How To Write About Your Friends: Irving Reviews Grass

John Irv­ing pub­lished a long defense of Ger­man author Gün­ter Grass’s new mem­oir, Peel­ing the Onion in the New York Times Book Review yes­ter­day. The book cre­at­ed a storm of when it came out in Ger­man last year. Grass, who received the Nobel Prize in Lit­er­a­ture in 1999, revealed that he spent the last months of World War II as a mem­ber of an SS tank divi­sion. While he was only 17 at the time and claimed nev­er to have fired a weapon in bat­tle, the rev­e­la­tion was clear­ly upset­ting to many not only for the nature of Grass’s involve­ment (the Waf­fen-SS hav­ing exe­cut­ed many of Nazi Germany’s most hor­rif­ic war crimes) but for the fifty-year delay in his con­fes­sion.

Irv­ing’s “review” is a fas­ci­nat­ing read because of the way an old friend­ship and a tricky eth­i­cal ques­tion are man­aged in prose. Not­ing that one of his most famous char­ac­ters, Owen Meany, shares the ini­tials of Grass’s Oskar Matzerath from The Tin Drum (it’s “homage”), Irv­ing made a point of declar­ing that he will be attend­ing at least one par­ty for Grass’s 80th birth­day, pos­si­bly more. And his defense of Grass’s long silence about the Waf­fen-SS? “But good writ­ers write about the impor­tant stuff before they blab about it; good writ­ers don’t tell sto­ries before they’ve writ­ten them!”

To decide for your­self, you can read the first chap­ter of the book online here. If you get cable, Gün­ter Grass and Nor­man Mail­er will be appear­ing on Book­TV this Sun­day, July 15 at noon. Or you can watch Grass being inter­viewed by Char­lie Rose right here:

Death by Amateurs?

Last weekend’s New York Times Sun­day Mag­a­zine has declared this the Amateur’s Hour, an era when unpaid hob­by­ists can edit break­ing news, design space tech­nol­o­gy for NASA, and pre­dict the end of the world. That last arti­cle is clear­ly an out­lier, but the first two raise an inter­est­ing point—are we get­ting bet­ter ser­vice from process­es like Wikipedia than we did from tra­di­tion­al, top-down hier­ar­chies?

This is a debate that’s been going on for the past cou­ple of years under the guise of Web 2.0, cul­mi­nat­ing in the “You” econ­o­my announced with much fan­fare by Time Mag­a­zine last Decem­ber. In that debate, the bat­tle lines are clear­ly drawn between the YouTube-using, Google Map-mash­ing enthu­si­asts and the skep­tics, like aJaron Lanier, who pre­dicts a form of Dig­i­tal Mao­ism. In that ver­sion of the argu­ment, blog­gers are either cit­i­zen jour­nal­ists or incom­pe­tent muck­rak­ers clog­ging the pores of the body politic.

Now the debate seems to have moved into a wider circle—the realm of the ama­teur ver­sus the pro­fes­sion­al, with or with­out the inter­net. Major out­fits from Net­flix to NASA have been try­ing to out­source some of their trick­i­est prob­lems to the gen­er­al pub­lic, which is as bizarre as it is excit­ing. Andrew Keen, arguably the most Web 2.0‑enabled crit­ic of Web 2.0, is well-placed to com­bat the Times cov­er­age with his new book, The Cult of the Ama­teur: How Today’s Inter­net is Killing our Cul­ture, which he describes as a polemic against all of the mon­keys with type­writ­ers and web­cams (that is, us) the Inter­net has now unleashed upon civ­i­liza­tion.

Per­son­al­ly, I find it hard to believe that “real cul­ture” is drown­ing in a sea of YouTube. If there’s one thing we’re try­ing to do at Open Cul­ture, it’s to har­ness Web 2.0 tech­nolo­gies to bring you the best stuff there is: top-notch con­tent from uni­ver­si­ties, cul­tur­al pro­grams and online media around the world. The fact that it might be cre­at­ed by any­one, for any­one doesn’t nec­es­sar­i­ly make it bad or good—our job as a Web 2.0 fil­ter is to sort that out for you and offer our best sug­ges­tions.

