Book Talks on Demand

Okay, this prob­a­bly won’t be our high­est rat­ed post ever. We’ll con­cede that. There’s noth­ing chic
and hip about C‑SPAN. But there’s some good sub­stance here, and sub­stance is what we’re about first and fore­most. So give us the ben­e­fit of the doubt for a moment.

C‑SPAN’s Book-TV lets you stream videos of talks, long and sub­stan­tive ones, giv­en by most­ly seri­ous authors. You can catch Pres­i­dent Jim­my Carter talk­ing about his new con­tro­ver­sial book, Pales­tine Peace Not Apartheid (plus Alan Der­show­itz’s response); Niall Fer­gu­son, the Har­vard his­to­ri­an, speak­ing on his recent work, The War of the World: Twen­ti­eth-Cen­tu­ry Con­flict and the Descent of the West; Howard Zinn, anoth­er his­to­ri­an, dis­cussing his col­lec­tion of essays, A Pow­er Gov­ern­ments Can­not Sup­press; and Adri­an Goldswor­thy giv­ing a talk on his new biog­ra­phy, Cae­sar: Life of a Colos­sus. For a com­plete list of book talks, click here.

In many ways, C‑SPAN’s offer­ing is no dif­fer­ent in qual­i­ty or sub­stance from the video ser­vices offered by FORA.TV and Prince­ton’s Uni­ver­si­ty Chan­nel — two oth­er high-qual­i­ty ser­vices that we like and have pre­viewed here before. If you can set aside your gen­er­al impres­sion of C‑SPAN — your mem­o­ries of the unedit­ed, end­less talks from the Sen­ate floor that lead to nowhere — you’ll find enlight­ened video here that’s well worth your lim­it­ed time.


45 Free Cutting-Edge Books … Courtesy of Creative Commons

Yes­ter­day, we alert­ed you to the free audio and text ver­sions of Lawrence’s Lessig’s book, Free Cul­ture: How Big Media Uses Tech­nol­o­gy and the Law to Lock Down Cul­ture and Con­trol Cre­ativ­i­ty. Today, we’re point­ing you to a larg­er col­lec­tion of high-qual­i­ty books (45 in total) that you can down­load legal­ly thanks to Lessig’s Cre­ative Com­mons. The trove includes a good mix of gen­res. In fic­tion, you’ll find three works by sci-fi writer and blog­ger Cory Doc­torow — East­ern Stan­dard Tribe, Some­one Comes To Town, Some­one Leaves Town and Down and Out in the Mag­ic King­dom. Under non-fic­tion, you can freely access Gamer The­o­ry by McKen­zie Wark (Har­vard Uni­ver­si­ty Press), Democ­ra­tiz­ing Inno­va­tion by Eric von Hip­pel (MIT Press), Yochai Ben­kler’s The Wealth of Net­works (Yale Uni­ver­si­ty Press), and Dan Gilmor’s We the Media: Grass­roots Jour­nal­ism by the Peo­ple, For the Peo­ple. Final­ly, on the “how-to” side of things, you’ll stum­ble upon titles along the lines of 55 Ways to Have Fun With Google. Not a bad col­lec­tion of works, and cer­tain­ly worth the price.

Most of these books are issued in tra­di­tion­al print ($$$) and free down­load ver­sions, which rais­es the obvi­ous ques­tion: does this make any busi­ness sense for pub­lish­ers, let alone authors? Lawrence Lessig, who ini­ti­at­ed the con­cept, asserts that it does, not­ing that more read­ers who access the free down­load copy will ulti­mate­ly buy the print ver­sion than those who don’t. Or, put more sim­ply: the con­verts will exceed can­ni­bals, which results in a win-win-win-win sit­u­a­tion. The read­ers win one way or anoth­er; the authors and pub­lish­ers win; soci­ety wins; and so does the free flow of infor­ma­tion. What more can you want?

