Tony Judt, Leading Public Intellectual, Confronts ALS

Dur­ing the past decade, Tony Judt emerged as one of Amer­i­ca’s lead­ing pub­lic intel­lec­tu­als. He’s com­bat­ive, often con­tro­ver­sial (espe­cial­ly when talk­ing about Israel), and some­times dis­liked. But he’s tak­en seri­ous­ly. And many have had noth­ing but sheer praise for his mas­ter work, Post­war: A His­to­ry of Europe Since 1945. The NYU his­to­ri­an had built up a career that many envied. But then things start­ed going wrong … phys­i­cal­ly, not intel­lec­tu­al­ly. In 2008, Judt was diag­nosed with ALS, or Lou Gehrig’s dis­ease. And he made his diag­no­sis wide­ly known ear­li­er this year, when he pub­lished an essay, â€śNight,” in The New York Review of Books. The arti­cle is short, but it brings you right inside his dai­ly expe­ri­ence. He writes:

Dur­ing the day I can at least request a scratch, an adjust­ment, a drink, or sim­ply a gra­tu­itous re-place­ment of my limbs—since enforced still­ness for hours on end is not only phys­i­cal­ly uncom­fort­able but psy­cho­log­i­cal­ly close to intol­er­a­ble. It is not as though you lose the desire to stretch, to bend, to stand or lie or run or even exer­cise. But when the urge comes over you there is nothing—nothing—that you can do except seek some tiny sub­sti­tute or else find a way to sup­press the thought and the accom­pa­ny­ing mus­cle mem­o­ry.

But then comes the night. … If I allow a stray limb to be mis-placed, or fail to insist on hav­ing my midriff care­ful­ly aligned with legs and head, I shall suf­fer the ago­nies of the damned lat­er in the night. I am then cov­ered, my hands placed out­side the blan­ket to afford me the illu­sion of mobil­i­ty but wrapped nonethe­less since—like the rest of me—they now suf­fer from a per­ma­nent sen­sa­tion of cold. I am offered a final scratch on any of a dozen itchy spots from hair­line to toe; the Bi-Pap breath­ing device in my nose is adjust­ed to a nec­es­sar­i­ly uncom­fort­able lev­el of tight­ness to ensure that it does not slip in the night; my glass­es are removed…and there I lie: trussed, myopic, and motion­less like a mod­ern-day mum­my, alone in my cor­po­re­al prison, accom­pa­nied for the rest of the night only by my thoughts.

This expe­ri­ence has­n’t slowed down Judt a bit. In fact, quite the oppo­site, Judt has been ramp­ing up his pub­li­ca­tions, prov­ing even more pro­lif­ic than before. (His lat­est book, Ill Fares the Land, will be pub­lished this week.) Judt’s bat­tle with ALS and his sense of intel­lec­tu­al urgency get dis­cussed in the lat­est edi­tion of New York Mag­a­zine. It’s a piece well worth read­ing. So also is the large pro­file that ran in The Chron­i­cle of High­er Edu­ca­tion in Jan­u­ary. Above we fea­ture an inter­view with Judt post­ed by The Guardian.

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Julius Caesar Gets Clipped 2054 Years Ago Today

March 15th. It trans­lates to the Ides of March on the Roman Cal­en­dar. And it’s the date when Julius Cae­sar was famous­ly assas­si­nat­ed in 44 B.C. To mark the occa­sion (today is the Ides of March), we bring you a dra­mat­ic, six-minute clip of the assas­si­na­tion scene from the film ver­sion of Shake­speare’s Julius Cae­sar, direct­ed by Joseph Mankiewicz in 1953. The scene fea­tures Louis Cal­h­ern as Cae­sar, John Giel­gud as Cas­sius and James Mason as Bru­tus.  The film also stars Mar­lon Bran­do as Mark Antony, but we only get a fleet­ing glimpse of him in this scene as the plot­ters con­trive to sep­a­rate him from Cae­sar.

Note: You can down­load a free audio ver­sion of Shake­speare’s play thanks to Lib­rivox, or get a free etext here. And if you have an iPhone, feel free to down­load a free app that includes all of Shake­speare plays.

Mike, one of our faith­ful read­ers, gets all of the cred for this one! Many thanks.

