Metallica Playing “Enter Sandman” on Classroom Toy Instruments

Things get­ting too seri­ous around here? You want it lighter? Here’s Metal­li­ca play­ing “Enter Sand­man” on class­room toy instru­ments. It fea­tures James Het­field on the toy clar­inet, Lars Ulrich on the Fish­er Price Drum and toy cym­bals, Kirk Ham­mett on the Melod­i­ca, and Robert Tru­jil­lo on the Baby Elec­tric Axe. They’re joined by Jim­my Fal­lon on the kazoo. Next up, stun­ning, breath­tak­ing time­lapse films of boats sail­ing through Venet­ian canals.

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Relat­ed Con­tent

Metallica’s Bassist Robert Tru­jil­lo Plays Metal­li­ca Songs Fla­men­co-Style, Joined by Rodri­go y Gabriela

With Medieval Instru­ments, Band Per­forms Clas­sic Songs by The Bea­t­les, Red Hot Chili Pep­pers, Metal­li­ca & Deep Pur­ple

A Blue­grass Ver­sion of Metallica’s Heavy Met­al Hit, “Enter Sand­man”

Finnish Musi­cians Play Blue­grass Ver­sions of AC/DC, Iron Maid­en & Ron­nie James Dio

Iconic Footage of Jimi Hendrix Playing “Hey Joe” Rendered in the Style of Moebius, with the Help of Neural Network Technology

We are less than a year into neur­al net­work tech­nol­o­gy, and Google’s Deep Dream soft­ware is already yield­ing impres­sive results beyond the dog-slugs of its first videos. YouTu­ber Lulu xXX has been play­ing around with blend­ing art with music videos, and is onto some­thing with this clip that mesh­es icon­ic live footage of the Jimi Hen­drix Expe­ri­ence (fea­tured below) with the art of Jean Giraud aka Moe­bius.

The French car­toon­ist and illus­tra­tor was a big fan of Hen­drix. He designed the cov­ers of a French com­pi­la­tion LP of Hendrix’s first two albums, and includ­ed him in sev­er­al art prints, where the musi­cian is a cool, often angel­ic pres­ence.

So Lulu xXX right­ly chose Moe­bius’ par­tic­u­lar style through which to process this icon­ic “Hey Joe” footage record­ed in 1967. As you see, when the neur­al net­work is fed more line-based work, it tru­ly does get close to “Moe­bius ani­mates Hen­drix.” Watch the side-by-side ver­sion below and let us know what you thinks works best.

In a few more years, this video may seem charm­ing­ly naive as neur­al net­work­ing improves. Think how Pixar evolved, or how video games devel­oped. The results may be so good that we won’t know if we’re see­ing some­thing hand­made or a per­fect sim­u­la­tion. We might have to lean over and ask our Jimi Hen­drix holo­gram to tell us the truth.

via Laugh­ing Squid

Relat­ed con­tent:

Moe­bius Gives 18 Wis­dom-Filled Tips to Aspir­ing Artists (1996)

Moe­bius’ Sto­ry­boards & Con­cept Art for Jodorowsky’s Dune

Jimi Hen­drix Wreaks Hav­oc on the Lulu Show, Gets Banned From BBC (1969)

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

The New York Times’ First Profile of Hitler: His Anti-Semitism Is Not as “Genuine or Violent” as It Sounds (1922)

new-popular-idol

I’ve heard it again and again. The now Pres­i­dent-elect made vicious and belit­tling attacks on African-Amer­i­cans, Mus­lims, immi­grants, women, the dis­abled, etc. dur­ing the cam­paign sea­son (and for sev­er­al decades before), but he didn’t mean it. And I have many ques­tions. For exam­ple, why should any­one assume—given the his­to­ry of coun­try after coun­try after country—that a bul­ly­ing nativist auto­crat doesn’t mean what he says?

We know celebri­ty breeds triv­i­al­iza­tion. But we also know well that in some of the most famous—but by no means only—cases of dem­a­gogues who rose to pow­er with hate speech, the rhetoric quick­ly turned to many years of incom­pre­hen­si­ble, yet cal­cu­lat­ed, bru­tal­i­ty. At least in the U.S., hard­ly any­one believed that the melo­dra­mat­ic vit­ri­ol Hitler and Mus­soli­ni spat at scape­goats of all kinds, espe­cial­ly Jews, should be tak­en very seri­ous­ly.

In 1922—at the dawn of Hitler’s bud­ding nation­al­ist move­ment—The New York Times pub­lished its first pro­file, and explained his dem­a­goguery away. The arti­cle, titled “New Pop­u­lar Idol Ris­es in Bavaria,” begins with sev­er­al alarm­ing sub­head­ings: “Hitler cred­it­ed with extra­or­di­nary pow­ers of sway­ing crowds to his will,” “forms gray-shirt­ed army… They obey orders implic­it­ly,” “Leader a reac­tionary,” “Anti-Red and Anti-Semit­ic.” It then goes on to under­mine these charges.

Accord­ing to “sev­er­al reli­able, well-informed [unnamed] sources,” we’re told, “Hitler’s anti-Semi­tism was not so gen­uine or vio­lent as it sound­ed,” though “the Hitler move­ment is not of a mere local or pic­turesque inter­est.”

