Robert Crumb Illustrates Philip K. Dick’s Infamous, Hallucinatory Meeting with God (1974)

CrumbExperienceofPKD

“I saw God,” Fat states, and Kevin and I and Sher­ri state, “No, you just saw some­thing like God, exact­ly like God.” And hav­ing spoke, we do not stay to hear the answer, like jest­ing Pilate, upon his ask­ing, “What is truth?”

–Philip K. Dick, VALIS

In the months of Feb­ru­ary and March, 1974, Philip K. Dick met God, or some­thing like God, or what he thought was God, at least, in a hal­lu­ci­na­to­ry expe­ri­ence he chron­i­cled in sev­er­al obses­sive­ly dense diaries that recent­ly saw pub­li­ca­tion as The Exe­ge­sis of Philip K. Dick, a work of deeply per­son­al theo-philo­soph­i­cal reflec­tion akin to Carl Jung’s The Red Book. What­ev­er it was he encountered—Dick was nev­er too dog­mat­ic about it—he end­ed up refer­ring to it as Zebra, or by the acronym VALIS, Vast Active Liv­ing Intel­li­gence Sys­tem, also the title of a nov­el detail­ing the expe­ri­ences of one very PKD-like char­ac­ter with the improb­a­ble name of “Horselover Fat.”

LSD-trig­gered psy­chot­ic break, gen­uine reli­gious expe­ri­ence, or some­thing else entire­ly, what­ev­er Dick’s encounter meant, he didn’t let the oppor­tu­ni­ty to turn it into art slip by him, and nei­ther did out­sider car­toon­ist and PKD fan Robert Crumb. In issue #17 of the under­ground comix mag­a­zine Weirdo, Crumb nar­rat­ed and illus­trat­ed Dick’s meet­ing with a divine intel­li­gence in the appro­pri­ate­ly titled “The Reli­gious Expe­ri­ence of Philip K. Dick.” It was even­tu­al­ly col­lect­ed in the edi­tion, The Weirdo Years by R. Crumb: 1981-’93. (See the com­ic in motion in the awk­ward, ama­teur video above.) The com­ic quotes direct­ly from Dick’s telling of the event, which began with a wis­dom tooth extrac­tion and was ulti­mate­ly trig­gered by a gold­en Chris­t­ian fish sym­bol worn around the neck of a phar­ma­ceu­ti­cal deliv­ery girl. Most PKD fans will be famil­iar with the sto­ry, whether they treat it as gospel or not, but to see it illus­trat­ed with such empa­thet­ic inten­si­ty by Crumb is tru­ly a treat.

If you only know Crumb as the cre­ator of las­civ­i­ous Rube­nesque women and schlub­by, drug­gy horn­dog hip­sters (like Fritz the Cat), you may be sur­prised by these emo­tion­al­ly real­ist illus­tra­tions. If you know Crumb’s more seri­ous work, like his take on the book of Gen­e­sis, you won’t. In either case, fans of Dick, Crumb, or—most likely—both, won’t want to miss this.

Relat­ed Con­tent:

Down­load 14 Great Sci-Fi Sto­ries by Philip K. Dick as Free Audio Books and Free eBooks

Philip K. Dick Pre­views Blade Run­ner: “The Impact of the Film is Going to be Over­whelm­ing” (1981)

The Con­fes­sions of Robert Crumb: A Por­trait Script­ed by the Under­ground Comics Leg­end Him­self (1987)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Free Comic Books Turns Kids Onto Physics: Start With the Adventures of Nikola Tesla

physics cartoon for kids

Physic­s­Cen­tral, a web site run by The Amer­i­can Phys­i­cal Soci­ety (an orga­ni­za­tion rep­re­sent­ing 48,000 physi­cists), has cre­at­ed a series of com­ic books designed to get kids excit­ed about physics. If you click here, you can enjoy Niko­la Tes­la and the Elec­tric Fair for free online. The 2008 com­ic book pits Thomas Edi­son against Tes­la, the unsung hero of elec­tric­i­ty and mag­net­ism. Also on the Physics Cen­tral web site, you can enjoy four free comics from the Spec­tra series, which presents the adven­tures of a mid­dle school super­hero, who pos­sess­es all of the great pow­ers of a laser beam.

