Orson Welles’ Birthday Bash: Three Movies, One Radio Classic, and Two Great Narrations

96 years ago today, Orson Welles, the “ulti­mate auteur,” was born in Kenosha, Wis­con­sin. Hence his ear­ly nick­name, The Kenosha Kid. Nowa­days, we remem­ber Welles as arguably the great­est direc­tor of the 20th cen­tu­ry, a superb actor on stage and screen, and a pio­neer­ing radio drama­tist. To cel­e­brate his 96th birth­day, we have dipped into our archives and pulled togeth­er some of Welles’ finest artis­tic works, all now freely avail­able online:

The Stranger

Welles’ third film, The Stranger, a 1946 film noir thriller, was a com­mer­cial suc­cess upon release. The same could­n’t be said for Cit­i­zen Kane. The Stranger fea­tures Edward G. Robin­son hunt­ing a Nazi fugi­tive (Welles him­self) who mar­ries the daugh­ter (Loret­ta Young) of a Supreme Court jus­tice. The film, now avail­able online in its entire­ty, is one of the first post WWII films to show footage of con­cen­tra­tion camps. You can find this film, and oth­ers men­tioned below, in our col­lec­tion of Free Movies Online.

The Third Man


The Third Man by crazedig­i­tal­movies

Welles famous­ly starred in The Third Man, a must-see noir film, which won the Grand Prix at the 1949 Cannes Film Fes­ti­val and an Acad­e­my Award for Best Black and White Cin­e­matog­ra­phy in 1950. A half cen­tu­ry lat­er, the British Film Insti­tute named The Third Man the best British film of the 20th cen­tu­ry. Quite a state­ment. You can watch it here.

Free­dom Riv­er

Almost 40 years (and sev­en pres­i­den­tial admin­is­tra­tions) have passed since Orson Welles nar­rat­ed Free­dom Riv­er. And although the ani­ma­tion shows some age, the para­ble, a com­men­tary on Amer­i­ca, still res­onates today. Or, at least I sus­pect many view­ers will think so. You can get the back­sto­ry on this intrigu­ing lit­tle project here.

The War of the Worlds

Back in the late 1930s, Orson Welles launched The Mer­cury The­atre on the Air, a radio pro­gram ded­i­cat­ed to bring­ing dra­mat­ic pro­duc­tions to the Amer­i­can air­waves. The show had a fair­ly short run. It last­ed from 1938 to 1941. But it made its mark. Dur­ing these few years, The Mer­cury The­atre aired The War of the Worlds, an episode nar­rat­ed by Welles that led many Amer­i­cans to believe their coun­try was under Mar­t­ian attack. The leg­endary pro­duc­tion was based on H.G. Wells’ ear­ly sci-fi nov­el, and you can lis­ten to it here. We have more links to Mer­cury The­atre pro­duc­tions here.

Welles Reads Moby Dick

He only gives you two tan­ta­liz­ing min­utes. And he’s para­phras­ing more than read­ing the text itself. But it’s vin­tage Welles. You can find him read­ing anoth­er pas­sage from Melville’s clas­sic here…

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Stanley Kubrick’s Filmography Animated

French graph­ic artist Mar­tin Woutis­seth has put togeth­er this love­ly fil­mog­ra­phy of Stan­ley Kubrick, based on ani­mat­ed posters of his own design, and set to a won­der­ful score by com­pos­er Romain Trouil­let. Woutis­seth’s visu­al inter­pre­ta­tions of each film, from Killer’s Kiss (1955) to Eyes Wide Shut (1999) are works of art in their own right. We espe­cial­ly loved the details on the mask for Eyes Wide Shut at minute 3:00.

You can watch Killer’s Kiss for free at our online movie archive, plus Kubrick­’s first film, Fear & Desire, on Google Video.

via Curios­i­ty Counts

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

RIP Arthur Laurents, Writer of West Side Story

A sad, lov­ing farewell to the great play­wright, libret­tist and direc­tor Arthur Lau­rents, who died in his sleep today at the age of 93. Mr. Lau­rents was best known for writ­ing Gyp­sy (1959), The Way We Were (1973), and of course the incom­pa­ra­ble West Side Sto­ry (1959), about which this author has noth­ing to say, except that with­out West Side Sto­ry the world as she knows and loves it would cease to exist.

He will be missed.

via  @SteveSilberman

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

50 Classic Russian Films (Including Tarkovsky’s Finest) Now Online

We have pre­vi­ous­ly fea­tured films by the great Russ­ian film­mak­er Andrei Tarkovsky. So we’re over­joyed to report that the Moscow film com­pa­ny Mos­film has just made 5o Russ­ian clas­sics avail­able on YouTube in high def­i­n­i­tion. Accord­ing to Yahoo News, Mos­film has pledged to release five more films each week, all in HD with Eng­lish sub­ti­tles, even­tu­al­ly bring­ing the total for the year to 200.

You can look over the whole list of cur­rent­ly avail­able clas­sics at Mos­film’s YouTube chan­nel. (Non-Russ­ian speak­ers might want to hit Google Trans­late.) In yet anoth­er con­ces­sion to the deca­dence of West­ern cap­i­tal­ism, each film is pre­ced­ed by a short com­mer­cial. We hope some bal­ance has been restored to the uni­verse by the inclu­sion of com­mu­nist dic­ta­tor Joseph Stal­in’s favorite movie, the musi­cal com­e­dy Vol­ga Vol­ga.

