams, ornaments and deep structure. The boundaries and scope of a story, its built environment, can determine the kind of story it is, tragedy, comedy, or otherwise. And every story also, it appears, generates a network—a web of weak and strong connections, hubs, and nodes.[...]
Swedish musician Martin Molin’s Marble Machine, above, looks like the kind of top heavy, enchanted contraption one might find in a Miyazaki movie, galloping through the countryside on its skinny legs.[...]