William S. Burroughs Reviews a Led Zeppelin Concert for Crawdaddy! Magazine (1975)

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Craw­dad­dy! It was the first US mag­a­zine of rock music crit­i­cism, pre­ced­ing both Rolling Stone and Creem. Paul Williams, then a stu­dent at Swarth­more Col­lege, first launched the mag­a­zine in 1966. And by the 1970s, Craw­dad­dy! hit its stride, pub­lish­ing exclu­sive con­tri­bu­tions by John Lennon, Joseph Heller, and Studs Terkel, to name a few. On one occa­sion, the self-described “first mag­a­zine to take rock and roll seri­ous­ly” sent William S. Bur­roughs, the great beat writer, to a Led Zep­pelin con­cert. He came back in June 1975 with a rather off­beat con­cert review. There’s a strange inno­cence, even naivete, to the whole piece (though we know bet­ter than to con­fuse Bur­roughs him­self with inno­cence). We give you an excerpt right below, and the rest here.

So there we sat, I decline earplugs; I am used to loud drum and horn music from Moroc­co, and it always has, if skill­ful­ly per­formed, an exhil­a­rat­ing and ener­giz­ing effect on me. As the per­for­mance got under­way I expe­ri­enced this musi­cal exhil­a­ra­tion, which was all the more pleas­ant for being eas­i­ly con­trolled, and I knew then that noth­ing bad was going to hap­pen. This was a safe and friend­ly area–but at the same time high­ly charged. There was a pal­pa­ble inter­change of ener­gy between the per­form­ers and the audi­ence which was nev­er fran­tic or jagged. The spe­cial effects were han­dled well and not over­done.

A few spe­cial effects are much bet­ter than too many. I can see the laser beams cut­ting dry ice smoke, which drew an appre­cia­tive cheer from the audi­ence. Jim­my Page’s num­ber with the bro­ken gui­tar strings came across with a real impact, as did John Bonham’s drum solo and the lyrics deliv­ered with unfail­ing vital­i­ty by Robert Plant. The per­form­ers were doing their best, and it was very good. The last num­ber, “Stair­way to Heav­en”, where the audi­ence lit match­es and there was a scat­ter­ing of sparklers here and there, found the audi­ence well-behaved and joy­ous, cre­at­ing the atmos­phere of a high school Christ­mas play. All in all a good show; nei­ther low nor insipid. Leav­ing the con­cert hall was like get­ting off a jet plane.

The Bur­roughs piece con­tin­ues here.

Relat­ed Con­tent:

Delet­ed Scene from Almost Famous: Mom, “Stair­way to Heav­en” is Based on the Lit­er­a­ture of Tolkien

‘Stair­way to Heav­en’: Watch a Mov­ing Trib­ute to Led Zep­pelin at The Kennedy Cen­ter

Led Zep­pelin Plays One of Its Ear­li­est Con­certs (Dan­ish TV, 1969)

Hear Led Zeppelin’s Mind-Blow­ing First Record­ed Con­cert Ever (1968)

Bob Dylan in a Google Instant

Google Instant rolled out this week, backed by a pro­mo­tion­al adver­tise­ment (right above). Fans of Bob Dylan will instant­ly rec­og­nize the footage: A young Dylan flip­ping hand-drawn cards to the tune of “Sub­ter­ranean Home­sick Blues,” an icon­ic scene from D.A. Pen­nebak­er’s 1967 doc­u­men­tary, Don’t Look Back. This isn’t the first time the famous scene (watch it here) has been used in a mar­ket­ing cam­paign. Just a few years ago, while pro­mot­ing his new great­est hits album, Dylan let fans rework their own ver­sions of the scene. The gim­mick is still avail­able online. So have some fun with it.

Final­ly, don’t miss the new book Bob Dylan in Amer­i­ca by Sean Wilentz, an emi­nent Amer­i­can his­to­ri­an at Prince­ton who is also the his­to­ri­an-in-res­i­dence for Dylan’s offi­cial Web site, bobdylan.com. The book is now out and reviewed by The New York Times.

Gaga-Inspired Opera

It’s get­ting hard to dis­miss the cul­tur­al influ­ence of Lady Gaga, espe­cial­ly when you see the Gaga phe­nom­e­non inspir­ing Györ­gy Ligeti’s satir­i­cal “anti-anti-opera” Le Grand Macabre staged at The New York Phil­har­mon­ic this sum­mer. In this clip, we encounter Gaga-inspired cos­tumes and per­for­mance as we watch Gepopo, chief of the secret ser­vice, telling Prince Go Go about the pan­ic break­ing out in the streets…

On a relat­ed note, don’t miss Christo­pher Walken read­ing Gaga’s “Pok­er Face”.

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The Power of Music

The video says it all. CNN has more on Cap­tain Jack

via Alec Couros aka @courosa

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All the Great Operas in 10 Minutes

You’ve per­haps seen the “Nine Minute Sopra­nos” (all 6 sea­sons summed up in 9 min­utes) or “The Wire Wrap Up” (5 sea­sons of The Wire recapped in five short min­utes). Now you get 11 Great Operas in 10 Min­utes along with their plot lines that rival the dark twists and turns of any HBO series. (Or maybe it’s the oth­er way around.) La travi­a­ta, Car­men, Don Gio­van­ni, Aida – they’re all cov­ered here.

Christopher Walken Reads Lady Gaga

Last week, we caught Christo­pher Walken, the Oscar win­ning actor, host­ing an NYC talk radio show for a day. This week, we have him “cov­er­ing” Lady Gaga’s “Pok­er Face” in a fun­ny short minute. The Walken read­ing orig­i­nal­ly aired last year on the BBC’s Fri­day Night with Jonathan Ross. The clip comes to us via Jason Kot­tke.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Brian Wilson Reimagines Gershwin (Listen Online This Sunday)


Bri­an Wil­son was the dri­ving force behind The Beach Boys, the band who gave us Pet Sounds (1966), the LP ranked 2nd on Rolling Stone’s list of “The 500 Great­est Albums of All Time.” Now, almost 50 years after form­ing the band, Wil­son will release a new solo album next Tues­day. Bri­an Wil­son Reimag­ines Gersh­win fea­tures cov­ers – imag­i­na­tive re-inter­pre­ta­tions, if you will – of clas­sic songs writ­ten by the icon­ic Gersh­win Broth­ers. The video above spells out the back­sto­ry behind the album. But if you want a real taste of the project, then get this. This Sun­day, the album will be streamed live on Bri­an Wilson’s web site at 12:00 noon Pacif­ic Time. And there­after Wil­son him­self will take ques­tions on his Face­book page for one hour (12:45pm — 1:45pm). Get the details here. And also check out this good find: Gersh­win plays Gersh­win: Rhap­sody in Blue.

Coltrane’s “Giant Steps” Animated (Part II)

Michal Levy takes John Coltrane’s clas­sic, “Giants Steps,” and inter­prets it through flash ani­ma­tion. We have post­ed a YouTube ver­sion above, but you should ide­al­ly watch this bril­liant clip on Levy’s web site here.

This is not the first time that “Giant Steps” has been ani­mat­ed. Last year, we high­light­ed a pop­u­lar video that makes Coltrane’s tune come alive on paper. You can watch it dance here.

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