Photograph via Norfolk Record Office
Once upon a time, computers with less horsepower than your mobile phone, were big. Real big. How big? This big.
It’s clear that amateur saxophonist and Johns Hopkins surgeon Charles Limb has an abiding interest in the neuroscience of creativity.
He’s also an unabashed fanboy. I’ll bet the spirit of scientific inquiry is not the only motivating factor behind this jazz fan’s experiments on jazz improvisers.
We’ve previously featured the various pioneering efforts of The Getty — from freeing 4,600 high-resolution art images (and then 77,000 more) into the public domain, to digitally releasing over 250 art books. Now they’ve put their minds to those rare, beautiful, and highly edifying specimens known as art catalogues.[...]
You might think that a movie about information from 1953 couldn’t possibly be relevant in the age of iPhone apps and the Internet but you’d be wrong.[...]
Having owned an iPhone for all of one month, I’m still a bit leery of all it can purportedly do for me. Convenience is great, but I’m not sure I’m ready to cede control of all the little tasks, challenges, and puzzles my own imperfect brain has been handling more or less well for nearly half a century.
I don’t hate blundering.
“High tech and low life”: never have I heard a literary genre so elegantly encapsulated. I repeat it whenever a friend who finds out I enjoy reading cyberpunk novels — or watching cyberpunk movies, or playing cyberpunk video games — asks what “cyberpunk” actually means.[...]
Anyone remember Michael Crichton’s Westworld (or the Simpsons parody)? In this dystopian 1973 sci-fi, tourists visit a triumvirate of fantasy theme parks staffed by robotic historical re-enactors: Roman World, Medieval World, and the titular West World, with its “lawless violence on the American Frontier.[...]
Unmanned aerial vehicles, more colloquially known as drones, have drawn bad press in recent years: as the intrusive tools of the coming surveillance state, as deliverers of death from above in a host of war zones, as the purchase-delivering harbingers of world domination by Amazon.com.[...]
“I probably worry less about the real future than the average person,” says William Gibson, the man who coined the term “cyberspace” and wrote books like Neuromancer, Idoru, and Pattern Recognition. These have become classics of a science-fiction subgenre branded as “cyberpunk,” a label that seems to pain Gibson himself.[...]
If, like Virginia Woolf, you could never read James Joyce’s Ulysses from start to finish, then here’s another way to experience the modernist classic. Virtually rather than textually.[...]