Tom Waits Reads Charles Bukowski

Next up: Tom Waits reads Charles Bukowski’s poem, The Laugh­ing Heart. As Zoran (a read­er from Greece) observes, Waits reads the poem much like Bukows­ki would have read it him­self.

Of course, this rais­es the ques­tion: How did Bukows­ki read his poet­ry? The Secret of My Endurance holds the answer.

Thanks Zoran…

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Jorge Luis Borges: The Mirror Man, A Free Documentary on the Argentine Writer

He was Argenti­na’s favorite son, one of the great South Amer­i­can writ­ers of the last cen­tu­ry (along with Gabriel Gar­cia Mar­quez, Car­los Fuentes, and Mario Var­gas Llosa), and the win­ner of 46 nation­al and inter­na­tion­al lit­er­ary prizes. We’re talk­ing about Jorge Luis Borges, the mas­ter of the post­mod­ern short sto­ry. Borges was born in 1899, and to cel­e­brate his 100th birth­day (though he died in 1986), Philippe Molins direct­ed the doc­u­men­tary, Jorge Luis Borges: The Mir­ror Man. The film’s major strength (as one review­er put it) is that it’s a “bit of every­thing – part biog­ra­phy, part lit­er­ary crit­i­cism, part hero-wor­ship, part book read­ing, and part psy­chol­o­gy.” It runs 47 min­utes and includes a fair amount of archival footage. (You can watch it in a larg­er for­mat on Vimeo here.)

A big thanks goes to Mike for send­ing The Mir­ror Man our way. If you have your own great piece of cul­tur­al media to share with us and your fel­low OC read­ers, please feel free to send it along.

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Listen to Brave New World for Free: Dramatized Version Read by Aldous Huxley

The CBS Radio Work­shop was an “exper­i­men­tal dra­mat­ic radio anthol­o­gy series” that aired between 1956 and 1957. And it pre­miered with a two-part adap­ta­tion of Aldous Hux­ley’s now clas­sic 1932 nov­el, Brave New World. Hux­ley him­self intro­duced and nar­rat­ed the pro­gram, and now this clas­sic radio dra­ma has resur­faced online. You can lis­ten to Part 1 and Part 2 below. The mp3s will be per­ma­nent­ly housed in our col­lec­tion of Free Audio Books.

Part 1

Part 2

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William Carlos Williams Reads His Poetry (1954)

William Car­los Williams – doc­tor by day, poet by night, and cer­tain­ly one of Amer­i­ca’s finest. In this 1954 audio clip, we hear Williams read­ing his own poet­ry at the sto­ried 92nd Street Y in New York City. Poems include: “A Sort of a Song,” “The Maneu­ver,” “Sea­far­er,” “The Three Graces,” “Pater­son, Episode 17,” “The Descent” and “Fish.” The reads are now added to the Poet­ry sec­tion of our Free Audio Books Col­lec­tion.

Poet­ry lovers take note: Peo­ple Read­ing Poems is a very new web site where users can come to hear record­ings of peo­ple read­ing poems they love, and also to share their own favorite poems. It’s all com­plete­ly free and easy to use. If you have a free moment, pay it a vis­it and help the site grow.

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Bill Murray Reads Poetry at a Construction Site: Emily Dickinson, Billy Collins & More

Anoth­er great New York City moment. In the spring of 2009, con­struc­tion work­ers build­ing the new home for Poets House were treat­ed to a short poet­ry read­ing by the actor Bill Mur­ray. We ini­tial­ly encounter Mur­ray (at the 59 sec­ond mark) read­ing lines from Bil­ly Collins’ Anoth­er Rea­son I Don’t Keep a Gun in the House. Next up? Lorine Niedeck­er’s very pithy poem, Poets Work, and then, of course, a lit­tle Emi­ly Dick­in­son.

For more free poet­ry, vis­it our col­lec­tion of Free Audio Books.

Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

Relat­ed Con­tent:

Bill Mur­ray Gives a Delight­ful Read­ing of Twain’sHuckleberry Finn (1996)

The Phi­los­o­phy of Bill Mur­ray: The Intel­lec­tu­al Foun­da­tions of His Comedic Per­sona

Watch Bill Mur­ray Per­form a Satir­i­cal Anti-Tech­nol­o­gy Rant (1982)

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Truman Capote Reads from Breakfast at Tiffany’s in NYC (1963)

We’re bring­ing you some great authors this week. First it was Hem­ing­way, then Orwell, and now Capote.

In 1958, Tru­man Capote put his stamp on the Amer­i­can lit­er­ary scene when he pub­lished his short nov­el, Break­fast at Tiffany’s, in the pages of Esquire mag­a­zine. Authors and crit­ics were quick to rec­og­nize what Capote had accom­plished here. The always opin­ion­at­ed Nor­man Mail­er would say that Capote “is the most per­fect writer of my gen­er­a­tion, he writes the best sen­tences word for word, rhythm upon rhythm. I would not have changed two words in Break­fast at Tiffany’s which will become a small clas­sic.” About that, Mail­er was exact­ly right. Break­fast at Tiffany’s is now a clas­sic book – not to men­tion a clas­sic film too (watch the trail­er with the icon­ic Audrey Hep­burn here). And now let’s rewind the audio­tape and take you back to 1963, to the great 92nd Street Y in New York city, where Tru­man Capote reads from his lit­tle clas­sic in his own dis­tinc­tive voice. This audio clip runs about 17 min­utes. Have a lis­ten.

Look­ing for free, pro­fes­sion­al­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

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Ernest Hemingway Reads “In Harry’s Bar in Venice”

Per­haps Ernest Hem­ing­way was­n’t the best at read­ing lit­er­a­ture aloud. And it’s why A.E. Hotch­n­er once said, “one of Ernest Hem­ing­way’s dead­liest ene­mies was The Micro­phone.”

But even so, it’s worth recap­tur­ing the voice of the Amer­i­can lit­er­ary giant – espe­cial­ly when we can hear him read from his  own work. The read­ing is called “In Har­ry’s Bar in Venice,” and it was record­ed with a pock­et recorder some­time in the late 1950s. You can access the record­ing (thanks to Harper­Au­dio) in mul­ti­ple for­mats here: .au for­mat, .gsm for­mat, .ra for­mat. Or you can buy it as part of a larg­er col­lec­tion called Ernest Hem­ing­way Reads Ernest Hem­ing­way.

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City Poems: A New Literary iPhone App

Writ­ing in The Guardian, Vic­tor Kee­gan, a long­time jour­nal­ist and poet, talks about his new iPhone app, City Poems. The new­ly released app will run you $2.99 on iTunes, which makes it less than open, I know. (Have you seen our free app, by the way?) But it’s admit­ted­ly a pret­ty nice con­cept for the cul­tur­al crowd, enough to jus­ti­fy giv­ing it a quick men­tion here. About City Poems, Kee­gan says:

City Poems – pub­lished today – … uses satel­lite nav­i­ga­tion to guide cul­ture vul­tures and tourists alike through the streets of cen­tral Lon­don poem by poem. After weeks of research­ing poems about the city, I realised that you can learn more about the past life of a city from poems than from most guide books and his­to­ries. Wher­ev­er you are stand­ing in Lon­don (or New York for that mat­ter) with an iPhone (or iPod Touch or iPad) in your hand it will tell you how many metres you are away from places and events that poems have been writ­ten about.

They include the exe­cu­tion of the crim­i­nal Jonathan Wild (one of the inspi­ra­tions for John Gay’s The Beg­gar’s Opera), pub­lic burn­ings in Smith­field (“His guts filled a bar­rel”) or the curi­ous sto­ries behind the stat­ues in Trafal­gar Square, which I had passed by in igno­rance for many decades…

Like I said, an intrigu­ing con­cept, and it seems as though Kee­gan has plans to bring this mate­r­i­al to oth­er mobile plat­forms. You can grab the app on iTunes here.

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