On YouTube, the path to eduÂcaÂtion is as narÂrow and as difÂfiÂcult to walk as a razor’s edge. Left to their own devices, kids have a tenÂdenÂcy to veer away from the math tutoÂriÂals and head straight for the water-skiÂing squirÂrels. What’s an eduÂcaÂtor to do?
Google believes it has the answer with “YouTube for Schools,” a new serÂvice that gives teachÂers and adminÂisÂtraÂtors the abilÂiÂty to filÂter out everyÂthing but their own selecÂtions from YouTube EDU, a curatÂed colÂlecÂtion of eduÂcaÂtionÂal videos from sources rangÂing from Sesame Street to HarÂvard.
“We’ve been hearÂing from teachÂers that they want to use the vast array of eduÂcaÂtionÂal videos on YouTube in their classÂroom, but are conÂcerned that stuÂdents will be disÂtractÂed by the latÂest music video or a video of a cute cat, or a video that might not be approÂpriÂate for stuÂdents,” writes YouTube ProdÂuct ManÂagÂer BriÂan Truong. “While schools that comÂpleteÂly restrict access to YouTube may solve this disÂtracÂtion conÂcern, they also limÂit access to hunÂdreds of thouÂsands of eduÂcaÂtionÂal videos on YouTube that can help bring phoÂtoÂsynÂtheÂsis to life, or show what life was like in ancient Greece.”
To help teachÂers find the best mateÂrÂiÂal with ease, YouTube has orgaÂnized the eduÂcaÂtionÂal videos by subÂject and grade levÂel, with more than 300 playlists to choose from at youtube.com/teachers. To learn more, or to sign up, go to youtube.com/schools.
Also don’t miss our own curatÂed list of IntelÂliÂgent YouTube ChanÂnels, which highÂlights the best video colÂlecÂtions on the Google-owned serÂvice.
In late OctoÂber, ComÂputÂerÂworld unearthed a lengthy interÂview with Steve Jobs origÂiÂnalÂly recordÂed back in 1995, when Jobs was at NeXT ComÂputÂer, and still two years away from his triÂumphant return to Apple. Filmed as part of an oral hisÂtoÂry project, the wide-rangÂing interÂview begins with Jobs’ childÂhood and his earÂly school days, and it all sets the stage for Jobs to muse on the state of pubÂlic eduÂcaÂtion in AmerÂiÂca. He began:
I’d like the peoÂple teachÂing my kids to be good enough that they could get a job at the comÂpaÂny I work for, makÂing a hunÂdred thouÂsand dolÂlars a year. Why should they work at a school for thirÂty-five to forty thouÂsand dolÂlars if they could get a job here at a hunÂdred thouÂsand dolÂlars a year? Is that an intelÂliÂgence test? The probÂlem there of course is the unions. The unions are the worst thing that ever hapÂpened to eduÂcaÂtion because it’s not a merÂiÂtocÂraÂcy. It turns into a bureauÂcraÂcy, which is exactÂly what has hapÂpened. The teachÂers can’t teach and adminÂisÂtraÂtors run the place and nobody can be fired. It’s terÂriÂble.
Asked what changes he would make, Jobs conÂtinÂued:
I’ve been a very strong believÂer in that what we need to do in eduÂcaÂtion is to go to the full vouchÂer sysÂtem. I know this isn’t what the interÂview was supÂposed to be about but it is what I care about a great deal.… The probÂlem that we have in this counÂtry is that [parÂents] went away. [They] stopped payÂing attenÂtion to their schools, for the most part. What hapÂpened was that mothÂers startÂed workÂing and they didÂn’t have time to spend at PTA meetÂings and watchÂing their kids’ school. Schools became much more instiÂtuÂtionÂalÂized and parÂents spent less and less and less time involved in their kids’ eduÂcaÂtion. What hapÂpens when a cusÂtomer goes away and a monopÂoly gets conÂtrol … is that the serÂvice levÂel almost always goes down.
