Ken Kesey’s First LSD Trip Animated

Back in 1959, Ken Kesey, then a grad stu­dent in Stan­ford’s cre­ative writ­ing pro­gram, start­ed par­tic­i­pat­ing in gov­ern­ment-spon­sored med­ical research that test­ed a range of hal­lu­cino­gens — LSD, psilo­cy­bin, mesca­line, and the rest. As part of the research project, Kesey spoke into a tapere­corder and recount­ed the ins-and-outs of his hal­lu­ci­na­tions. These tapes were even­tu­al­ly stored away, and Kesey went on to write One Flew Over the Cuck­oo’s Nest, a book that now sits on TIME’s list of the 100 Best Eng­lish-Lan­guage Nov­els since 1923.

A half cen­tu­ry lat­er (and ten years after Kesey’s own death), the LSD tapes live again. This week, the film­mak­er Alex Gib­ney will release Mag­ic Trip, a new doc­u­men­tary that revis­its Kesey’s fabled road trip across Amer­i­ca with the Mer­ry Pranksters and their psy­che­del­ic “Fur­ther” bus. (Tom Wolfe, you might recall, famous­ly cov­ered this trip with The Elec­tric Kool-Aid Acid Test, pub­lished in 1968.) Tak­en from the new film, the sequence above mix­es the redis­cov­ered tapes with some art­ful ani­ma­tion, and it cap­tures the whole mood of Kesey’s first trip …

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Beyond Tim­o­thy Leary: 2002 Film Revis­its His­to­ry of LSD

Tim­o­thy Leary’s Wild Ride and the Fol­som Prison Inter­view

via Wired

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Dave Eggers: The Teacher Who Encouraged Me to Write


Thou­sands of pub­lic school teach­ers won’t be return­ing to the class­room this fall, thanks to bud­get cuts nation­wide. And that means more than a few Jay Criche’s won’t get the chance to tap the hid­den tal­ents of young stu­dents. Jay Criche, in case you’re won­der­ing, taught Eng­lish at Lake For­est High School and count­ed Dave Eggers (A Heart­break­ing Work of Stag­ger­ing Genius and What Is the What) as one of his stu­dents. Criche passed away recent­ly, and, writ­ing in Salon, Eggers remem­bers his teacher’s deep influ­ence:

He was kind to me, but I had no sense that he took par­tic­u­lar notice of me. There were oth­er, smarter kids in the class, and soon I fell back into my usu­al posi­tion — of think­ing I was just a lit­tle over aver­age in most things. But near the end of the semes­ter, we read “Mac­beth.” Believe me, this is not an easy play to con­nect to the lives of sub­ur­ban high school­ers, but some­how he made the play seem elec­tric, dan­ger­ous, rel­e­vant. After pro­cras­ti­nat­ing till the night before it was due, I wrote a paper about the play — the first paper I typed on a type­writer — and turned it in the next day.

I got a good grade on it, and below the grade Mr. Criche wrote, “Sure hope you become a writer.” That was it. Just those six words, writ­ten in his sig­na­ture hand­writ­ing — a bit shaky, but with a very steady base­line. It was the first time he or any­one had indi­cat­ed in any way that writ­ing was a career option for me. We’d nev­er had any writ­ers in our fam­i­ly line, and we did­n’t know any writ­ers per­son­al­ly, even dis­tant­ly, so writ­ing for a liv­ing did­n’t seem some­thing avail­able to me. But then, just like that, it was as if he’d ripped off the ceil­ing and shown me the sky.

Over the next 10 years, I thought often about Mr. Criche’s six words. When­ev­er I felt dis­cour­aged, and this was often, it was those six words that came back to me and gave me strength. When a few instruc­tors in col­lege gen­tly and not-so-gen­tly tried to tell me I had no tal­ent, I held Mr. Criche’s words before me like a shield. I did­n’t care what any­one else thought. Mr. Criche, head of the whole damned Eng­lish depart­ment at Lake For­est High, said I could be a writer. So I put my head down and trudged for­ward.

You can read Egger’s remem­brance in full here.

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Snack Foods of Great Writers

Wendy Mac­Naughton, an artist and illus­tra­tor liv­ing in San Fran­cis­co, won­dered what snacks fueled some of our great­est writ­ers. F. Scott Fitzger­ald turned to apples and canned meats, and Kaf­ka to milk, dur­ing their dai­ly writ­ing rou­tines. How about Lord Byron, Emi­ly Dick­in­son, Mar­cel Proust, John Stein­beck, Tru­man Capote or food writer Michael Pol­lan? Mac­Naughton tells you about their dietary habits in The New York Times Book Review. (And it just so hap­pens you can find texts by many of these authors in our col­lec­tion of Free eBooks.)

Mac­Naughton’s illus­trat­ed col­umn, â€śMean­while,” appears reg­u­lar­ly at The Rum­pus.

Salman Rushdie: Machiavelli’s Bad Rap

Cyn­i­cism. Ruth­less­ness. Devi­ous­ness. Pow­er pol­i­tics. These words are often asso­ci­at­ed with Nic­colò Machi­avel­li, the author of The Prince (1532). But, it turns out, he was any­thing but. He was a sweet man (though some­thing of a phi­lan­der­er), a pro­found demo­c­rat, good look­ing, a par­ty ani­mal. In short, Machi­avel­li has got­ten a bad rap, says nov­el­ist Salman Rushdie.

