Philip Roth’s Creative Surge & the Death of the Novel

Philip Roth, now 77 years old, keeps pub­lish­ing with a cer­tain urgency. Every­man in 2006, Exit Ghost in 2007, Indig­na­tion 2008, The Hum­bling last year, and next comes Neme­sis, due to be released in ear­ly Octo­ber. After The Hum­bling hit the shelves, mag­a­zine edi­tor Tina Brown con­duct­ed a rare video inter­view with Roth, and they cov­ered a fair amount of ground in 14 min­utes: his cre­ative surge, how he approach­es writ­ing sex scenes, Oba­ma’s lit­er­ary tal­ents, the com­ing extinc­tion of the nov­el and whether the Kin­dle can make any bit of dif­fer­ence, etc. You can watch the video above, or read a tran­script here.

Now a lit­tle free­bie. A nice copy of Indig­na­tion goes to the first read­er who sends along a com­pelling piece of open/intelligent media that we choose to post on the site. (If you’re look­ing for more guid­ance on what we have in mind, please read the tips on this page.) You can sub­mit your media picks here. Cheers…

Jonathan Franzen’s Freedom: The First Two Chapters

Last week, Jonathan Franzen appeared on the cov­er of TIME mag­a­zine – the first time in a decade that a liv­ing nov­el­ist has graced the cov­er page. Authors only get there if they’re flirt­ing with great­ness (TIME’s piece is called “Jonathan Franzen: Great Amer­i­can Nov­el­ist”) and if they have a new nov­el com­ing out. Free­dom hits the book­stores next Tues­day, but you can get start­ed with the first two chap­ters right now. Good Neigh­bors and Agree­able both appear on The New York­er mag­a­zine web site.

Jane Austen’s Fight Club

Com­ing to a the­atre near you. If only …

P.S. You can down­load Jane Austen’s nov­els for free. Find them in our col­lec­tion of Free Audio Books, which Makeuseof.com was kind enough to fea­ture ear­li­er today.

via Zadi Diaz

Download George Orwell’s Animal Farm and 1984 as Free Audio Books

via Wikimedia Commons

Image via Wiki­me­dia Com­mons

Writ­ing in The Guardian in years past, Christo­pher Hitchens revis­it­ed Ani­mal Farm, George Orwell’s “dystopi­an alle­gor­i­cal novel­la” that took aim at the cor­rup­tion of the Sovi­et Union and its total­i­tar­i­an rule. Pub­lished in 1945, the short book appears on the Mod­ern Library’s list of the 100 Best Nov­els of the 20th cen­tu­ry, and Time Mag­a­zine’s own hon­ors list. But, as Hitchens reminds us, Ani­mal Farm was almost nev­er pub­lished. The man­u­script bare­ly sur­vived the Nazi bomb­ing of Lon­don dur­ing World War II, and then ini­tial­ly TS Eliot (an impor­tant edi­tor at Faber & Faber) and oth­er pub­lish­ers reject­ed the book. It even­tu­al­ly came to see the light of day, but, 65 years lat­er, Ani­mal Farm still can’t be legal­ly read in Chi­na, Bur­ma and North Korea, or across large parts of the Islam­ic world. But, no mat­ter where you come from, you can lis­ten to Ani­mal Farm for free. That’s right, I said it – free. The Inter­net Archive offers free access to audio ver­sions of Ani­mal Farm and Orwell’s oth­er major clas­sic, 1984. Both texts appear in our col­lec­tion of Free Audio Books, and you can down­load them direct­ly from the Inter­net Archive here (Ani­mal Farm) and here (1984), or stream them below:

Ani­mal Farm

1984

The text ver­sions of these clas­sics also appear in our col­lec­tion of Free eBooks.

Final­ly, if you’re inter­est­ed in down­load­ing a free audio book from Audible.com (pret­ty much any book you want), you can get more details here.

Relat­ed Con­tent:

James Joyce’s Ulysses: Down­load the Free Audio Book

Lit2Go’s 200 Free (and Teacher-Friend­ly) Audio Books: Ready for Down­loads

500 Free Audio Books: Down­load Great Books for Free

 

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Jorge Luis Borges Explains The Task of Art

As he neared the end of his life, Jorge Luis Borges (1899 – 1986) offered his thoughts on the “task of art,” essen­tial­ly dis­till­ing 80+ years of wis­dom into a few pithy lines. He says:

The task of art is to trans­form what is con­tin­u­ous­ly hap­pen­ing to us, to trans­form all these things into sym­bols, into music, into some­thing which can last in man’s mem­o­ry. That is our duty. If we don’t ful­fill it, we feel unhap­py. A writer or any artist has the some­times joy­ful duty to trans­form all that into sym­bols. These sym­bols could be col­ors, forms or sounds. For a poet, the sym­bols are sounds and also words, fables, sto­ries, poet­ry. The work of a poet nev­er ends. It has noth­ing to do with work­ing hours. Your are con­tin­u­ous­ly receiv­ing things from the exter­nal world. These must be trans­formed, and even­tu­al­ly will be trans­formed. This rev­e­la­tion can appear any­time. A poet nev­er rests. He’s always work­ing, even when he dreams. Besides, the life of a writer, is a lone­ly one. You think you are alone, and as the years go by, if the stars are on your side, you may dis­cov­er that you are at the cen­ter of a vast cir­cle of invis­i­ble friends whom you will nev­er get to know but who love you. And that is an immense reward.

