Worth a quick men­tion: The New York Times ran a sto­ry yes­ter­day pro­fil­ing the Inter­na­tion­al Music Score Library Project, a crowd­sourced web site that index­es clas­si­cal music scores (though not with­out rais­ing some copy­right con­cerns along the way). IMSL hosts 85,000 scores with sev­er­al thou­sand new ones com­ing online every month. You can find Bach’s Bran­den­burg Con­cer­tos, Mozart’s Eine kleine Nacht­musik, Beethoven’s Sym­pho­ny No. 5 – in short, the major ones along with the minor ones. And, in some cas­es, the archive includes audio record­ings. Tchaikovsky’s Nut­crack­er offers an exam­ple. You can find a full list of free audio record­ings (arranged by com­pos­er) here.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

A Big Bach Down­load — All Bach Organ Works for Free

How a Bach Canon Works. Bril­liant

Stream 58 Hours of Free Clas­si­cal Music Select­ed to Help You Study, Work, or Sim­ply Relax

Back in 2009, Play­ing for Change, a media project launched by music pro­duc­er Mark John­son, rolled out a video fea­tur­ing a glob­al cast of musi­cians per­form­ing Ben King’s Stand by Me (and, more recent­ly, anoth­er great one fea­tur­ing The Grate­ful Dead­’s “Rip­ple”). To date, the video has clocked more than 79,000,000 views on YouTube, and the song lat­er appeared on this CD/DVD. Now, Play­ing for Change has returned with a new video pay­ing trib­ute to Bob Mar­ley and his clas­sic track, “Redemp­tion Song.” Mar­ley would have turned 66 this week (note: this post was first pub­lished back in 2011), and coin­ci­den­tal­ly the song (watch Mar­ley’s acoustic ver­sion here) ranks 66th on Rolling Stone’s list of The 500 Great­est Songs of All Time. The eclec­tic ver­sion (above) is fea­tured on Songs Around The World, Part 2.

Fol­low us on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Are you blessed with a musi­cal brain? If you care to find out, the BBC is now run­ning an exper­i­ment – How Musi­cal Are You? – that assess­es your over­all rela­tion­ship with music. It includes ques­tion­naires and tests designed to see whether you can group togeth­er dif­fer­ent musi­cal styles, mem­o­rize tunes and rec­og­nize the beat in a piece of music. It all takes about 25 min­utes, and, when you’re done, you will receive some (desir­able or unde­sir­able) feed­back. This exper­i­ment was designed by researchers at the Music, Mind and Brain Research Group, Uni­ver­si­ty of Lon­don, and your par­tic­i­pa­tion will con­tribute to their research into the musi­cal brain. Note: You will need to reg­is­ter with the BBC to par­tic­i­pate.

The video above brings you way back (we think) to 1958, when Joan Baez was only 17, to a con­cert she played at the leg­endary Club 47 in Cam­bridge, Mass. While the teenage ingénue broke onto the folk scene, Bob Dylan was still a stu­dent back in Hib­bing, Min­neso­ta. Five years lat­er, Baez intro­duced Dylan to the music world; the two dat­ed for a while; and then, even while going their sep­a­rate ways, they put their stamp on the 60s folk scene – a sto­ry that gets well doc­u­ment­ed in the book, Pos­i­tive­ly 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fari­na and Richard Fari­na. If you click here, you can watch Baez, now in her prime, per­form a com­plete con­cert in 1965. The show runs 65 min­utes and fea­tures 18 songs.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Woody Guthrie’s Fan Let­ter To John Cage and Alan Hov­haness (1947)

Two Leg­ends Togeth­er: A Young Bob Dylan Talks and Plays on The Studs Terkel Pro­gram, 1963

The Alan Lomax Sound Archive Now Online: Fea­tures 17,000 Record­ings

Antho­ny Tom­masi­ni, the chief music crit­ic for the New York Times, has start­ed the year with a play­ful way of find­ing out “what makes great music great?” To answer the ques­tion, he has invit­ed read­ers to make a list of the Top 10 com­posers in his­to­ry. And that invites answers to a series of sec­ondary ques­tions: “Should influ­ence mat­ter, or just the works them­selves? What about pop­u­lar­i­ty? Are there any objec­tive cri­te­ria?” The Times will actu­al­ly post a bal­lot next week. (Keep an eye on the Arts­Beat blog.) But, in the mean­time, Tom­masi­ni has kicked off the project by post­ing a video (above) focus­ing on the tow­er­ing Baroque com­pos­er, J.S. Bach. And, speak­ing of Bach, don’t miss our pre­vi­ous post show­ing where you can down­load the com­plete organ works of Johann Sebas­t­ian Bach for free.  Thanks to Joshua and Robin for the tip on the NYTimes project!

Relat­ed Con­tent:

How a Bach Canon Works

A Young Glenn Gould Plays Bach