What Makes Us Human?

Some of the most basic ques­tions about human exis­tence (how did we devel­op lan­guage? why do we love music and art but kill in war? how did we devel­op cer­tain eat­ing habits? etc.) come back to a more sin­gu­lar ques­tion: how are we dif­fer­ent from chim­panzees? This ques­tion is slow­ly get­ting answered by some of today’s lead­ing pri­ma­tol­o­gists and evo­lu­tion­ary biol­o­gists, includ­ing Robert Sapol­sky, Daniel Lieber­man, Richard Wrang­ham, Jane Goodall, Steven Pinker, all fea­tured above.

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The Power of Music

The video says it all. CNN has more on Cap­tain Jack…

via Alec Couros aka @courosa

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Still Life: A Short Film about Tony Judt


Tony Judt, one of our lead­ing pub­lic intel­lec­tu­als, died ear­li­er this month of ALS, a.k.a. Lou Gehrig’s Dis­ease. Judt was no stranger to con­tro­ver­sy, and he had his crit­ics. But he lived out his final years in a way that few could feel divid­ed about. He kept writ­ing and pub­lish­ing. The pace picked up instead of slow­ing down. And he stayed in the pub­lic light, when most would have backed away from it. The video above – a short trib­ute to his life – isn’t entire­ly fun to watch. I’ll admit that. But it says some­thing impor­tant about how we live, endure ill­ness, and die with our human­i­ty intact. Need­less to say, this makes the video even­tu­al­ly 100% rel­e­vant to you. Hence why we’re post­ing. Thanks Mike for anoth­er great clip.

PS You can find Tony Judt’s recent writ­ings in The New York Review of Books here. I would also encour­age you to read Tim­o­thy Gar­ton Ash’s intel­lec­tu­al obit of Judt here.

Christopher Hitchens on Cancer, Life and Religion

Christo­pher Hitchens has­n’t turned inward since his can­cer diag­no­sis in June. Nor, as some might have antic­i­pat­ed, has he budged from his athe­ist views out­lined in his 2007 best­seller God Is Not Great. And if you hear rumors of an even­tu­al deathbed con­ver­sion, don’t believe them. That’s the mes­sage he pass­es along to Ander­son Coop­er in a new CNN inter­view (above). Also, Hitchens has just pub­lished a new piece in Van­i­ty Fair where he talks about his intro­duc­tion to (esoph­a­gus) can­cer in a way that only Hitchens can. Regard­less of what you think about Hitchens, it’s def­i­nite­ly worth a read…

via Dai­ly Hitchens

Venezia

Venice, the “Queen of the Adri­at­ic,” in HD and sat­u­rat­ed col­or. A lit­tle thing of beau­ty. You can watch a big­ger ver­sion of “Around Venezia,” filmed by “Icam,” on Vimeo here. It’s well worth it.

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Leon Levinstein: Photography Reveals How Little We See

In the 1960s, while now-icon­ic pho­tog­ra­phers like Robert Frank and Diane Arbus were busy becom­ing icon­ic — apply­ing for grants, enter­ing award shows, hus­tling for high-pro­file mag­a­zine assign­ments — Leon Levin­stein was blend­ing into crowds, unno­ticed, doc­u­ment­ing street life and the era’s hip­sters: beach bums, down­town der­ri­eres, street hus­tlers. An unsung pho­tog­ra­phy hero of the 20th cen­tu­ry, Levin­stein craft­ed and inhab­it­ed a lone­ly, her­mit-like world behind his lens, yet man­aged to cap­ture the rich­ness of the world in front of it with remark­able ele­gance and vig­or.

In fan­tas­tic 1988 inter­view recent­ly fea­tured on NPR, the lone pho­tog­ra­ph­er shares his cre­ative ethos and his ulti­mate approach to his art: “You got­ta be alone and work alone. It’s a lone­ly occu­pa­tion, if you wan­na call it that.”

Image © Howard Green­berg Gallery

Image © Howard Green­berg Gallery

What makes Levin­stein a par­tic­u­lar­ly unlike­ly mas­ter of street pho­tog­ra­phy — or, per­haps, pre­cise­ly what makes him a mas­ter — is that he nev­er received any for­mal train­ing in pho­tog­ra­phy. Instead, he exit­ed the army, bought him­self a used cam­era, and qui­et­ly set to shoot­ing.

“A good pho­to­graph will prove to the view­er how lit­tle our eyes per­mit us to see. Most peo­ple only see what they have always seen and what they expect to see. Where a pho­tog­ra­ph­er, if he’s good, will see every­thing.”

Image © Howard Green­berg Gallery

Image © Howard Green­berg Gallery

This month, a new exhi­bi­tion at New York’s Met­ro­pol­i­tan Muse­um of Art pays homage to the obscure pho­tog­ra­ph­er. Hip­sters, Hus­tlers, and Hand­ball Play­ers: Leon Levin­stein’s New York Pho­tographs, 1950–1980 is as much a ret­ro­spec­tive of Levin­stein’s work as it is a unique time cap­sule of the era’s every­day cul­ture-mak­ers. You can view the col­lec­tion of pho­tographs on the muse­um’s web­site and catch the exhi­bi­tion at the Met until Octo­ber 17.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of eclec­tic inter­est­ing­ness and indis­crim­i­nate curios­i­ty. She writes for Wired UK, GOOD Mag­a­zine, Big­Think and Huff­in­g­ton Post, and spends a dis­turb­ing amount of time on Twit­ter.

We Are Here: The Pale Blue Dot


Let Carl Sagan put every­thing – and I mean every­thing – in per­spec­tive for you …

(And see his relat­ed book, The Pale Blue Dot: A Vision of the Human Future in Space)

Thanks Zoran for send­ing!!

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Meryl Streep Gives Graduation Speech at Barnard

Meryl Streep has been nom­i­nat­ed for 16 Acad­e­my Awards, and won two, over her bril­liant act­ing career. She’s one of Amer­i­ca’s greats. But it has­n’t gone to her head. Above, we have Streep giv­ing the grad­u­a­tion speech last month at Barnard (the wom­en’s lib­er­al arts col­lege affil­i­at­ed with Colum­bia Uni­ver­si­ty). And what comes across is some­one who does­n’t take her­self or act­ing too seri­ous­ly. Some­one who still gets a lit­tle charm­ing­ly ner­vous speak­ing in front of crowds. And some­one who rec­og­nizes that we glob­al­ly – and women par­tic­u­lar­ly – have major chal­lenges to con­tend with. It’s worth a watch, along with one of my favorite com­mence­ment speech­es: Steve Jobs at Stan­ford, 2005.

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