Don’t miss our big col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

via Yahoo News

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

Way of Life: Rare Footage of the Hiroshima Aftermath, 1946

The recent 9.0‑magnitude Tōhoku earth­quake and tsuna­mi, and sub­se­quent Fukushi­ma nuclear acci­dents were among the most dev­as­tat­ing envi­ron­men­tal dis­as­ters in record­ed his­to­ry. The imme­di­ate con­se­quences are fright­en­ing, but their full, long-term impact remains an unset­tling mys­tery.

This, of course, isn’t the first time Japan has faced a nuclear emer­gency. After the World War II atom­ic bomb­ings of Hiroshi­ma and Nagasa­ki, the U.S. gov­ern­ment record­ed the raw after­math of Hiroshi­ma in can­did, grim detail (while Hol­ly­wood was busy lam­poon­ing Amer­i­ca’s nuclear obses­sion). Filmed in the spring of 1946 by the Depart­ment of Defense, Way of Life doc­u­ments how the peo­ple of Hiroshi­ma adapt­ed to life after the atom­ic bomb. Though the archival footage lacks sound, its imagery — mov­ing, heart­break­ing, deeply human — speaks vol­umes about the del­i­cate dual­i­ty of despair and resilience.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of cross-dis­ci­pli­nary inter­est­ing­ness. She writes for Wired UK, The Atlantic and Desig­nOb­serv­er, and spends a great deal of time on Twit­ter.

Phoenix Still Rising: Egypt After The Revolution

Much has been said, tweet­ed and writ­ten about the 2011 Egypt­ian Rev­o­lu­tion, glo­ri­fy­ing it as one of the most land­mark tri­umphs of free­dom in recent his­to­ry. Yet the West­ern media has deliv­ered sur­pris­ing­ly lit­tle on its after­math, leav­ing the lived post-rev­o­lu­tion real­i­ty of the Egypt­ian peo­ple a near-mys­tery.

This beau­ti­ful short film by British film stu­dio Scat­tered Images offers a rare glimpse of a phoenix still strug­gling to rise from the ash­es of oppres­sion. With incred­i­ble visu­al elo­quence, the film peels away at the now-worn media iconog­ra­phy of the rev­o­lu­tion itself, reveal­ing how life after it has actu­al­ly changed — or has­n’t — as Egypt remains a nation in tran­si­tion, with a future yet to be decid­ed.

Polit­i­cal­ly, there is a vac­u­um. The rev­o­lu­tion demand­ed a gov­ern­ment account­able to the peo­ple and ruled by trans­par­ent insti­tu­tions. But now, the only ruler is uncer­tain­ty.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of cross-dis­ci­pli­nary inter­est­ing­ness. She writes for Wired UK, The Atlantic and Desig­nOb­serv­er, and spends a great deal of time on Twit­ter.

The World’s First (and Slightly Scandalous) Hand-Tinted Motion Picture

The world’s first hand-tint­ed motion pic­ture was pro­duced by Thomas Edis­on’s com­pa­ny, Edi­son Stu­dios, in 1895, more than 115 years ago. The dancer, Annabelle Moore (1878–1961), was just a teenag­er when this film was released, and her dance caused both a sen­sa­tion and a scan­dal. (Note the flash­es of under­gar­ment, all the way up to above the knee, about 29 sec­onds in.) It may have been a sign of things to come: Moore would go on to star as the Gib­son bathing suit girl in the first Ziegfeld fol­lies, where she remained until her mar­riage and retire­ment brought her back to respectabil­i­ty in 1912.

The film is also worth com­par­ing with a sim­i­lar but much more del­i­cate­ly paint­ed ver­sion done just five years lat­er by the Lumiere broth­ers.

(Spe­cial thanks to the recent­ly-launched Weyume)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

Warhol’s Screen Tests of Lou Reed, Dennis Hopper, Nico & More

Between 1964 and 1966, Andy Warhol shot close to 500 short movies of friends, celebri­ties, mod­els, and any of the oth­er love­ly young things who passed through his stu­dio known as The Fac­to­ry. The indie-rock duet Dean and Brit­ta recent­ly com­posed songs for 13 of the videos, which they’ve been per­form­ing live as part of a mul­ti­me­dia con­cert for sev­er­al years. “13 Most Beau­ti­ful… Songs for Andy Warhol’s Screen Tests” is avail­able on DVD, CD, and of course, YouTube.

We espe­cial­ly loved “I’m Not A Young Man Any­more,” fea­tur­ing an icy cool Lou Reed, so hip and desir­able that even his Coke bot­tle looks as if it’s wear­ing sun­glass­es. There are oth­er gems as well, start­ing with the doomed Edie Sedgewick, one of The Fac­to­ry’s ear­li­est stars, who died of an over­dose in 1971.

The 5′10″ Ger­man mod­el Nico, before she began record­ing with the Vel­vet Under­ground.

The preter­nat­u­ral­ly beau­ti­ful Paul Amer­i­ca, star of Warhol’s film “My Hus­tler,” who even­tu­al­ly hired lawyers to seek pay­ment for his role in the movie that made him a reluc­tant gay icon. He died after being hit by a car in 1981.


And final­ly, the late Den­nis Hop­per, extra­or­di­nary on screen even by Fac­to­ry stan­dards. Accord­ing to Dean and Brit­ta, he was the first to buy one of Warhol’s soup can paint­ings.

On a some­what unre­lat­ed note, the Dean is of course Dean Ware­ham of Galax­ie 500 and Luna. If you’re a fan of his music, or even just nos­tal­gic for 90’s era pre-Nap­ster indie rock, you might want to check out his dry, thought­ful mem­oir, Black Post­cards: A Rock & Roll Romance.

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Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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