The Disturbing Paintings of Hieronymus Bosch: A Short Introduction




Most casual viewers of Hieronymus Bosch’s paintings must acknowledge his artistic skill, and many must also wonder whether he was completely out of his mind. But insanity, however vividly suggested by his imagery, isn’t an especially compelling explanation for that imagery. Bosch painted in a particular place and time — the Netherlands of the late fifteenth and early sixteenth century, to be specific — but he also painted within a dominant worldview.”He grew up in a time of deep religious anxiety,” says Youtuber Hochelaga in the video essay above. “Ideas about sin, death, and the devil were becoming more sophisticated,” and “there was a genuine fear that demonic forces lived amongst the population.”

Hence the analyses like that of Great Art Explained, which frames Bosch’s best-known painting The Garden of Earthly Delights as an expression of “hardcore Christianity.” But something about the triptych’s sheer elaborateness and grotesquerie demands further inquiry. Hochelaga explores the possibility that Bosch worked in a condition of not just fearful piety, but psychological affliction.

“There is a disease called St. Anthony’s fire,” he says, contracted “by eating a poisonous black fungus called ergots that grow on rye crops. Symptoms include sores, convulsions, and a fierce burning sensation in limbs and extremities,” as well as “frightening and overpowering hallucinations that can last for hours at a time.”

This psychoactive power is now “believed to be behind the many Dancing Plagues recorded throughout the Middle Ages.” This explanation came together when, “in the mid-twentieth century, it was discovered that when ergots are baked in an oven, they transform into a form of lysergic acid diethylamide, also known as LSD.” Did Bosch himself receive the bizarre visions he painted from inadvertently consuming that now well-known hallucinogenic substance? The many paintings he made of St. Anthony “may have been a form of devotional prayer, done so in the hopes that the saint would rid him of his debilitating illness.” Look at The Garden of Earthly Delighteven today, and you’ll feel that if you saw these murderous bird-human hybrids around you, you’d try whatever you could to get rid of them, too.

Related Content:

Take a Virtual Tour of Hieronymus Bosch’s Bewildering Masterpiece The Garden of Earthly Delights

A Digital Archive of Hieronymus Bosch’s Complete Works: Zoom In & Explore His Surreal Art

The Meaning of Hieronymus Bosch’s The Garden of Earthly Delights Explained

Hieronymus Bosch’s Medieval Painting The Garden of Earthly Delights Comes to Life in a Gigantic, Modern Animation

New App Lets You Explore Hieronymus Bosch’s The Garden of Earthly Delights in Virtual Reality

The Musical Instruments in Hieronymus Bosch’s The Garden of Earthly Delights Get Brought to Life, and It Turns Out That They Sound “Painful” and “Horrible”

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.


by | Permalink | Comments (2) |

Support Open Culture

We’re hoping to rely on our loyal readers rather than erratic ads. To support Open Culture’s educational mission, please consider making a donation. We accept PayPal, Venmo (@openculture), Patreon and Crypto! Please find all options here. We thank you!




Leave a Reply

Quantcast
Open Culture was founded by Dan Colman.