Listen to Brave New World for Free: Dramatized Version Read by Aldous Huxley

The CBS Radio Work­shop was an “exper­i­men­tal dra­mat­ic radio anthol­o­gy series” that aired between 1956 and 1957. And it pre­miered with a two-part adap­ta­tion of Aldous Hux­ley’s now clas­sic 1932 nov­el, Brave New World. Hux­ley him­self intro­duced and nar­rat­ed the pro­gram, and now this clas­sic radio dra­ma has resur­faced online. You can lis­ten to Part 1 and Part 2 below. The mp3s will be per­ma­nent­ly housed in our col­lec­tion of Free Audio Books.

Part 1

Part 2

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William Carlos Williams Reads His Poetry (1954)

William Car­los Williams – doc­tor by day, poet by night, and cer­tain­ly one of Amer­i­ca’s finest. In this 1954 audio clip, we hear Williams read­ing his own poet­ry at the sto­ried 92nd Street Y in New York City. Poems include: “A Sort of a Song,” “The Maneu­ver,” “Sea­far­er,” “The Three Graces,” “Pater­son, Episode 17,” “The Descent” and “Fish.” The reads are now added to the Poet­ry sec­tion of our Free Audio Books Col­lec­tion.

Poet­ry lovers take note: Peo­ple Read­ing Poems is a very new web site where users can come to hear record­ings of peo­ple read­ing poems they love, and also to share their own favorite poems. It’s all com­plete­ly free and easy to use. If you have a free moment, pay it a vis­it and help the site grow.

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Bill Murray Reads Poetry at a Construction Site: Emily Dickinson, Billy Collins & More

Anoth­er great New York City moment. In the spring of 2009, con­struc­tion work­ers build­ing the new home for Poets House were treat­ed to a short poet­ry read­ing by the actor Bill Mur­ray. We ini­tial­ly encounter Mur­ray (at the 59 sec­ond mark) read­ing lines from Bil­ly Collins’ Anoth­er Rea­son I Don’t Keep a Gun in the House. Next up? Lorine Niedeck­er’s very pithy poem, Poets Work, and then, of course, a lit­tle Emi­ly Dick­in­son.

For more free poet­ry, vis­it our col­lec­tion of Free Audio Books.

Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

Relat­ed Con­tent:

Bill Mur­ray Gives a Delight­ful Read­ing of Twain’sHuckleberry Finn (1996)

The Phi­los­o­phy of Bill Mur­ray: The Intel­lec­tu­al Foun­da­tions of His Comedic Per­sona

Watch Bill Mur­ray Per­form a Satir­i­cal Anti-Tech­nol­o­gy Rant (1982)

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Truman Capote Reads from Breakfast at Tiffany’s in NYC (1963)

We’re bring­ing you some great authors this week. First it was Hem­ing­way, then Orwell, and now Capote.

In 1958, Tru­man Capote put his stamp on the Amer­i­can lit­er­ary scene when he pub­lished his short nov­el, Break­fast at Tiffany’s, in the pages of Esquire mag­a­zine. Authors and crit­ics were quick to rec­og­nize what Capote had accom­plished here. The always opin­ion­at­ed Nor­man Mail­er would say that Capote “is the most per­fect writer of my gen­er­a­tion, he writes the best sen­tences word for word, rhythm upon rhythm. I would not have changed two words in Break­fast at Tiffany’s which will become a small clas­sic.” About that, Mail­er was exact­ly right. Break­fast at Tiffany’s is now a clas­sic book – not to men­tion a clas­sic film too (watch the trail­er with the icon­ic Audrey Hep­burn here). And now let’s rewind the audio­tape and take you back to 1963, to the great 92nd Street Y in New York city, where Tru­man Capote reads from his lit­tle clas­sic in his own dis­tinc­tive voice. This audio clip runs about 17 min­utes. Have a lis­ten.

