Offered the chance to travÂel back in time to any city in any periÂod, sureÂly more than a few would choose Berlin in the 1920s. IdeÂalÂly it would be Berlin in the mid-1920s: after much of the social and ecoÂnomÂic damÂage of the Great War had been repaired, but before the Great DepresÂsion reached GerÂmany at the end of the decade, doing its part to enable the rise of Hitler. The closÂest expeÂriÂence to stepÂping in that time machine yet develÂoped is the video above, a series of clips from Walther RuttmanÂn’s 1927 docÂuÂmenÂtary Berlin: SymÂphoÂny of a MetropÂoÂlis, preÂviÂousÂly feaÂtured here in Open CulÂture — but smoothed out, scaled up, and colÂorized with the aid of appliÂcaÂtions powÂered by artiÂfiÂcial intelÂliÂgence.
DescribÂing it as “the real BabyÂlon Berlin of the 1920s” porÂtrayed “from dawn until dusk in three minÂutes,” the video’s poster emphaÂsizes that the Berlin of the Weimar RepubÂlic (the GerÂman state from 1918 to 1933) “was a mulÂti-culÂturÂal city” — which it is again today, though a litÂtle less than a cenÂtuÂry ago it was one “teemÂing with flapÂpers, bobbed hair, cloche hats, and the dancÂing girls of Berlin’s infaÂmous cabaret scene.”
DurÂing these Weimar “GoldÂen Years,” Berlin expeÂriÂenced a “culÂturÂal exploÂsion,” the vividÂness of which is underÂscored by the myrÂiÂad enhanceÂments perÂformed on RuttmanÂn’s already strikÂing origÂiÂnal footage. These include the use of DeNoise, the interÂpoÂlaÂtion of motion “using a deep learnÂing open source proÂgram Dain-App,” and the addiÂtion of colÂor with DeoldÂify.
You may recÂogÂnize the name of that last appliÂcaÂtion, which was used a couÂple of years ago to creÂate a “remixed” verÂsion of Fritz Lang’s MetropÂoÂlis, now nowhere to be found on the interÂnet. OthÂer, more benign uses of DeOldÂify include the colÂorizaÂtion of dance sequences from black-and-white films like Stormy WeathÂer and HelÂlzaÂpopÂpin’, as well as of an 1896 snowÂball fight origÂiÂnalÂly capÂtured by the Lumière BrothÂers. RuttmanÂn’s work, and that of othÂer creÂators of “city symÂphonies” in the 1920s, builds on that of those cinÂeÂma pioÂneers for whom real life was the natÂurÂal subÂject, capÂturÂing liveÂliÂer urban enviÂronÂments with dynamÂic and innoÂvÂaÂtive shootÂing and editÂing techÂniques to match. If you enjoy your three minÂutes in the DeOldÂified verÂsion of his Berlin, why not spent a litÂtle more of your day in simÂiÂlarÂly deep-learnÂing-enhanced Paris, New York, and Havana of the past as well?
via MessyÂNessy
RelatÂed ConÂtent:
DraÂmatÂic ColÂor Footage Shows a Bombed-Out Berlin a Month After Germany’s WWII Defeat (1945)
See Berlin Before and After World War II in StarÂtling ColÂor Video
Berlin Street Scenes BeauÂtiÂfulÂly Caught on Film (1900–1914)
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
Dear Open CulÂture,
I am realÂly annoyed of conÂstantÂly readÂing that makÂing algoÂrithm colÂorize old B&W film and adding fake frames (increasÂing the frame rate) is restoraÂtion. Which is not.
I talked about it here in case anyÂone is interÂestÂed about it.
https://rage.love/@iantila/104926177985767909
Can you live up to your name and stop callÂing it a “restorÂing” process?
I wonÂder how many peoÂple in that video, didÂn’t make-it to the year, 1946?