30 Free Essays & Stories by David Foster Wallace on the Web

in e-books, Literature | February 22nd, 2012

Image by Steve Rhodes, via Wiki­me­dia Com­mons

We start­ed the week expect­ing to pub­lish one David Fos­ter Wal­lace post. Then, because of the 50th birth­day cel­e­bra­tion, it turned into two. And now three. We spent some time track­ing down free DFW sto­ries and essays avail­able on the web, and they’re all now list­ed in our col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices. But we did­n’t want them to escape your atten­tion. So here they are — 23 pieces pub­lished by David Fos­ter Wal­lace between 1989 and 2011, most­ly in major U.S. pub­li­ca­tions like The New York­er, Harper’s, The Atlantic, and The Paris Review. Enjoy, and don’t miss our oth­er col­lec­tions of free writ­ings by Philip K. Dick and Neil Gaiman.

Relat­ed Con­tent:

Free Philip K. Dick: Down­load 13 Great Sci­ence Fic­tion Sto­ries

Neil Gaiman’s Free Short Sto­ries

Read 17 Short Sto­ries From Nobel Prize-Win­ning Writer Alice Munro Free Online

10 Free Sto­ries by George Saun­ders, Author of Tenth of Decem­ber, “The Best Book You’ll Read This Year”

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The David Foster Wallace Audio Archive: A Little Gift For the Novelist’s 50th Birthday

in Literature | February 21st, 2012

When we fea­tured David Fos­ter Wal­lace’s big, uncut inter­view yes­ter­day, one impor­tant detail escaped us — the fact that the nov­el­ist would have turned 50 years old today. Kind of a stun­ning thought, espe­cial­ly if you vivid­ly remem­ber the wun­derkind tak­ing the lit­er­ary world by storm with Infi­nite Jest in 1996. Seems like only yes­ter­day.

To cel­e­brate his 50th, we’re high­light­ing for you The David Fos­ter Wal­lace Audio Project — a site that brings togeth­er most of the mean­ing­ful DFW audio avail­able on the web. Built in 2009 by Jor­dyn Bonds and Ryan Walsh, a short while after the nov­el­ist com­mit­ted sui­cide, the audio site is divid­ed into four sec­tions:

As you sift through the col­lec­tion, you will find 70+ clips, includ­ing a seg­ment of DFW’s 2005 com­mence­ment speech at Keny­on Col­lege, his first and sec­ond appear­ances on the Char­lie Rose Show, his read­ing from “Con­sid­er the Lob­ster” at UCLA, and the author con­tem­plat­ing the play of Roger Fed­er­er. Dive into the full col­lec­tion here.

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Everything is a Remix: An Exploration of Remixing as a Form of Creativity

in Film, Literature, Technology | February 16th, 2012

In a series of short films, direc­tor Kir­by Fer­gu­son has been grad­u­al­ly mak­ing the case that “Every­thing is a Remix” — that great art does­n’t come out of nowhere. Artists inevitably bor­row from one anoth­er, draw­ing on past ideas and con­ven­tions, then turn­ing these mate­ri­als into some­thing beau­ti­ful and new. The first film high­light­ed the role of remix­ing in lit­er­a­ture and music. The sec­ond install­ment shift­ed the focus to film­mak­ing, while the third turned to tech­nol­o­gy, com­put­ers and user inter­faces. Today, Fer­gu­son released the fourth and final install­ment — “Sys­tem Fail­ure” — which makes the argu­ment that ever-expand­ing copy­right laws, despite what our Found­ing Fathers intend­ed, now tilt in favor of cor­po­rate inter­ests rather than the social good. And, more omi­nous­ly, they threat­en to put the brakes on an essen­tial part of the cre­ative process. If you’ve enjoyed this series, which you can watch in full above, you can sup­port Fer­gu­son’s next project, This is Not a Con­spir­a­cy The­o­ry, on Kick­Starter.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

