Record Making With Duke Ellington (1937)

We’re mov­ing back in time. Before the iPod, and before the CD. We’re going back to the ana­log age, a moment when the vinyl record reigned supreme. (That moment last­ed most of the 20th cen­tu­ry.)  The clip above, which fea­tures the great Duke Elling­ton, shows you how records were actu­al­ly record­ed, plat­ed and pressed. Alois Havril­la, a pio­neer radio announc­er, nar­rates.

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Woody Allen on Moby Dick, Cole Porter & Artistic Theft

NOTE: For some rea­son, it looks like you need to click play twice to get this video start­ed.

Opera in the Fruit & Veggie Market

The place: A pro­duce mar­ket in Valen­cia, Spain. The day: Just a day like any oth­er. But then sud­den­ly Verdi’s La travi­a­ta booms out over the speak­ers, and opera singers, ini­tial­ly mas­querad­ing as shop­keep­ers, take cen­ter stage. Stick with it until the end. The cus­tomer reac­tion is pre­cious. We’ve added this one to our YouTube favorites. Thanks Char­lie for the tip …

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Blowin’ in the Wind

The BBC brings you Folk Amer­i­ca, a three-part doc­u­men­tary series on Amer­i­can folk music, “trac­ing its his­to­ry from the record­ing boom of the 1920s to the folk revival of the 1960s.” We fea­ture above the third seg­ment, Blowin’ in the Wind, which takes you straight to the 1960s, when Bob Dylan and Joan Baez hit the stage. The oth­er two seg­ments that make up Folk Amer­i­ca include Birth of a Nation and This Land is Your Land.

via Metafil­ter

Bernstein Breaks Down Beethoven


In the mid-1950s, the Amer­i­can com­pos­er Leonard Bern­stein made sev­er­al appear­ances on Omnibus, a tele­vi­sion show ded­i­cat­ed to cov­er­ing the sci­ences, arts and human­i­ties. Dur­ing his vis­its, Bern­stein walked audi­ences through the art of mak­ing music. Take for exam­ple the clip above where he breaks down the mak­ing of Beethoven’s Fifth Sym­pho­ny. Just how did Beethoven craft it? And what deci­sions did he need to make along the way? What parts to include? And not to include? You can see the pro­gram here. Oth­er episodes focus on the work of Bach, and also the worlds of Jazz, Opera, Amer­i­can Musi­cals, and the con­duc­tor’s craft. Hap­pi­ly, all sev­en of Bern­stein’s appear­ances have been col­lect­ed in a new­ly released DVD col­lec­tion, which you can find on Ama­zon. Hat tip to Mike.

via The New York Times

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Classical Bits

A few resources for clas­si­cal music lovers. They come rec­om­mend­ed by Robert B, one of our faith­ful read­ers.

  • ArsAntiguaPresents.com offers a series of free audio pro­grams of music from the Renais­sance, Baroque, and Clas­si­cal eras, all per­formed on peri­od instru­ments. This mon­th’s edi­tion focus­es on Mozart’s Salzburg Sym­phonies. You can start lis­ten­ing via mp3 right here.
  • Art of the States fea­tures work by Amer­i­can com­posers that can be oth­er­wise hard to find. To get a quick taste, you can start lis­ten­ing to works by John Cage right here.
  • Final­ly, the Petruc­ci Music Library is the largest and most active site ded­i­cat­ed to offer­ing free, down­load­able clas­si­cal music scores. Want the com­plete score for Bach’s Bran­den­burg Con­cer­tos? You can start here.

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Django at 100

Djan­go Rein­hardt, one of Europe’s finest jazz gui­tar play­ers, would have turned 100 on Jan­u­ary 24. It’s fair­ly aston­ish­ing to think that he mas­tered the gui­tar as he did, ele­vat­ing it to a lead jazz instru­ment, despite being self taught, and hav­ing lost the use of two fin­gers in a fire. (More on that in the LA Times.) Above, we fea­ture Djan­go and his group, Quin­tette du Hot Club de France, per­form­ing “J’At­tendrai” (I Will Wait) in 1939. As you’ll note, he only has two fin­gers mov­ing on the frets.

Notre Dame Marching Band Performs “This Too Shall Pass”

The Notre Dame March­ing Band hit the field (a real field), where they per­formed OK Go’s “This Too Shall Pass.” The per­for­mance was arranged by Notre Dame’s direc­tor of bands, Dr. Ken Dye. And it was all record­ed live on the spot. You can watch the video in a larg­er for­mat here. Inci­den­tal­ly, if you’re not famil­iar with OK Go’s music, you can watch them per­form an acoustic ver­sion here.

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