In the win­ter of 2010, Ian Ruschel paid homage to the Argen­tin­ian writer Jorge Luis Borges, shoot­ing Buenos Aires: Las Calles de Borges in the streets of Argenti­na’s cap­i­tal. This evoca­tive lit­tle film, shot with a Canon 5D, weaves in footage of Borges talk­ing about “the task of art,” which comes from the 1998 doc­u­men­tary, Buenos Aires, meine Geschichte by Ger­man Kral. Also don’t miss Jorge Luis Borges: The Mir­ror Man, anoth­er doc­u­men­tary (47 min­utes) that’s “part biog­ra­phy, part lit­er­ary crit­i­cism, part hero-wor­ship, part book read­ing, and part psy­chol­o­gy.”

Bonus: We have trav­el writer Paul Ther­oux read­ing Borges’ short sto­ry “The Gospel Accord­ing to Mark,” cour­tesy of The New York­er. The audio file is oth­er­wise list­ed in our col­lec­tion of Free Audio Books.

via Curios­i­ty Counts

Jack Ker­ouac wrote On the Road in three very short weeks in 1951. But then it took six years for the book, famous­ly writ­ten on a long scroll, to reach the read­ing pub­lic in 1957. Short­ly after its pub­li­ca­tion, crit­ics were at least quick to rec­og­nize what the book meant. One New York Times review­er called it “the most beau­ti­ful­ly exe­cut­ed, the clear­est and the most impor­tant utter­ance yet made by the gen­er­a­tion Ker­ouac him­self named years ago as beat.” Anoth­er saw in the nov­el “a descrip­tive excite­ment unmatched since the days of Thomas Wolfe.” 54 years lat­er, those ear­ly reviews have with­stood the prover­bial test of time. These days, Mod­ern Library and TIME place the nov­el on their lists of the 100 great­est nov­els.

And now onto our vin­tage clip of the day — Jack Ker­ouac, the man him­self, appear­ing on The Steve Allen Show in 1959, first field­ing some ques­tions, then read­ing from his beat clas­sic.

Bonus: Yale’s course, The Amer­i­can Nov­el Since 1945, fea­tures two lec­tures ded­i­cat­ed to On the Road. More on that here.

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Relat­ed Con­tent:

Jack Kerouac’s On The Road Turned Into Google Dri­ving Direc­tions & Pub­lished as a Free eBook

William S. Bur­roughs on the Art of Cut-up Writ­ing

Jack Kerouac’s On the Road Turned Into an Illus­trat­ed Scroll: One Draw­ing for Every Page of the Nov­el

We take you back to the mid 1950s, to an inter­view with Vladimir Nabokov and lit­er­ary crit­ic Lionel Trilling con­duct­ed soon after the pub­li­ca­tion of Loli­ta (1955). Loli­ta’s basic plot is well known — mid­dle-aged Hum­bert Hum­bert devel­ops a pas­sion­ate obses­sion for twelve-year old Dolores Haze and takes her on the road. For some crit­ics, this was enough to reject the book out of hand. One British review­er called it “the filth­i­est book I have ever read” (which per­haps did­n’t say much about the scope of his read­ing). Oth­er lit­er­ary observers, Trilling includ­ed, rec­og­nized the book’s lit­er­ary mer­its straight­away. And years lat­er, crit­ics still agree. Recent­ly, The Mod­ern Library called it the fourth most impor­tant nov­el pub­lished in Eng­lish dur­ing the 20th cen­tu­ry.

The video above fea­tures Nabokov and Trilling talk­ing inter­est­ing­ly about how Loli­ta finds its place in a grand lit­er­ary tra­di­tion that’s more con­cerned with love, often scan­dalous love, than with sex per se. And, it’s in this sense that Loli­ta sits in the same tra­di­tion as Tol­stoy’s Anna Karen­i­na.

The video is actu­al­ly the sec­ond part of a longer inter­view. You can start with Part I here.

Relat­ed Con­tent:

Vladimir Nabokov Mar­vels Over Dif­fer­ent “Loli­ta” Book Cov­ers

Nabokov Tweaks Kafka’s “The Meta­mor­pho­sis”