In case you haven’t seen this yet …
Thanks to Europa Film TreaÂsures, you can spend hours lookÂing back through an archive of EuroÂpean film. TheÂses films range from “comÂeÂdy to sciÂence ficÂtion, from westÂerns to aniÂmaÂtion, from erotÂic to ethÂnoÂlogÂiÂcal movies.” And all films come with a fair amount of backÂground inforÂmaÂtion. And yes, of course, you can stream these films online and watch them in the comÂfort of your own home.
For a taste of what this archive is all about, watch Jön az öcsĂ©m, a 1919 film by Michael CurÂtiz, who latÂer went on to direct CasablanÂca! For more, enter the genÂerÂal colÂlecÂtion here.
Over at The New York Times, film critÂic A.O. Scott revisÂits John Ford’s 1940 film based on John SteinÂbeckÂ’s clasÂsic novÂel about the Great DepresÂsion. Putting foreÂcloÂsures and ecoÂnomÂic strain front and cenÂter, it’s sudÂdenÂly a film for our age. ScotÂt’s video segÂment runs about three minÂutes, feaÂtures footage from the film itself, and takes a look at HenÂry FonÂda’s leadÂing role. Have a look.
One of my friends from way back, SheerÂly Avni, has just postÂed an interÂview with Joss WheÂdon, who has now domÂiÂnatÂed in four media catÂeÂgories: film (SerenÂiÂty), teleÂviÂsion (Buffy the VamÂpire SlayÂer), comics (RunÂaways, The AstonÂishÂing X‑Men) and finalÂly the interÂnet. (Dr. HorÂriÂble’s SinÂgaÂlong Blog). The interÂview was conÂductÂed for MothÂer Jones, so there’s a lot about polÂiÂtics, genÂder, the writÂers’ strike, and, yes, TV and film. It runs about 38 minÂutes. Have a lisÂten.
ImagÂine The GodÂfaÂther withÂout MarÂlin BranÂdo and Al PaciÂno. BlasÂpheÂmy! Well, it almost turned out that way. You can watch more here about how BranÂdo almost nevÂer made it. Below, we also have a clip that takes you through how PaciÂno nearÂly missed out on his career-definÂing role. It includes origÂiÂnal footage from his script readÂing sesÂsions, and we’ve added it to our YouTube playlist.
This week, CNN announced the winÂners of the iReÂport Film FesÂtiÂval, the network’s first user-genÂerÂatÂed short film comÂpeÂtiÂtion. The fesÂtiÂval “chalÂlenged filmÂmakÂers to docÂuÂment this year’s presÂiÂdenÂtial camÂpaign from their perÂsonÂal vanÂtage point, whether they were volÂunÂteerÂing for a camÂpaign or had comÂpelling stoÂries about this elecÂtion they wantÂed to docÂuÂment creÂativeÂly.” And the Grand Jury Award went to a short film called “13th AmendÂment.” Here, Mike DenÂnis of PhiladelÂphia, Pa., folÂlows his 90-year-old grandÂmothÂer, who is African AmerÂiÂcan, on her jourÂney to vote for the first seriÂous black canÂdiÂdate for the AmerÂiÂcan presÂiÂdenÂcy. (And, by the way, in case you were wonÂderÂing, the 13th AmendÂment banned slavÂery in the UnitÂed States in 1865.) Here it goes:
In 1999, AlekÂsanÂdr Petrov won the AcadÂeÂmy Award for Short Film (among othÂer awards) for a film that folÂlows the plot line of Ernest HemÂingÂway’s clasÂsic novelÂla, The Old Man and the Sea (1952). As notÂed here, PetroÂv’s techÂnique involves paintÂing pasÂtels on glass, and he and his son paintÂed a total of 29,000 images in total. Rather incredÂiÂble. Below, we present the 20 minute short. You’ll find this film listÂed in our colÂlecÂtion of Free Movies Online.
Now showÂing in the YouTube ScreenÂing Room: “Peter and Ben is a touchÂing and quirky stoÂry of how two “black-sheep” form an unusuÂal and endurÂing bond.” The 10-minute short film was named Best DocÂuÂmenÂtary at the Aspen Shorts Fest 2008. It’s added to our YouTube playlist. Here it goes: