Catch Khaled HosÂseiÂni talkÂing about his latÂest bestÂseller, A ThouÂsand SplenÂdid Suns, which comes on the heals of the The Kite RunÂner. The interÂview was conÂductÂed by JefÂfrey TraÂchtÂenÂberg at The Wall Street JourÂnal.
Catch Khaled HosÂseiÂni talkÂing about his latÂest bestÂseller, A ThouÂsand SplenÂdid Suns, which comes on the heals of the The Kite RunÂner. The interÂview was conÂductÂed by JefÂfrey TraÂchtÂenÂberg at The Wall Street JourÂnal.
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The 60th Cannes Film FesÂtiÂval is in full swing. It’s all film for ten plus days. But last night, music – or realÂly U2 – took cenÂter stage. Before the midÂnight screenÂing of their new rockÂuÂmenÂtary, U23D, the Irish band played a two song set (VerÂtiÂgo and Where the Streets Have No Name) on the red carÂpet. It was short and sweet. You can watch it below. Cheers. Tell a Friend About Open CulÂture - More PodÂcasts: Arts & CulÂture — Audio Books — ForÂeign LanÂguage Lessons — News & InforÂmaÂtion — SciÂence — TechÂnolÂoÂgy — UniÂverÂsiÂty (GenÂerÂal) — UniÂverÂsiÂty (B‑School) — PodÂcast Primer |
| Once upon a time we told you about TED Talks, the annuÂal conÂferÂence that brings togethÂer the world’s “thought-leadÂers, movers and shakÂers.” These talks have been availÂable on iTunes in both audio (iTunes — Feed) and video (iTunes — Feed). And now you can apparÂentÂly find some on YouTube. Below we highÂlight a few.
First up, Dan Gilbert, a HarÂvard psyÂcholÂoÂgy proÂfesÂsor who recentÂly wrote StumÂbling On HapÂpiÂness, a book that uses psyÂcholÂoÂgy, cogÂniÂtive neuÂroÂscience, phiÂlosÂoÂphy and behavÂioral ecoÂnomÂics to show how our imagÂiÂnaÂtion — our unique abilÂiÂty to preÂdict the future — usuÂalÂly interÂferes with our basic abilÂiÂty to be hapÂpy. Here you get some kerÂnels of thought from the bestÂselling book, and some insights into why a paraÂplegic is often as hapÂpy as a lotÂtery winÂner. Good stuff here. Next, we give you Al Gore doing a litÂtle stand-up comÂeÂdy (no kidÂding) and speakÂing on globÂal warmÂing, much as he does in An InconÂveÂnient Truth. No othÂer introÂducÂtion is needÂed. LastÂly, we give you Dan DenÂnett, DirecÂtor |
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Michael ConÂnelÂly, a crime ficÂtion writer, pubÂlished an op-ed in the LA Times protestÂing the move and he paints a dire picÂture of our culÂturÂal future:
Should we blame cash-strapped newsÂpaÂper comÂpaÂnies or a culÂture that’s shiftÂing away from traÂdiÂtionÂal media altoÂgethÂer? Ladies and genÂtleÂmen, start your iPods–to lend reaÂsoned analyÂsis, we now turn to Steven ColÂbert, who interÂviewed Salman Rushdie on this subÂject earÂliÂer this week (click below or watch the full show on iTunes): |
| More good news for book fans: Google has launched a new colÂlecÂtion of videos called Authors@Google. The videos feaÂture talks by authors, writÂing across many genÂres (litÂerÂary ficÂtion to sciÂence ficÂtion, sociÂolÂoÂgy to techÂnolÂoÂgy, polÂiÂtics to busiÂness) who have made recent visÂits to Google campuses.You can access the talks via a new homeÂpage, or just go immeÂdiÂateÂly to the video archive itself. And there, you’ll find talks by MarÂtin Amis (House of MeetÂings) and Jonathan Lethem (You Don’t Love Me Yet: A NovÂel), but also ones by Strobe TalÂbott, Bob & Lee Woodruff, SenÂaÂtor Hillary ClinÂton, and CarÂly Fiorina.To get a betÂter feel for Authors@Google, we’ve includÂed a clip below from Jonathan Lethem, who wrote MothÂerÂless BrookÂlyn, a favorite of mine that offers a truÂly unique, litÂerÂary take on the traÂdiÂtionÂal detecÂtive novÂel, and which always leaves me feelÂing a bit homeÂsick for BrookÂlyn. For more inforÂmaÂtion on Authors@Google, click here.Tell a Friend About Open CulÂture |
One of the most bookÂmarked items this weekÂend on del.icio.us was a streamed verÂsion of The Pirates of SilÂiÂcon ValÂley. It’s a well-regardÂed teleÂviÂsion movie, based on the book Fire in the ValÂley, which looks at the earÂly days of Bill Gates and Steve Jobs, the respecÂtive founders of Microsoft and Apple ComÂputÂer. The video proÂmotÂed by del.icio.us is itself hostÂed by Google Video, a fact that has a couÂple of layÂers of irony to it.
Irony #1. Back when the film was made in 1999, Google was bareÂly on anyÂone’s radar screen. NowaÂdays, it’s the 800 lb gorilÂla in the tech secÂtor. In a few short years, it has elbowed Yahoo out of its leadÂerÂship posiÂtion on the web, and you can bet it will soon be eatÂing MicrosoftÂ’s lunch. If any comÂpaÂny is domÂiÂnatÂing SilÂiÂcon ValÂley right now, it’s Google, although a re-inventÂed Apple is cerÂtainÂly havÂing a nice run.
Irony #2. The Pirates of SilÂiÂcon ValÂley makes a point of underÂscorÂing how Microsoft built its busiÂness by “borÂrowÂing” from Apple. MeanÂwhile, Google, which now owns YouTube, has been locked in a lawÂsuit with HolÂlyÂwood stuÂdios (most notably ViaÂcom) for letÂting its video serÂvices disÂtribÂute, yes, piratÂed conÂtent. It stands to reaÂson that the Google-hostÂed verÂsion of The Pirates of SilÂiÂcon ValÂley falls in that catÂeÂgoÂry, though we could be wrong. But givÂen how long the video has been postÂed on Google Video (since last NovemÂber) and how many times it has been viewed (352,988 at last count), you have to wonÂder how much the stuÂdio (TurnÂer Home EnterÂtainÂment) parÂticÂuÂlarÂly cares. This is all entireÂly specÂuÂlaÂtive, but perÂhaps their logÂic is simÂply this: The resÂoÂluÂtion of Youtubesque video is so poor that few viewÂers will see the movie as a real subÂstiÂtute for the origÂiÂnal film, and perÂhaps users will be motiÂvatÂed to buy the film in DVD once they get a taste of the plot. (This is essenÂtialÂly the same logÂic, by the way, put forÂward by those who argue for releasÂing books in free e‑book verÂsions and fee-based paper verÂsions.) To get a sense of what I’m talkÂing about, you can watch the video below, but you’ll pretÂty quickÂly see that it’s worth ponyÂing up a litÂtle cash and watchÂing a watchÂable verÂsion. (You can buy one here.)
Long-term some of this thinkÂing may figÂure into any deal that Google works out with HolÂlyÂwood. A deal could look like this: HolÂlyÂwood agrees to upload low resÂoÂluÂtion conÂtent that Google gets to monÂeÂtize. In turn, Google agrees to let users make conÂtexÂtuÂal purÂchasÂes of DVDs, or at least downÂload high resÂoÂluÂtion verÂsions of videos for a fee. And then everyÂone can go home hapÂpy.
RecentÂly a WashÂingÂton Post staff writer, Gene WeinÂgarten, decidÂed to conÂduct an usuÂal experÂiÂment about high culÂture. He talked one of the world’s finest vioÂlinÂists, Joshua Bell, into takÂing his mulÂtiÂmilÂlion dolÂlar fidÂdle to the WashÂingÂton D.C. metro and playÂing incogÂniÂto for comÂmuters durÂing the mornÂing rush hour. The result? HardÂly anyÂone slowed down, let alone stopped to lisÂten. WeinÂgarten’s artiÂcle explores what hapÂpened in fasÂciÂnatÂing detail and raisÂes trouÂbling quesÂtions about how we expeÂriÂence free culÂture. Does art only matÂter when we enjoy it in the right conÂtext? After a few minÂutes in the subÂway, Bell said his own expecÂtaÂtions were radÂiÂcalÂly lowÂered, to the point that he was sickÂenÂingÂly grateÂful when someÂone dropped a dolÂlar instead of a quarÂter into his (mulÂtiÂmilÂlion dolÂlar) vioÂlin case. Check out his amazÂing perÂforÂmance (apparÂentÂly the acoustics were pretÂty good in the metro staÂtion):
You can lisÂten to the full verÂsion of BelÂl’s imprompÂtu conÂcert on the WashÂingÂton Post webÂsite here. InciÂdenÂtalÂly, he went on to win the presÂtiÂgious Avery FishÂer Prize this week. MeanÂwhile Garten, the WashÂingÂton Post writer who masÂterÂmindÂed the stunt, disÂcussed the expeÂriÂence on On the Media last FriÂday (iTunes — Feed — Site).