Spalding Gray Archives Head to the University of Texas

This week, the Har­ry Ran­som Cen­ter at UT-Austin acquired the archives of Spald­ing Gray (1941–2004), the actor and play­wright most well known for his per­for­mance piece “Swim­ming to Cam­bo­dia” (clip here). Accord­ing to The New York Times, the archive spans some 40 years and fea­tures per­for­mance note­books (see image above), diaries, and tapes of Gray’s per­for­mances, includ­ing an ear­ly ver­sion of “Swim­ming to Cam­bo­dia” record­ed in 1983, and a clip from “Life Inter­rupt­ed,” the mono­logue Gray was work­ing on when he died in 2004. Gray’s mate­ri­als will reside along­side the papers of David Mamet, Nor­man Mail­er, James Joyce, Samuel Beck­ett and oth­ers.

 The NYTimes has the full sto­ry here.

Art in “Augmented Reality” at The Getty Museum

We’re get­ting clos­er to a world where you can ask: why go to a muse­um when it can come to you? This sum­mer, the Get­ty Muse­um used Aug­ment­ed Real­i­ty (AR) tech­nol­o­gy to show­case one of the most com­plex objects in its col­lec­tion – The Augs­burg Dis­play Cab­i­net (or Kabi­nettschrank) built around 1630. As shown above, the AR tech­nol­o­gy lets remote users view art in 3D, using just their web cam and a piece of paper to con­trol the expe­ri­ence. You can watch the demo above, or bet­ter yet, test dri­ve the whole expe­ri­ence with the instruc­tions found here.

via @drszucker

Relat­ed Con­tent:

Zoom­ing into Ital­ian Mas­ter­pieces

A Vir­tu­al Tour of the Sis­tine Chapel

Nikon Small World Photography: The Winners

The Nikon Inter­na­tion­al Small World Com­pe­ti­tion first began in 1974 as a “means to rec­og­nize and applaud the efforts of those involved with pho­tog­ra­phy through the light micro­scope.” A good 36 years lat­er, Nikon named the win­ners of the 2010 com­pe­ti­tion, which means we can take anoth­er artis­tic look inside the world of small things, get­ting down to the very micro lev­el of ani­mals, plants and min­er­als. Above, you’re look­ing at an image of glial cells in the cere­bel­lum mag­ni­fied 400 times. This image and 28 oth­ers appear in the always excel­lent The Big Pic­ture sec­tion of the Boston Globe. Also vis­it a gallery of images on the Nikon site. Thanks to @wesalwan for send­ing our way.

OK Go & Kutiman: Live from the Guggenheim

On Thurs­day night, the Guggen­heim Muse­um and YouTube unveiled the win­ners of a high­ly pub­li­cized video con­test, YouTube Play: A Bien­ni­al of Cre­ative Video. The con­test orig­i­nal­ly gen­er­at­ed 23,000 sub­mis­sions from 91 coun­tries, and, from there, Guggen­heim cura­tors culled a short­list of 125 videos. Then the big moment: 20 win­ners were select­ed dur­ing an awards cer­e­mo­ny held last night at the muse­um.

The cer­e­mo­ny itself fea­tured per­for­mances by artists who have made YouTube inte­gral to their art – above we have Kuti­man, the Israeli artist known for his moth­er of all funk remix, giv­ing the audi­ence some­thing rather dif­fer­ent: a live mashup of Brahms’ “Hun­gar­i­an Dance,” accom­pa­nied by the Non­ame ensem­ble from the Jul­liard School and YouTube Sym­pho­ny Orcher­stra play­ers. And to wrap things up OK Go, the unof­fi­cial kings of YouTube, per­formed ‘White Knuck­les’ and ‘This too Shall Pass.’ Keep a close eye on the YouTube chan­nel ded­i­cat­ed to the Bien­ni­al of Cre­ative Video. The win­ning videos will almost cer­tain­ly be com­ing online soon.