Look­ing for free, pro­fes­sion­al­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

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Ernest Hemingway Reads “In Harry’s Bar in Venice”

Per­haps Ernest Hem­ing­way was­n’t the best at read­ing lit­er­a­ture aloud. And it’s why A.E. Hotch­n­er once said, “one of Ernest Hem­ing­way’s dead­liest ene­mies was The Micro­phone.”

But even so, it’s worth recap­tur­ing the voice of the Amer­i­can lit­er­ary giant – espe­cial­ly when we can hear him read from his  own work. The read­ing is called “In Har­ry’s Bar in Venice,” and it was record­ed with a pock­et recorder some­time in the late 1950s. You can access the record­ing (thanks to Harper­Au­dio) in mul­ti­ple for­mats here: .au for­mat, .gsm for­mat, .ra for­mat. Or you can buy it as part of a larg­er col­lec­tion called Ernest Hem­ing­way Reads Ernest Hem­ing­way.

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City Poems: A New Literary iPhone App

Writ­ing in The Guardian, Vic­tor Kee­gan, a long­time jour­nal­ist and poet, talks about his new iPhone app, City Poems. The new­ly released app will run you $2.99 on iTunes, which makes it less than open, I know. (Have you seen our free app, by the way?) But it’s admit­ted­ly a pret­ty nice con­cept for the cul­tur­al crowd, enough to jus­ti­fy giv­ing it a quick men­tion here. About City Poems, Kee­gan says:

City Poems – pub­lished today – … uses satel­lite nav­i­ga­tion to guide cul­ture vul­tures and tourists alike through the streets of cen­tral Lon­don poem by poem. After weeks of research­ing poems about the city, I realised that you can learn more about the past life of a city from poems than from most guide books and his­to­ries. Wher­ev­er you are stand­ing in Lon­don (or New York for that mat­ter) with an iPhone (or iPod Touch or iPad) in your hand it will tell you how many metres you are away from places and events that poems have been writ­ten about.

They include the exe­cu­tion of the crim­i­nal Jonathan Wild (one of the inspi­ra­tions for John Gay’s The Beg­gar’s Opera), pub­lic burn­ings in Smith­field (“His guts filled a bar­rel”) or the curi­ous sto­ries behind the stat­ues in Trafal­gar Square, which I had passed by in igno­rance for many decades…

Like I said, an intrigu­ing con­cept, and it seems as though Kee­gan has plans to bring this mate­r­i­al to oth­er mobile plat­forms. You can grab the app on iTunes here.

Johnny Depp Reads Letters from Hunter S. Thompson

Back in 1998, Hunter S. Thomp­son’s most famous piece of Gonzo jour­nal­ism, Fear and Loathing in Las Vegas, was brought to the sil­ver screen, with John­ny Depp play­ing a lead role. From this point for­ward, Depp and Thomp­son became fast friends. (Indeed, Depp would end up pay­ing for Thomp­son’s elab­o­rate funer­al, which involved shoot­ing the writer’s ash­es out of a can­non to the tune of Nor­man Green­baum’s Spir­it in the Sky and Bob Dylan’s Mr. Tam­bourine Man.) Above we fea­ture John­ny read­ing out loud some let­ters he received from Hunter. The let­ters are very Thomp­son-esque, which means, among things, they’re NOT SAFE for work! Part 2 can be found here, and Part 3 here.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Samuel Beckett Speaks

Samuel Beck­ett gave us Wait­ing for Godot, one of the great plays of the 20th cen­tu­ry. Today, he would have turned 104 years old. He died back in 1989, and just two years before that, the pub­lic­i­ty-shy play­wright was cap­tured in some rare footage that appeared in an Amer­i­can doc­u­men­tary called “Wait­ing for Beck­ett.” The images and voic­es can be a lit­tle dif­fi­cult to make out, but it’s worth giv­ing this clip a lit­tle bit of time to unfold. Mean­while, you can find more film clips involv­ing Beck­ett (as writer and direc­tor) on UBUWeb, the avant-garde media site we fea­tured here last month.

Thanks Mike for send­ing this one our way.

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