We’ll be sure to add these comics to our col­lec­tion of Free K‑12 Edu­ca­tion­al Resources.

via Boing­Bo­ing

Relat­ed Con­tent:

Thomas Edi­son and Niko­la Tes­la Face Off in “Epic Rap Bat­tles of His­to­ry”

A Brief, Ani­mat­ed Intro­duc­tion to Thomas Edi­son (and Niko­la Tes­la)

MIT & Khan Acad­e­my Team Up to Devel­op Sci­ence Videos for Kids. Includes The Physics of Uni­cy­cling

Free Physics Cours­es

425 Free eBooks: Down­load to Kin­dle, iPad/iPhone & Nook

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Read Ulysses Seen, A Graphic Novel Adaptation of James Joyce’s Ulysses

ulysses seen 2

You’ve start­ed read­ing Ulysses, James Joyce’s mod­ernist clas­sic, and nev­er quite made it the whole way through. Sound famil­iar? You’re in good com­pa­ny.

So here’s anoth­er approach. Start read­ing Ulysses Seen, the graph­ic nov­el adap­ta­tion of Joyce’s tome. The artist behind Ulysses Seen is Rob Berry, and he’s devot­ed to using “the visu­al aid of the graph­ic nov­el” to “fos­ter under­stand­ing of pub­lic domain lit­er­ary mas­ter­works.” He’s clear to point out that Ulysses Seen isn’t meant to replace Ulysses. Rather it’s meant to be a visu­al com­pan­ion to the orig­i­nal work. It uses the com­ic nar­ra­tive to “cut through jun­gles of unfa­mil­iar ref­er­ences” and to help read­ers “appre­ci­ate the sub­tle­ty and artistry” of Joyce’s text. So far Berry has com­plet­ed about 138 pages of Ulysses Seen, and more pages will be com­ing online at the Joyce Cen­ter web site in the near future. Accord­ing to Pub­lish­er’s Week­ly, the artist esti­mates that it will take rough­ly a decade to com­plete the full adap­ta­tion. (The orig­i­nal nov­el spans more than 700 pages after all.) In the mean­time, here are some more resources to help you get through Joyce’s great work:

James Joyce’s Ulysses: Down­load the Free Audio Book

Read Joyce’s Ulysses Line by Line, for the Next 22 Years, with Frank Delaney’s Pod­cast

James Joyce Man­u­scripts Online, Free Cour­tesy of The Nation­al Library of Ire­land

Stephen Fry Explains His Love for James Joyce’s Ulysses

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New Yorker Cartoon Editor Bob Mankoff Reveals the Secret of a Successful New Yorker Cartoon

A friend of mine rails against the New York­er’s week­ly car­toon cap­tion con­test, insist­ing that while the read­er-sub­mit­ted entries are uni­ver­sal­ly bad, the win­ner is always the weak­est of the lot.

I dis­agree, agog at peo­ple’s clev­er­ness. Any line I come up with feels too obvi­ous or too obscure. Unlike my friend, I nev­er feel I could do bet­ter.

Car­toon edi­tor Bob Mankof­f’s recent TED Talk offers some key insights into what the mag­a­zine is look­ing for (incon­gruity, dis­po­si­tion­al humor, cog­ni­tive mash ups), as well as what it’s not inter­est­ed in (gross-out jokes, mild child-cen­tered can­ni­bal­ism) He also cites for­mer con­trib­u­tor and author of my father’s favorite New York­er car­toon, E.B. White on the futil­i­ty of ana­lyz­ing humor.

Fre­quent con­trib­u­tor Matthew Dif­fee’s short  satir­i­cal film Being Bob sug­gests Mankoff edi­to­r­i­al selec­tions owe much to gut response (and a jerk­ing knee). Such intu­ition is hard won. Mankoff glee­ful­ly alludes to the 2000 rejec­tion let­ters he him­self received between 1974 and 1977, fol­low­ing an uncer­e­mo­ni­ous dis­missal from psy­chol­o­gy school. Then, final­ly, he got his first accep­tance.