He was mere­ly using anti-Semit­ic pro­pa­gan­da as a bait to catch mass­es of fol­low­ers and keep them aroused, enthu­si­as­tic and in line for the time when his orga­ni­za­tion is per­fect­ed and suf­fi­cient­ly pow­er­ful to be employed effec­tive­ly for polit­i­cal pur­pos­es.

What pur­pos­es? The paper quotes one admir­ing “sophis­ti­cat­ed politi­cian” as say­ing, “You can’t expect the mass­es to under­stand or appre­ci­ate your fin­er real aims. You must feed the mass­es with crud­er morsels and ideas like anti-Semi­tism. It would be polit­i­cal­ly all wrong to tell them the truth about where you real­ly are lead­ing them.” Where might this be? The shad­owy source did not say. We cyn­i­cal­ly expect all politi­cians to lie, to feed us “crud­er morsels.” But assum­ing that racism, big­otry, and scapegoating—whether sin­cere or not—will go down so eas­i­ly with so many peo­ple con­sti­tutes a very dark view of “the mass­es.”

nytimeshitler-2

Ten years lat­er, after Hitler was released from prison for trea­son and had begun his can­di­da­cy for pres­i­dent, many, even more com­pli­men­ta­ry, arti­cles would follow—as Rafael Med­off doc­u­ments in The Dai­ly Beast—all the way up to Time magazine’s nam­ing him “Man of the Year” for 1938.  “Why did many main­stream Amer­i­can news­pa­pers por­tray the Hitler regime pos­i­tive­ly,” asks Med­off, “espe­cial­ly in its ear­ly months? How could they pub­lish warm human-inter­est sto­ries about a bru­tal dic­ta­tor? Why did they excuse or ratio­nal­ize Nazi anti-Semi­tism? These are ques­tions that should haunt the con­science of U.S. jour­nal­ism to this day.”

One reporter in a 1933 Chris­t­ian Sci­ence Mon­i­tor dis­patch from Ger­many informed his read­ers that “the train arrived punctually”—indulging a trope about fas­cists mak­ing the “trains run on time” that has aston­ish­ing­ly come back in cir­cu­la­tion via for­mer Cincin­nati may­or Ken Black­well. “Traf­fic was well reg­u­lat­ed.” The cor­re­spon­dent found “not the slight­est sign of any­thing unusu­al afoot.” The word we often hear for what hap­pened dur­ing the 30s is “nor­mal­iza­tion,” a process by which the most har­row­ing por­tents were blend­ed into the land­scape, ren­dered signs of noth­ing “unusu­al afoot.”

The nor­mal­iza­tion of Nazism in Ger­many involved a tremen­dous pro­pa­gan­da effort, much of it aimed at chil­dren. In the U.S., the press seemed more than will­ing to turn an eth­no-nation­al­ist move­ment with frightening—and plain­ly stated—objectives into an ordi­nary, ratio­nal state actor. Anti-Semi­tism was described as legit­i­mate polit­i­cal resent­ment or rea­son­able anger at Ger­man Jews’ “com­mer­cial clan­nish­ness.” Some­how the vic­tims of Nazism had to be respon­si­ble for their own mur­der and per­se­cu­tion. “There must be some rea­son,” wrote The Chris­t­ian Cen­tu­ry in an April, 1933 edi­to­r­i­al, “oth­er than race or creed—just what is that rea­son?” Few peo­ple, it seems, could or would allow them­selves to imag­ine that the new Ger­man Führer actu­al­ly meant what he said.

via Boing Boing

Relat­ed Con­tent:

Free Online His­to­ry Cours­es, a sub­set of our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties

How Did Hitler Rise to Pow­er? : New TED-ED Ani­ma­tion Pro­vides a Case Study in How Fas­cists Get Demo­c­ra­t­i­cal­ly Elect­ed

George Orwell Reviews Mein Kampf: “He Envis­ages a Hor­ri­ble Brain­less Empire” (1940)

Gand­hi Writes Let­ters to Hitler: “We Have Found in Non-Vio­lence a Force Which Can Match the Most Vio­lent Forces in the World” (1939/40)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Stewart Brand’s List of 76 Books for Rebuilding Civilization

When the future looks dim, we can attend to the present with furi­ous agency, spin­ning from task to task, for­get­ting for days on end to prac­tice fore­thought. How much of this comes from tech-addled infor­ma­tion over­load and how much from phys­i­o­log­i­cal respons­es to real impend­ing dan­ger is anyone’s guess. But both sources of anx­i­ety dri­ve away thoughts of what Stew­art Brand— futur­ist, founder of the Whole Earth Cat­a­log, and one of Ken Kesey’s band of Mer­ry Pranksters—calls the “Long Now,” also the name of his foun­da­tion advo­cat­ing “the long view and the tak­ing of long-term respon­si­bil­i­ty.”