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In Search of Haruki Murakami: A Documentary Introduction to Japan’s Great Postmodernist Novelist

in Books, Literature | February 15th, 2012

Haru­ki Muraka­mi holds the titles of both the most pop­u­lar nov­el­ist in Japan and the most pop­u­lar Japan­ese nov­el­ist in the wider world. After pub­lish­ing Nor­we­gian Wood in 1987, a book often called “the Japan­ese Catch­er in the Rye,” Murakami’s noto­ri­ety explod­ed to such an extent that he felt forced out of his home­land, a coun­try whose tra­di­tion­al ways and — to his mind — con­formist mind­set nev­er sat right with him in the first place. Though he returned to Japan in the after­math of the Kobe earth­quake and the Tokyo under­ground gas attacks, he remained an author shaped by his favorite for­eign cul­tures — espe­cial­ly Amer­i­ca’s. This, com­bined with his yearn­ing to break from estab­lished Japan­ese lit­er­ary norms, has gen­er­at­ed enough inter­na­tion­al demand for his work to sell briskly in almost every lan­guage in which peo­ple read nov­els.

I myself once spent a month doing noth­ing but read­ing Murakami’s work, and this BBC doc­u­men­tary Haru­ki Muraka­mi: In Search of this Elu­sive Writer makes a valiant attempt to cap­ture what about it could raise such a com­pul­sion. Rupert Edwards’ cam­era fol­lows vet­er­an pre­sen­ter Alan Yen­tob through Japan, from the mid­night Tokyo of After Hours to the snowed-in Hokkai­do of A Wild Sheep Chase, in a quest to find arti­facts of the supreme­ly famous yet media-shy novelist’s imag­i­nary world. Built around inter­views with fans and trans­la­tors but thick with such Murakami­ana as laid-back jazz stan­dards, grim school hall­ways, six­ties pop hits, women’s ears, vinyl records, marathon run­ners, and talk­ing cats, the broad­cast strives less to explain Murakami’s sub­stance than to sim­ply reflect it. If you find your curios­i­ty piqued by all the fuss over 1Q84, Murakami’s lat­est, you might watch it as some­thing of an aes­thet­ic primer.

Relat­ed con­tent:

An Intro­duc­tion to the World of Haru­ki Muraka­mi Through Doc­u­men­taries, Sto­ries, Ani­ma­tion, Music Playlists & More

A 96-Song Playlist of Music in Haru­ki Murakami’s Nov­els: Miles Davis, Glenn Gould, the Beach Boys & More

Read 5 Sto­ries By Haru­ki Muraka­mi Free Online (For a Lim­it­ed Time)

A Pho­to­graph­ic Tour of Haru­ki Murakami’s Tokyo, Where Dream, Mem­o­ry, and Real­i­ty Meet

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

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William S. Burroughs on Saturday Night Live, 1981

in Literature, Television | February 14th, 2012

Let’s rewind the video­tape to Novem­ber 7, 1981. That’s when Beat writer William S. Bur­roughs made his first appear­ance on Amer­i­can nation­al tele­vi­sion. Appro­pri­ate­ly, it was on the irrev­er­ent, late-night com­e­dy show, Sat­ur­day Night Live. Actress Lau­ren Hut­ton makes the intro­duc­tion, set­ting up Bur­roughs to read from Naked Lunch (1959) and Nova Express (1964). You can watch the action above, which hap­pens to be the open­ing scene of Bur­roughs, a 1983 doc­u­men­tary by Howard Brookn­er. The com­plete film is list­ed in our col­lec­tion of 450 Free Movies Online (look under Doc­u­men­taries), along with a 1997 BBC doc­u­men­tary on the author. For more good video ded­i­cat­ed to Bur­roughs, don’t miss the fol­low­ing:

William S. Bur­roughs Reads His First Nov­el, Junky (find it also in our col­lec­tion of Free Audio Books)

“The Thanks­giv­ing Prayer,” Read by William S. Bur­roughs and Shot by Gus Van Sant

Gus Van Sant Adapts William S. Bur­roughs’ The Dis­ci­pline of D.E.: An Ear­ly 16mm Short