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Norman Mailer’s Fuhrer in MultiMedia


Mailer
Nor­man Mail­er, now 84 years old, has just pub­lished his first nov­el in a decade. And what becomes imme­di­ate­ly clear is that age has done lit­tle to stop Mail­er from tak­ing his trade­mark lit­er­ary risks. Just as he felt free to inhab­it the mind of Jesus in The Gospel Accord­ing to the Son (1997), he has now dared to get deep inside anoth­er world-his­tor­i­cal fig­ure, the anti-Christ fig­ure of the last cen­tu­ry, Adolph Hitler. Nar­rat­ed by a min­ion of Satan, who oth­er­wise masqua­rades as a for­mer SS offi­cer named Dieter, The Cas­tle in the For­est takes a Freudi­an look at Hitler’s youth and his tan­gled famil­ial rela­tion­ships. But how well Mail­er pulls it off is open to debate. Up front, it’s worth men­tion­ing that you can freely access the first chap­ter of the new book and start judg­ing for your­self. And, for that mat­ter, you can also get Mail­er’s own take on the book in this NPR inter­view. How­ev­er, if you want some guid­ance before decid­ing whether to plunge into this lengthy book (450+ pages), you can check out the reviews that have start­ed rolling out. So far, assess­ments are mixed: The audio pod­cast issued by The New York Times Book Review (which is itself based on a thought­ful review appear­ing in print) con­sid­ers Mail­er’s lat­est to be among his best. But it’s an opin­ion that stands some­what alone, at least so far. The reviews in The Wash­ing­ton Post and the Eng­lish ver­sion of Ger­many’s Spiegel Online take less glow­ing posi­tions, and, as you’d expect, the crit­i­cism is more stri­dent and polit­i­cal­ly-charged over in Europe, Ger­many in par­tic­u­lar.

Final­ly, we leave you with this — Mail­er read­ing from his new work, describ­ing the con­cep­tion of Hitler, as told from the dev­il’s per­spec­tive, in some­what racy terms. (NOTE: the video qual­i­ty is very Youtube-esque, but it gets the job done):
 

The American Idol for Thinking People: The New Twist on Book Publishing

Firstchapters
It was prob­a­bly only a mat­ter of time before this hap­pened. Accord­ing to The New York Times, Touch­stone, an imprint of Simon & Schus­ter, has agreed to pub­lish a work by whichev­er new writer takes first prize in a con­test spon­sored by the social-net­work­ing site, Gather.com. A la Amer­i­can Idol, every­day peo­ple and pan­el of experts will read and vote on the first chap­ter of books sub­mit­ted by every­day peo­ple.  And although the win­ner will need to sign the “stan­dard Simon & Schus­ter con­tract,” he/she will get their work fast tracked to pub­li­ca­tion and for­go the  has­sle of shop­ping a book. Also, there’s a $5,000 cash prize and the promise of pro­mo­tion at local Bor­ders’ book stores.

The under­ly­ing log­ic behind the con­test, called “First Chap­ters,” comes down to this: It’s ulti­mate­ly peo­ple who buy books, so why not let a good sam­ple demo­graph­ic (Gather.com’s 175,000 old­er and more mature users) pre­view the sub­mis­sions, decide what they like, and save the edi­tor the effort of guess­ing what will fly. That makes a cer­tain amount of sense if you’re a pub­lish­er, work­ing in a slug­gish indus­try with nar­row mar­gins, who is always look­ing to max­i­mize the odds of putting out win­ners. How­ev­er, whether it will fur­ther the pub­lish­er’s mis­sion of bring­ing qual­i­ty books to our cul­ture is an alto­geth­er dif­fer­ent ques­tion, and the jury remains out on this one. You can get more infor­ma­tion about the con­test by click­ing here.

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Philip Roth’s Everyman and Beyond


Cour­tesy of the radio pro­gram Open Source, we get an intrigu­ing and widerang­ing inter­view with Philip
Roth, where he talks can­did­ly about his lat­est and 27th nov­el Every­man, a work that takes an exis­ten­tial­ly anguish­ing look at the end of life. We also get Roth read­ing from oth­er past nov­els, talk­ing about the day-to-day prac­tice of writ­ing, and offer­ing thoughts on the cur­rent state of Amer­i­can pol­i­tics. You can catch the inter­view in one of three ways: iTunes, Rss feed, mp3 stream.

