The Final Cut of Blade Runner: Now Out on DVD

Back in Octo­ber, Rid­ley Scott released a final and defin­i­tive direc­tor’s cut of Blade Run­ner, pre­sent­ing to audi­ences the film that he would have made if stu­dio execs had­n’t med­dled with things. A short two months lat­er, the final cut is now out on DVD. It was released yes­ter­day, bare­ly in time for the hol­i­days. For more on the mak­ing and remak­ing of Blade Run­ner, you can lis­ten to this recent inter­view with Rid­ley Scott.

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Coppola is Back

Fran­cis Ford Cop­po­la, the direc­tor who brought us The God­fa­ther and Apoc­a­lypse Now, has released his first film in a decade. Based on a novel­la by Mircea Eli­ade, a Roman­ian thinker prin­ci­pal­ly known for his work on the his­to­ry of reli­gion, “Youth With­out Youth” fea­tures Tim Roth play­ing the role of Dominic Matei, an elder­ly lin­guis­tics pro­fes­sor, who gets struck by light­ning and finds his youth strange­ly restored. To pub­li­cize the film, Cop­po­la has been doing a fair amount of press in New York. (The film is pre­mier­ing there.) Here, you can lis­ten to the inter­view he gave on WNY­C’s Leonard Lopate Show (iTunes — Feed — Web Site). We’ve also post­ed below a video out­take from the inter­view. Final­ly, this Q&A ses­sion in The New York Post may also be of inter­est.

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The 50 Greatest Independent Films

Empire Online has pub­lished its list of the 50 best indie films. Skewed towards action/crime films, the list won’t appeal to all. But there are some indis­putably amaz­ing movies of the list. We’ve post­ed the top 10 below. But some­how I think the bet­ter ones are actu­al­ly low­er down on the list — for exam­ple, #17, City of God, the Brazil­ian film that mix­es Taran­ti­no aes­thet­ics & vio­lence with mean­ing­ful social com­men­tary. See trail­er below.

The top 10 movies in descend­ing order are: Mean Streets, Side­ways, The Usu­al Sus­pects, Sex, Lies and Video­tape, The Night of the Liv­ing Dead, Mon­ty Python’s Life of Bri­an, Clerks, The Ter­mi­na­tor, Don­nie Darko, and Reser­voir Dogs.

Look­ing for free movies? Dive into our col­lec­tion here.

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The Graduate at 40

The film that spoke to a gen­er­a­tion of alien­at­ed youth dur­ing the 1960s is now 40 years old (and actu­al­ly look­ing much tamer than it first did). To mark the occa­sion, a 40th anniver­sary col­lec­tor’s edi­tion DVD has been released, filled with a good amount of extra mate­ri­als. Also, Fresh Air broad­cast­ed a show last week (iTunes — Feed — Web Site) that brought togeth­er inter­views with var­i­ous mem­bers of the film’s cast and crew. As Lar­ry David would say, it’s pret­ty, pret­ty, pret­ty good. And, by the way, have a look back at our ear­li­er post: Meet Lar­ry David (in Video)

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No Country for Old Men: The Coen Brothers’ Latest

The film­mak­ers who brought you Far­go, Bar­ton Fink, and O Broth­er, Where Art Thou? have released their lat­est film based on a nov­el by Cor­mac McCarthy. No Coun­try for Old Men is, as The New York­er puts it, “a return to the dark, sim­mer­ing days of their best work, in Blood Sim­ple and Miller’s Cross­ing,” which is anoth­er way of say­ing that the film is vio­lent, but also extreme­ly well made. So far, there’s been no short­age of pos­i­tive reviews (look here for exam­ple). But, as always, you’ll find the occa­sion­al pan. Below, we have post­ed some scenes from the film, and we’ll leave you with this print­ed inter­view with Joel and Ethan Coen.

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Landmark Moments in Film: Hitchcock’s Psycho

Of all the scenes that Hitch­cock shot, this is the most well known. The icon­ic show­er scene (1960), which runs about 2 min­utes, took six days to film, used around 75 cam­era angles, and 50 cuts. After shoot­ing this sequence, Janet Leigh appar­ent­ly for­ev­er kept her show­ers to a min­i­mum and, while show­er­ing, locked all doors and win­dows and kept the bath­room & show­er doors open.

Landmark Moments in Film: Apocalypse Now

What do you get here? We’ve post­ed below a 7+ minute clip from Fran­cis Ford Cop­po­la’s Acad­e­my Award-win­ning film on the Viet­nam War from 1979. It fea­tures the famous “Ride of the Valkyries” scene.  It’s worth a look, but I would actu­al­ly rec­om­mend watch­ing this longer, 18 minute clip here, which includes the Valkyries scene and takes you to “I love the smell of napalm in the morn­ing.” (We unfor­tu­nate­ly could­n’t embed the longer clip on our site.)

To see Apoc­a­lypse Now in full, you can buy the film here or rent the movie from Net­flix.

The Godfather Without Brando?: It Almost Happened

It’s hard to imag­ine The God­fa­ther, the icon­ic 1972 film, with­out Mar­lon Bran­do. But that’s almost how it turned out.

Dur­ing cast­ing, Para­mount exec­u­tives orig­i­nal­ly pushed for Lau­rence Olivi­er. But when he could­n’t take the film, and when the direc­tor, Fran­cis Ford Cop­po­la, asked them to con­sid­er Bran­do, they ini­tial­ly respond­ed: “Mar­lon Bran­do will nev­er appear in this motion pic­ture.” Below, Cop­po­la and co-star James Caan explain how the execs were even­tu­al­ly cajoled into chang­ing their minds, and how film his­to­ry fell into place. As you watch this, also keep in mind that Para­mount orig­i­nal­ly asked two oth­er direc­tors to make The God­fa­ther before approach­ing Cop­po­la, and they lat­er want­ed Robert Red­ford or Ryan O’Neal to play Michael Cor­leone. But Cop­po­la, who threat­ened to quit pro­duc­tion, even­tu­al­ly got his way and put the rel­a­tive­ly unknown Al Paci­no into the film.

FYI: Best Week Ever has a good post on the Top 10 Actor / Direc­tor Tandems In Movie His­to­ry.

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