It’s hard for the casuÂal browsÂer to know where to begin with a colÂlecÂtion as vast as the masÂter drawÂings belongÂing to the MorÂgan Library & MuseÂum.
The Library’s DrawÂings Online proÂgram gives the pubÂlic free access to over 10,000 downÂloadÂable images, drawn priÂmarÂiÂly from—and in—the fifÂteenth through nineÂteenth cenÂturies. Many images are fleshed out with inscripÂtions, inforÂmaÂtion on proveÂnance, bioÂgraphÂiÂcal sketchÂes of the artist, and, in over 2000 instances, images of the verÂso, or flip side of the paper.
Researchers and simÂiÂlarÂly informed seekÂers can browse by artist or school, but what if you don’t quite know what you want?
You could tour the highÂlights, or betÂter yet, bushÂwhack your way into the unknown by enterÂing a ranÂdom word or phrase into the “search drawÂings” funcÂtion.
KnowÂing that the interÂnet is crazy for cats, I made that my first search term, but the results were skewed by an 18th-cenÂtuÂry Dutch artist named Jacob Cats, whose work abounds with cows and sheep.
CarÂiÂcaÂturÂist Al Hirschfeld’s porÂtrait of KathÂleen TurnÂer in the 1990 BroadÂway revival of TenÂnessee Williams’ Cat on a Hot Tin Roof is unavailÂable for viewÂing due to copyÂright restricÂtions. (It’s easÂiÂly viewÂable elseÂwhere…)
And the Where’s WalÂdo-esque exciteÂment I felt upon an anonyÂmous artist’s MounÂtain LandÂscape with ItalÂian-Style CloisÂter faux-Bruegel disÂsiÂpatÂed when I realÂized this return owed more to the abbreÂviÂaÂtion of “catÂaÂlogue” than any feline lurkÂing in the pen-and-ink trees.
Next I entered the word “babies.” I’m not sure why. There cerÂtainÂly were a lot of them, almost as many as I encounter on FaceÂbook.
ReturnÂing to the pre-selectÂed highÂlights page, I resolved to let the experts pick for me. I saw a charmÂing rabÂbit famÂiÂly by John James Audubon and the old favorite by William Blake, top, but what realÂly grabbed me was the first page’s final selecÂtion: HonÂorĂ© Daumier’s Two Lawyers ConÂversÂing, cirÂca 1862.
Part of the MorÂgan’s recentÂly closed Drawn to GreatÂness: MasÂter DrawÂings from the Thaw ColÂlecÂtion exhibÂit, the subÂjects’ dress may be archaÂic, but their expresÂsions are both humorÂous and everÂgreen. Lawyer. I had my search term.
My favorite of the sevÂen search results is illusÂtraÂtor Edmund J. SulÂliÂvan’s Soumin an’ Roumin from 1914. One of a dozen or so drawÂings SulÂliÂvan made for an updatÂed ediÂtion of George OutÂram’s Legal and OthÂer Lyrics, it shows “an old woman in a farmÂyard surÂroundÂed by liveÂstock fleeÂing three monÂstrous lawyers wearÂing wigs and robes and armed with hideous talons instead of hands and feet. One … chasÂes a cow with a scourge, the thongs of which end in scorÂpiÂons.”
DownÂload that one for all your lawyer friends or your lawyer spouse… upload it to a t‑shirt if you’re crafty.
Claud Lovat FrasÂer’s set design for PerÂgoleÂsi’s short comÂic opera La SerÂva Padrona (or The Maid Turned MisÂtress) at the Lyric HamÂmerÂsmith doesn’t depict any lawyers, to the best of my knowlÂedge, but he himÂself was one—also a carÂiÂcaÂturÂist, lamÂpoonÂing the litÂerÂary and theÂatriÂcal lumiÂnarÂies of his day, and a solÂdier whose life was cut short due to expoÂsure to gas in World War I.
In addiÂtion to the Morgan’s parÂticÂuÂlarÂly well-fleshed-out artist bio for this work, the verÂso is a treat in the form of a printÂed announceÂment for the Chelsea Arts Club CosÂtume Ball.
Browse the MorÂgan Library & Museum’s DrawÂings Online in its entireÂty here, or narÂrow it down by artist, School of Art, or perÂsonÂal whim.
RelatÂed ConÂtent:
300+ EtchÂings by RemÂbrandt Now Free Online, Thanks to the MorÂgan Library & MuseÂum
Ayun HalÂlÂiÂday is an author, illusÂtraÂtor, theÂater makÂer and Chief PriÂmaÂtolÂoÂgist of the East VilÂlage Inky zine. Join her New York City on FebÂruÂary 8, when she hosts NecroÂmancers of the PubÂlic Domain, a variÂety show born of a sinÂgle musty volÂume — this month: MasÂterÂpieces in Colour, BasÂten-LepÂage. FolÂlow her @AyunHalliday.