Keen’s self-pro­mo­tion­al ener­gy is an excel­lent exam­ple of how tech­nol­o­gy can enhance the great con­ver­sa­tion. He’s argu­ing his case every­where from Google’s HQ (watch here on YouTube) to the Strand Book­store in Man­hat­tan. A mul­ti­plic­i­ty of view­points cre­ates debate, and debate is gen­er­al­ly a good thing. If there’s one les­son to be learned from “real cul­ture” it’s that life’s great ques­tions don’t have neat or sat­is­fy­ing answers. Inter­est­ing con­ver­sa­tion is about the best we can hope for, so why not invite more peo­ple to join in?

Watch “Live Earth” Live (Now)

Unless you’ve been liv­ing in a bunker some­where, you’ve prob­a­bly heard about Live Earth, a 24-hour, 7‑continent con­cert that’s been orga­nized to raise aware­ness about glob­al warm­ing and to inspire action on the envi­ron­men­tal front. You can watch these shows live by click­ing here. The con­certs in Asia are already under­way, and the West­ern Hemi­sphere shows will start tomor­row (Sat­ur­day). Thanks to Al Gore for pro­mot­ing this event and this impor­tant larg­er cause.

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Radio Open Source Goes Radio Silent

As we cov­er the world of enlight­ened pod­casts, we inevitably uncov­er ones that become our per­son­al favorites, and this was the case with Radio Open Source (iTunes Feed Web Site). Host­ed by Christo­pher Lydon, the show had a great knack for mak­ing heady issues engag­ing and acces­si­ble to a wider audi­ence, and that was main­ly because the show took its lead from the Radio Open Source blog and its active online com­mu­ni­ty. Rather unique­ly, Lydon and his crew let the online com­mu­ni­ty help pro­duce the show, which meant let­ting the audi­ence sug­gest top­ics and guests for future pro­grams. It was a nov­el con­cept that yield­ed some very good results.

Any­way, as you can tell, we’re talk­ing about things in the past tense, and that’s because the show announced last week that they’ve run out of fund­ing and gone on a sum­mer hia­tus. They’re sort­ing things out and hop­ing to return this fall with new mon­ey and per­haps a new broadcasting/podcasting approach. We hope to see them back in action soon. In mean­time, we’d encour­age you look back through their media archive — iTunes Feed Web Site — to get a feel for what the fall may bring.

Michael Moore’s “Sicko” — Fox Likes It More Than Google?

For some, it came as no sur­prise that “Sicko,” Michael Moore’s lat­est film and crit­i­cal look at Amer­i­ca’s health­care sys­tem, got strong reviews at The Cannes Film Fes­ti­val. What else would you expect from Europe’s lefty intel­li­gentsia? Then there was this lit­tle curve­ball. The right-lean­ing Fox News also called the film “bril­liant and uplift­ing.” How like­ly is that? The odds are next to zero. But it hap­pened, and it says some­thing rather extra­or­di­nary about the film. (You can watch the trail­er for the movie on your iPod here.)

In the mean­time, Google has got­ten itself into a bit of a PR deba­cle with the release of Sicko. Last week, a Google employ­ee took the posi­tion on a Google health­care blog that “Moore’s film por­trays the indus­try as mon­ey and mar­ket­ing dri­ven, and fails to show healthcare’s inter­est in patient well-being and care.” And then she invit­ed the health­care indus­try to use Adwords, the com­pa­ny’s mon­ey-rak­ing ad plat­form, to show­case for the pub­lic all the good that they do for us. When Google got the inevitable blow­back, the cor­po­rate PR folks kicked things into gear. Soon enough, we were told that the Google employ­ee had been speak­ing out of turn and they released an adden­dum on their main cor­po­rate blog, which says some­thing and yet noth­ing at the same time. Where does Google real­ly stand on the issue? Who knows. They’re play­ing things pre­dictably safe, and that’s to be expect­ed when your com­pa­ny stands to gen­er­ate bil­lions of ad rev­enue from a mul­ti-tril­lion dol­lar indus­try. Mean­while where does Fox stand on all of this (and I am talk­ing about the com­pa­ny, rather than the indi­vid­ual film review­er cit­ed above)? Prob­a­bly nowhere good.

Below, you can find Michael Moore talk­ing with Bill Maher (HBO) about the health­care prob­lem that cuts across the polit­i­cal divide. Give it a good look, but bet­ter yet, go see the movie.

Weekly Wrap — June 30

It’s a wrap for the week:

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Colbert Gives iPhone Zero Stars

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