Thanks to Matthew for send­ing this clip along. Also, on a relat­ed note, let me remind you of the doc­u­men­tary we high­light­ed ear­li­er this year. Jorge Luis Borges: The Mir­ror Man, a film that’s “part biog­ra­phy, part lit­er­ary crit­i­cism, part hero-wor­ship, part book read­ing, and part psy­chol­o­gy.”

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Maud New­ton

Relat­ed Con­tent

Hear Jorge Luis Borges Read 30 of His Poems (in the Orig­i­nal Span­ish)

Hear the Enchant­i­ng Jorge Luis Borges Read “The Art of Poet­ry”

Jorge Luis Borges’ 1967–8 Nor­ton Lec­tures On Poet­ry (And Every­thing Else Lit­er­ary)

Borges Explains The Task of Art

What Does Jorge Luis Borges’ “Library of Babel” Look Like? An Accu­rate Illus­tra­tion Cre­at­ed with 3D Mod­el­ing Soft­ware

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“The Best Magazine Articles Ever”

“The Best Mag­a­zine Arti­cles Ever” – Sure the list is sub­jec­tive. It’s all in Eng­lish, and heav­i­ly slant­ed toward male writ­ers. But you can’t quib­ble with this. This curat­ed col­lec­tion fea­tures pieces by some of the finest Amer­i­can writ­ers of the past gen­er­a­tion. We’ve high­light­ed 10 nota­bles ones from a much longer list avail­able here.

1 ) John Updike, “Hub Fans Bid Kid Adieu.” The New York­er, Octo­ber 22, 1960.

2) Nor­man Mail­er, “Super­man Comes to the Super­mar­ket.” Esquire, Novem­ber 1960.

3) Tom Wolfe, â€śThe Last Amer­i­can Hero is Junior John­son. Yes!” Esquire, March 1965.

4) Hunter Thomp­son, â€śThe Ken­tucky Der­by is Deca­dent and Depraved.” Scan­lan’s Month­ly, June 1970.

5) Stew­art Brand, “Space War: Fanat­ic Life and Sym­bol­ic Dearth Among Com­put­er Bums. Rolling Stone, Decem­ber 7, 1972.

6) David Fos­ter Wal­lace, “The String The­o­ry.” Esquire, July 1996.

7) Jon Krakauer, “Into Thin Air.” Out­side Mag­a­zine, Sep­tem­ber 1996.

8) Susan Orlean, “Orchid Fever.” The New York­er, Jan­u­ary 23, 1995.

9) Mal­colm Glad­well, “The Pitch­man.” The New York­er, Octo­ber 30, 2000. (Yup, he’s Cana­di­an, I know.)

10) Katie Hafn­er, “The Epic Saga of The Well.” Wired, May 1997.

via @caitlinroper

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20 Great Authors (and Actors) Read Famous Literature Out Loud

Every now and then, we like to present vin­tage clips of great authors read­ing clas­sic lit­er­ary works – works they have often writ­ten them­selves. These clips can be fair­ly reveal­ing. Through them, you can recap­ture the voic­es of lit­er­ary greats, most long since passed. And you can hear how they give char­ac­ter and expres­sion to their own works … or those of oth­ers. In response to a read­er’s request, we have pulled togeth­er some of the finest exam­ples pre­vi­ous­ly fea­tured here. And, for good mea­sure, we’ve added prime clips of famous celebri­ties giv­ing lit­er­ary read­ings too. Hope you enjoy (and share):

1) William Faulkn­er Reads from As I Lay Dying

2) James Joyce Read­ing Finnegans Wake

3) Vin­tage Radio: Aldous Hux­ley Nar­rates Brave New World

4) Dominic West (aka Jim­my McNul­ty) Reads Jane Austen

5) Tru­man Capote Reads from Break­fast at Tiffany’s

6) Joyce Car­ol Oates Reads Eudo­ra Wel­ty’s “Where Is the Voice Com­ing From?”

7) Orson Welles Reads Moby Dick

8) John­ny Depp Reads Let­ters from Hunter S. Thomp­son

9) Ernest Hem­ing­way Reads “In Harry’s Bar in Venice”

10) T.S. Eliot Read­ing from The Waste­land

11) F. Scott Fitzger­ald Reads Shake­speare Out Loud

12) Den­nis Hop­per Reads Rud­yard Kipling on John­ny Cash Show

13) Kurt Von­negut Reads from Slaugh­ter­house-Five

14) Tom Waits Reads Charles Bukows­ki

15) William Car­los Williams Reads His Poet­ry (1954)

16) Orhan Pamuk Reads Vladimir Nabokov

17) Charles Bukows­ki “Blue­bird”

18) Wal­lace Stevens Reads His Own Poet­ry

19) Tobias Wolff Reads From His New Short Sto­ry Col­lec­tion

20) Lis­ten­ing to Famous Poets Read­ing Their Own Work

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Eudora Welty on “A Worn Path”

First pub­lished in The Atlantic Month­ly in Feb­ru­ary 1940, “A Worn Path” is per­haps Eudo­ra Wel­ty’s most prized piece of short fic­tion. In this video, Wel­ty talks with drama­tist Beth Hen­ley about the writ­ing of the famous short sto­ry. The two women, it’s worth not­ing, share a good deal in com­mon. Both are Pulitzer Prize win­ners who have their com­mon roots in Jack­son, Mis­sis­sip­pi. Thanks to Mike S. for send­ing our way…

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