50 years ago today, Adolf EichÂmann, a key archiÂtect of the HoloÂcaust, went on triÂal before an Israeli triÂbunal in Jerusalem. DurÂing the war, EichÂmann served as the TransÂportaÂtion AdminÂisÂtraÂtor of the “Final SoluÂtion to the JewÂish QuesÂtion,” meanÂing he coorÂdiÂnatÂed all the trains that transÂportÂed Jews to their deaths in East EuroÂpean exterÂmiÂnaÂtion camps. When the Nazis fell, EichÂmann fled to ArgentiÂna where he hoped to live out his days in comÂfortÂable anonymiÂty, workÂing as a foreÂman for MerÂcedes Benz.
The Mossad spent most of the 1950s trackÂing him down, then famousÂly got their man in May, 1960. Back in Israel, the philosoÂpher HanÂnah Arendt covÂered the EichÂmann triÂal for The New YorkÂer and latÂer reduced the essence of the forÂmer SS colonel to a simÂple phrase: “the banalÂiÂty of evil.” ElabÂoÂratÂing she said, “The deeds were monÂstrous, but the doer—at least, the very effecÂtive one now on trial—was quite ordiÂnary, comÂmonÂplace, and neiÂther monÂstrous nor demonÂic.”
TakÂen from The SpielÂberg JewÂish Film Archive, the footage above shows you the openÂing moments of the triÂal and tesÂtiÂmoÂny from HoloÂcaust surÂvivors. EichÂmann is there too, encased in glass, lookÂing as banal as Arendt sugÂgestÂed. After 14 weeks of tesÂtiÂmoÂny, EichÂmann was found guilty of 15 crimÂiÂnal counts, includÂing crimes against humanÂiÂty, and he was hanged in May, 1962 – the only civÂil exeÂcuÂtion ever carÂried out by the state of Israel.
A new book by Emory hisÂtoÂriÂan DebÂoÂrah LipÂstadt revisÂits the triÂal with the benÂeÂfit of some hisÂtorÂiÂcal disÂtance. In this video, LipÂstadt reminds us why the triÂal held such imporÂtance for the interÂnaÂtionÂal comÂmuÂniÂty.

When Sir Arthur Conan Doyle first conÂceived of SherÂlock Holmes in 1887, he probÂaÂbly didÂn’t anticÂiÂpate that the “conÂsultÂing detecÂtive” would become the world’s favorite ficÂtionÂal invesÂtigaÂtive logiÂcian and evenÂtuÂalÂly infilÂtrate everyÂthing from acaÂdÂeÂmÂic curÂricÂuÂla to HolÂlyÂwood. Just last year, the BBC proÂduced a fanÂtasÂtic