That accep­tance let­ter is some­thing to see.

Ayun Hal­l­i­day used Charles Bar­sotti’s New York­er car­toon of a danc­ing bird as her high­school year­book’s senior say­ing. Fol­low her @AyunHalliday

Relat­ed Con­tent:

The New Yorker’s Fic­tion Pod­cast: Where Great Writ­ers Read Sto­ries by Great Writ­ers

Improv with New York­er Car­toon­ists

Einstein’s Rel­a­tiv­i­ty: An Ani­mat­ed New York­er Car­toon

A Look Inside Mel Blanc’s Throat as He Performs the Voices of Bugs Bunny and Other Cartoon Legends

Last month we told you about The Strange Day When Bugs Bun­ny Saved the Life of Mel Blanc. It’s a true tale about how, back in 1971, Mel Blanc, the voice of Bugs Bun­ny and oth­er beloved Looney Tunes char­ac­ters, got into a ter­ri­ble car acci­dent in Los Ange­les and slipped into a coma. Blanc’s wife and son spent two long weeks in the hos­pi­tal try­ing to revive him, but got no response. But then, one day, Blanc’s neu­rol­o­gist walked into the room and said to the patient: “Bugs Bun­ny, how are you doing today?” After a pause, a voice said, â€śMyeeeeh. What’s up doc?” You can get more on that sto­ry here. In the mean­time, we’ll amuse you with anoth­er short sto­ry. Once upon a time, an ear-nose-and-throat spe­cial­ist want­ed to see how Mel Blanc (1908–1989) per­formed all of those Looney Tunes car­toon voic­es. So he took a fiber optic laryn­go­scope, stuck it down Blanc’s throat, and here’s what he saw. Watch above.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Cel­e­brate Superman’s 75th Anniver­sary by Enjoy­ing the Orig­i­nal Super­man Car­toon and Radio Show

The Sto­ry Of Men­stru­a­tion: Watch Walt Disney’s Sex Ed Film from 1946

Don­ald Duck’s Bad Nazi Dream (1942)

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The Original 1940s Superman Cartoon: Watch 17 Classic Episodes Free Online

On the eve of yet anoth­er Super­man movie reboot—coming tomor­row with all the usu­al sum­mer hit fan­fare and noise—take a moment before gorg­ing your­self on pop­corn and extrav­a­gant CGI spec­ta­cles to reflect on the character’s endur­ing­ly sim­ple ori­gins. After all, this month marks the 75th anniver­sary of this most icon­ic of Amer­i­can super­heroes, who first appeared in the June 1938 Action Comics #1. The brain­child of Cleve­land high school stu­dents Jer­ry Siegel and Joe Shus­ter (so mem­o­rably fic­tion­al­ized in Michael Chabon’s The Amaz­ing Adven­tures of Kava­lier & Clay), Super­man is what Neil Gaiman calls an arche­typ­al “pri­mal thing,” a char­ac­ter who can be rein­vent­ed every decade while still remain­ing unmis­tak­ably him­self.

Wit­ness, for exam­ple, the first appear­ance of Super­man on the big screen in the 1941 Fleis­ch­er car­toon (top), Super­man (or The Mad Sci­en­tist)—the first in a series of sev­en­teen shorts. On the heels of the first non-print adap­ta­tion of the char­ac­ter—the Adven­tures of Super­man radio dra­ma (lis­ten below)—the car­toon series shows us the orig­i­nal Siegel and Shus­ter hero, a rough-and-tum­ble space alien raised in an orphan­age, not by the kind­ly Kents in rur­al Amer­i­ca.

You’ll notice how­ev­er, that Superman’s resume—more pow­er­ful than a loco­mo­tive, able to leap tall build­ings… etc.—hasn’t changed a bit. But some of the character’s attrib­ut­es and ori­gins were con­sid­er­ably soft­ened after DC Comics edi­tor Whit­ney Ellsworth insti­tut­ed a code of super­hero ethics (many years before the Comics Code Author­i­ty stepped in to cen­sor the whole indus­try).