William S. Bur­roughs on the Art of Cut-up Writ­ing

via @BrainPicker

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Famous Literary Characters Visualized with Police Composite Sketch Software

in Art, Books, Literature | February 10th, 2012

In his 1955 clas­sic, Loli­ta, Vladimir Nabokov described the facial fea­tures of his scan­dalous pro­tag­o­nist, Hum­bert Hum­bert, in small bits. When tak­en togeth­er, here’s what you get:

Gloomy good looks… Clean-cut jaw, mus­cu­lar hand, deep sonorous voice… broad shoul­ders … I was, and still am, despite mes mal­heurs, an excep­tion­al­ly hand­some male; slow-mov­ing, tall, with soft dark hair and a gloomy but all the more seduc­tive cast of demeanor. Excep­tion­al viril­i­ty often reflects in the subject’s dis­playable fea­tures a sullen and con­gest­ed some­thing that per­tains to what he has to con­ceal. And this was my case… But instead I am lanky, big-boned, wooly-chest­ed Hum­bert Hum­bert, with thick black eye­brows… A cesspool­ful of rot­ting mon­sters behind his slow boy­ish smile… aging ape eyes… Humbert’s face might twitch with neu­ral­gia.

In a rather bril­liant move, Bri­an Joseph Davis has run these descrip­tions through law enforce­ment com­pos­ite sketch soft­ware and brought Hum­bert Hum­bert almost to life. (See above.) And he has done the same for a cast of oth­er lit­er­ary char­ac­ters on his Tum­blr, called The Com­pos­ites. Oth­er char­ac­ters get­ting the perp treat­ment include Emma Bovary (Gus­tave Flaubert’s Madame Bovary), Edward Rochester (Char­lotte Bron­të’s Jane Eyre), and Kei­th Tal­ent (Mar­tin Amis’ Lon­don Fields), among oth­ers. Find them all here. h/t Metafil­ter

Relat­ed Con­tent:

Vladimir Nabokov on Loli­ta: Just Anoth­er Great Love Sto­ry?

Vladimir Nabokov Mar­vels Over Dif­fer­ent “Loli­ta” Book Cov­ers

Nabokov Reads Loli­ta, Names the Great Books of the 20th Cen­tu­ry

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Celebrate the 200th Birthday of Charles Dickens with Free Movies, eBooks and Audio Books

in Audio Books, Books, e-books, Film, Literature | February 7th, 2012

Today is the 200th birth­day of Charles Dick­ens. He was born in Portsmouth, Eng­land on Feb­ru­ary 7, 1812, the sec­ond of eight chil­dren. When he was 12 years old his father was sent to debtors’ prison, along with most of his fam­i­ly, and Charles went to live with a friend of the fam­i­ly, an impov­er­ished old lady. He was forced to quit school and work in a black­ing fac­to­ry, where he past­ed labels on jars of shoe pol­ish.

Dick­ens nev­er for­got those ear­ly trau­mas. He incor­po­rat­ed his expe­ri­ences and obser­va­tions of social injus­tice into his works, includ­ing David Cop­per­field, Oliv­er Twist and A Christ­mas Car­ol. (Find free nov­els below.) He was the most pop­u­lar writer of Vic­to­ri­an Eng­land, a vir­tu­al rock star in the days before record­ed music and movies. His sto­ries, pub­lished seri­al­ly in mag­a­zines, were eager­ly await­ed by the pub­lic. Most have remained in print ever since.

The Dick­ens bicen­te­nary is being cel­e­brat­ed with spe­cial events around the world, includ­ing a wreath-lay­ing cer­e­mo­ny this morn­ing at Poets’ Cor­ner in West­min­ster Abbey, where actor and film­mak­er Ralph Fiennes, author Claire Toma­lin, and two of Dick­en­s’s descen­dants are sched­uled to give read­ings. For a list­ing of events today and through­out the year, go to Dickens2012.org. Also take a look at the short ret­ro­spec­tive of Dick­ens-inspired movies (above) from the British Film Insti­tute.