But, you may object, we think of our chil­dren, and maybe of our grand­chil­dren, too. Yet when Brand says long, he doesn’t mean 25, 50, or 100 years in the future. Inspired by an imag­ined clock that ticks away years, cen­turies, and mil­len­nia (and which Long Now is actu­al­ly build­ing) the foun­da­tion aims to cre­ate a ver­sion of Isaac Asi­mov’s “library of the deep future.” Long Now—whose board includes Bri­an Eno, Wired founder Kevin Kel­ly, and dig­i­tal map maven David Rumsey—refers to their library as the “Man­u­al for Civ­i­liza­tion,” a some­what grandiose title for a very ambi­tious project: an archive to help rebuild civ­i­liza­tion in case of dec­i­ma­tion or cat­a­stroph­ic col­lapse.

Many of the board mem­bers—like Kel­ly and Eno—have sub­mit­ted their own lists of rec­om­men­da­tions for titles to add to the col­lec­tion of 3,500 books. (We’ve fea­tured Eno’s list in a pre­vi­ous post.) The sam­pling of con­trib­u­tors so far is hard­ly a diverse group, and read­ers have point­ed out that the sam­pling of authors (it’s over­whelm­ing­ly male) isn’t either. That per­fect­ly legit­i­mate crit­i­cism aside, these lists do pro­vide us with ways of think­ing about the kinds of books some pos­si­ble future might need to rebuild. Would ancient Greek epics like The Ili­ad and The Odyssey have much rel­e­vance if the world lost its cul­tur­al wealth, along with the mil­lions of ref­er­ences to Homer?

These epics, and those of Gil­gamesh and Beowulf, have much more to con­tribute than just his­tor­i­cal val­ue. What about the sci­ence fic­tion of Ian Banks? Sto­ic phi­los­o­phy of Mar­cus Aure­lius and Lucretius? Edward Gibbon’s The His­to­ry of the Decline and Fall of the Roman Empire (all six vol­umes)? All of these appear on Stew­art Brand’s list, but so do prac­ti­cal and enter­tain­ing sur­veys like Peter Barber’s The Map Book, and sci­en­tif­ic texts like Paul G. Hewitt’s Con­cep­tu­al Physics and Theodore Gray’s The Ele­ments: A Visu­al Explo­ration of Every Known Atom in the Uni­verse.

Whether we can rea­son­ably expect these books to sur­vive hun­dreds or thou­sands of years from now is maybe beside the point. It’s an exer­cise in futur­ol­o­gy. Long Now rep­re­sents both “a mech­a­nism and a myth,” Brand has writ­ten. His heavy empha­sis on illus­trat­ed non­fic­tion sug­gests some crit­i­cal acknowl­edge­ment that future read­ers may not be flu­ent and may have few mem­o­ries of what things once looked like (espe­cial­ly through micro­scopes and tele­scopes). His heavy empha­sis on clas­si­cal lit­er­a­ture and almost exclu­sive­ly Euro­pean his­to­ry shows a par­tic­u­lar cul­tur­al bias that may have lit­tle jus­ti­fi­ca­tion.

See a select­ed list of 20 titles from Brand’s list below, and see the full list of 76 books at the Long Now Foun­da­tion site here. Find his list myopic or miss­ing some key areas of knowl­edge? Sug­gest your own addi­tions in the com­ments.

The Sto­ry of Writ­ing: Alpha­bets, Hiero­glyphs & Pic­tograms by Andrew Robin­son

Brave New World (The Folio Soci­ety) by Aldous Hux­ley and illus­trat­ed by Leonard Roso­man

Dune by Frank Her­bert

The Sin­gu­lar­i­ty is Near: When Humans Tran­scend Biol­o­gy by Ray Kurzweil

One True God: His­tor­i­cal Con­se­quences of Monothe­ism by Rod­ney Stark

The Clash of Civ­i­liza­tions and the Remak­ing of World Order by Samuel P. Hunt­ing­ton

The Idea of Decline in West­ern His­to­ry by Arthur Her­man

What Tech­nol­o­gy Wants by Kevin Kel­ly

The Long Sum­mer: How Cli­mate Changed Civ­i­liza­tion by Bri­an Fagan

A His­to­ry of Civ­i­liza­tions by Fer­nand Braudel

The Foun­da­tion Tril­o­gy by Isaac Asi­mov

The Prince by Machi­avel­li, trans­lat­ed by George Bull, pub­lished by Folio Soci­ety

The Nature of Things by Lucretius

The Ili­ad by Homer trans­lat­ed by Robert Fagles

The Mem­o­ry of the World: The Trea­sures That Record Our His­to­ry from 1700 BC to the Present Day by UNESCO

The Land­mark Herodotus: The His­to­ries edit­ed by Robert B. Strassler

Brand is not so mod­est as to exclude his own work, list­ing his How Build­ings Learn: What Hap­pens After They’re Built as a can­di­date for a declin­ing or post-apoc­a­lyp­tic world. That book is also a six-part BBC series, with music by Bri­an Eno. You can watch the first episode at the top of the post and find all six parts at our pre­vi­ous post on Brand here.

Again, Brand’s com­plete list of 76 books can be found here.

