“…if he went away, as he had once upon a time, othÂer voicÂes, othÂer rooms, voicÂes lost and cloudÂed, strummed his dreams.” — TruÂman Capote, OthÂer VoicÂes, OthÂer Rooms
Is there a word for the emoÂtionÂal floodÂtide that wells up when a song from the past catchÂes us alone and unawares?
The senÂsaÂtion is too priÂvate to be writÂten off as mere nosÂtalÂgia.
WhatÂevÂer chemÂiÂcal pheÂnomÂeÂnon explains it, “Cecil Robert,” a 20-year-old from KaukauÂna, WisÂconÂsin, has tapped into it in a big way, by messÂing with the freÂquenÂcies of pop songs from the 70s, 80s and 90s, until they sound like someÂthing playÂing on the neighbor’s side of the wall, or the echo chamÂber of an empÂty shopÂping mall.
The New Yorker’s Jia TolentiÂno wrote that his farÂaway remix of Toto’s earÂly 80s soft rock hit, “Africa,” above, soundÂed like “longÂing and conÂsoÂlaÂtion togethÂer, extendÂed into emptiÂness, a shot of warmth comÂing out of a void.”
FunÂny. That pretÂty much sums up how I feel lisÂtenÂing to Cecil Robert’s take on Nena’s “99 LuftÂbalÂlons”…
It was released in 1983, the year that I gradÂuÂatÂed high school and in which “Africa”—which I conÂfess leaves me cold—hit NumÂber One on Billboard’s Hot 100 list.
Were it a matÂter of sheer genÂerÂaÂtional nosÂtalÂgia, TolentiÂno (one of Forbes’ 30 Under 30 for 2017) should be laid flat by Mac DeMarco’s “My Kind of Woman” “playÂing slowÂly from anothÂer room.”
And I’d be getÂting all gooey over “Africa.”
It doesn’t work that way.
But it defÂiÂniteÂly works, as eviÂdenced by the plethoÂra of comÂments that greet every new Cecil Robert upload:
This is what plays when I’m cryÂing in a bathÂroom of a parÂty and my crush comes in and comÂforts me…
This is the song you lisÂten to durÂing the afterÂmath of a parÂty while everyÂone is passed out and someÂone left the music playÂing…
This realÂly evokes the feelÂing of slowÂly bleedÂing out alone on the kitchen floor & all your sensÂes slowÂly blurÂring togethÂer under the glare of the fluÂoÂresÂcent light overÂhead set to the tune of the mufÂfled music comÂing from the record playÂer in the next room…
Such a deep conÂnecÂtion begs that requests be takÂen, and Cecil Roberts does his best to oblige, priÂorÂiÂtizÂing those who make a modÂest donaÂtion on his PatreÂon page:
I need “Hotel CalÂiÂforÂnia” playÂing at an airÂport restauÂrant bar late at night…
I need U2—“Beautiful Day” playÂing in a dinÂer while it’s rainÂing in the afterÂnoon…
I need “ComÂing of Age” by FosÂter the PeoÂple being played in a dinÂer while I eat a hotÂdog and wait for my car to get out of the shop across the street…
(For the record, TolentiÂno asked for an anothÂer-room edit of Jai Paul’s dreamy 2011 elecÂtro-soul hit “BTSTU.”)
Some of Cecil Robert’s source mateÂrÂiÂal—Julee Cruise’s Twin Peaks theme, “Falling,” for instance—is so etheÂreÂal that placÂing it at the othÂer end of the sonÂic teleÂscope almost feels like overkill.
On the othÂer hand, it could add a welÂcome layÂer for fans subÂconÂsciousÂly pinÂing for that lost sense of anticipation—for earÂly 90s girls in 50s sadÂdle shoes and penÂcil skirts, for episodes doled out one week at a time…
Get in a weird mood on Cecil Robert’s YouTube chanÂnel.
Fast track a request for $2 on his PatreÂon page.
LisÂten to his origÂiÂnal ambiÂent comÂpoÂsiÂtions on SoundÂcloud.
via The New YorkÂer
RelatÂed ConÂtent:
Ayun HalÂlÂiÂday is an author, illusÂtraÂtor, theÂater makÂer and Chief PriÂmaÂtolÂoÂgist of the East VilÂlage Inky zine. Join her in NYC this TuesÂday, March 20 for the secÂond installÂment of NecroÂmancers of the PubÂlic Domain at The Tank. FolÂlow her @AyunHalliday.