And so the answer. VouchÂers, entreÂpreÂneurÂship and marÂket comÂpeÂtiÂtion:
I’ve sugÂgestÂed as an examÂple, if you go to StanÂford BusiÂness School, they have a pubÂlic polÂiÂcy track; they could start a school adminÂisÂtraÂtor track. You could get a bunch of peoÂple comÂing out of colÂlege tying up with someÂone out of the busiÂness school, they could be startÂing their own school. You could have twenÂty-five year old stuÂdents out of colÂlege, very ideÂalÂisÂtic, full of enerÂgy instead of startÂing a SilÂiÂcon ValÂley comÂpaÂny, they’d start a school. I believe that they would do far betÂter than any of our pubÂlic schools would. The third thing you’d see is I believe, is the qualÂiÂty of schools again, just in a comÂpetÂiÂtive marÂketÂplace, start to rise. Some of the schools would go broke. A lot of the pubÂlic schools would go broke. There’s no quesÂtion about it. It would be rather painful for the first sevÂerÂal years.… The biggest comÂplaint of course is that schools would pick off all the good kids and all the bad kids would be left to walÂlow togethÂer in either a priÂvate school or remÂnants of a pubÂlic school sysÂtem. To me that’s like sayÂing “Well, all the car manÂuÂfacÂturÂers are going to make BMWs and MerÂcedes and nobody’s going to make a ten thouÂsand dolÂlar car.” I think the most hotÂly comÂpetÂiÂtive marÂket right now is the ten thouÂsand dolÂlar car area. You’ve got all the JapanÂese playÂing in it. You’ve got GenÂerÂal Motors who spent five milÂlion dolÂlars subÂsiÂdizÂing SatÂurn to comÂpete in that marÂket. You’ve got Ford which has just introÂduced two new cars in that marÂket. You’ve got Chrysler with the Neon.…
The full tranÂscript appears here. Or, if you want to watch the interÂview on video, you can jump to ComÂputÂerÂworld, where, rather lameÂly, you will need to regÂisÂter before watchÂing the actuÂal talk. Bad job by ComÂputÂerÂworld.
PaoÂla AntonelÂli — Senior CuraÂtor of ArchiÂtecÂture and Design at the MoMA, longÂtime proÂpoÂnent of humanÂized techÂnolÂoÂgy, self-described “curiÂous octoÂpus” — has arguably done more for the mainÂstream infilÂtraÂtion of design litÂerÂaÂcy than any othÂer indiÂvidÂual in conÂtemÂpoÂrary culÂture. In her recent openÂing keynote at the unequivÂoÂcalÂly titled media and ideas conÂferÂence The ConÂferÂence in Malmö, SweÂden, AntonelÂli pulls the curÂtain on her curaÂtoÂrÂiÂal process and, with her sigÂnaÂture on-stage charisÂma, takes a revealÂing look at how her shows go about the incredÂiÂble balÂancÂing act of being both beaÂcons of the bleedÂing edge of design and an approachÂable eduÂcaÂtion platÂform for instillÂing in the genÂerÂal pubÂlic a basic underÂstandÂing of the funÂdaÂmenÂtal imporÂtance of design — someÂthing she describes as “push[ing] design down from the realm of art and up from the realm of decÂoÂraÂtion and pretÂtiÂfiÂcaÂtion into real life.”
“What designÂers do is they take revÂoÂluÂtions that hapÂpen maybe in sciÂence or techÂnolÂoÂgy or polÂiÂtics, and they transÂform them into objects that you and I can use, that you and I can feel some familÂiarÂiÂty or at least some curiosÂiÂty about, so we can be drawn in and we can start a new life and a new behavÂioral patÂtern. And this idea of designÂers as the interÂface of progress, between progress and humanÂiÂty, is what I try to stay with.” ~ PaoÂla AntonelÂli
Maria PopoÂva is the founder and ediÂtor in chief of Brain PickÂings, a curatÂed invenÂtoÂry of cross-disÂciÂpliÂnary interÂestÂingÂness. She writes for Wired UK, The Atlantic and DesigÂnObÂservÂer, and spends a great deal of time on TwitÂter.
For more than a decade, Luis SoriÂano, a priÂmaÂry school teacher, has travÂeled the rugged terÂrain of ColomÂbia by donÂkey, delivÂerÂing books to chilÂdren in hunÂdreds of rurÂal vilÂlages. The project, powÂered by his two donÂkeys Alfa and Beto, goes by the name “BibÂlioburÂro.” And it seeks to proÂmote litÂerÂaÂcy in areas where access to books is not always a givÂen. You can find more inforÂmaÂtion and picÂtures on the homeÂpage of the BibÂlioburÂro project and also make a small donaÂtion. A video update shows what these donaÂtions are actuÂalÂly used for.
Bonus mateÂrÂiÂal: The clip above is part of a 60-minute PBS docÂuÂmenÂtary availÂable in full here. If you are a teacher and want to work with the film in class, you will appreÂciÂate this relatÂed lesÂson plan. BibÂlioburÂro has even been covÂered by The New York Times, and there is now a simÂiÂlar project underÂway in Ethiopia.
By proÂfesÂsion, Matthias RaschÂer teachÂes EngÂlish and HisÂtoÂry at a High School in northÂern Bavaria, GerÂmany. In his free time he scours the web for good links and posts the best finds on TwitÂter.