Relat­ed Con­tent:

What Books Could Be Used to Rebuild Civ­i­liza­tion?: Lists by Bri­an Eno, Stew­art Brand, Kevin Kel­ly & Oth­er For­ward-Think­ing Minds

Bri­an Eno Lists 20 Books for Rebuild­ing Civ­i­liza­tion & 59 Books For Build­ing Your Intel­lec­tu­al World

Watch Stew­art Brand’s 6‑Part Series How Build­ings Learn, With Music by Bri­an Eno

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Thomas Edison’s Hugely Ambitious “To-Do” List from 1888

edison_todolist

Even beyond devel­op­ing the phono­graph, the motion pic­ture cam­era, light bulb, and the creepy talk­ing doll, Thomas Edi­son got a lot done in life. With his even greater knack for enter­prise than for inven­tion, he might, had he lived in the 21st cen­tu­ry, trad­ed on his rep­u­ta­tion for pro­duc­tiv­i­ty and indus­try by sell­ing us his per­son­al “life hacks.” Alas, those in search of Edis­on­ian tips and tricks for liv­ing must infer them from all the mate­ri­als he left behind after a life that stretched from the mid-19th cen­tu­ry to near­ly the mid-20th, such as this exten­sive to-do list from Jan­u­ary 3, 1888.

“Through­out his life, Thomas Edi­son kept ‘idea books’ filled with to-do lists, sketch­es and oth­er notes on cur­rent and future projects,” says the site of PBS’ Amer­i­can Expe­ri­ence. Just over a month after open­ing his new lab in West Orange, New Jer­sey, “Edi­son cre­at­ed a five-page list of ‘Things doing and to be done.’

That year alone, Edi­son would exe­cute 45 patents, pri­mar­i­ly con­cerned with the phono­graph and cylin­der records. Alexan­der Gra­ham Bell and his asso­ciates had begun to make improve­ments on Edison’s decade-old phono­graph, which pushed Edi­son into action. Despite this com­pe­ti­tion, Edis­on’s ‘To Do’ list shows that the phono­graph wasn’t the only thing on the inventor’s mind.”

These five pages of things to acquire or cre­ate (see the full list below) include not just the “New Stan­dard Phono­graph” but an “Improved Mag­net­ic Bridge for prac­ti­cal work,” “Unin­flam­ma­ble Insu­lat­ing Mate­r­i­al,” a “Box bal­anc­ing Sys­tem,” “Arti­fi­cial Moth­er Pearl,” “But­ter direct from Milk,” “Arti­fi­cial Ivory,” “Marine Teleg­ra­phy,” and a “Long dis­tance stan­dard Tele­phone Trans­mit­ter which employs devices of record­ing phono­graph.” While not all the ideas that inspired, or were inspired by, the items on this long list came to fruition, Edi­son clear­ly saw val­ue in get­ting them all out of his head and on paper. One won­ders what the man who declared that “genius is one per­cent inspi­ra­tion, nine­ty-nine per­cent per­spi­ra­tion” would make of the count­less orga­ni­za­tion and pro­duc­tiv­i­ty tools now on the mar­ket. Nobody ever per­spired because of using an app, after all — but plen­ty have per­spired devel­op­ing them.

Things doing and to be done:

