In 1900, Thomas Edison traveled to Paris to document the many wonders of the Exposition Universelle, and the city itself.
FYI: Ian McKellen, who first made his reputation performing at the Royal Shakespeare Company in the 1970s and 80s, has just released the first of a series of iPad apps meant to make Shakespeare’s plays more accessible, especially for high school and college students.[...]
April 23 is the 400th anniversary of Shakespeare’s death, an event so far in the past that it can be celebrated as a second birthday of sorts.
The New York Public Library’s contribution to the festivities has an endearingly homemade quality.
We here at Open Culture hardly have to tell you that, when a play often called the wittiest comedy in the English language meets the English actor often called the greatest of his generation, you won’t want to miss the resulting performance.[...]
Here at Open Culture, when we think of authors who write work made for the movies, we do, of course, think of names like Dan Brown, J.K. Rowling, and Robert Ludlum — but even more so of names like Samuel Beckett, whose pushing of aesthetic and intellectual boundaries on the stage we welcome now more than ever on the screen.[...]
You’ve got to pick-a-pocket or two, boys
You’ve got to pick-a-pocket or two.
Unlike the Artful Dodger and other light-fingered urchins brought to life by Charles Dickens and, more recently, composer Lionel Bart, professional pickpocket Apollo Robbins confines his practice to the stage.
In the graduate department where I once taught freshmen and sophomores the rudiments of college English, it became common practice to include Shakespeare’s Titus Andronicus on many an Intro to Lit syllabus, along with a viewing of Julie Taymor’s flamboyant film adaptation.[...]
How fitting that the head of The Addams Family would harbor a lifelong obsession with author Edgar Allan Poe.
In the spirit of full disclosure, we should clarify that the true Poe fanboy is not the fictional Gomez Addams, but rather the first actor to bring the character to life, John Astin, of television fame.
The Great White Way is littered with flops.
Critic Frank Rich eviscerated a 1988 musical based on Stephen King’s Carrie, lamenting that a potential camp masterpiece wound up as “a typical musical-theater botch.