You can learn even more about Superman’s ori­gins from his cre­ators them­selves, inter­viewed in the clip above for the 1981 BBC doc­u­men­tary Super­man: The Com­ic Strip Hero. Siegel reveals how the idea for Super­man came to him dur­ing one rest­less night in which he com­posed all of the basic script for the char­ac­ter, “an entire­ly new con­cept.” The very next day, Shus­ter sat down at his draw­ing board and Super­man’s look emerged ful­ly-formed. Both cre­ators and their heirs have won and lost high-pro­file law­suits over rights to their char­ac­ters. But legal wran­gling over com­pen­sa­tion aside, there’s no deny­ing that their mad eure­ka moment left an indeli­ble cul­tur­al lega­cy no updat­ed film, logo, or con­tro­ver­sy can dimin­ish.

Relat­ed Con­tent:

Orig­i­nal Super­man Car­toon Series Now Online

The Mechan­i­cal Mon­sters: Sem­i­nal Super­man Ani­mat­ed Film from 1941

Free Gold­en Age Comics

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him at @jdmagness

Maurice Sendak Animated; James Gandolfini Reads from Sendak’s Story “In The Night Kitchen”

Mau­rice Sendak (1928–2012), the great writer and illus­tra­tor of chil­dren’s books, would have turned 85 today. To cel­e­brate his birth­day, Google has adorned its web site with a fan­tas­tic ani­mat­ed doo­dle (make sure you press the “play” but­ton) and Blank on Blank has released a video that ani­mates Sendak’s mus­ings about being a kid. Based on a pre­vi­ous­ly-unheard inter­view record­ed in 2009, Sendak speaks in the clip about his dif­fi­cult child­hood, which was sur­round­ed by tragedy. (He grew up in Brook­lyn, the child of Pol­ish Jew­ish immi­grants whose remain­ing fam­i­ly per­ished dur­ing the Holo­caust.) He also recalls how chil­dren all have prob­lems to work through — prob­lems that remained at the front of his mind when he start­ed writ­ing his clas­sic chil­dren’s books. It’s worth pair­ing the video above with anoth­er ani­mat­ed video of Sendak’s emo­tion­al last inter­view with NPR’s Ter­ry Gross. And, for a com­plete­ly ran­dom bonus, we’ve added below a clip of James Gan­dolfi­ni (aka Tony Sopra­no) read­ing from Sendak’s con­tro­ver­sial sto­ry book In The Night Kitchen. The read­ing took place on Sep­tem­ber 15, 2008 at the 92nd St Y in New York City, at a trib­ute held on the occa­sion of Sendak’s 80th birth­day.

Relat­ed Con­tent:

The Late James Gan­dolfi­ni, Star of The Sopra­nos, Appears on Inside the Actors Stu­dio (2004) 

The Mind & Art of Mau­rice Sendak: A Video Sketch

An Ani­mat­ed Christ­mas Fable by Mau­rice Sendak (1977)

 

The Religious Affiliation of Comic Book Heroes

Atheist comics

Spi­der-Man, he was appar­ent­ly a Protes­tant. The Hulk, a lapsed Catholic. Thor, a wor­ship­per of a Teu­ton­ic deity. The X‑Men, an assem­blage of Catholics and Epis­co­palians. And Stan­ley Lee, the cre­ator of these famous com­ic book fig­ures, he’s Jew­ish. If you’re a com­ic book fan with a thing for triv­ia, you can peruse this data­base of over 10,000 char­ac­ters and fig­ure out the reli­gious affil­i­a­tion of Bat­man and Won­der Woman, plus less­er-known char­ac­ters like Chameleon BoySwamp Thing, and Poi­son Ivy.

P.S. The crea­tures in the image above, they’re athe­ists, a cat­e­go­ry also tracked by this most thor­ough data­base.

via @wfmu

Relat­ed Con­tent:

Nine Clas­sic Super­man Car­toons Restored and Now on YouTube

Free Gold­en Age Comics

When Super Heroes Get Old and Retire to Mia­mi

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