Death by Amateurs?

Last weekend’s New York Times Sun­day Mag­a­zine has declared this the Amateur’s Hour, an era when unpaid hob­by­ists can edit break­ing news, design space tech­nol­o­gy for NASA, and pre­dict the end of the world. That last arti­cle is clear­ly an out­lier, but the first two raise an inter­est­ing point—are we get­ting bet­ter ser­vice from process­es like Wikipedia than we did from tra­di­tion­al, top-down hier­ar­chies?

This is a debate that’s been going on for the past cou­ple of years under the guise of Web 2.0, cul­mi­nat­ing in the “You” econ­o­my announced with much fan­fare by Time Mag­a­zine last Decem­ber. In that debate, the bat­tle lines are clear­ly drawn between the YouTube-using, Google Map-mash­ing enthu­si­asts and the skep­tics, like aJaron Lanier, who pre­dicts a form of Dig­i­tal Mao­ism. In that ver­sion of the argu­ment, blog­gers are either cit­i­zen jour­nal­ists or incom­pe­tent muck­rak­ers clog­ging the pores of the body politic.

Now the debate seems to have moved into a wider circle—the realm of the ama­teur ver­sus the pro­fes­sion­al, with or with­out the inter­net. Major out­fits from Net­flix to NASA have been try­ing to out­source some of their trick­i­est prob­lems to the gen­er­al pub­lic, which is as bizarre as it is excit­ing. Andrew Keen, arguably the most Web 2.0‑enabled crit­ic of Web 2.0, is well-placed to com­bat the Times cov­er­age with his new book, The Cult of the Ama­teur: How Today’s Inter­net is Killing our Cul­ture, which he describes as a polemic against all of the mon­keys with type­writ­ers and web­cams (that is, us) the Inter­net has now unleashed upon civ­i­liza­tion.

Per­son­al­ly, I find it hard to believe that “real cul­ture” is drown­ing in a sea of YouTube. If there’s one thing we’re try­ing to do at Open Cul­ture, it’s to har­ness Web 2.0 tech­nolo­gies to bring you the best stuff there is: top-notch con­tent from uni­ver­si­ties, cul­tur­al pro­grams and online media around the world. The fact that it might be cre­at­ed by any­one, for any­one doesn’t nec­es­sar­i­ly make it bad or good—our job as a Web 2.0 fil­ter is to sort that out for you and offer our best sug­ges­tions.

Keen’s self-pro­mo­tion­al ener­gy is an excel­lent exam­ple of how tech­nol­o­gy can enhance the great con­ver­sa­tion. He’s argu­ing his case every­where from Google’s HQ (watch here on YouTube) to the Strand Book­store in Man­hat­tan. A mul­ti­plic­i­ty of view­points cre­ates debate, and debate is gen­er­al­ly a good thing. If there’s one les­son to be learned from “real cul­ture” it’s that life’s great ques­tions don’t have neat or sat­is­fy­ing answers. Inter­est­ing con­ver­sa­tion is about the best we can hope for, so why not invite more peo­ple to join in?

The Trouble with Judas

The trou­ble with Judas is that if he was car­ry­ing out God’s plan, was he real­ly evil? The point has been made every­where from sem­i­nar­ies to Jesus Christ, Super­star, but it sud­den­ly became more urgent with the redis­cov­ery of a puta­tive Gospel of Judas in 2004. Reli­gious schol­ars Elaine Pagels and Karen King have a new book out on the sub­ject (reviewed this week in the New York Times). Read­ing Judas: The Gospel of Judas and the Shap­ing of Chris­tian­i­ty seems to take a mid­dle-of-the-road approach, argu­ing that the gospel (writ­ten in the third cen­tu­ry AD, not by Judas him­self) takes a crit­i­cal posi­tion against the hege­mo­ny of the ear­ly Chris­t­ian church. Whether that vin­di­cates the most famous betray­al in nar­ra­tive his­to­ry is a tough one–Pagels and King argue that it all depends on how attached Jesus real­ly felt to his body. To find out more, check out this pod­cast Pagels and King gave at San Fran­cis­co’s Grace Cathe­dral, or lis­ten to their inter­view with Ter­ry Gross on NPR.

Got a site or pod­cast to rec­om­mend to Open Cul­ture? Click and send us an email.

James Joyce’s Ulysses: A Free Podcast

This is a book that needs no intro­duc­tion, but we will give it a short one any­way. Pub­lished in ser­i­al for­mat between 1918 and 1920, James Joyce’s Ulysses was ini­tial­ly reviled by many and banned in the US and UK until the 1930s. Today, it’s wide­ly con­sid­ered a clas­sic in mod­ernist lit­er­a­ture, and The Mod­ern Library went so far as to call it the most impor­tant Eng­lish-lan­guage nov­el pub­lished dur­ing the 20th cen­tu­ry. Although chron­i­cling one ordi­nary day in the life of Leopold Bloom in 1904 Dublin, Ulysses is no small work. It sprawls over 750 pages, using over 250,000 words, and takes over 32 hours to read aloud. Or, at least that’s how long it took the folks over at Lib­rivox. In the Blooms­day tra­di­tion, a cast of read­ers par­tic­i­pat­ed in the project, offer­ing cre­ative read­ings with “pub-like back­ground noise.” The audio files can be down­loaded as many indi­vid­ual mp3 files here, or as one big zip file here.This is not the only free audio ver­sion of Ulysses. There is anoth­er not quite tra­di­tion­al ver­sion put out by “Paigerel­la” (iTunes — Feed). And, while you’re at it, you might as well check out a read­ing of “Ara­by” (iTunes — Feed), a short sto­ry from Joyce’s col­lec­tion, Dublin­ers. It’s pro­vid­ed cour­tesy of Miette’s Bed­time Sto­ry Pod­cast. Next up, we hope is a nice read­ing of Finnegan’s Wake.For more free audio books, includ­ing many good ones from Lib­rivox, see our Audio Book Pod­cast Col­lec­tion.