Mickey Mouse Discovers Conspiracy Against Glenn Beck

Ear­li­er this month, Jonathan McIn­tosh released a par­o­dy car­toon called “Don­ald Duck Meets Glenn Beck in Right Wing Radio Duck,” which art­ful­ly remixed 50 clas­sic Dis­ney car­toons from the 1930s to 1960s. And now comes the inevitable remixed response: “Mick­ey Mouse Dis­cov­ers the Gov­ern­ment Car­toon Con­spir­a­cy Against Glenn Beck.” The video ups the ante in a quick 1:26.

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Prague Monument Doubles as Artist’s Canvas

The Astro­nom­i­cal Clock Tow­er, sit­u­at­ed in Prague’s Old Town Square, just cel­e­brat­ed its 600th anniver­sary. And to help mark the occa­sion, artists pro­ject­ed visu­als map­pings onto the facade – ones that illu­mi­nat­ed the his­to­ry and sym­bol­ic sig­nif­i­cance of the tow­er for the crowd. These light shows are get­ting a lit­tle en vogue. Cam­bridge Uni­ver­si­ty recent­ly punc­tu­at­ed its 800th anniver­sary cel­e­bra­tion by turn­ing its build­ings into a can­vas. And Ukraine marked its inde­pen­dence this year with a light show of its own.

via Boing­Bo­ing and losti­na­su­per­mar­ket

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Dark Side of the Lens: A Poetic Short Film by Surf Photographer Mickey Smith

Dark Side of the Lens presents the art and inner voice of Irish surf pho­tog­ra­ph­er Mick­ey Smith. The six minute film lets you expe­ri­ence Smith’s aes­thet­ics trans­lat­ed into beau­ti­ful prac­tice. (“I wan­na see waverid­ing doc­u­ment­ed the way I see it in my head, and the way I feel it in the sea.”) But then it rather poet­i­cal­ly cracks open the per­son­al phi­los­o­phy of the artist:

I nev­er set out to become any­thing in par­tic­u­lar, only to live cre­ative­ly and push the scope of my expe­ri­ence for adven­ture and for pas­sion… The raw bru­tal cold coast­lands for the right waverid­ers to chal­lenge – this is where my heart beats hard­est…

Most folk don’t even know who we are, and what we do or how we do it, let alone what they pay us for it. I nev­er want to take this for grant­ed so I try to keep moti­va­tion sim­ple, real, and pos­i­tive… If I only scrape a liv­ing, at least it’s a liv­ing where I’m scrap­ing.… If there’s no future in it, this is a present worth remem­ber­ing.

The aes­thet­ic choic­es. The per­son­al deci­sions. It’s all what’s hap­pen­ing behind the cam­era, the place no audi­ence sees, the “dark side of the lens.” You can find the full tran­script of Smith’s com­men­tary after the jump…

A final note: Dark Side of the Lens was born out of a project called “Short Sto­ries.” Estab­lished by Relent­less Ener­gy Drink, the UK-based project chal­lenged film­mak­ers to cre­ate their own mini opus, to explore and cel­e­brate “no half mea­sures” in film. Find oth­er shorts here.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

 

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Dancing in the Rain

Let me set the stage for this: Last Decem­ber, Richard Davis (22 years old) was killed in a car acci­dent at the cor­ner of 90th and MacArthur in East Oak­land, Cal­i­for­nia. Days lat­er, the half broth­er of the vic­tim, Dar­rell Arm­stead, a pop­u­lar turf dancer, and his crew, The Turf Feinz, paid an art­ful trib­ute at the scene of the crash. Film­mak­er Yoram Savion cap­tured the dance that unfold­ed in the cold win­ter rain. It was just anoth­er RIP video … until the video went viral late this sum­mer, and now again this Octo­ber. You can find more work by Savion and The Turf Feinz on YouTube (find the videos here). Or head over to this col­lec­tion on Vimeo

via The East Bay Express

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