To help cel­e­brate, we have gath­ered togeth­er some of the best Dick­ens mate­r­i­al from across the Web:

Films (see our com­plete list of Free Movies):

  • Oliv­er Twist: Anoth­er clas­sic by David Lean, this 1948 film stars John Howard Davies as Oliv­er and Alec Guin­ness as Fagin. In 1999 it was ranked 46th on the BFI’s list of the top 100 British films of all time.
  • A Tale of Two Cities: The 1958 film by Ralph Thomas, star­ring Dirk Bog­a­rde as Syd­ney Car­ton and Dorothy Tutin as Lucie Manette. The film was shot in France’s Loire Val­ley, with sev­er­al thou­sand U.S. sol­diers, post­ed in near­by Orleans, cast as extras.
  • A Christ­mas Car­ol: George C. Scott gives an excel­lent per­for­mance as Ebenez­er Scrooge in this crit­i­cal­ly acclaimed 1984 film direct­ed by Clive Don­ner. It pre­miered in Amer­i­ca on CBS tele­vi­sion, and was released the­atri­cal­ly in Great Britain.
  • David Cop­per­field: A 2000 U.S.-Irish tele­vi­sion adap­ta­tion star­ring Hugh Dan­cy as David Cop­per­field, Michael Richards as Wilkins Micaw­ber and Sal­ly Field as Bet­sey Trot­wood.
  • The Pick­wick Papers: A 1952 film, adapt­ed and direct­ed by Noel Lan­g­ley and star­ring James Hayter as Samuel Pick­wick.

eBooks (see our com­plete list of Free eBooks)

Audio Books (see our com­plete list of Free Audio Books)

Relat­ed Con­tent:

Down­load 20 Pop­u­lar High School Books Avail­able as Free eBooks & Audio Books

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Harold Bloom Recites ‘Tea at the Palaz of Hoon’ by Wallace Stevens

in Literature, Poetry | February 3rd, 2012

Lit­er­ary crit­ic Harold Bloom once called Wal­lace Stevens (1879–1955) “the best and most rep­re­sen­ta­tive Amer­i­can poet of our time.” In this video from Boston Col­lege’s Guest­book Project, Bloom recites a poem from Steven­s’s first book, Har­mo­ni­um, which was pub­lished in 1923:

Tea at the Palaz of Hoon

Not less because in pur­ple I descend­ed
The west­ern day through what you called
The loneli­est air, not less was I myself.

What was the oint­ment sprin­kled on my beard?
What were the hymns that buzzed beside my ears?
What was the sea whose tide swept through me there?

Out of my mind the gold­en oint­ment rained,
And my ears made the blow­ing hymns they heard.
I was myself the com­pass of that sea:

I was the world in which I walked, and what I saw
Or heard or felt came not but from myself;
And there I found myself more tru­ly and more strange.

“The palaz of Hoon is sky and space seen as a gaudy and ornate dwelling,” writes Bloom in Wal­lace Stevens: The Poems of Our Cli­mate; “to have tea at the palaz is to watch the twi­light while con­vers­ing with the set­ting sun, who is hard­ly lone­ly since all the air is his and since all direc­tions are at home in him. He is him­self when most impe­r­i­al, in pur­ple and gold, and his set­ting is a coro­na­tion.”

The video con­cludes with Bloom recit­ing the open­ing stan­za from a lat­er poem by Stevens that echoes the ear­li­er one, a poem regret­tably titled “Like Dec­o­ra­tions in a Nig­ger Ceme­tery”:

In the far South the sun of autumn is pass­ing
Like Walt Whit­man walk­ing along a rud­dy shore.
He is singing and chant­i­ng the things that are part of him,
The worlds that were and will be, death and day.
Noth­ing is final, he chants. No man shall see the end.
His beard is of fire and his staff is a leap­ing flame.

“Whit­man, like Hoon,” writes Bloom, “both con­tains every­thing else and is an idea of the sun, not as a god but as a god might be. Hoon is him­self the com­pass of the sea whose tides sweep through him; Walt encom­pass­es worlds but him­self is not to be encom­passed.”

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