Cot­ton Pick­er
New Stan­dard Phono­graph
Hand turn­ing phono­graph
New Slow speed cheap Dynamo
New Expan­sion Pyro­mag­net­ic Dynamo
Deaf Appa­ra­tus
Elec­tri­cal Piano
Long dis­tance stan­dard Tele­phone Trans­mit­ter which employs devices of record­ing phonogh
Tele­phone Coil of Fe [iron] by tt in Parafine or oth­er insu­la­tor
Plati­na Point Trans using new phono Recorder devices
Gred Bat­tery for Tele­phones
“ “ “ “ Long Dis­tance
“ “ “ — Phono­plex
“ “ “ Jump Tele­graph
“ “ “ Volt­meter
Improved Mag­net­ic Bridge for prac­ti­cal work
Moto­graph Mir­ror
“ Relay
“ Tele­phone prac­ti­cal
Arti­fi­cial Cable
Phone motor to work on 100 volt ckts
Dupli­cat­ing Phono Cylin­ders
Deposit in vac­uo on lace, gold + sil­ver also on cot­ton molten chem­i­cal com­pound of lus­trous sur­faces to imi­tate silk— also reg plat­ing sys­tem
Vac­u­ous Ore milling Large Machine
Mag­net­ic Sep­a­ra­tor Large
Lock­ing mate­r­i­al for Iron sand
Arti­fi­cial Silk
Arti­fi­cial fil­i­ments [sic]
New [illeg.]
Unin­flam­ma­ble Insu­lat­ing Mate­r­i­al
Good wax for phono­graph
Phono­graph­ic Clock
Large Phono­graph for Nov­els, etc.
Pig Iron Expmts with Elec­tric­i­ty + Mag­net­ism
Mal­leabliz­ing Cast now in Vac­uo
Draw­ing fine wire
Joy phono­graph for Dolls
Cable Moto­graph
Very Loud Moto­graph tele­phone with 1/3 siz phonogh motor.
Mag­ne­to tele­phone with actu­al con­tact end mag­net com­pres­sion of an adjustable rub­ber press as in new phones
Snow Com­pres­sor
Glass plate water ore repeator
Tinned faced [illeg.] for Stove Cast­ings
Refin­ing Cop­per Elec­tri­cal­ly
Quad neu­tral relay
Cheap low induct Cop Insu­lat­ing mate­r­i­al for Lead Cable peo­ple
Con­stant moved for non­foundry
200 volt 20 cp lamp
Cheap [illeg.] Indi­ca­tor
Record­ing Valt Indi­ca­tor
Box bal­anc­ing Sys­tem
Alter­nat­ing Machine + Trans­former
Sifua Sur­face Switch­es
Vul­can­iz­ing [illeg.] African Rub­ber adulle­ment
Plat­inum wire [illeg.] cut­ting Machine
Sil­ver wire wood cut­ting sys­tem
Sil­ver­ing or Cop­per­ing bathing cloth in Vac for dura­bil­i­ty
S Mater attend own with new devices for c speed
Expan­sion mir­ror plat… wire in vac­uo
Pho­toghy
Pho­toghy by camp­ing heat after cen­tral points
Boron fil.
Hg [mer­cury] out of Lamp
Phonaplex Repeater
Squirt­ing glass sheet tube etc. Nick­el [illeg.]
Arti­fi­cial Moth­er Pearl
Red Lead pen­cils equal to graphite
India Ink
Trac­ing Cloth
Ink for blind
Fluffy Incan­des­cent Burn­er for gas
Regen­er­a­tive Kerosene Burn­er
Cen­tral­ized arc in arc Lamp
Cai–[illeg.] Tes­la arc lamp test
Strength­en­ing alter­nat­ing cli by sternt Dynamo
ERR Cont [illeg.] reduc­ers
Elec­tro­plat­ing Machines for Sch­enec­tady
Con­denser Trans­former
Sqr ft difrac­tion grat­ings in sil­ver by 5000 [illeg.] tool spe­cial [illeg.] lathe for orna­men­tal pur­pos­es
Pho­to Scant–[illeg.]
Cheap plan pro­duce Mimeo­graph sur­faces
Min­ers bat­tery + lamp
Sort­ing Coal from Slate Machine
But­ter direct from Milk
Burn­ing asphalt Can­dles by high chim­ney
Mag­nets RR sig­nals
Soft­en [illeg.] of books trans­fer to Cop plate + plate to [illeg.] matrix
Tele­phone Repeater
Sub­sti­tute for Hard rub­ber
Arti­fi­cial Ivory
Soft­en Veg­etable Ivory to press in sheets
Var­i­ous bat­ter­ies on [illeg.] Type
Revolv­ing Ther­mo
Caller Indi­ca­tor for Jump Telegh
Marine Teleg­ra­phy
Long dis­tance speak­ing tube filled H20 2 dia pres­sure
Lend plate bat­tery for mod­i­fy­ing attend­ing Cur­rent
Two revolv­ing bands in bat­tery Lead faced press in liq­uid close togeth­er + out into sep­a­rate cham­bers to [illeg.]reduce by gas the oth­er
Siren phonogh
Perm mag like an elec­tro­mag of [illeg.] hand steel high pol­ish sep­a­rate­ly mag­ne­tized + forced togeth­er pow­er­ful­ly[illeg.]
Tele­phone work­ing more [illeg.]
Eartubes formed cres­cent [illeg.] wire
Long strip 50 cp car­bon under stress [illeg.] for
Cheap Volt­meter
Chalk Bat­tery
Dynamo or motor long tube in long mag­net­ic field top + bot­tom con­tacts forc­ing water through gen­er­a­tor cur­rent by – pas­sage.
[Illeg.]
Ther­mo bat­tery slick Cop­per oxi­dized then plat­ed over sur­face oxide nailed to make good con­tact [illeg.]
Disk Phonogh

Relat­ed Con­tent:

In 1911, Thomas Edi­son Pre­dicts What the World Will Look Like in 2011: Smart Phones, No Pover­ty, Libraries That Fit in One Book

A Brief, Ani­mat­ed Intro­duc­tion to Thomas Edi­son (and Niko­la Tes­la)

Thomas Edi­son & His Trusty Kine­to­scope Cre­ate the First Movie Filmed In The US (c. 1889)

Hear Thomas Edison’s Creepy Talk­ing Dolls: An Inven­tion That Scared Kids & Flopped on the Mar­ket

Take the 146-Ques­tion Knowl­edge Test Thomas Edi­son Gave to Prospec­tive Employ­ees (1921)

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Frank Zappa’s Amazing Final Concerts: Prague and Budapest, 1991

We say good­bye to musi­cal icons in many dif­fer­ent ways, from flash­mobs, SNL intros, and long ret­ro­spec­tives to live con­cert trib­utes fea­tur­ing the biggest cov­er band on earth. No mat­ter how out­sized the ges­ture, it nev­er quite seems out of place when it comes to artists of a cer­tain stature. In the case of Frank Zap­pa, we’ve recent­ly seen jazz orches­tra trib­utes, a “mon­u­men­tal live per­for­mance” of one of his own orches­tral works, and sev­er­al Zap­pa trib­ute con­certs by his son Dweezil.