To get more insight into this bad­ly mis­un­der­stood fig­ure, we’d rec­om­mend spend­ing time with Phi­los­o­phy Bites’ inter­view (MP3 or iTunes) with Quentin Skin­ner, one of Eng­land’s finest intel­lec­tu­al his­to­ri­ans who has writ­ten exten­sive­ly on Machi­avel­li. You can also find The Prince list­ed in our col­lec­tion of Free eBooks. H/T Andrew Sul­li­van

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Leo Strauss: 15 Polit­i­cal Phi­los­o­phy Cours­es Online

Intro­duc­tion to Polit­i­cal Phi­los­o­phy: A Free Yale Course

Alain de Bot­ton Tweets Short Course in Polit­i­cal Phi­los­o­phy

Hunter S. Thompson Gets Confronted by The Hell’s Angels (1967)

In 1965, the edi­tor of The Nation asked Hunter S. Thomp­son to write a sto­ry about the Hel­l’s Angels Motor­cy­cle Club, as they’re offi­cial­ly known. The arti­cle quick­ly led to a book deal, and, the next year, the Gonzo jour­nal­ist pub­lished Hel­l’s Angels: The Strange and Ter­ri­ble Saga of the Out­law Motor­cy­cle Gangs. Review­ing the book for The New York Times, Leo Lit­wak wrote:

Hunter Thomp­son entered this ter­ra incog­ni­ta [the world of the Hel­l’s Angels] to become its car­tog­ra­ph­er. For almost a year, he accom­pa­nied the Hel­l’s Angels on their ral­lies. He drank at their bars, exchanged home vis­its, record­ed their bru­tal­i­ties, viewed their sex­u­al caprices, became con­vert­ed to their motor­cy­cle mys­tique, and was so intrigued, as he puts it, that “I was no longer sure whether I was doing research on the Hel­l’s Angels or being slow­ly absorbed by them.” At the con­clu­sion of his year’s tenure the ambi­gu­i­ty of his posi­tion was end­ed when a group of Angels knocked him to the ground and stomped him…

Hunter Thomp­son has pre­sent­ed us with a close view of a world most of us would nev­er dare encounter, yet one with which we should be famil­iar. He has brought on stage men who have lost all options and are not rec­on­ciled to the loss. They have great resources for vio­lence which does­n’t as yet have any effec­tive focus. Thomp­son sug­gests that these few Angels are but the van­guard of a grow­ing army of dis­ap­pro­pri­at­ed, dis­af­fil­i­at­ed and des­per­ate men. There’s always the risk that some­how they may force the wrong options into being.

This clip, which aired on Cana­di­an tele­vi­sion in 1967, describes the cir­cum­stances that led up to the Angels giv­ing HST a beat down. The misog­y­ny that’s on dis­play will make you shud­der.

 

Relat­ed Con­tent

Hunter S. Thomp­son Inter­views Kei­th Richards

John­ny Depp Reads Let­ters from Hunter S. Thomp­son

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Jack Kerouac Plays Pool, 1967

Kudos to How to be A Retro­naut for find­ing this great clip of Jack Ker­ouac play­ing pool in ear­ly 1967. We bet he was the coolest play­er in that par­tic­u­lar room (at the Paw­tuck­etville Social Club, in Low­ell, Mass). But we’d also bet that he copied that cool, taut per­sona from Paul New­man’s turn as “Fast Eddie” Fel­son in the clas­sic movie The Hus­tler filmed six years ear­li­er.

For more great moments in Beat his­to­ry, check out Ker­ouac and Gore Vidal meet­ing William F. Buck­ley, Alan Gins­berg’s Tug­boat Ride and William S. Bur­roughs Shoot­ing Shake­speare, all oth­er­wise found in our col­lec­tion of 275 Cul­tur­al Icons.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

A Secret Bookstore in New York City

The Paris Review blog, which just gets bet­ter and bet­ter each week, post­ed Andrew David Wat­son’s love­ly video yes­ter­day about Michael Sei­den­berg, who moved his shop, Brazen­head Books, into his New York City apart­ment after his book­shop rent sky­rock­et­ed. “It’s a con­tin­u­a­tion of just me being a book­seller in the way that I want to be… If it’s all about mon­ey, there’s just bet­ter things to sell. Just sell crack. That’s a much bet­ter busi­ness.” As for where he’s locat­ed, he says “My name is in the phone­book, and any­one can call me… I’m hid­ing in plain sight. Come find me, vis­it me, and I’m yours.”

A spe­cial h/t to Rachel Rosen­felt and The New Inquiry for first intro­duc­ing Wat­son (and us) to Brazen­wood Books.

Relat­ed Con­tent:

Books Savored in Stop Motion Film

Going West: A Stop Motion Nov­el

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Christopher Walken Reads “The Three Little Pigs”

You’ve heard him read Lady Gaga, you’ve seen him rem­i­nisce with his fel­low lov-ahs on Sat­ur­day Night Live, and you’ve heard him sub in for Leonard Lopate on the radio. But we’re not sure if any of Christo­pher Walken’s appear­ances can beat his dement­ed spin on “The Three Lit­tle Pigs.” Mr. Walken’s read­ing of the poten­tial­ly ter­ri­fy­ing sto­ry is unchar­ac­ter­is­ti­cal­ly jol­ly (he’s going for laughs, not chills), and we freely rec­om­mend it for chil­dren. Espe­cial­ly chil­dren from Brook­lyn.

Relat­ed Con­tent:

Wern­er Her­zog Reads “Go the F**k to Sleep” in NYC (NSFW)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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