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The Salman Rusdie Affair: Part II

Almost 20 years ago, Salman Rushdie pub­lished his fourth nov­el, The Satan­ic Vers­es, nev­er real­iz­ing how this lit­er­ary event would change his life. The Aya­tol­lah Khome­i­ni, the spir­i­tu­al leader of Iran’s reli­gious and polit­i­cal rev­o­lu­tion, saw in the book “blas­phe­mous” depic­tions of the prophet Muham­mad, and then hand­ed down a fat­wa call­ing for Rushdie’s death. For the next decade, Rushdie was dri­ven under­ground, mak­ing only infre­quent appear­ances in pub­lic. And it wasn’t until the late 90s that things sim­mered down, the death threats sub­sided, and the writer returned to liv­ing a semi-nor­mal life. Then came this past week …Buck­ing­ham Palace announced Queen Elizabeth’s plans to knight Rushdie, mak­ing him Sir Salman, and it all began again. Recall­ing the Dan­ish car­toon con­tro­ver­sy that swept the Mus­lim world in 2005, rank­ing polit­i­cal offi­cials, from Iran to Pak­istan, have revived the threats against the British-Indi­an nov­el­ist as well as Britain, tak­ing the Queen’s knight­ing as an inten­tion­al slight against Islam. The mere fact that Rushdie is a splen­did writer whose body of work goes well beyond The Satan­ic Vers­es nev­er quite fig­ures into the pic­ture, how­ev­er. (Try giv­ing Midnight’s Chil­dren a read to see what I mean.) You can get more on Part II of the Rushdie Affair here and here, and you can also watch Rushdie read­ing from The Satan­ic Vers­es below. 

Author Talks on Podcasts


The Leonard Lopate Show (iTunes — feed — web site), com­ing out of New York City, has recent­ly aired a good series of inter­views with authors of new, impor­tant books. Lopate knows how to give a good inter­view. Give a lis­ten.

Books That Writers Recommend

The New York Times sur­veyed a series of well-known writ­ers and asked them what books they’ve read and enjoyed late­ly. Here is what they had to rec­om­mend. For the record, the list of writ­ers includes, among oth­ers, Nora Ephron, Dave Eggers, Ursu­la K. Le Guin, Jonathan Safran Foer, Colm Toib­in, and Jef­frey Eugenides.

Among the titles you’ll find rec­om­mend­ed are The Omni­vore’s Dilem­ma (Michael Pol­lan), The Cave (Jose Sara­m­a­go), Kaloo­ki Nights (Howard Jacob­son), Natasha’s Dance: A Cul­tur­al His­to­ry of Rus­sia (Orlan­do Figes), Lincoln’s Sword (Dou­glas Wil­son), The Lay of the Land (Richard Ford), One Big Self (C. D. Wright), and Rembrandt’s Nose: Of Flesh and Spir­it in the Master’s Por­traits (Michael Tay­lor).


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What Pirates Can Teach Us about Democracy

I’ve always felt that pirates under­stood the good things in life. Fresh air. Rum. Inter­est­ing hats. It turns out we had more in com­mon polit­i­cal­ly than I would have giv­en them cred­it for. Accord­ing to Col­in Woodard, author of The Repub­lic of Pirates, the “Gold­en Age” of Caribbean pira­cy was­n’t too shab­by. Sea­men and cap­tains received almost equal shares of booty (that is, a ratio of 2 — 1 instead of 14 — 1) and cap­tains could be deposed at almost any time. NPR Books did a great inter­view with Woodard two weeks ago (site — iTunes — feed).

All of this means that you should go see the new Pirates of the Caribbean movie when it opens today, no mat­ter how ter­ri­ble it is. If Jack Spar­row does­n’t inspire civic virtue, at least he encour­ages eye­lin­er sales. Besides, how many amuse­ment park rides can you think of that have demon­strat­ed such dra­mat­ic depth?

The oth­er rea­son to go see the movie is that Talk Like A Pirate Day is lit­er­al­ly months away. How long can you hold that “AAAARRRRRHH”?

New Books on Mp3 (For Free)

While our col­lec­tion of for­eign lan­guage lessons pod­casts has been get­ting a fair amount of love and atten­tion late­ly, we’ve been spruc­ing up our direc­to­ry of audio book pod­casts.

To this list of Eng­lish-lan­guage clas­sics, we’ve added three new clas­sics by Jane Austen — Per­sua­sion, Mans­field Park, and Northang­er Abbey — all of which are byprod­ucts of the new tele­vi­sion series, The Jane Austen Sea­son. You’ll also find some new audio files from the great Lib­rivox col­lec­tion, includ­ing E. M. Forster’s Howards End, Char­lotte Bron­te’s Jayne Eyre, and F. Scott Fitzger­ald’s This Side of Par­adise. And final­ly we’ve added some select­ed poet­ry and prose by Walt Whit­man and Hen­ry David Thore­au. To review the longer list of clas­sics, click here.

More Pod­casts:

Arts & Cul­ture — Audio Books — For­eign Lan­guage Lessons — News & Infor­ma­tion — Sci­ence — Tech­nol­o­gy — Uni­ver­si­ty (Gen­er­al) — Uni­ver­si­ty (B‑School) — Pod­cast Primer

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