For all their heart and sta­mi­na, how­ev­er, no trib­ute can com­pete with the pow­er of those artists’ farewells to us. Both David Bowie and Leonard Cohen, too frag­ile to per­form in their last years, left phe­nom­e­nal albums we’ll pore over for decades to come. South­ern rock great Leon Rus­sell, who just passed away this week at 74, put on rol­lick­ing live shows into his final years, and had con­certs booked into 2017 when he died. Prince’s final per­for­mance was, like all of his per­for­mances, stun­ning.

And Zap­pa? Well see for your­self. Zap­pa played his way out of the world as he’d played his way into it, with sar­don­ic humor and blis­ter­ing vir­tu­os­i­ty.

As you can see at the top and above, Zap­pa and band deliv­ered on every promise in their last con­certs in Prague and Budapest in 1991. In the 10-minute clip at the top, Zappa’s impro­visato­ry prog gui­tar runs soar and dive over the band’s slink­ing jazz-reg­gae, then get more tech­ni­cal as he trades licks with anoth­er vir­tu­oso gui­tarist. In the low­er-qual­i­ty video above, with clips from both con­certs, Zap­pa and band dis­play their mas­tery of an East­ern Euro­pean-sound­ing march with their guest musi­cian “gyp­sy friends” in Hun­gary (at 9:00).

In the fol­low­ing two years, until his death in 1993, Zap­pa would become too weak to play as he suc­cumbed to prostate can­cer. In his final inter­views, he pro­nounced him­self “total­ly unre­pen­tant” for his life and career and insist­ed he had only ever been an “enter­tain­er.” And it’s true, what­ev­er else Zap­pa was—incredibly skilled gui­tarist, com­pos­er, and indus­try innovator—he was always, to the last cou­ple years of his life, an incred­i­ble show­man.

Relat­ed Con­tent:

In One of his Final Inter­views, Frank Zap­pa Pro­nounces Him­self “Total­ly Unre­pen­tant”

Frank Zap­pa Debates Cen­sor­ship on CNN’s Cross­fire (1986)

A Young Frank Zap­pa Turns the Bicy­cle into a Musi­cal Instru­ment on The Steve Allen Show (1963)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Henry David Thoreau on When Civil Disobedience and Resistance Are Justified (1849)

His­to­ry is rife with exam­ples of oppres­sive gov­ern­ments. The present is rife with exam­ples of oppres­sive gov­ern­ments. You can name your own exam­ples. The ques­tion that presents itself to any oppo­si­tion is what is to be done? Go under­ground? Sab­o­tage? Take up arms? The like­li­hood of suc­cess in such cases—depending on the bel­liger­ence of the oppo­si­tion and the capa­bil­i­ties of the government—varies wide­ly. But I see no moral rea­son to con­demn peo­ple for fight­ing injus­tice, pro­vid­ed their cause itself is just. Nei­ther, of course, did Hen­ry David Thore­au, author of the 1849 essay “Civ­il Dis­obe­di­ence,” a doc­u­ment that every stu­dent of Polit­i­cal Phi­los­o­phy 101 knows as an ur-text of mod­ern demo­c­ra­t­ic protest move­ments.

This is an essay we have become all-too famil­iar with by rep­u­ta­tion rather than by read­ing. Thoreau’s polit­i­cal phi­los­o­phy is not pas­sive, as in the phrase “pas­sive resis­tance.” It is not mid­dle-of-the-road cen­trism dis­guised as rad­i­cal­ism. It lies instead at the water­ing hole where right lib­er­tar­i­an­ism and left anar­chism meet to have a drink. “I hearti­ly accept the mot­to, ‘That gov­ern­ment is best which gov­erns least,’” wrote Thore­au, and ulti­mate­ly “’That gov­ern­ment is best which gov­erns not at all.’”

Like many utopi­an the­o­rists of the 19th cen­tu­ry, Thore­au saw this as the inevitable future: “when men are pre­pared for it, that will be the kind of gov­ern­ment they will have.” Thore­au laments all restric­tions on trade and reg­u­la­tions on com­merce. He also denounces the use of a stand­ing army by “a com­par­a­tive­ly… few indi­vid­u­als.” And yet—despite these rad­i­cal positions—Thoreau has been enshrined in the his­to­ry of polit­i­cal thought both for his rad­i­cal tac­tics and his defense of pre­serv­ing gov­ern­ment, for the present.

“To speak prac­ti­cal­ly and as a cit­i­zen,” he wrote, “unlike those who call them­selves no-gov­ern­ment men, I ask for, not at once no gov­ern­ment, but at once a bet­ter gov­ern­ment.” He does not go to great lengths, as clas­si­cal philoso­phers were wont, to define the ide­al gov­ern­ment. It is rad­i­cal­ly demo­c­ra­t­ic, that we know. But as to what con­sti­tutes injus­tice, Thore­au is clear:

When the fric­tion comes to have its machine, and oppres­sion and rob­bery are orga­nized, I say, let us not have such a machine any longer. In oth­er words, when a sixth of the pop­u­la­tion of a nation which has under­tak­en to be the refuge of lib­er­ty are slaves, and a whole coun­try is unjust­ly over­run and con­quered by a for­eign army, and sub­ject­ed to mil­i­tary law, I think that it is not too soon for hon­est men to rebel and rev­o­lu­tion­ize. What makes this duty the more urgent is the fact that the coun­try so over­run is not our own, but ours is the invad­ing army.