For oth­er inter­views with promi­nent thinkers, see our page called Smart Talks — Lead­ing Thinkers in Mul­ti-Media.

A Christmas Carol by Charles Dickens

Let’s go into Christ­mas on the right note, with a free pod­cast of Charles Dick­en’s A Christ­mas Car­ol. (Find it here on iTunes.) Writ­ten in 1843, Dick­en’s tale remains one of the most pop­u­lar Christ­mas sto­ries of all time. It gave us the indeli­ble char­ac­ters of Ebenez­er Scrooge, Tiny Tim, and the Ghosts of Christ­mas Past, Present, and Future. And it invent­ed the notion of “christ­mas spir­it.” This pod­cast is rather well read. If you’d like to read along with the actu­al text, you can get a free etext here, cour­tesy of Project Guten­berg.

Also, you can find oth­er free Christ­mas sto­ries at Lib­rivox. On this page, you can stream mp3s of many dif­fer­ent hol­i­day tales.

For more free audio books, check out our Audio Book Pod­cast Col­lec­tion. We now have over 40 clas­sics list­ed and ready to down­load. Hap­py hol­i­days.

Book Chapters Presented by The New York Times

Here is a quick tid­bit for the read­er who does­n’t like buy­ing books sight unseen. Each week, The New York Times posts on its web site the full text of the first chap­ter of books reviewed in The New York Times Book Review, or which oth­er­wise appear on the NYT best­seller lists. You can find some of the recent­ly high­light­ed texts on The Times’ First Chap­ters page. Or for a com­plete list, you can turn to this less designed page and work through a list of books arranged in clear, alpha­bet­i­cal order.

More Free Texts: With­in our Edu­ca­tion­al Web Resources com­pi­la­tion, we have includ­ed many oth­er sites that pro­vide access to free online texts. Sim­ply look under the first sec­tion called “Online Texts & Text Search,” and you will be on your way.

Google’s Shakespeare

Google has always shied away from the con­tent cre­ation busi­ness. While Yahoo spent pre­cious resources devel­op­ing expen­sive con­tent, the Google folks con­tent­ed them­selves with devel­op­ing tech­nol­o­gy that orga­nized the rest of the world’s infor­ma­tion. And it paid off well. Giv­en this approach, it was some­what strange to stum­ble upon an edi­to­ri­al­ized part of their web site that invites users to “Explore Shake­speare with Google.” But we’re glad we did.

Google’s Shake­speare prod­uct is part of the com­pa­ny’s larg­er Book Search ini­tia­tive, which, to boil it down, involves scan­ning mil­lions of books, putting them on Google’s servers, and allow­ing users to search the print uni­verse like they do the world of web con­tent. Although some aspects of the project have proven to be high­ly con­tro­ver­sial (name­ly, the deci­sion to scan mil­lions of copy­right­ed texts), oth­er aspects have been eas­i­ly wel­comed by the pub­lish­ing com­mu­ni­ty. This includes the deci­sion to scan and archive a panoply of old, pub­lic domain texts.

This is where we get to Google’s Shake­speare. What you’ll find here is a col­lec­tion of all of the Bard’s plays in full text. The his­to­ries, tragedies, come­dies, romances — they are all here. The folks at Google­plex give you the abil­i­ty to access each play in its entire­ty and peruse it online. Or, alter­na­tive­ly,  you can down­load each play as a PDF file, which gives you the abil­i­ty to print the text and work through it in new ways. This kind of edi­to­r­i­al col­lec­tion is hard to argue with. In fact, we’d like to see more col­lec­tions like it. But some­thing tells us that this isn’t like­ly — that the Bard (oh, and Chi­na) is just about the only thing for which Google will make an excep­tion.

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