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World War II Relived through Sand Painting

How did the artist Kseniya Simono­va win the Ukrain­ian ver­sion of Britain’s Got Tal­ent? By using the art of sand paint­ing to recount the sto­ry of Ger­many’s inva­sion of Ukraine in 1941. Life was some­what ordi­nary, then it all fell apart. And, by the war’s end, an esti­mat­ed 10 mil­lion Ukraini­ans were left dead. It’s a dif­fi­cult sto­ry to tell. And I’m refer­ring not just to the sto­ry’s con­tent, but to the actu­al medi­um too. Thanks Steve for the heads up on this one.

For more sand paint­ing, check out the work of Ilana Yahav.

The Science/Liberty Nexus

You can’t get good democ­ra­cy with­out sci­ence, and you can’t get good sci­ence with­out democ­ra­cy. That’s why great polit­i­cal and sci­en­tif­ic rev­o­lu­tions have his­tor­i­cal­ly gone hand-in-hand. It’s an intrigu­ing argu­ment that Tim­o­thy Fer­ris (UC Berke­ley) makes in his new book, The Sci­ence of Lib­er­ty, and debates in an inter­view with Michael Kras­ny, aired last week on KQED in San Fran­cis­co. You can stream the inter­view below, or access it via mp3 or iTunes.

A Brief History of Pretty Much Everything

This imag­i­na­tive bit was a stu­den­t’s final project for an art course. The flip­book, made entire­ly out of biro pens, was cre­at­ed with 2100 pages of draw­ings and took about 3 weeks to devel­op. Need­less to say, the stu­dent got an A.

Thanks to @kirstinbutler for flag­ging this one.

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Time Travel with Google Earth

Google Earth­’s his­tor­i­cal imagery fea­ture now includes aer­i­al footage of the after­math of World War II, allow­ing users to com­pre­hend the extent of post-war destruc­tion by com­par­ing pho­tos of cities as they are today to those of bombed out cities imme­di­ate­ly after the war.

Here’s War­saw in 1935, dev­as­tat­ed in 1943, and restored today. You can click here to see the pic­tures in a big­ger size.

For more imagery, includ­ing pic­tures of Stuttgart, Naples and Lyon, see the Google Earth blog.

Wes Alwan lives in Boston, Mass­a­chu­setts, where he works as a writer and researcher and attends the Insti­tute for the Study of Psy­cho­analy­sis and Cul­ture. He also par­tic­i­pates in The Par­tial­ly Exam­ined Life, a pod­cast con­sist­ing of infor­mal dis­cus­sions about philo­soph­i­cal texts by three phi­los­o­phy grad­u­ate school dropouts.

Howard Zinn Dies at 87

Sad news. Howard Zinn, the Amer­i­can his­to­ri­an best known for his book, A Peo­ple’s His­to­ry of the Unit­ed States, died today of a heart attack at the age of 87. The Boston Her­ald has more on his life and pass­ing here. If you’re famil­iar with Zin­n’s biog­ra­phy, you’ll know that he served in World War II and lat­er took a strong posi­tion against the Viet­nam War. So, per­haps fit­ting­ly, we fea­ture Zinn talk­ing above about wars and the role gov­ern­ments play in man­u­fac­tur­ing them…

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A History of the World in 100 Objects

Work­ing with the BBC, Neil Mac­Gre­gor, the Direc­tor of the British Muse­um, has launched a down­right smart project. A His­to­ry of the World in 100 Objects uses impor­tant pieces from the muse­um’s col­lec­tions to recount the long his­to­ry of human­i­ty. Through­out the year, the seri­al­ized radio pro­gram will air 100 episodes, each aver­ag­ing 15 min­utes, and they will cov­er two mil­lion years of human inno­va­tion and artis­tic cre­ation. Below, I’ve includ­ed a recent episode that revis­its the Oldu­vai hand axe, a tool invent­ed some 1.2 mil­lion years ago that proved vital to human evo­lu­tion and our migra­tion out of Africa. You can access the full series in audio via iTunes, RSS Feed, as well as oth­er for­mats found here. A big thanks to Stephen in the UK for flag­ging this pro­duc­tion for us.

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