ThouÂsands of pubÂlic school teachÂers won’t be returnÂing to the classÂroom this fall, thanks to budÂget cuts nationÂwide. And that means more than a few Jay Criche’s won’t get the chance to tap the hidÂden talÂents of young stuÂdents. Jay Criche, in case you’re wonÂderÂing, taught EngÂlish at Lake ForÂest High School and countÂed Dave Eggers (A HeartÂbreakÂing Work of StagÂgerÂing Genius and What Is the What) as one of his stuÂdents. Criche passed away recentÂly, and, writÂing in Salon, Eggers rememÂbers his teacher’s deep influÂence:
He was kind to me, but I had no sense that he took parÂticÂuÂlar notice of me. There were othÂer, smarter kids in the class, and soon I fell back into my usuÂal posiÂtion — of thinkÂing I was just a litÂtle over averÂage in most things. But near the end of the semesÂter, we read “MacÂbeth.” Believe me, this is not an easy play to conÂnect to the lives of subÂurÂban high schoolÂers, but someÂhow he made the play seem elecÂtric, danÂgerÂous, relÂeÂvant. After proÂcrasÂtiÂnatÂing till the night before it was due, I wrote a paper about the play — the first paper I typed on a typeÂwriter — and turned it in the next day.
I got a good grade on it, and below the grade Mr. Criche wrote, “Sure hope you become a writer.” That was it. Just those six words, writÂten in his sigÂnaÂture handÂwritÂing — a bit shaky, but with a very steady baseÂline. It was the first time he or anyÂone had indiÂcatÂed in any way that writÂing was a career option for me. We’d nevÂer had any writÂers in our famÂiÂly line, and we didÂn’t know any writÂers perÂsonÂalÂly, even disÂtantÂly, so writÂing for a livÂing didÂn’t seem someÂthing availÂable to me. But then, just like that, it was as if he’d ripped off the ceilÂing and shown me the sky.
Over the next 10 years, I thought often about Mr. Criche’s six words. WhenÂevÂer I felt disÂcourÂaged, and this was often, it was those six words that came back to me and gave me strength. When a few instrucÂtors in colÂlege genÂtly and not-so-genÂtly tried to tell me I had no talÂent, I held Mr. Criche’s words before me like a shield. I didÂn’t care what anyÂone else thought. Mr. Criche, head of the whole damned EngÂlish departÂment at Lake ForÂest High, said I could be a writer. So I put my head down and trudged forÂward.
The new ebook offers a “comÂpreÂhenÂsive guide to learnÂing online and chartÂing a perÂsonÂalÂized path to an affordÂable creÂdenÂtial,” and it comes comÂplete with some handy-soundÂing tutoÂriÂals: how to write a perÂsonÂal learnÂing plan, how to teach yourÂself online, how to build your perÂsonÂal learnÂing netÂwork, 7 ways to get colÂlege credÂit withÂout takÂing a colÂlege course, etc.
The book also smartÂly feaÂtures a long list of open eduÂcaÂtionÂal resources, where the author was nice enough to give us a small menÂtion.
You can read The Edupunks’ Guide to a DIY CreÂdenÂtialon Scribd, or alterÂnaÂtiveÂly you can downÂload it in mulÂtiÂple forÂmats (PDF, KinÂdle, ePub, RTF, etc.) at the botÂtom of this page.
Jon StewÂart put it niceÂly. Now filmÂmakÂer Michael Moore takes the gloves off. VisÂitÂing MadiÂson, WisÂconÂsin this SatÂurÂday, he told the crowd “AmerÂiÂca isn’t broke.” Rather, the monÂey that used to run the counÂtry simÂply got siphoned out of the sysÂtem and put into unproÂducÂtive Wall Street accounts. Strong words, but if you conÂsidÂer that most US corÂpoÂraÂtions pay no US taxÂes, that bilÂlionÂaire hedge fund manÂagers pay far lowÂer taxÂes than the rest of you, that we’re preÂservÂing the unsusÂtainÂable Bush tax breaks that overÂwhelmÂingÂly benÂeÂfit the extremeÂly wealthy, then you start to think about our nationÂal deficits and WisÂconÂsin’s batÂtles with teachÂers in a difÂferÂent light.
Make no misÂtake about it. The deficits are a real probÂlem. And any truÂly excesÂsive perks for pubÂlic workÂers should be cut. But the midÂdle class shouldÂn’t bear the sole brunt of the nationÂal sacÂriÂfice. And, so far, that’s all we see. Main Street took the hit in 2008 while Wall Street walked. And that’s what’s hapÂpenÂing again…
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