Jimi Hendrix Plays “Sgt. Pepper’s Lonely Hearts Club Band” Days After the Song Was Released (1967)

When play­ing a con­cert in San Fran­cis­co in July 2010, Paul McCart­ney recalled for his audi­ence how the Bea­t­les released Sgt. Pep­per’s Lone­ly Hearts Club Band in June, 1967. The album came out on a Fri­day, and by Sun­day night, Jimi Hen­drix learned the songs and opened his own show with a cov­er of the title track. It would have looked some­thing like this. Watch above. And watch out for your ears!

Relat­ed Con­tent:

Decon­struct­ing The Mas­ter Track of The Bea­t­les’ “Sgt. Pepper’s Lone­ly Hearts Club Band”

Eric Clapton’s Iso­lat­ed Gui­tar Track From the Clas­sic Bea­t­les Song, ‘While My Gui­tar Gen­tly Weeps’ (1968)

The Bea­t­les: Unplugged Col­lects Acoustic Demos of White Album Songs (1968)

In 1969 Telegram, Jimi Hen­drix Invites Paul McCart­ney to Join a Super Group with Miles Davis

Jimi Hendrix’s Final Inter­view on Sep­tem­ber 11, 1970: Lis­ten to the Com­plete Audio

Jimmy Page, 13, Plays Guitar on BBC Talent Show (1957)

Let’s rewind the video tape to 1957. A very young Jim­my Page appears on a BBC chil­dren’s tal­ent show to play some skif­fle. Mix­ing togeth­er strands of Amer­i­can blues, jazz, coun­try and folk music, this style of music became all the rage in the UK dur­ing the 1950s. Lon­nie Done­gan got the craze going. And it was­n’t long before John Lennon formed his own skif­fle band – The Quar­ry Men (pho­to here) … lat­er to become The Bea­t­les. Head­ing into the 60s, a matur­ing Jim­my Page took his music in entire­ly new direc­tions, which brings us to our post last week: The Strange Tale of Dazed and Con­fused.

Video via Laugh­ingSquid

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Michael Tilson Thomas: How Mahler Changed My Life

For Gus­tav Mahler’s birth­day this week, we have Michael Tilson Thomas, direc­tor of the San Fran­cis­co Sym­pho­ny … and the YouTube Sym­pho­ny Orches­tra, revis­it­ing the pro­found impres­sion Mahler’s music made on his own per­son­al devel­op­ment. He recalls being intro­duced to Das Lied Von Der Erde when he was 13, and it marked an epiphanal divid­ing point in his life. There was life before Mahler, and a new life after. In this relat­ed clip, Leonard Bern­stein, Amer­i­ca’s great com­pos­er, offers a per­son­al intro­duc­tion to Das Lied Von Der Erde. You can find more inter­views with renowned orches­tra con­duc­tors here.

A big thanks to Zoran in Greece for send­ing these clips our way.

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The Strange Tale of “Dazed and Confused”

The wheels of jus­tice turn slow­ly…

Jim­my Page per­formed “Dazed and Con­fused” with The Yard­birds back in 1968, then immor­tal­ized the song with his next band, Led Zep­pelin, while also giv­ing him­self full writ­ing cred­it. For almost 42 years, this has­n’t sat par­tic­u­lar­ly well with Jake Holmes, an Amer­i­can folk singer, who first wrote and record­ed “Dazed and Con­fused” in 1967. Now he has filed suit (see PDF of com­plaint here) and wants Page to make amends. Some mon­ey and half a writ­ing cred­it. You can watch the vin­tage Led Zep­pelin ver­sion above and lis­ten to Holmes’ orig­i­nal ver­sion below. The Led Zep ver­sion was cer­tain­ly changed in ways, but the sim­i­lar­i­ties are assured­ly there…

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Chaos & Creation at Abbey Road: Paul McCartney Revisits The Beatles’ Fabled Recording Studio

In 2005, Paul McCart­ney returned to Stu­dio 2 at Abbey Road, the famous (and recent­ly endan­gered) site where the The Bea­t­les record­ed their won­drous albums. (Watch some orig­i­nal footage here.) As part of the BBC pro­duc­tion, Chaos & Cre­ation at Abbey Road, McCart­ney intro­duces view­ers to vin­tage instru­ments used by the band and an assort­ment of record­ing tech­niques. And, above, we have Sir Paul recount­ing the very first moments when he and John Lennon met, then break­ing into a ver­sion of “Twen­ty Flight Rock,” the Eddie Cochran song he played to audi­tion for The Quar­ry Men (lat­er to become The Bea­t­les). You can watch the full pro­gram above.

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Johnny Cash Remembered with 1,000+ Drawings

Give cred­it to The John­ny Cash Project. They took took hun­dreds of draw­ings, each done by a dif­fer­ent per­son, then stitched them togeth­er to pro­duce a video (above) that accom­pa­nies the title track of John­ny Cash’s last album, Ain’t No Grave. H/T to men­talfloss

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Hey Jude at The White House

Yes­ter­day, Pres­i­dent Oba­ma award­ed the Gersh­win Prize For Pop­u­lar Song to Sir Paul McCart­ney. (Watch it here). Then, the good part. McCart­ney took to the stage and per­formed the Bea­t­les clas­sic Michelle (the ref­er­ence is obvi­ous), Eleanor Rig­by, and Hey Jude, dur­ing which he was joined by Jack White, Ste­vie Won­der, Dave Grohl and oth­ers. You can watch a small clip of that per­for­mance above. PBS will air the com­plete per­for­mance on July 28.

Relat­ed: 13,500 Sing “Hey Jude” in Trafal­gar Square

via Fuse­blog

The Beatles Complete on Ukulele

You have to like the ambi­tion of this project. Roger Greenawalt and David Bar­ratt start­ed record­ing all 185 orig­i­nal Bea­t­les com­po­si­tions on the ukulele. They’re mak­ing a new song avail­able every week until July 31, 2012, the eve of the Lon­don Olympics. And, in each instance, they’re work­ing with dif­fer­ent accom­pa­ny­ing artists. As you’ll see, the styles and approach­es can vary wide­ly, and the ukulele sounds can be more or less pro­nounced. Just com­pare Black­bird and She Said She Said (two of my Bea­t­le faves) and you will see what I mean. To down­load the tracks, vis­it Roger and Dav­e’s web site, or load this feed to iTunes or your RSS read­er.

via metafil­ter

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