This week, ArtÂBabÂble, a new video webÂsite for the museÂum & art world, opened its virÂtuÂal doors. CreÂatÂed by the IndiÂanapoÂlis MuseÂum of Art, ArtÂBabÂble brings togethÂer videos from varÂiÂous arts instiÂtuÂtions (MoMA, SFMOMA, PBS, the New PubÂlic Library, etc) and presents them to users in a clean, orgaÂnized way. The footage, often proÂduced in high defÂiÂnÂiÂtion, feaÂtures interÂviews with artists and curaÂtors, docÂuÂmenÂtaries and art instalÂlaÂtion videos. And, colÂlecÂtiveÂly, they give you a more direct way to “expeÂriÂence the life of museÂums.” To learn more about ArtÂBabÂble, you can read a piece in The NY Times.
RelatÂed ConÂtent:
Now there’s a nice alterÂnaÂtive to the traÂdiÂtionÂal, expenÂsive art hisÂtoÂry textÂbook. The folks at smARThisÂtoÂry have creÂatÂed a
The stoÂry behind the artÂwork that defined the ObaÂma camÂpaign is a fasÂciÂnatÂing one. ShepÂard Fairey’s posters achieved promiÂnence much in the same way that ObaÂma did. They rose from the ground up. EveryÂday peoÂple supÂportÂed and proÂmotÂed his imagÂiÂnaÂtive posters on the web, until they became someÂthing of a pubÂlic pheÂnomÂeÂnon. And they turned the staÂtus quo — in this case, the traÂdiÂtion politÂiÂcal poster — into someÂthing fresh and new. In this interÂview (