This peo­ple must cease to hold slaves, and to make war on Mex­i­co, though it cost them their exis­tence as a peo­ple.

The fig­ure he cites of “a sixth of the pop­u­la­tion” is not erro­neous. As W.E.B. Du Bois showed in one of his rev­o­lu­tion­ary 1900 soci­o­log­i­cal visu­al­iza­tions, dur­ing the time of Thoreau’s essay, one-sixth of the country’s pop­u­la­tion was indeed com­prised of peo­ple of African descent, most of them enslaved. Thore­au wrote dur­ing debates over the imped­ing Fugi­tive Slave Act, a law that put every per­son of col­or in the expand­ing country—free or escaped, in every state and territory—at risk of enslave­ment or impris­on­ment with­out any due process.

Thore­au found both this devel­op­ing night­mare and the Mex­i­can-Amer­i­can war too intol­er­a­bly unjust for the coun­try to bear. And he rec­og­nized the lim­i­ta­tions of elec­tions to resolve them: “All vot­ing is a sort of gam­ing… with a slight moral tinge to it,” he wrote, then observed with dev­as­tat­ing irony, giv­en total dis­en­fran­chise­ment of peo­ple who were prop­er­ty, that “Only his vote can has­ten the abo­li­tion of slav­ery who asserts his own free­dom by his vote.”

“Unjust laws exist,” writes Thore­au, “I say, break the law. Let your life be a counter-fric­tion to stop the machine. What I have to do is to see, at any rate, that I do not lend myself to the wrong which I con­demn.” Thore­au had put his dic­ta into prac­tice already many years before. He had stopped pay­ing his poll tax in 1842 to protest the war and the expan­sion of slav­ery. He was final­ly arrest­ed and jailed for the offense in 1846. The inci­dent hard­ly sparked a move­ment. He was bailed out, per­haps by his aunt, the fol­low­ing day. And as we well know, the Mex­i­can-Amer­i­can war and the cri­sis of slav­ery were both resolved with… war.

But Thore­au used his expe­ri­ence as the basis for “Civ­il Dis­obe­di­ence,” which he wrote to a local audi­ence in his home state of Mass­a­chu­setts, and which went on to direct­ly inspire the mas­sive­ly suc­cess­ful, nation­al grass­roots move­ments of Gand­hi, Mar­tin Luther King, Jr. and oth­er non-vio­lent Human Rights and Anti-War lead­ers around the world. So what did he rec­om­mend dis­senters do? Here are the basics of his pre­scrip­tions, with his words in quotes:

“I do not hes­i­tate to say, that those who call them­selves Abo­li­tion­ists should at once effec­tu­al­ly with­draw their sup­port, both in per­son and prop­er­ty, from the gov­ern­ment of Mass­a­chu­setts.” Thore­au then goes on to describe his par­tic­u­lar form of resis­tance, the non-pay­ment of tax. His the­sis here, how­ev­er, allows for any just refusals to rec­og­nize gov­ern­ment author­i­ty.

“Under a gov­ern­ment which impris­ons any unjust­ly, the true place for a just man is also in prison.” Thore­au him­self suf­fered lit­tle, it’s true, but mil­lions who came after him—dissidents on all con­ti­nents save Antarctica—have endured impris­on­ment, beat­ing, and death. “Sup­pose blood should flow,” writes Thore­au, “Is there not a sort of blood shed when the con­science is wound­ed?” As for the just­ness of dis­obe­di­ence, Thore­au makes a very log­i­cal case: “If a thou­sand men were not to pay their tax-bills this year, that would not be a vio­lent and bloody mea­sure, as it would be to pay them, and enable the State to com­mit vio­lence and shed inno­cent blood.”  

Thore­au goes on to intro­duce a good deal of nuance into the argu­ment, writ­ing that com­mu­ni­ty tax­es sup­port­ing high­ways and schools are eth­i­cal, but those sup­port­ing unjust war and enslave­ment are not. He rec­om­mends dis­cern­ing, thought­ful action. And he expect­ed that the poor would under­take most of the resis­tance, because the bur­dens fell heav­i­est on them, and “because they who assert the purest right, and con­se­quent­ly are the most dan­ger­ous to a cor­rupt State, com­mon­ly have not spent much time in accu­mu­lat­ing prop­er­ty.” This has gen­er­al­ly, through­out his­to­ry, been true.

The best thing a per­son of means can do, he writes, is “to endeav­or to car­ry out those schemes which he enter­tained when he was poor.” Or, pre­sum­ably, if one has nev­er been so, to fol­low the poors’ lead. The para­dox of Thoreau’s asser­tion that the least pow­er­ful present the great­est threat to the State resolves in his recog­ni­tion that the State’s pow­er rests not in its appeal to “sense, intel­lec­tu­al or moral” but in its “supe­ri­or phys­i­cal strength.” By sim­ply refus­ing to yield to threats, anyone—even ordi­nary, pow­er­less people—can deny the government’s author­i­ty, “until the State comes to rec­og­nize the indi­vid­ual as a high­er and inde­pen­dent pow­er, from which all its own pow­er and author­i­ty are derived.”

Read Thoreau’s com­plete essay, “Civ­il Dis­obe­di­ence,” here.

