Just days ago, a game came out whose unlikely premise has already drawn a good deal of attention. “Manage your very own video store in the early 90s!” exclaims the description of Retro Rewind. “Rent, sell, decorate and expand your business from the ground up and relive the golden ages of video rentals!” Those of us old enough to have relied on such establishments for our early cinematic education can all too easily remember how frustrating they could be, what with their physically limited selections, seldom-rewound tapes, and punitive late fees. Even so, younger generations aren’t wrong to imagine that some were special places where it felt like a cinephile’s dreams could come true. Just ask Quentin Tarantino.
The clip above comes from Joe Rogan’s interview with Tarantino and Roger Avary, who worked together at Manhattan Beach’s Video Archives before they co-wrote Pulp Fiction. “Working at that store, I just got caught up in the little life there,” Tarantino says. Yet he also remembers himself thinking, “Well, this isn’t my dream. This isn’t what I wanted to do working at a video store for years. I wanted to actually make movies. It’s not my dream, what I’m doing — but it’s dream-adjacent!” It turned out that getting paid to watch movies all day long (to say nothing of becoming locally famous for sheer cinephilia) without putting in any serious manual labor “put my ambitions to sleep a little bit.”
Tarantino explains that his awakening from this retail reverie began with witnessing the sudden embitterment of fellow clerks who passed the age of thirty doing the same “cool” jobs they always had. This set him on the path to undergoing a series of dark nights of the soul he called “Quentin detest fests,” during which he would make a no-excuses accounting of all the mistakes he was actively or passively making. “I would spend all night laying out everything I’m doing that’s wrong, and then I would spend the last two hours figuring out how I could change it. And as opposed to just doing it and then going to get some sleep, and then you forget about it and fall back into your routine, I decided to change my life.”
Attachment to his job was a big part of the problem. “I’ve got to just move to Hollywood, I’ve got to get involved there, I’ve got to meet other people that are in the business,” he realized. “I shouldn’t be making money until I’m making money doing what I want to do.” Not long after relocating from the South Bay to Koreatown — still well south of Hollywood, but close enough — he started making connections in the low-budget horror world. “Well, if these guys can do it, I can do it,” he came to believe, and within a year and a half he was making a living as a screenwriter. The video rental industry has long since collapsed, but Quentin Tarantino is still going strong as a filmmaker. If he takes a break from working on what may be his last picture to play Retro Rewind, we’d surely all be interested in hearing what memories it brings back. Maybe he and Avary can discuss it on their Video Archives Podcast.
Related Content:
My Best Friend’s Birthday, Quentin Tarantino’s 1987 Debut Film
Quentin Tarantino Explains How to Write & Direct Movies
Quentin Tarantino & Roger Avary Rewatch Cult-Classic Movies on Their New Video Archives Podcast
What Is a Life-Changing Realization You Wish You’d Had Sooner in Life?
Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. He’s the author of the newsletter Books on Cities as well as the books 한국 요약 금지 (No Summarizing Korea) and Korean Newtro. Follow him on the social network formerly known as Twitter at @colinmarshall.
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