Relat­ed Con­tent:

6 Polit­i­cal The­o­rists Intro­duced in Ani­mat­ed “School of Life” Videos: Marx, Smith, Rawls & More

Hear 21 Hours of Lec­tures & Talks by Howard Zinn, Author of the Best­selling A People’s His­to­ry of the Unit­ed States

‘Tired of Giv­ing In’: The Arrest Report, Mug Shot and Fin­ger­prints of Rosa Parks (Decem­ber 1, 1955)

Mar­tin Luther King, Jr. Writes a List of 16 Sug­ges­tions for African-Amer­i­cans Rid­ing New­ly-Inte­grat­ed Bus­es (1956)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

An Animated, Monty Python-Style Introduction to the Søren Kierkegaard, the First Existentialist

When first I vis­it­ed Copen­hagen, I went over, as many tourists do, to the Assis­tens Ceme­tery to find the grave of Søren Kierkegaard. But for all of us who know the name of that 19th-cen­tu­ry Dan­ish philoso­pher, how many can claim even an acquain­tance with the ideas that made his into a near-house­hold name? The intro­duc­to­ry video from Alain de Bot­ton’s School of Life just above gets us start­ed on form­ing that acquain­tance with this “bril­liant, gloomy, anx­i­ety-rid­den, often hilar­i­ous” thinker in a man­ner rel­e­vant to the prob­lems of mod­ern life, high­light­ing three of Kierkegaard’s best-known works: 1843’s Either/Or and Fear and Trem­bling and 1849’s The Sick­ness Unto Death.

In the first two, says de Bot­ton in the role of the nar­ra­tor, “what Kierkegaard wants us to do, above all, is wake up, and give up our cozy, sen­ti­men­tal illu­sions. He sys­tem­at­i­cal­ly attacks the pil­lars of mod­ern life: our faith in fam­i­ly, our trust in work, our attach­ment to love, and our gen­er­al sense that life has pur­pose and mean­ing.” He quotes the philoso­pher him­self and his real­iza­tion that “the mean­ing of life was to get a liveli­hood. That the goal of life was to be a high-court judge. That the bright­est joy of love was to mar­ry a well-off girl. That wis­dom was what the major­i­ty said it was. That pas­sion was to give a speech. That courage was to risk being fined $10. That cor­dial­i­ty was to say ‘You’re wel­come’ after a meal, and that the fear of God was to go to Com­mu­nion once a year. That’s what I saw, and I laughed.”

The direc­tion in which this real­iza­tion took Kierkegaard’s thought pro­duced a body of work con­sid­ered a prece­dent of the Exis­ten­tial­ism explored in the 20th cen­tu­ry by the likes of Mar­tin Hei­deg­ger, Albert Camus, and Jean-Paul Sartre. “Mar­ry, and you will regret it,” Kierkegaard wrote in Either/Or. “Don’t mar­ry, you will also regret it. Mar­ry or don’t mar­ry, you will regret it either way. Laugh at the world’s fool­ish­ness, you will regret it. Weep over it, you’ll regret that, too. Hang your­self, you’ll regret it. Don’t hang your­self, and you’ll regret that, too. Whether you hang your­self or don’t hang your­self, you will regret both. This, gen­tle­men, is the essence of all phi­los­o­phy.”

Kierkegaard stressed the then-new idea of angst, “a con­di­tion where we under­stand how many choic­es we face, and how lit­tle under­stand­ing we can ever have, of how to exer­cise these choic­es wise­ly.” Some might turn to reli­gion for the solu­tion, and so, in a way, did Kierkegaard, who “adored the sim­ple truths of the Gospels” but “loathed the Chris­tian­i­ty of the estab­lished Dan­ish Church.” What an irony that his fam­i­ly name means “church­yard” in Dan­ish, let alone that he should be buried in such a famous one him­self. (Kierkegaard’s nephew protest­ed the bur­ial, which result­ed in a fine for dis­rupt­ing a funer­al.) But to the extent that the philoso­pher’s pres­ence there caus­es its pil­grims both casu­al and devot­ed to reflect seri­ous­ly on the irre­solv­able con­tra­dic­tions still at the core of our lives, his mis­sion (in de Bot­ton’s words) “to save him­self and, he thought, human­i­ty,” con­tin­ues.

Relat­ed Con­tent:

Free Online Phi­los­o­phy Cours­es

The Phi­los­o­phy of Kierkegaard, the First Exis­ten­tial­ist Philoso­pher, Revis­it­ed in 1984 Doc­u­men­tary

Down­load Wal­ter Kaufmann’s Lec­tures on Niet­zsche, Kierkegaard, Sartre & Mod­ern Thought (1960)

Get to Know Socrates, Camus, Kierkegaard & Oth­er Great Philoso­phers with the BBC’s Intel­li­gent Radio Show, In Our Time

Exis­ten­tial Phi­los­o­phy of Kierkegaard, Sartre, Camus Explained with 8‑Bit Video Games

Philoso­phers Drink­ing Cof­fee: The Exces­sive Habits of Kant, Voltaire & Kierkegaard

Who Wrote at Stand­ing Desks? Kierkegaard, Dick­ens and Ernest Hem­ing­way Too

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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